Drinking with Comics - Relaunch Special #1

... and we're back! New location. Just two of the guys who started it (for now - although the third original member, who was actually my original partner on this venture, was in town from NY for the show, so that was awesome). Adobe's newest update nearly fucking killed me editing this one; apparently the export to H264 file format now drops audio, which is something you don't find out until after the three hours it takes render a forty-nine minute session with extensive color correction work and numerous other plug-ins. It took me five fucking days, but I found a work around and from here out, it will hopefully be smooth sailing. Because we plan on doing more of these.

A lot more.

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Song:



My cousin has turned me into a card-carrying Kevin Morby fan, and this is one of the songs on his latest album, Oh My God, that I can't seem to live without these last couple weeks.

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Reading:

Currently, I'm held spellbound by David Cronenberg's debut novel, Consumed. When I saw Cronenberg speak at Beyondfest in 2018, he talked about originally wanting to be an author. It makes sense that his storytelling skills would translate from film to prose; the book definitely feels cinematic, to say the least. ~106 pages in and Consumed is excellent, and also bordering on the most disturbing thing I've read since Naked Lunch.

The fact that Cronenberg is writing/directing an adaptation of this for Netflix makes me both extremely excited and horribly afraid.


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Playlist:

David Bowie - Black Star
Lingua Ignota - Caligula
Kevin Morby - Oh My God
The National - High Violet
Angel Olsen - All Mirrors
David Bowie - Hunky Dory
David Bowie - Outside
Trent Reznor and Atticus Ross - Watchmen Vol. 3
Godflesh - Pure

Card:

A warning to recognize losing oneself in delusion. I actually think this applies to a facet of introspection I've had of late; until last night, it's been almost a good solid two weeks of little to no writing. A lot of that was editing the episode of DwC. Some of it, however, was a combination of fatigue and laziness. I'd come home from work exhausted, lay down and turn on a flick. Fine when that's a one-off, but when that happens several days in a row, I begin to make a habit of it. I come home from work and, tired or not, want to smoke up and watch something. There's filling the well, and there's abandoning the Art for consumption's sake. Escaping my work for the sake of falling into the fantasy of a movie, when reiterated over and over, begins to dissolve the creative inertia I've spent so much time building. This is a good reminder to put the Art first, and the fantasy second.

Pan's Labyrinthine Dreamscape

Five days ago: in the car, a cover of Kate Bush's Running Up That Hill comes on KROQ and mildly annoys me. I erroneously dismiss it as another 'Of Monsters and Men' type band covering a song I adore.

One day ago: I hear the same Kate Bush cover on the radio that is always on at work.  Normally tuned exclusively to KXLU, lately, the dial has been set to KROQ. I relive the experience in the car from a few days before, walk out and Shazam the track, realizing as I stand there with my phone in my hand that I actually like the cover.

Fifteen minutes ago: I wake up early, set up to stretch and see that I ear-marked the artist in question, Meg Myers', 2014 Make A Shadow EP on Apple Music. I download the tracks, lay out a yoga mat and hit play. While attempting to stretch out incredibly sore hamstring muscles, the first track starts and I melt.

This is amazing. Full salvo - this hits me hard.

Five minutes ago: I start this post, a newly minted Meg Myers fan.

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It's time again for...

For the first time in years yesterday, I listened to Maybe You've Been Brainwashed Too by the New Radicals. This was a huge album for me in the early 2000s, but perhaps because of that fact, it feels as though it belongs to that era. In this on-going obsession with recontextualizing the 00s, I listened to the album in one straight shot at work and experienced it in a deeply emotional way. Which was very, um, cathartic, I guess. Weird to experience a strong emotional response to music in an office with other people around, but it's kind of a different office aesthetic than most people have, so it worked.

I followed the one album Greg Alexander recorded as New Radicals with a song that often surprises people when it pops up on my iPod in a public forum. I know nothing about Michelle Branch and I'm not the biggest Carlos Santana fan, especially the album I'm about to reference here. However, this song, written by Alexander, sounds like it belongs on that one New Radicals album. I love it. When Ms. Branch hits those "tell my whhhyyyy" parts, it does to my soul exactly what Alexander's voice does on album opener Mother We Just Can't Get Enough, and it feels very, very good.



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Finished the second season of Veronica Mars, and we're now a quarter of the way through the third. I've seen all these before, but my memory sucks, so while I remember how the main season arcs sweep, I don't completely remember how they get to where they're going. That was certainly the case with the climax of Season Two, where I remembered who had blown up the bus, but not why. I also didn't remember just how damn dark that Season Two finale gets, or how dark Season Three's main story is. Is this why the show ultimately disintegrated in the ratings that propelled it through its initial lifespan and subsequent following?

Chomping at the bit to revisit the movie - which I remember nothing about - and to get to the new Season on Hulu.

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The new episode of The Horror Vision is up. Movie of the episode is James Gunn's wonderful 2006 gross-out Slither, but the conversation goes all over the place, from Jennifer Kent's Babadook follow-up The Nightengale, to AHS 1984's conclusion (no spoilers), to Clive Barker's Nightbreed. Oh, and our Classic Corner is Stanley Kubrick's The Shining.

The Horror Vision on Apple

The Horror Vision on Spotify

The Horror Vision on Google Play

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Doing the movies-on-silent-in-the-background-while-I-write thing again, and it seems to be working well for inspiration. Recent features:





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Playlist:

Alice in Chains - Eponymous
Soundgarden - Down On the Upside
St. Germaine - Tourist
New Radicals - Maybe You've Been Brainwashed Too
Federale - No Justice
Roxy Music - For Your Pleasure
Blut Aus Nord - Memoria Vetusta III: Saturian Poetry
Dean Hurley - Anthology Resource Vol. II: Philosophy of Beyond
Telephone Tel Aviv - Immolate Yourself

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Card:

Which I associate with a very good friend who I spoke to immediately after pulling the card - coincidentally, not by design - who experienced a 6.4 Earthquake in Tirana. Stay safe, brother.

Writing Chamber 11.23.19

Because I'm spending the day with my phone in airplane mode so I can finally finish another of these short stories that have been haunting me for months, I'm revisiting a lot of the stuff that's trapped on my old iPod. Which, as it turns out, is extremely inspiring. Telephone Tel Aviv's album Immolate Yourself was an album I came to unexpectedly: sometime in the mid-00s a friend had given me a bunch of albums in MP3 form, so many in fact that it took me quite some time to work my way around to all of them. One day after work at the bookstore, I came home and hit "Shuffle" on the desktop computer before lying down for a nap. I woke up at some point with this album on, but the wake-up was half-hearted, and as I lie there drifting in and out of sleep, this record slowly endeared itself to me. It has, since then, been a portal back to the weird, twilight mindset of that experience.

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Along with the old iPod selections, I'm playing a couple movies on silent in the background while I write. Today's choices:






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With Tasmyn Muir's Gideon the Ninth winding down (it's SO freakin' good), I purchased and loaded Autumn Christian's Girl Like A Bomb in my 'on-deck' reading circle. I don't know much about the book or the author, but I LOVED Shadowmachine, Christian's entry into Robert S. Wilson's Ashes and Entropy anthology earlier in the year, and am excited to read more of her work.

What a cover. The font alone sells it.

**

Playlist:

Blackstar - David Bowie
A Storm in Heaven - The Verve
David Bowie - Diamond Dogs
Oh Baby - The Art of Sleeping Alone
Deth Crux - Mutant Flesh
Ministry - Psalm 69
Bohren and der Club of Gore - Sunset Mission
Bohren and der Club of Gore - Gore Motel

New Trailer for Shudder's Creepshow!

This Thursday! Can't wait.

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The Writing Process:

Lots of intense bursts of inspiration for Shadow Play Book Two: The Absence of Light. I have a general outline, sort of, but there's so much ground to cover and a lot of jumping around in the timeline, which currently runs from about 1576 to 2019, with one chapter most likely occurring in early pre-history. This is easily the most ambitious story architecture I've ever attempted, but it feels strong and alive in a way that is increasingly energizing. Which is great, because lately, I've had a lot of ups and downs with all the short stories I've been working on over the last year, and the first book of Ciazarn is largely written, but I can't quit nail the tone, so I'm easing away for the time being on that one. Frustrations are amplified by the fact that most of these issues would probably work themselves out if I could just get back on a consistent writing schedule. Hoping that happens this week.

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Super excited to announce I'll be doing a bit of a collaboration with my good friend Mr. Brown. I've never really been an X-Files fan; I don't have anything against it, but I also have never really gotten into it beyond a dalliance with the 'mythology' episodes way back in the day, which dried up as it became apparent the story wasn't really mapped out to conclude in any satisfying way. Or maybe I'm wrong - I liked some of what I saw, but could never commit to a regular watch-schedule with it, despite being sexually obsessed by Gillian Anderson in my late teens/early twenties.

But I digress...

Brown asked me recently if I'd be into the idea of him curating a playlist of stand alone X-Files episodes, the idea being I would watch them and write a little something about them as I go. I love this idea, as I trust Brown's taste implicitly, and have always wanted someone to show me just what the hell everyone loved about this show in the 90s. This is the perfect time for such a project as well; 31 Days of Horror begins next week, and I figure on days with little watch time, I could pepper in some X-Files. I have the list and can't wait to start!

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Recent Playlist:

Carpenter Brut - Leather Teeth
Carpenter Brut - Trilogy
Uncle Acid and the Deadbeats - Wasteland
The Ocean - Heliocentric
Drab Majesty - Careless
Various - A Girl Walks Home Alone At Night OST
Boy Harsher - Careful
Rob Zombie - Hellbilly Deluxe
Monolord - No Comfort
Joseph Loduca - Evil Dead 2 OST
John Carpenter - Prince of Darkness OST

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Card of the day:

Turning. Changing. Cycles. You can see on the diagram below that Atu X: Fortune manifests as the path between Mercy and Victory. Not sure how to read that in my own current context, but while digging around online for the image below, I came across something I'd never really noticed about Fortune - The Wheel or The Wheel of Fortune in other decks. It moves counter clockwise. Macro-definitions aside, I'm looking at this today as a nod to move forward in reverse-engineering something that has been giving me a bit of trouble.

Larry Fessenden's Depraved

A friend and I are going to check out Larry Fessenden's new film Depraved in Hollywood tonight, and I am excited! I've been waiting for some time for this, a modern re-telling of Mary Shelley's classic Frankenstein tale. The trailer looks fantastic, and the theatre the film is playing at is one of my favorite little nooks and crannies in a city where everything is overblown and overexposed. A fun time will be had by all, of that I am certain.

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New Fangoria arrived two days ago and I've barely had a chance to scratch the surface.

Great cover.

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Playlist from 9/18:

Sausage - Riddle Are Abound Tonight
Sleep - Sleep's Holy Mountain
Sepultura - Roots
Malcolm Middleton - Sleight of Heart
Lustmord - The Word as Power
Perturbator - Dangerous Days

**

Card of the day:

I love seeing the same card multiple days in a row, especially when I can interpret the pull as a nod that what I've been doing is the right thing to be doing. Burnt out and not in the best physical shape, I took another day off from writing after work yesterday and had a big ol' nap. It was glorious! This restorative, Powering Up period has worked wonders - I feel considerably better today than I did yesterday, so tomorrow it's going to be rest in the morning, and then back at it.

Actually, I did a little bit of work yesterday: finally dug out an old manuscript I intend to canabalize for an upcoming short story. It was fun revisiting old material, especially looking at it with fresh eyes, seeing what I can use and what will be changed or tossed. This new one's been on my mind for over a year, so I can't wait to tear into it!

2019: August 26th Jonathan Lethem's Motherless Brooklyn

I became esctatic yesterday after stumbling across the trailer for a big-screen adaptation of possibly my favorite novel by Jonathan Lethem. I read Motherless Brooklyn about ten years ago, and I absolutely loved it. In fact, I recently ear-marked several of Lethem's books to read/re-read, simply because it's been some time since I revisited his work; I think the last time I picked up Amnesia Moon at the always delightful Dark Carnival Bookstore in Berkley in the spring of 2012. I blew through that one in about a day and a half, and that's pretty standard for Lethem's work, which I've been interested in since his completely insane re-boot of Marvel Comics' Omega the Unknown back in 2007. Also of note is the fact that Lethem took David Foster Wallace's place as a Literary Professor at Pomona College after Wallace's death.

What a delightful surprise this adaptation is. Can't wait to re-read the book now.

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Day four of my Dead Milkmen Appreciation Week and I'm finally getting around to representing my favorite album, the band's 1985 debut Big Lizard in My Backyard. And what better way to represent the album than with the title track, which is both endearing and hysterical.



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New episode of The Horror Vision went up yesterday. In it, we discuss Ready or Not, revisiting Rob Zombie's Halloween, 1972 oddity Grave of the Vampire, Michael O'Shea's The Transfiguration, and a whole lot more. Also, as our featured flick, we watch and give an immediate reaction to Scott Schirmer's Found.

Check it out:

The Horror Vision on Apple

The Horror Vision on Spotify

The Horror Vision on Google Play

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Playlist from 8/25:

Etta James - Etta James (Third Album)
Joy Division - Closer
Deafheaven - New Bermuda
FMLYBND - Letting Go (single)
Ghost Bath - Moonlover
Kevin Morby - Singing Saw

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Today's spread:

When I pulled these, I had a very specific question in mind: I'm caught in a loop on a story that should have been finished weeks ago. It's repeatedly pulled me away from Ciazarn and really been nothing but a pain in the ass. What's more, although I love the core concept, it insists on going to places I'm not particularly comfortable with. So my question was, do I ditch it and start anew? Well, a path is laid one stone at a time (The Fool), and Victory (6 of Wands) often comes at the hands of Instinct (Knight of Disks). I'll give it one more day, as yesterday's writing session was largely instinctual, as I chopped massive sections out of the story in an attempt to stream-line it around an idea I had late Saturday night. One day, then it's back into the piles for it.

2019: August 24th The Mandalorian Trailer

One and a half years ago I sat in a movie theatre in the South Suburbs of Chicago and took a killing blow to my nostalgia-based love of Star Wars. Today, watching the trailer Lucasfilm released for The Mandalorian, I feel that love intensley rekindled. Not rekindled in a capacity that will see me paying ~$20 for the next installment of the film franchise, but in a way that does what this new series was quite transparently made to do: reach back into my nostalgia bunker and pull out a big ol' pile of my childhood guts. I count quite a few checks in boxes I'd forgotten I have:

Boba Fett (in visage if not character, which in my opinion, is a fucking brilliant way to fan service us without a retcon that resurrects the ill-fated bounty hunter).

IG-88. Kicking ass and taking names, no less.

That squid-faced guy from Jedi.

Cantinas filled with wretch scum and unabashed villainy.

Oh yeah, and then there's the fact that Werner Herzog plays a heavy. Herzog and Star Wars? Talk about two things I never knew I wanted before seeing them with my own two eyes.

So yes, I will definitely be on board with the Disney steaming app for this one. No doubt. And I can appreciate my rabid fervor as nothing short of nostalgia - I'm fine with that.

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Today is day number 2 of Dead Milkmen Appreciation Week here on my page. For today's entry, I went with something newer - Fauxhemia, the second track from 2011's The King in Yellow. Once again, the Milkmen totally nail relatable lyrics. The entire album is quite adroit at that - surely one of the Milkmen's greatest strengths. What's more, this album really excels at striking a track-by-track synthesis of the two main song archetypes the band's songwriting typically manifests, which I'll trace all the way back to their 1985 debut Big Lizard in My Backyard (long my favorite by the band) to define: there's the biting, often hysterical social commentary in tracks such as Violent School and Right Wing Pigeons, and the more straight-forward, emotionally melodic numbers like Tugena. And the synthesis really works, perhaps on no song better than this one. In my head, when the "Your 300 lb Psychic Baby..." line comes up in the chorus, I immediately picture the cover of Big Lizard, except with the giant lizard replaced by a giant, fat baby, and it always makes me laugh.



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Playlist from 8/23:

The Dead Milkmen - The King in Yellow
Roxy Music - For Your Pleasure
Mötley Crüe - Shout at the Devil
The National - High Violet
Uncle Acid and the Deadbeats - The Night Creeper
Alabama Shakes - Sound and Color
The Dead Milkmen - Big Lizard in My Backyard
Amy Winehouse - Back to Black
Jenny Lewis - The Voyager
INXS - Kick

**

Today's spread:

Something I'm working on isn't working, I'm trying to force the issue, and that's not going to work. So the question then, is what do I need to re-think? I think there's an underlying current here of anxiety concerning Ciazarn, because Grimm and I are attempting to get this up on its feet by September. That feels like I'm trying to force that deadline, and I think this spread is telling me what I already know: push it back.

2019: July 31st El Gigante now on Shudder!!!

Super psyched for Luchagore Productions' short film El Gigante to hit Shudder! This one needs to be seen by more people. If you dig it, check out Luchagore's website, youtube channel, as well as Culture Shock, their entry into the Blumhouse/Hulu anthology series Into the Dark. And if you have Shudder, El Gigante is live now, so brace yourself.

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NCBD this week sees the release of the final issue of Brian K. Vaughan and Cliff Chiang's mind-bending, hellofagoodtime Paper Girls. I can't wait to see how this one resolves...

And if you haven't already heard, we're apparently getting a pretty big surprise in the fourth part of TMNT: City at War. I don't want to spoil anything, but it's kind of a big thing for long-time fans of the four:

NCBD has been light for me of late, as like Paper Girls, quite a few series I've read for years have ended (some rather unexpectedly), and I've eliminated others that had, for whatever reason, grown stale for me. It's weird, not having a bunch of books to look forward to every month, but I'm trying like hell to resist adding new ones after that existential crisis a month or so back. In most cases, comic chastity has become easy. In others, however, restraint takes work. Case in point; two weeks ago in his weekly newsletter, Warren Ellis announced that he and Bryan Hitch are doing a year-long, monthly Batman series, Batman's Grave.

I know, right?

Batman's Grave #1 drops October 9th, and it will be oh so difficult not to buy it monthly. I may end up doing just that, except, Ellis reads much better as a trade. Not to say the issues are bad, however if trying to read his Wildstorm monthly and eventually switching to trade (one left that's out November 9th) reminded me just how awesome Ellis reads in collected volumes. Night and day. Plus, no fucking ads. I will try to keep this in mind come October 9th, "Wait for trade Wait for trade Wait for trade..." my mantra...

Here's the only real image DC has released so far, aside from what look like some unfinished B&W stuff floating around out there on the comic news sites.

Playlist from 7/30:

Frank Black - Teenager of the Year
Soundgarden - Superunknown
The Jesus Lizard - Liar
The Jesus Lizard - Lash EP
Revolting Cocks - Big Sexy Land
Cibo Mato - Stereotype A
Zeal and Ardor - Stranger Fruit
Siouxsie and the Banshees - Tinderbox

Card of the day:

This looks like good news to me. After a five or six day streak last week working on Ciazarn, building momentum that seemed to really help me crack into the tone of the story, I had to take Sunday off to attend a benefit for a friend. That break in the inertia that had begun to bring things on the project together was a set-back. This is how it is, especially when writing in the early stages of something not yet fully developed. Monday was another wash, and then yesterday I started over. And of course, that first day back on is anything but productive; it's really just breaking fresh ground to begin building momentum again. So seeing the "Breakthrough" card, well, it makes me feel good about what's coming.

2019: July 22nd - The Dandy Warhols Used to Be Friends

It's not surprise that once K and I began Veronica Mars (from season 1 because she's never seen it and I haven't seen it in a long time), I'd gravitate back toward The Dandy Warhols. These guys helped define my early 2000s, and although it's not exactly where my head is at the moment, it's great to get back into the mood for these guys in the height of summer. Fits.

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Saturday morning I caught Peter Ricq's horror comedy Dead Shack on Shudder TV. Fun little flick; parts of it irritated me initially, but I've grown a bit fonder of it in hindsight. And it has a fantastic concept. You can check out my brief review on my new Letterboxd account HERE.

Yeah, just what any of us need - more social media. But it's movies... anyway, here's the Dead Shack teaser trailer the director uploaded to his youtube account:



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Sunday, K and I went to the theatre and saw Crawl. Absolutely fantastic, fun flick to see in a theatre. The storm effects are amazing. And there is zero fat on this one - as Anthony from The Horror Vision said in his review, it is a tight 87 minutes that does not mess around.



**

Playlist from the last few days:

Black Polygons - Lobélia
Public Image Ltd. - This is What You Want...
Sigur Rós - Variations on Darkness
Aerosmith - Pump
The Soft Moon - Criminal
Zombi - Shape Shift
The Soft Moon - Zeros
Drab Majesty - Moder Mirror

**

Card of the day:

A little troublesome; I finished that final read-through/edit on Shadow Play the other night, but advice from a friend in the biz is making me reconsider releasing it myself. This is a highly respected, published horror author who advised me once a book is published, no publisher will touch it, unless, like Hugh Howey, you sell a million copies on your own. I hadn't really considered seeking a publisher that seriously, but it was never out of the question. I find myself reflecting on whether this card is warning of trouble if I do self-publish, or if I don't.

2019: June 12th Marissa Nadler & Stephen Brodsky - For the Sun

Very cool video. That image at 1:15 is creepy as hell. I'd forgotten about this record, so thank you Sargent House for dropping this and reminding me!

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Not a big day for NCBD today, but that's good. Fits with my existential crisis regarding stuff from earlier in the week. I am, however, really looking forward to the new issue of Gunning for Hits:

The back-matter in this book alone is worth the cost of the individual issues, as loaded into the music business both past and present as it is. Absolutely worth your time if you're a music fan.

**

Playlist from 6/11:

Gnarls Barkley - St. Elsewhere
Jamiroquai - Return of the Space Cowboy
Orville Peck - Pony
St. Elsewhere - The Odd Couple
Spotlights - Love and Decay
Ghost Cop - One Weird Trick
Perturbator - The Uncanny Valley

**

Card of the day:

I will be on the look out, as something I have planned is going to fall flat on its face. Being that I woke up at 2:00 AM this morning, I'd say that's my plans to work on the final edit later this afternoon. Not a total loss, as I used that extra time between waking so early and leaving for work to fix a particularly perplexing chapter.

2019: June 4th Scary Stories to Tell in the Dark Trailer!

To say I have extremely high hopes for this one is an understatement. I know, I know; that's never a good idea. That said, when was the last time GDT let us down?

**

Good news! Just to prove I'm not an anti-DC Comics curmudgeon, I watched the first two episodes of the DCU app's Doom Patrol last night and it is AWESOME! So happy for this. A fabulous cast, dark yet often hilarious vibe - thanks in large part to Alan Tudyk's narration - and stories ripped right from Grant Morrison and Richard Case's seminal early late 80s/early 90s run, but altered in a way that really keeps the spirit of the book's madness. Such a joy to have this. Also, watching this made me realize it's probably been 12 or 13 years since I originally read Morrison and Case's run, so I'm starting that today. More like this DCU, please!



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Talking Heads - Remain in Light
Protomartyr - Under Color of Official Right
My Life with the Thrill Kill Kult - In the House of Strange Affairs
My Life with the Thrill Kill Kult -  Confessions of a Knife
My Life with the Thrill Kill Kult - I See Good Spirits, I See Bad Spirits
Earth - Full Upon Her Burning Lips
Man or Astro-man? - 1000X
Man or Astro-man? - Intravenous Television Continuum
Deafheaven - New Bermuda
Dean Hurley - Anthology Resource Vol. 1: △△

**

Card of the day:

Pure Will is what will be required from me to competently finish the novel; I've read this thing now multiple times, but it's been multiple versions as I've refined the plot. This was my first heavily plotted novel (my first novel that's going to see the light of day in a published capacity), and as such there's plot detritus hanging around my head from other versions. This final, post-Beta Reader go-through is to catch any last minute spelling or grammatical errors, neither of which should be possible at this point, as a human Beta Reader can miss something - though Missi didn't miss much - but Scrivener, Grammarly, and Vellum should not. I'm finding the first two have indeed missed a few small errors, and it's freaking me out. There's a predilection for reading absent-mindedly when you have had this much contact with something, and thus I'm requiring Pure Will to stay as focused as possible while reading. I'm roughly 40% of the way through, so I've adjusted my goal to end-of-week I order the first proof, so we'll see.

2019: May 28th Earth - Datura's Crimson Veils

Full Upon Her Burning Lips, the new album by seminal Doom/Stoner/Grunge band Earth dropped last Friday, and it's fantastic. First track, Datura's Crimson Veil is a one of the best lead-ins of the year. I was late to the party with Earth; 2014's Primitive and Deadly was the first album I got into by the band. That record had a very particular meaning to me at the time of its release, and the sound of Dylan Carlson's guitar on that record is forever ingrained in my psyche in a very positive way. It's no surprise then, as Full Upon... feels like a direct follow-up to Primitive (not necessarily a given with a band that has been around this long and reinvented itself as time has gone by; think Swans), I was immediately taken with the new album's sound. You can order directly from Earth's label Sargent House from anywhere in the world via their shop's web portal HERE.

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I finally dragged myself to the coffeeshop on Sunday and put in a solid couple of hours writing. It wasn't the most productive day, but the first day back after a hiatus never is. That's not what it's about; you have to re-establish the ritual and the inertia. Then yesterday knocked me back a peg. No problem, because as I write this I already feel as though today will be a productive day, I'll simply have to work for it.


**
Playlist from 5/26:

Mastodon - Once More Round the Sun
Minsk - The Crash and the Draw
Minsk & Zatokrev - Bigod
The Cure - Disintegration


Playlist from 5/27:

Frank Sinatra - In the Wee Small Hours
The Doors - LA Woman
Drab Majesty - The Demonstration
James Brown - Hell

Card of the day:

With so much time off from writing, I'm frustrated by too many ideas, by being over-worked, and losing sight of my ability to organize. I have to take the first steps to introduce order - in this case the ritual of writing - and just suck it up until I am 100% back on track.

2019: May 14th - Faith No More Live 1997

I've had FNM on the brain of late, specifically King for a Day. Ugly in the Morning has always seemed a classic to me - well, every track on King is a classic, in my opinion at least - but it remains a bit unsung in my head, as in it's never a song I think or discuss first when talking about the band or the album. Contemplating this lead to the idea to post, and searching for the song on youtube this live version came up. Really cool to see this live from back in the day. There are currently conflicting reports of the band working on new music; Patton says they're not and the rest of the guys say they are, so who knows what may one day come down the pipes, if anything. I've recently begun to wonder if we might not see FNM with a different singer again at some point, or new band altogether, comprised of Bottom and Gould, at the very least.

**

Playlist from 5/13:

Godflesh - Pure
Lou Reed - Metal Machine Music
ACDC - Highway to Hell
Uncle Acid and the Deadbeats - The Night Creeper
Charles Bernstein - A Nightmare on Elm Street OST
Blut Aus Nord - The Odinist

**

Card of the day:

The marriage of two forces/ideas into one. I'll read this as a pat on the back for continuing to develop the different voice and ideas I'm applying to writing Ciazarn, which is wholly outside my comfort zone.

2019: Soviet Soviet Live on KEXP

Soviet Soviet performing Fairy Tale, the lead track from their 2016 album Endless, live on KEXP!

**

Congratulations to all my HWA brothers and sisters who won awards last night at the Bram Stoker Awards! Mike Glyer has a list of the winners up on HERE, on his Fanlight Zone website. Check it out!

**

Kind of addicted to the A Girl Walks Home Alone At Night OST. I'd never seen the film before; despite countless recommendations it seemed to remain perpetually on the list. That changed this past Friday when Joe Bob Briggs showed it on The Last Drive-In. LOVED it. Loved it so much, but I need to have an immersive viewing, one without JBB's wonderful sidebars, which I love and can help ease the way for a movie like Henry: Portrait of a Serial Killer, but which impede the full effect of something like Ana Lily Amirpour's B&W, Arthouse Vampire masterpiece.



Also, the OST is chock full of unbelievable music, pretty much all from artists I am - for the moment - unfamiliar with. Lots of new music heading my way, which always makes me happy!

Playlist from 5/11:

Faith No More - King for a Day
Various Artists - A Girl Walks Home Alone at Night OST
Prince - Sign O' The Times
Lovett - The Wind OST


Playlist from 5/12:

Faith No More - King for a Day
L7 - Scatter the Rats
Blut Aus Nord - What Once Was
Godflesh - Pure

Card of the day:

The Fiery aspect of Fire - Pure Will. Which is what I will need to get through the day, I think. Long work weekend, followed by a rough Monday morning so far. I'll do what I always do - put my head down and charge through, stealing any moments I have along the way to work on Ciazarn, a growing obsession now that I've found the voice for it.

2019: May 11th Lovett - Demons of the Prairie

Yesterday I gushed for Emma Tammi's The Wind, today I'll gush for the score. I didn't know anything about Lovett, AKA Ben Lovett, but he's done quite a few scores, especially of late. You might know his music from The Ritual, The Wind, or I Trapped the Devil (which is one of the next movies on my to-watch list). The cool thing with this score though, is I've been working on this Ciazarn book with Jonathan Grimm, and I have a ton of research hours put in, an outline for the first issue/chapter, but I've been unable to find the voice for the actual prose. And a large part of the reason for that is I didn't have the right musical soundtrack to write it to. Music is essential to my writing process, and most of what I listen to evokes my usual tone, where let's say the stuff in A Collection of Desires is a nine on the darkness meter and Shadow Play is a four, and all of it is modern. Ciazarn is a completely different animal. It's 1930s Dustbowl, and it's dark, but it's told through the eyes of a ten-year-old, so that makes it less dark at times than most of my characters, and more dark other times, the hard part being able to tell where each is appropriate for the sake of the story. Anyway, with Lovett's OST for The Wind, I knocked out and polished a pretty fantastic opening paragraph yesterday, so I am excited!

**

Playlist from 5/10:

Black Sabbath - Master of Reality
Black Sabbath - Eponymous
The Black Queen - Infinite Games
Lovett - The Wind OST
Thought Gang - Eponymous
Vanessa Williams - Dreaming' (Single)

**

Card of the day:

Feels good, the sturdy symmetry of the Threes. Feels like where I'm standing right now. Of course, from Three you inevitably have to move to Four, which is a little less stable, but I'll enjoy the feeling of having both feet firmly on the ground for the moment.

2019: April 27th: Netflix's Dark Ssn 2 Trailer

Finally! Netflix's Dark, Season Two drops June 21st, and I cannot wait. Season one blew me away, even if it did take me two go-throughs to 'get' it. There are just so many characters, many of which are old white men with beards, and on first pass, I found myself having a difficult time differentiating between some of them. Second pass though, all that confusion dissipated, and I fell hard into the story. Not gonna lie, I'm baulking a little at the idea of the apocalypse being a plot point in season two, but Dark definitely gets the benefit of the doubt with me.

**

Woke up and watched Under the Silver Lake again, this time with K. Even better the second time. Love this film, and now Turning Teeth is stuck in my head.



**
Playlist from 4/26:

Soundgarden - Down on the Upside
Soundgarden - Super Unknown
Stevie Nicks - Stand Back (Single)
Stone Roses - I Wanna Be Adored (Single)
Suburban Living - Video Love (Single)
Deafheaven - New Bermuda

**

Card of the day:

Power given purpose and direction. A definite nod to Ciazarn, which I need to stop researching and begin writing, but also a cue to my short story Trending Now, which I am about to submit for a fairly high profile anthology.

2019: April 10th - Night Goat

It was only a matter of time until I sunk into my favorite Melvins album while walking around Spokane. There's an insane aural/visual connection I make exploring the various textures of this city - a lot of brick, stone and Earth - with heavy slabs grinding in my ears. It just works. I'm probably waiting until the last day to take pictures - the streets are a bit sketch in a lot of parts, overrun with homeless, many of whom I've seen bother random folks walking around on the street. This makes a lot of people nervous, I know, but I do my best to avoid standing out, and part of that is not pulling out my iPhone every few minutes and snapping pictures. Also, with my worn combat boots, fingerless glove, dark clothing, and fully engaged hoodie, I blend in with the homeless. Which works well for me.

Last night I took a deviation from Ciazarn and followed inspiration for a new short story. The inspiration came from a simple, everyday office scenario that my mind twisted into what is becoming a really fun direction. I wrote for hours yesterday, causally pecking away at an online that, at some point shifted to a full-on narrative. No working title, no nothing yet. Just 15K words and an escalating desire to see where this one goes.

**

Later, back in my hotel room, I watched GhostWatch, currently on Shudder's "Last Chance" list. I'd heard the Shockwaves crew speak on this one a few weeks back, and earmarked it based on whatever that discussion entailed. I have to tell you, it had me all the way through. And genuinely scary, which you all know I consider rare. What's crazy is apparently, many of the British BBC ONE news folks in the movie are indeed real television news folks, and GhostWatch originally aired in Britain on Halloween, 1992 under the auspices of being an actual news program, Orson Welles style. Man! I wish I could have seen it in that capacity. Still, really cool flick. Here's a video that explains the occurrence in more detail than I can:



**

Playlist from 4/09:

Young Widows - Old Wounds
Helms Alee - Night Terror
Uncle Acid and the Deadbeats - Wasteland
Melvins - Houdini

Card of the day:

This resonates. My writing yesterday feels like it's put my power levels through the freakin' roof. More today.

2019: April 8th - Too Old To Die Young

I've been listening to Tricky's Maxinquaye a lot of late. An amazingly album built around uncomfortable atmosphere, Maxinquaye remains timeless. Those aberrant sonic elements that comprise many of the tracks will, I think, always feel fresh and groundbreaking. No one does shit like this except Tom Waits, and that's just a different thing.

**

I had a long flight yesterday. An hour and fifteen to San Jose, where I arrived at 5:00 PM and had until 7:55 PM before my connecting flight to Spokane. No problem. Seriously, some people would hate this, but I looked at it as time to write. Hot to trot on Ciazarn, I found an unbelievable business room in the San Jose Airport - with desks and everything - and I put up shop, adding bullet points to my outline and trying to figure this story out. In this regard, I ended up researching everything from the Dustbowl of the 1930s and what States it affected most, to the evolution of the Railroads up until and including the landmark Santa Clara County v Southern Pacific Railroad Company court decision of 1886 where the U.S. Supreme Court first ruled a corporation has the rights of personhood. This is, by the way, one of the most detrimental moments in Earth's history, if you ask me, because it makes corporations the dominant species on the planet. But I digress. A lot of these events and ideas may not explicitly occur in Ciazarn, but all of them most definitely inform its world. I think I have bigger plans for this project than I first thought, which is cool.

**

Well, FINALLY. Can't wait for June 14th:


Being that this is not only Nicolas Winding Refn, but Ed Brubaker also worked on it - and John Hawkes - I am so in.

Playlist from 4/07:

Boards of Canada - Campfire Headphase
Boards of Canada - Geogaddi
Boards of Canada -
Black Queen - Infinite Games
Ben Frost - By the Throat
Belong - October Language
Barrie - Canyons (single)
Tricky - Maxinquaye

No card today. Running late walking to this week's gig.

2019: April 3rd - Full Episode from Jordan Peele's New Twilight Zone

CBS timed this one right, eh? I haven't had a chance to watch this yet, but I figured I'd post it here for posterity's sake. Very intrigued; I'm imaging the Peele hosted/produced new spin on the classic anthology series will sit quite nicely in the cultural zeitgeist alongside his own films, Black Mirror, Electric Sheep, etc. 

**

The new episode of The Horror Vision podcast went up yesterday. We talk about a bunch of flicks we've seen since the previous episode, and then the recently released Book of Monsters, the trailer for which follows the links for the show below:

The Horror Vision on Apple

The Horror Vision on Spotify

The Horror Vision on Google Play

**

NCBD: I don't even know where to start. Despite keeping track of the releases in these pages, I haven't actually been to the shop in a couple of weeks, so I'm pushing wallet-death at this point, not to mention a very real chance I'll forget one of the peripheral titles not on my pull. If there were any. I don't remember, so I'm going to have to go through the last few week's NCBD posts here so I can stay abreast. Here's today's titles:

LOVE this book!

So good to have Paper Girls back in monthly form!

The description for this issue on Comics List ends with, "...dark times ahead." Oh man.

**

Playlist from 4/01:

Brand New - God and the Devil are Raging Inside Me

Steve Moore - The Mind's Eye OST

Zeal & Ardor - Stranger Fruit

Playlist from 4/02:

John Carpenter - Lost Themes

King Khan & The Shrines - The Supreme Genius of...

The Juan Maclean (Matthew Dear the Red Thread Remix)

Otis Redding - Live on the Sunset Strip

Uncle Acid and the Deadbeats - Wasteland

Card of the day:

Same card as the last pull I did, a few days ago. This is no doubt because my previous interpretation was on the nose, and I have 100% ignored it. Yesterday after work was a much-needed nap and then I finished the edit on the new episode of The Horror Vision. Day before I got a little editing done (did some yesterday morning for that matter too, hence no post here, but I'm lagging. I need to get this to my First Reader before I leave for Washington on Sunday. Hopefully work will be a bit calmer today and I'll have the energy to come home and really knock out the final tweaking on the last five chapters. Because that's all that's standing in the way!

2019: April 1st - Talking Heads - Crosseyed and Painless

Because most days, Talking Heads' first Brian Eno collaboration Remain in Light continues to be the album in my head the moment I wake up. NOT a complaint.

**

A long weekend of work set me back about a day on turning the book over to Missi - yeah, I'm remembering yesterday's Card of the Day, but there's still a few tweaks to be made. I spent about a good hour yesterday morning at 5:00 AM reworking the dialogue in a scene and it has resonated in my head since, so it's worth it.

**

I was so tired last night when I skipped dinner and passed out, that I think I may have been speaking in tongues. Creepy, that kind of tired. Makes me feel like I'm not really here.

**

Playlist from 3/31:

King Khan and the Shrines - The Supreme Genius Of...
Joe Mason - Music for Unrealized Cartoons
Plague Bringer - As the Ghosts Collect, the Corpses Rest
The Police - Outlandos D'Amour
Sleaford Mods - English Tapas
Television - Marquee Moon
Metallica - Ride the Lightning
Windhand/Satan Satrys - Split EP
John Carpenter - Lost Themes

No card today.