Black Sabbath - After Forever

Coming back home to my native environment in the Midwest during August is a toss up, however it's one that's worked pretty much to my favor two years in a row. But I ain't pushing it; back to October from here on out. I miss Autumn, a season we don't have where we live now. That said, I can't complain; for two years in a row I've gotten a minimum of the hot, muggy crap and instead had some really nice thunderstorms and a generally cooler atmosphere than I would have expected. In the midst of that kind of cooler temperature I've been able to hit the woods and explore some old haunts. I spent a lot of time in the forest preserves of the greater Chicagoland area during my formative years and one of the things that always accompanied them - other than a particular green and leafy vegetable consumed via smoke inhalation - is Black Sabbath. It is, in a word, in my blood.

I still listen to Sabbath on a somewhat regular basis, going through seemingly unprompted jags from time to time back home in my adopted Los Angeles, but it's not quite the same. And usually there's a whole host of new music that demands my making new Chicago memories with when I come home to visit. This year though, maybe because of the rain and the forest preserves, I'm stuck on an Endless Loop of Sabbath while I'm here. And "After Forever", a song I've always loved as part of the overall oeuvre of the band but never really focused too much on for its individual traits within that oeuvre, has become something of an obsession for me at the moment.

Master of Reality, the record upon which the track in question is found, has never been one of the go-to Sabbath records for me. Well, really the entire run of albums the band put out with John "Ozzy" Osbourne are go-to records, but within that run there are favorites I harbor. Mine have always been the Eponymous first record, Vol. 4 and the band's masterpiece, Sabotage. Surprisingly to many, even their often maligned second to last with John, Technical Ecstasy probably clocks more yearly spins that M.O.R. Which is interesting when you stop to consider that at least three of the tracks on M.O.R. are among my favorite Sabbath tracks. "Into the Void" was one of the first tracks I ever heard by the band and both that and "Lord of the World" have what might be my favorite riffs by Iommi. And the quiet "Solitude" has always captivated me with it's eerie, serene beauty. Despite all this, the record has always struck me as a bit abbreviated. "Embryo" and "Orchid", the two instrumentals that serve as introductions for longer, thicker tracks are both beautiful, but when you have a thirty second and a two minute instrumental that count as two of eight tracks that comprise a record, weeeellll... And yes, several of the other tracks are rather meaty, but I still always feel M.O.R. is over before it begins.

Anyway, because of this stigma I've created for my relationship with this record - still an amazing record - "After Forever" has spent the last fifteen years perpetually slipping below my radar. So I guess now, while the rain's flowing and the forest preserves of my hometown call to me, I'll give it its due.

Volume knob set firmly at 11.

Black Sabbeth?

I'm re-posting this from my favorite music blog, the brilliant Heaven is an Incubator. I had no knowledge previous to this of the band Gonga, but Beth Gibbons + Black Sabbath is just too good to be true.

I was a fan of Ms. Gibbon's band Portishead from back around the time of Dummy, but it wasn't until the release of Portishead's record Third in... ah, 2007 that one of their records became necessary to me. The pagan-like soundscapes of some of the darker corners of Third fell into that category of music that the first time I hear it some part of me feels as though it were made specifically for me. So it's really no surprise that I feel the way I do about this cover because Black Sabbath's Black Sabbath - along with much of their Ozzy-era catalogue - also hits me that way.

Black Sabbath - Under the Sun/Everyday Comes and Goes

It's raining in LA and I'm celebrating with Black Sabbath Vol. 4

Fairies Wear Boots covered by All-Star Metal Line-up

One of my favorite Black Sabbath songs. This all-star line-up consisting of Geezer Butler, Zakk Wylde, Charlie Benante and Corey Taylor was recorded at a Hartke Bass event held at LA's wonderful Henry Fonda Theatre. The event honored Geezer Butler, who is - in my opinion - one of the greatest bass players around.

Via mxdwn.

In Solitude

The thing that initially caught my eye when I read about In Solitude on Brooklyn Vegan for the first time this afternoon (here) is the word Solitude - whenever I see it in a musical context I always think immediately of one of my favorite Black Sabbath songs, track seven on the band's classic third album Master of Reality. Anyway, I followed the link, hit play on the above widget and my ears perked up. "Sounds a bit like Ghost" I thought. Then I read the article and saw that the Vegan mentions that, "The band, which may or may not contain members of Ghost BC..."

Whoah.

Follow the link back to read more, but it looks like Metal Blade is releasing a long-player from In Solitude on 10/01 and there are tour dates.

Liner Notes

Some of my favorite things in the world are the Liner Notes in old Black Sabbath albums. There's something so... clinical and pragmatic about the way they're written. Just their inclusion in the packaging flies in the face of anything you'd ever see in most of the music industry today, so they are very much evocative of the time and compliment listening to the records quite nicely.

Black Sabbath in the Studio

I have no illusions that "13" - 3/4ths of the original Black Sabbath's first record since the late 70's - will be good, but hopefully I'm wrong. Sabbath's original "Ozzy" years are among the most cherished albums I've encountered in my lifetime, but you know - you can't go home again. The band released a song sometime in the late 90's, I believe it was called psycho man and it was so terrible I'd prefer not to even look it up to confirm that. I'd prefer you abstain from doing the same.

The reunion is not complete as Bill Ward isn't involved, but I can't say the idea of Iommi, Butler and Ozzy recording a new record doesn't intrigue me at least a little bit, thus the video above. You never know. (yes you do!).

Courtesy of blabbermouth