Showing posts with label Absolute Wonder Woman. Show all posts
Showing posts with label Absolute Wonder Woman. Show all posts

Monday, June 15, 2026

Seven Days of The Reverend Horton Heat - Day 7: Nurture My Pig

 
This one here... this had to wait until the weekend (technically, I'm posting this on Monday, but I penned the post itself between Saturday and Sunday). This is a hard-drinking song right here. I LOVE this track - easily in my top 3 from these guys.
 



Watch:

I rewatched Jennifer Reeder's Knives and Skin this past Saturday night. Man, one of the most insanely original films I've seen in years. 

 

I may have mentioned this here before, but I feel like Reeder and Jane Schoenbrun are kind of helping fill in the gaping maw that David Lynch's death left in my life. These two Directors are so original, their work so breathtaking and of the twenty-first century, they help me contextualize the last twenty years in ways Lynch helped me contextualize the first thirty of my time here. Also, Knives and Skin was filmed not far from where I grew up, so that's pretty awesome to see here as well. 




Read:

Although I picked up and started reading Absolute Wonder Woman Volume 2 back when it hit stands in... November? I shelved it until I knew we were going to cover it 


Possibly even better than the first volume, this pretty much cements Hayden Sherman as my favorite working comic book artist. 


Possibly even better than the first volume, this pretty much cements Hayden Sherman as my favorite working comic book artist. The story evolves in a very natural way from the events in the first volume, with a recording of the Teratryde's death sound falling into the wrong hands, and Diana seeking out information that another Amazon is being held in a government Black Site called Area 41. Said site is built atop an ancient maze, and we get all manner of wonderfully odd and horrific maze denizens from Thompson and Sherman. 


Also, an interesting take on Zatana, a character the Absolute Universe introduces in a decidedly more horrific manner than the regular DCU does. 




Playlist:

Dean Hurley - Anthology Resource Vol. II: Philosophy of Beyond
John Carpenter w/ Alan Howarth - Prince of Darkness OST
Perturbator - Dangerous Days
Melvins/Helms Alee - Controlling Data for a Better Feeling Future
Perturbator - Lustful Sacraments
Ruin of Romantics - Velvet Dawn
Marilyn Manson - Exit Wounds (pre-release single)
Mastodon - Your Ghost Again (single)
Metallica - Garage Days Re-Revisited
Mascara - Hla-11Tf (single)
Double Life - Indifferent Stars (single)
King Woman - Doubt EP
Flying Lotus - 1983
Massive Attack - 100th Window
Phantom G.D.L. - Tyrants of Wrath
Deftones - private music
Beak> - Eponymous
Belbury Poly - From an Ancient Star
The Smiths - Eponymous




Card:

Back to my tried-and-true Thoth Deck for today's spread:


• Knight of Swords
• XIII: Death
• Prince of Wands

Use intelligence to guide changes ahead into fuel creativity.

Monday, January 26, 2026

New Music From Sunn O)))

 
From their upcoming self-titled album, out April 3rd on Sub Pop Records. Pre-order HERE.

I'm catching up on a bunch of new music released while I was in the throes of the back-to-back Bowie and Lynch tribute weeks. Not sure when Sunn O))) moved to Sub Pop, but it's weird not seeing their name with Southern Lord. Either way, I'm definitely in the market for a new record from these guys. I kind of check in on them every so often, with Grimm Robe Demos and 2009's Monoliths and Dimensions so far being the only ones I feel truly attached to. For me, it's all about the arranging Anderson and O'Malley add to their core concept of pitch-black drone metal, and "Glory Black" gives me hope that this album may incorporate some new ideas and instrumentation into the classic Sunn O))) sound.
 


Watch:

We got hit with a "whopping" 2.5" of snow in Clarksville this weekend. I put that in quotes because, being from Chicago, 2.5" shouldn't really be that big of a deal. In a state that doesn't get very much snowfall, though, it is a big deal, and our town's effectively been shut down since Saturday. So K and I sat around and watched movies all weekend. One of those was a first for her and a second timer for me - Martin McDonagh's Seven Psychopaths.


When I watched this for the first time, back around 2014 or 2015, I didn't realize it was essentially McDonagh's version of Adaptation. I don't say that to take anything away from either film - both are brilliant. But where Charlie Kaufman's Adaptation is very 'heady,' Seven Psychopaths is manic and fun. Hilarious at times, really. The cast is a dream cast (Tom Waits!) and the juxtapositon of Los Angeles with Joshua Tree reminds me of an era of my life where I spent a lot of time driving back and forth between the two, staying out in the desert and really getting into a creative groove - which is all the main character in this film - Colin Ferrell's Martin - needs to do to solve all his problems. Well, not all his problems.




Read:

I've mentioned my reticence to engage with Scott Snyder's Absolute Batman in these pages before; I've read three issues thus far - Daniel Warren Johnson's Annual, the Ark M special, and issue 16 of the ongoing Absolute Batman series. We've reviewed all of these on Drinking with Comics and my cohost Mike and I are pretty much in agreement - the writing's not great. There are some great ideas here, but also, the pull with this one is very much something I recognize as zeitgeist. Will I ever re-read them? Will the fascination outlast the fervor?

Conversely, I don't think I'd ever have considered reading Absolute Wonder Woman until I realized Hayden Sherman is doing the art. I've become a huge fan of this man's work over the last year. Titles Batman: Dark Patterns and the insanely creepy Into the Unbeing introduced and endeared me to Sherman's unique style, and when I saw he was drawing the Absolute version of Diana, I was intrigued.


This book is fantastic! Not your standard take on the character at all, which is great, because this is one of those DC icons that just does nothing for me. Here, Kelly Thomspon writes Diana in a manner that relies heavily on ancient Greek Mythology. Diana was taken from the Amazons at birth and given to Circe in Hell. Circe raised her, teaching her all of her Hecate-worshipping dark magick, and Diana rides the resurrected skeleton of the Pegasus instead of some invisible plane.


I can't stress enough how, despite this being a character I have never been able to take seriously before, Kelly Thompson has dashed those prejudices on the rocks. 


Best of all? Sherman gets to draw a lot of what I really love from him -giant, fleshy monsters! 

I won't be reading this monthly, but I'll definitely be following it in trade.



Playlist:

David Lynch - The Air is on Fire
The Caretaker - An empty bliss beyond this world
Various - Twin Peaks (Music from the Limited Event Series)
PJ Harvey - Uh Huh Her
USSA - The Spoils
Mountain Realm - Stoneharrow
Saigon Blue Rain - Oko
Sunn O))) - Glory Black (pre-release single)
Mars Red Sky & Monkey3 - Monkeys on Mars EP
Chrystabell & David Lynch - This Train




Card:

Putting aside Grimm's Hand of Doom Tarot again today (which you can buy HERE) to work with my Thoth deck. That's really where my head and heart have been at. 


The Princess of Cups has always felt like a very gentle card to me. Nurturing in a way most other cards in this deck (or most decks) are not. There's an embrace here, reminding us of the importance of love and understanding, but there's also a nod to methodology and escaping the interior for a bit of the exterior once in a while. Princesses are a creative court, and this card tells me to nurture ideas as though they were loved ones.