New Music from The Ocean!

From The Ocean's forthcoming record Solaris, out September 25 on Pelagic Records. Pre-order HERE in the States or HERE elsewhere. 

I knew there had been a bit of an exodus from the band within the last year or two, but hadn't seen the new line-up until this weekend when I stumbled on the pre-release singles. Nothing against those who left, but this is the most excitement I've felt for an Ocean release since 2013's Pelagial.

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Watch:

I say this as someone who checked out on Marvel's MCU pretty much with Civil War, which I wasn’t a very big fan of. I’ve liked some things about a few subsequent films (of which I’ve only seen a few), but overall have been saddened to watch a carefully planned, confident approach to a blockbuster universe become tiresome, meek and rudderless. 

I LOVED Brand New Day and consider it the first Marvel movie I’ve actually liked - one that gave me repeated chills - since Age of Ultron (I really dug Raimi’s Dr. Strange: Multiverse of Madness, but not as a Marvel movie, as a Sam Raimi movie. Regardless, even that didn’t come close). 

I’d go so far as to say Brand New Day is the second best MCU movie thus far, coming in right behind the original Avengers film. Was it long and prone to indulgences? You betcha. But I was here for all of it. Best of all, almost none of the cameos were fan service - they all (mostly) played a role in the overall story. Which, after the exhausting (but not un-fun) Deadpool Loves Wolverine, was nice. I'm still all about street-level Marvel, which basically, at this point, means DD, Frank Castle and Spidey. Would be nice to see something else added to that list eventually, but for now, I'm happy keeping up with this little corner of things.

There are a couple huge ideas/plot points this film intentionally leaves hanging, and I'm a bit bummed that I'll have to wait until all the Avengers: Apocalypse Now Buddy B.S. is over before we likely get another proper Spidey flick. I find myself begrudgingly curious about Dr. Doom and Battleworld, so maybe I'll eat my words and watch that simply to stay in with Spidey's adventures in the "big potatoe" tier of the still hobbling overall MCU. I'd love it if they just left Peter alone and firmly entrenched at street level, but I guess that was never going to happen, so...

All right, Doom. Thrill me.

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Playlist:

Quicksand - Bring on the Psychics

Face to Face - Don't Turn Away

Firewater - Ponzi Scheme

Justin Hamline - This Machine Kills Music

Show Me the Body - Alone Together

Zeal and Ardor - Devil is Fine X

Pigface - Gub

Pigface - Welcome to Mexico Asshole

SOD - Speak English or Die

Anthrax - Cursum Perficio (pre-release singles)

John Carpenter, Cody Carpenter & Daniel Davies - Cathedral

The Atlas Moth - Coma Noir

The Ocean - Precambrian

Aphex Twin - Richard D. James Album

Various - The (S)hit Factory: Disc 1

Sepultura - Chaos A.D.
Sepultura - The Cloud of Unknowning EP

The Ocean - Pelagial (Instrumental)

The Ocean - Solaris (pre-release singles)

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Four of Wands

• Six of Pentacles

• Knight of Cups

Completion and success, but at a cost. 

Gatta Morta - Black Hall

Gatta Morta is a new band featuring Buzz Osbourne (Melvins), Jeff Pinkus (The Butthole Surfers, Melvins) Coady Willis (Big Business) and - totally new to me - Clinton Jacob from Chicago band Mr. Phylzzz.  I was unfamiliar with Mr. Phylzzz until Mr. Brown mentioned them to me in relation to news of this EP, which is on sale via Amphetamine Reptile and most likely long sold out. Pre-order whatever is left HERE. If you missed it like I did, you can wait a year or so, and Ipecac will probably put out a version as well.

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Watch:

Na Hong-jin's Hope looks a bit like another A Quiet Place analog; however, I'd say the similarities are probably how the film secured a wide release in the States and are likely played up for the trailer. Either way, looks pretty rad:

Hoping this one will find its way to me here in Clarksville, but I suppose I'd be amenable to a drive if I have to.

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Read:

I finished Stephen King's Wolves of the Calla two nights ago and, after reading the corresponding chapter about the book in Bev Vincent's The Road to the Dark Tower, immediately picked up Dark Tower Book Six: Song of Susannah. 

Here's another one I've only read once, and not since it was first published over twenty years ago. A lot of Wolves... came back to me as I read, but I also retained more of an idea of that novel than I did with this one. I remember King himself making an appearance, but with some of the crosstalk between books that pepper Bev Vincent's handling of these last few, I am getting a sense I remember very little of both this and the final book. 

Song of Susannah is a paltry 400-something pages compared to Book Five's 709 and Book Six's 800+, and that's not a complaint. I still have two Talisman novels to read after this (three once Other Worlds Than These drops in October) and based on a tidbit Vincent mentioned that I'd never heard before - namely that the Crimson King actually first appeared in Insomnia, a book Mr. Brown read when it came out while we were in our Senior Year of High School and I've been curious about since - I think I'll be adding that nearly 800-pager to the year's list. There's a cheap first edition hardcover in an antique store near me that has my name on it. After that, I'm considering rereading The Regulators and then finally diving into Desperation (following the announcement that Sam Raimi will be helming an adaptation of that), both of which I have hardcovers of. There's also the Robin Furth/Jae Lee comics that broaden the overall Dark Tower series, all of which I've read but not since publication.

Shit - I'm exhausted and yet also jazzed just by putting these plans down on paper. 

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Playlist:

The Black Keys - Magic Potion

Boards of Canada - Tomorrow's Harvest

Drain - ... Is Your Friend

Secret Chiefs 3 - Book of Horizons

United Future Organization - 3rd Perspective

Carlos Rafael Rivera - They Will Kill You OST

Secret Chiefs 3 - Hurqalya (Second Grand Constitution and Bylaws) 

Ween - God Ween Satan Live (disc 1)

Tomahawk - Eponymous

Burning Witch - Crippled Lucifer (disc 1: Tower)

The Ocean -Phanerozoic  I: Palaeozoic

The Ocean - Solaris (pre-release singles)

Morphine - The Night

Miles Davis - Bitch's Brew

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Card:

From Jonathan Grimm's Eldritch Lace Tarot, which you can buy HERE.

• 16: The Tower

• 18: The Moon

• Knight of Pentacles

Drawing the Tower has plenty of connotations, just in common with what I'm reading, but aside from that, I can see that I'm in for some ying and yang balancing and possibly some unexpected developments pertaining to my goals, which is great, because things have been tough. My health hasn't been great - it's undetermined whether I've passed this stupid stone, may have another gestating, and there's a persistent discomfort in my left stomach that's freaking me out. All this has left me pretty on edge, run down and just generally morose. Yesterday was different, though, and hopefully the cards herald a change. 

It's been quite some time since I've really gotten into Ween, which breaks my heart because at one time, and in some perpetually occluded way, they are and were one of my favorite bands ever. 

It started with Aaron Freeman (Gene Ween)'s Freeman album and hearing his side of the rift that had torn the band apart a few years prior. I wouldn't say I ever took Gene's side over anyone else's, but there was just something so disturbing about hearing the behind-the-scenes shit on this band known for reveling in intoxication that broke something in me. I wouldn't say anyone was at fault but Freeman himself - we all take responsibility for our choices - but it just left me cold. Then, when the band eventually reunited, I don't know, it just felt like the old, 'Ya can't go home again' rang true. 

Yesterday, a message from Mr. Brown about the new three-disc anniversary edition of 12 Gold Country Greats set something in motion, and I started listening to Ween and found I couldn't stop. I feel like I reconnected, but what's more, I realized something important.

Ween takes me to a place - a state of mind that I believe I share with my two best friends in the world - Mr. Brown and Sonny Vee. We all live in different places and can't see one another nearly as much as we would like (I could definitely make more of an effort), and so listening to Ween makes me reflect on missing our friendship in the day-to-day, as something I could experience in the flesh, and that leaves me sad. So, while I may be over whatever bullshit I had due to Ween's breakup (finally), I don't think it's likely I'll be doing more than what I did yesterday - the occasional freefall back into a state of mind that just doesn't gel with the world of 2026. Or, at least for the moment it doesn't.

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NCBD:

Another light week, thankfully...

Glad to have Jeff Lemire's Minor Arcana back. Love this book, and I've been in the mood for Seaside Horror, even if this book is really more Horror adjacent. 

Unless something huge happens - and I mean HUGE - this is probably the last regular issue of MASK I'm picking up. I just don't really care about this end of the EU. I know at some point I'll at least partially regret this decision; these titles are all so tied together, after all, that we've seen Scrap Iron working for Miles Mayhem and Matt Trakker build his vehicles from Cybertronian technology. So logic dictates that 'crossing of the streams' will continue. That said, I did not have any MASK toys as a kid; I never saw the cartoon (that I remember) or read the comics. So I think I can let this one go.

Event Horizon: Inferno is the Event Horizon story I've wanted for thirty years. Destined to be in my top of the year. 

With all the crossover stuff happening around this book, I am very happy that Fraction and Jimenez appear to be keeping that from infecting the regular book. Because I really dig everything happening in this one. Issue 5 is still probably my favorite comic so far this year. So I'm invested. I just don't care about Commissioner Vandal Savage, Mayor Poison Ivy and the whole police angle. It feels too beholden to what Marvel just did in Daredevil: Born Again. I know this always happens with the big two: they share concepts like this. It's fine. I haven't minded what we've gotten of this so far in the book, and actually quite liked the idea of the police hunting the Bat-Family. Now that this plot point is turning into a full-on "Event," I just want it to stay the hell out of the book so it can focus on other things.

Like Minotaur, who my cohost Mike Shin pointed out is almost definitely an AI crime boss. Now that's not something I've seen anywhere else. You?

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Watch:

Monday night, K and I hit the Regal Mystery Movie: Horror Edition and were thrilled with an early screening of Eli Roth's Ice Cream Man.

This movie is f*cking bonkers!

Weapons meets Terrifier is my elevator pitch. Weapons, because there are children running around constantly causing mayhem; Terrifier because their mayhem consists of brutally murdering every adult they encounter in some of the most graphic ways I've seen on a big screen since Terrifier 3. This is not for everyone - I can't tell you how many people walked out of the theatre Monday night - but if you have a sick sense of humor like I guess K and I do, I think this will really make for a fabulous night at the theatre!

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Playlist:

Steve Moore - Christmas, Bloody Christmas

Secret Chiefs 3 Traditionalists - La Mani Destre Recise Degli Ultimi Uomimi

The Seatbelts - Cowboy Bebop OST

Ween - 12 Golden Country Greats

Ween - Featuring the Shit Creek Boys: Live in Toronto Canada

Ween - Live at Stubbs (Disc 2)

The Black Keys - Magic Potion

Alice in Chains - Sap

Alice in Chains - Dirt

Perturbator - The Uncanny Valley

Gatta Merta - Black Hall (single)

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Four of Pentacles

• King of Swords

• XVI: The Tower

Soundgarden - Holy Water

The penultimate track on Soundgarden's 1991 masterpiece, Badmotorfinger, "Holy Water" always ushers in a bittersweet feeling for me. I love the track, but it signals the outro of the record, with "New Damage" following to wrap up what has been one of the most satisfying listens in my lifetime.

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Watch:

Penny Lane is Dead has been on my radar via word-of-mouth from my friend and Horror Vision cohost Anthony (That's King Butcher if you're on the IG), and without knowing anything specific, I've been wondering when it will reach us (and if it will receive a theatrical release). Here's the trailer that just dropped:

 

Honestly, I shut this trailer down by the time the Shudder logo popped up. I don't need to see anything beyond those initial, frenzied flashings - I'm in.

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Playlist:

The Caretaker - Theoretically pure anterograde amnesia

Uniform & The Body - Everything That Dies Someday Comes Back Again

Drain - ... Is Your Friend

Judas Priest - Greatest Hits

The Body - I Have Fought Against It, But I Can't Any Longer

Ministry - The Last Sucker

Ween - Bring Out the Foos: Live 1996

Róisín Murphy - Overpowered

Revocation - New Gods, New Masters

Napalm Death - Resentment Is Always Seismic (A Final Throw of Throes)

Blut Aus Nord - Ethereal Horizons

Soundgarden - Badmotorfinger

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Card:

From Jonathan Grimm's Eldritch Lace Tarot, which you can buy HERE.

• Three of Swords

• Nine of Wands

• Nine of Swords

Pain and closure. 

Julian Winding - Dolce Mio (Her Private Hell OST)

The final track on the soundtrack for Nicolas Winding Refn's Her Private Hell. Most of the score is written and performed by Pino Donaggio, but there are several tracks by Julian Winding, and each one is fantastic. This particular one closes out the album.

Someone release this on vinyl!!!

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Watch:

Nicolas Winding Refn's 28-minute Giallo-infused short film A Touch of Crude, funded by Prada, is more than just a showcase for their fashion line. 

 I only just learned of this via the most recent issue of Fangoria magazine, where Isaac Feldberg’s Monster Invasion column focuses on Her Private Hell. Even after initially reading this a few weeks ago upon receipt, it wasn't until digging back into the issue yesterday morning as I prepped the next episode of The Horror Vision that I realized this might be something I could watch online. Sure enough - see above. 

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Read:

I'm about two hundred and something pages into The Dark Tower Book Five: Wolves of the Calla and, remembering that this is one of the books in the series I've only ever read once, back when it was first published on November 4, 2003, I'm shocked at how perfect this book picks up the transition from Wizard and Glass. 

I mean, it feels like King wrote this in one continuous stream, despite the fact that, between books on June 19, 1999, King was hit and almost killed by a car and went through an arduous recovery. In spite of all that, the story is completely intact, and it feels like no time off occurred between books.

I guess that's Ka for ya.

Reading this one now, it strikes me how deftly King manages to continue the overall story of Roland, Eddie, Susannah, Jake and Oy on the path of the beam and integrate a pretty thrilling classic Western story at the same time. We spend roughly two hundred pages picking up after the events of Wizard and Glass, continuing the "Path" story, introducing Todash - which I adore - and then segue into the "Defend the town from the reavers" trope that so many classic Westerns employ, only here, executed in King's unique vision. I'm curious if by the end of this one it will outrank Wizard as "the best of the series," and if so, if that trend will continue on through the final two books of the series.

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Playlist:

Her Private Hell - Pino Dinoggio

Carpenter Brut - Leather Temple

Róisín Murphy - Overpowered

Nia Archives - Emotional Junglist

The Caretaker - Theoretically pure anterograde amnesia

Goatsnake - Black Age Blues

The Jesus Lizard - Rack

Melvins - Tarantula Heart

Brand New - The Devil and God are Raging Inside Me

Ministry - The Last Sucker

The Body - I Have Fought Against It, But I Can't Any Longer

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Card:

From Jonathan Grimm's Eldritch Lace Tarot, which you can buy HERE.

• King of Wands

• Five of Swords

• Two of Wands

Inspiration comes from the inner turmoil of stepping outside your comfort zone. Back to the fortune cookie-esque reading, but it's timely.

Holy Fawn - Drag Me Into the Woods

I knew nothing about Holy Fawn before last week when I stumbled across them on Apple Music. Listening to their 2018 album Death Spells, I was pretty blown away. The band's Wikipedia page lists them as Black Gaze, which I won't exactly contest, but there is a lot more than that going on here. This entire record is fantastic, and I'm looking forward to digging into their follow-up, 2022's Dimensional Bleed. 

Fantastic album names that completely fit their sound, too. 

Check out Holy Fawn's Bandcamp HERE.

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NCBD:

Shortest haul in a while. Enjoy, wallet - you've earned this!

Loving this series, thus far. Not sure how long a trip we're in for on Red Roots - the solicitations on League of Comic Book Geeks stop next month with #5. Hope that's just a "seasonal hiatus."

DeMatteis back to do a What If...? Based on the greatest Spider-Man story ever written? And it's a one-shot? Sign me up!

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Watch:

I haven't seen I Sell the Dead since it first hit DVD, back in 2008/2009. Probably watched on a through-the-mail DVD rental from Netflix. So I was super excited when I saw Vinegar Syndrome (or one of their partner labels) had it.

 

My copy arrived yesterday, so by the time you read this, I've already revisited this one. In a weird coincidence, Writer/Director Glen McQuaid had just ended up on my radar again via one of the more recent issues of Fangoria, where they did a piece about his new film, The Restoration of Grayson Manor, which is making the festival rounds now.

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Playlist:

Uncle Acid and the Deadbeats - Blood Lust

Ennio Morricone - Black Belly of the Tarantula OST

Ministry - Animositsomina

Ministry - Amerikkant

Spotlights - Love & Decay

Boards of Canada - Inferno

Ozzy Osbourne - Blizzard of Oz

Carlos Rafael Rivera - They Will Kill You OST

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Ten of Cups

• VII: The Chariot

• XIX: The Sun

Only thing I'm interested in knowing right now is if I'll end up in the ER again - the stone I thought passed apparently did not, because yesterday was ROUGH. The cards don't really work that way, but I'll take these three as a nod to happiness, determination and success as a nod that I will be able to weather the storm on my own.

Uncle Acid and the Deadbeats Cover Ozzy!!!

Man, if there was one song in Ozzy's solo discography you had asked me would be perfect for Uncle Acid and the Deadbeats to cover, it would be this one. So cool...

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Watch:

Thursday night, I attempted to see Nicolas Winding Refn's new film, Her Private Hell. A large, discarded wheel in the middle of the left-hand lane on I-24 took care of that; I saw it too late and ended up blowing both driver's side tires, having to pull some pretty scary driving to make it to the safety of a Waffle House parking lot on Dickerson Pike (like less than 10 miles from the fucking theatre, no less) and waiting for Triple A. The entire ordeal took about three hours, and luckily, despite driving on the tires for probably five miles, nothing on the car was damaged except the rubber, which was still under warranty. Telling you - want a good tire? Yokohamas are well worth the $$$.

Anyway, Saturday I did my reattempt and successfully spent two hours of my afternoon staring at one of the most beautiful motion pictures I've seen in some time. 

Easily my favorite film so far this year. Unlike anything else, but hot damn does this one drive home just what an acolyte of David Lynch NWR is. Too Old To Die Young clearly followed Lynch's template with Twin Peaks: The Return, namely making an almost twenty-hour film and then breaking it up into "episodes" to meet distribution demands. And Her Private Hell definitely has Mulholland Drive/Inland Empire DNA, but it takes it to that beautifully specific NWR space - neon-drenched darkness and impossibly lush sets with perfect symmetry. This film even injects a Science Fiction angle that, delivered in NWR fashion, reminded me of Blade Runner 2049 on two tabs of Ecstasy.

Also, I've never been a huge fan of Pino Donaggio's scores. I dig what he did for Don't Look Now, Tourist Trap and The Howling, but a lot of his other work - especially on those early De Palma films - just don't work for me. He scored this, though, and it's absolutely gorgeous. Sounds like 1940's Hollywood.

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Read:

One final book before I jump back into my re-read of Stephen King's Dark Tower series. Bryan Smith's The Unseen is fantastic!

Here's the solicitation blurb from Goodreads: 

"For Allison Cook, the weekend trip to a horror convention in Virginia is a fun break from work and humdrum reality. Then she meets a guy who shows her a movie that shouldn’t exist, one that upends everything she thinks she knows about reality itself. The movie on the old VHS tape is an unseen and unknown installment of a legendary slasher franchise she’s loved since the dark days of her unhappy adolescence. As soon as she sees it, she knows the movie is the real deal, not a fake or a fan film. She can only come to one impossible conclusion--the movie is from some other alternate reality. It is not of this world. And she knows one other thing. She must have it. At all costs. And by any means necessary. But unknown to Allison, possession of the tape comes at a higher price than she ever could have imagined."

I read this one in a night. I started it at 11:00 PM, read for a while, fell asleep, then woke up in the middle of the night thinking about it and just tore back into it until I finished. Can't say that about many books; only others that come to mind are older Palahniuk, circa Lullaby, Choke and Diary.

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Playlist:

Steve Moore - Jimmy & Stiggs OST

Carlos Rafael Rivera - They Will Kill You OST

Secret Chiefs 3 Traditionalists - La Mani Destre Recise Degli Ultimi Uomimi

Mastodon - Once More 'Round the Sun

Holy Fawn - Death Spells

Ministry - Burned Out (single)

Soundgarden - Badmotorfinger

Fen - Epoch

Perturbator - Lustful Sacraments

Carpenter Brut - Leather Terror

Carpenter Brut - Leather Temple

Cliff Martinez - Only God Forgives OST

Pino Donaggio - Her Private Hell OST

Ministry - The Last Sucker

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Card:

From Jonathan Grimm's Eldritch Lace Tarot, which you can buy HERE.

• Ace of Swords

• 03: The Empress

• Two of Wands

Nurture that insight and maybe run it by a third party of their opinion.