Circa its release in 2002, Mr. Brown gifted me a copy of Julee Cruise's The Art of Being a Girl. This is Cruise's third album and her first since 1993's second collaboration with Angelo Badalamenti and David Lynch, The Voice of Love. The sound of this one is all over the place in the best possible way, and I would argue slots in perfectly with that early 00s 'electronica' sound that eventually became ubiquitous. The light, almost mystical sound of this particular track always takes me places, in keeping with all of Cruise's previous work. What we see here and in the subsequent album My Secret Life, her 2011 collaboration with former Dee-Lite DJ Dimitry is an artist who is never content having one sound. Cruise knew her strengths, and she knew how to suss out the best partners to help that sound evolve.
Play:
I'm still playing The Game Kitchen's Blasphemy, and I've made a vow not to buy any new games until I finish it. I don't have a hell of a lot of time for games, but Blasphemy is addictive enough that, considering it's the first video game I've played in probably close to 30 years, I do find myself enmeshed when I pick it up. Because of this, I'm close. Close enough to figure that by the time Rose-Engine's Signals hits Switch on October 27th, I should be ready to embark on its gorgeously horrific journey, made evident with this trailer:
Thanks to Bloody Disgusting for introducing me to this one, as I'd not heard of it before. You can read their article HERE.
Watch:
I re-watched Summer of 84 last night for the third time, and I have to say, especially with this viewing following Stranger Things' amazing fourth season (part 1), I love this film even more. HERE is a link to the brief Letterbxd review I did last night that kind of sums up my feeling about the film, and in case you're unfamiliar, here's the trailer:
Afterward, K and I threw on Shudder TV and stumbled into Peter Carter's Rituals, a film I've been wanting to watch since just before it hit Shudder. Again, you can read my brief review HERE.
Very solid film, and as I say in the review, I'll need another viewing to fully 'get' it.
Playlist:
King Dude and Julee Cruise - Sing Each Other's Songs For You
M83 - Saturdays = Youth
Blut Aus Nord - Hallucinogen
Various - Twin Peaks (Music from the Limited Event Series)
Brand New - Science Fiction
Mrs. Piss - Self-Surgery
Darkness Brings the Cold - Devil Swank, Vol. 1
Metallica - Ride the Lightning
Blut Aus Nord - Dismarmonium: Undreamable Abysses
Card:
Page of Cups again, eh? Interesting that, in only three recorded readings so far with this deck, two of them are the same. I take this to mean that I really didn't pay close enough attention the first time I drew this card, two days ago. I'll also admit at this point that, since I am solely used to using the Crowley/Harris Thoth deck, I am not used to having Pages as part of the Court Cards.
Crowley famously reinterpreted quite a few aspects of the traditional Tarot for his deck. We can sum up his Court Cards as such:
Being that Grimm's Bound Tarot utilizes the traditional paradigm, I have not yet developed that ease with which my mind should read the Page as Princess, but in today's reading, I may have received such a solid example of interpretation factoring immediately into real life, that hopefully, the lesson will persevere.
From the grimoire:
The Earthy aspect of Water; Dreams can become Reality.
I literally woke up this morning after dreaming about officiating my Sister's wedding in less than a week and found my brain immediately transcribing the dream into what has now, several hours later, become the foundation for my speech. So I literally turned my dream into Reality. I'm assuming my first pull of this card the other day was the first indication - amidst my mounting anxiety at not having started the speech - that I needed to listen to the dreams of the event I've been having. I did not heed the first instruction, so the cards gave me the same recommendation a second time.
You can buy a set of these amazing cards on Grimm's site HERE.
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