New video from Dance with the Dead, and it's really cool! I love the floating first-person perspective used to zoom along deserted, dilapidated forest roads and into old mine shafts. Very cool. Also, those shots are so alluring, I'd imagine it could be difficult to come up with something more narrative-like to compliment it, but a four-minute video of just that perspective stuff would definitely get old. Luckily, the creators knew exactly where to take this one. The "skeleton rave" is a bit goofy, but ultimately totally works for the song, and it gives us a destination for all those traveling shots.
Watch:
Since seeing it pop up on Shudder at the beginning of the month, I've really been wanting to rewatch Alexander Aja's 2003 High Tension. The problem with that particular film, however, is as much as I like everything about the first two acts, the twist or reveal at the onset of the third never worked for me.Maybe I've just been looking for a reason to try the film again - I seem to watch it about every ten years, always hoping I feel different. That's never the case. However - I recently began listening to the Horror podcast The House That Screams, and I'll be damned if their most recent episode didn't change my view of the film's personality-warping twist.
The important thing is, I think, the idea one of the hosts expresses that the killer is not so much a secondary personality, as it is a personification of Marie's romantic (?) feelings for her friend Alex. Something about this just helped my acceptance of the film's outcome, I think probably because at the time of its release, there had already been so many films that imitated Fight Club's masterful maneuvering of character that any hint of it immediately killed a film for me. The only exception to that was Brad Anderson's The Machinist, and my acceptance of that one only came after a conversation with a friend where they explained their understanding of Ivan as a physical personification of Trevor's guilt. The House That Screams hosts (I'm new to the show and haven't heard enough to know exactly who is talking when) make a comparison to Leland Palmer/Bob. Now, while they don't suggest it's exactly the same scenario as Bob's "inhabiting spirit," I'd never thought of this angle before. That kind of surprises me, being what a huge Twin Peaks fan I am. But hearing it and making the earlier, perhaps more 1:1 comparison with The Machinist, I feel like I'm ready to watch the film again and see how it sits.
Read:
Re-reading Warren Ellis & Declan Shalvey's painfully short run on Moon Knight. Goddamn, I wish they'd stayed with it for at least twelve issues.
The good news, of course, was the relationship between Ellis and Shalvey that started here went on to give us three GLORIOUS volumes of Injection, and further went on to launch Shalvey as not only a top-tier artist but a pretty damn great writer as well. I'm still thinking about Bog Bodies after re-reading it middle of last year.
Playlist:
Ghost - Impera
Orville Peck - Bronco
The Cure - Faith
Greg Puciato - Lowered (single)
Tennis System - Technicolor Blind
Isobell Campbell & Mark Lanegan - Sunday at Devil Dirt.
Mad Season - Above
Revocation - The Outer Ones
Mark Lanegan - Bubblegum
Card:
Okay, I love this spread:
To see such a clear narrative offset by instructions that don't just make sense in the course of my current life, but in the course of the nature of the cards, is almost breathtaking.
Past = Princess of Swords: Confusion and chaos. This is my exact mindset of late. I'm fighting myself, my intuition, everything.
Present = Queen of Wands: Not a fan of this card, however, you look at that calming hand on top of the Lion and you get the picture. Reel it in, son. Tame your inner fires and FOCUS.
Future = Prince of Wands: Here's where the beauty emerges. These two cards are in sequence in the deck. One tells you to tame the Lion, the other shows it under your control, pulling you forward.
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