It's been quite some time since I've really gotten into Ween, which breaks my heart because at one time, and in some perpetually occluded way, they are and were one of my favorite bands ever.
It started with Aaron Freeman (Gene Ween)'s Freeman album and hearing his side of the rift that had torn the band apart a few years prior. I wouldn't say I ever took Gene's side over anyone else's, but there was just something so disturbing about hearing the behind-the-scenes shit on this band known for reveling in intoxication that broke something in me. I wouldn't say anyone was at fault but Freeman himself - we all take responsibility for our choices - but it just left me cold. Then, when the band eventually reunited, I don't know, it just felt like the old, 'Ya can't go home again' rang true.
Yesterday, a message from Mr. Brown about the new three-disc anniversary edition of 12 Gold Country Greats set something in motion, and I started listening to Ween and found I couldn't stop. I feel like I reconnected, but what's more, I realized something important.
Ween takes me to a place - a state of mind that I believe I share with my two best friends in the world - Mr. Brown and Sonny Vee. We all live in different places and can't see one another nearly as much as we would like (I could definitely make more of an effort), and so listening to Ween makes me reflect on missing our friendship in the day-to-day, as something I could experience in the flesh, and that leaves me sad. So, while I may be over whatever bullshit I had due to Ween's breakup (finally), I don't think it's likely I'll be doing more than what I did yesterday - the occasional freefall back into a state of mind that just doesn't gel with the world of 2026. Or, at least for the moment it doesn't.
NCBD:
Another light week, thankfully...
With all the crossover stuff happening around this book, I am very happy that Fraction and Jimenez appear to be keeping that from infecting the regular book. Because I really dig everything happening in this one. Issue 5 is still probably my favorite comic so far this year. So I'm invested. I just don't care about Commissioner Vandal Savage, Mayor Poison Ivy and the whole police angle. It feels too beholden to what Marvel just did in Daredevil: Born Again. I know this always happens with the big two: they share concepts like this. It's fine. I haven't minded what we've gotten of this so far in the book, and actually quite liked the idea of the police hunting the Bat-Family. Now that this plot point is turning into a full-on "Event," I just want it to stay the hell out of the book so it can focus on other things.
Like Minotaur, who my cohost Mike Shin pointed out is almost definitely an AI crime boss. Now that's not something I've seen anywhere else. You?
Watch:
Monday night, K and I hit the Regal Mystery Movie: Horror Edition and were thrilled with an early screening of Eli Roth's Ice Cream Man.
This movie is f*cking bonkers!
Weapons meets Terrifier is my elevator pitch. Weapons, because there are children running around constantly causing mayhem; Terrifier because their mayhem consists of brutally murdering every adult they encounter in some of the most graphic ways I've seen on a big screen since Terrifier 3. This is not for everyone - I can't tell you how many people walked out of the theatre Monday night - but if you have a sick sense of humor like I guess K and I do, I think this will really make for a fabulous night at the theatre!
Playlist:
Steve Moore - Christmas, Bloody Christmas
Secret Chiefs 3 Traditionalists - La Mani Destre Recise Degli Ultimi Uomimi
The Seatbelts - Cowboy Bebop OST
Ween - 12 Golden Country Greats
Ween - Featuring the Shit Creek Boys: Live in Toronto Canada
Ween - Live at Stubbs (Disc 2)
The Black Keys - Magic Potion
Alice in Chains - Sap
Alice in Chains - Dirt
Perturbator - The Uncanny Valley
Gatta Merta - Black Hall (single)
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Four of Pentacles
• King of Swords
• XVI: The Tower
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