I randomly stumbled across the Netherlands on Apple Music a few days ago, and they immediately became a driving force in my musical day-to-day. This album ROCKS! Check out Netherlands' Bandcamp HERE and their physical media HERE.
NCBD:
Hot damn! It's NCBD! Let's see what I'm bringing home from Rick's Comic City tonight:
Batman: First Knight proved to be one of my favorite titles of the last few years, so I was excited to see we're getting a sequel. I love the oversized format and the 1930s, no-tech approach to Batman. What we get is a wonderfully lush period piece, dripping in Noir.
You know, Major Bludd has long been a favorite of mine. As a kid, I loved the original figure, but it wore out and never really got a proper update while I was still collecting, so it got pushed to the back burner by other favorites. And while there were some memorable moments with the character in Hama's comics, those too were early on, and ol' Sebastian Bludd didn't really exert a presence again until his failed attempt to impersonate Destro and take over his Scottish empire. Recently, I acquired the latest Classified version of Blud's figure, and I must say, the nice juxtaposition of receiving that figure and seeing this cover has me excited. He's been an integral part of the building of Cobra in this series, and I'm pretty happy with how much 'screen time' he's received. That might all implode this issue, as I'm wondering if he's going to make it out of this skirmish with The Baroness and Cover Girl alive.
Still really digging this book. Obviously, at least partially inspired by Rob Zombie's 31 - of which I seem to become more a fan of every October upon viewing - Exquisite Corpses differs in one big way. For a book about a bunch of competing homicidal maniacs dropped into a small town for a game of mass murder, this book is FUN! That's right, I said it. FUN! There's a palpable sense of dread at times, but it's often undercut with some pretty amusing peeks behind the curtain of the game and its players.
Anthology Horror at its finest, Oni's rejuvenation of EC Comics continues to thrill me each and every month.
Watch:
Honestly, all I needed to see of Yannis Veslemes and Dimitris Emmanouilidis's She Loved Blossoms More was the still image on the trailer's thumb, and I was sold.
No reason to risk ruining any surprises this one may have in store - I have a feeling there are many.
Playlist:
Hellbender - Hellbender OST
Sleep - Sleep's Holy Mountain
The Jesus Lizard - Rack
Deadguy - Near-Death Travel Services
Netherlands - Vapors
Alice in Chains - Eponymous
Blood Incantation - Absolute Everywhere
Blood Incantation - Hidden History of the Human Race
Hall & Oats - Do What You Want, Be What You Are (Disc 3)
Ozzy Osbourne - Diary of a Madman
Will Haven - Carpe Diem
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Eight of Pentacles
• King of Wands
• III: The Empress
Concentration. Yeah, it's at a premium these last few days. From the Grimoire: The purest manifestation of Fire in the deck, thus strong. Unchecked can be imbalanced. That's the concentration key. Imbalance. Now, let's try and tie those two cards to III: The Empress. Also from the Grimoire: " She is the inferior Garden of Eden, the Earthly Paradise, all that is symbolized by the visible house of man" - A.E. Waite.
How do I reconcile this? My problem at the moment? Too much social media. Luckily for me, it's like fast food - I don't use it much, so even a little can be too much. But I'm fairly certain that's what's killing my concentration. Remember all those epiphanies to start meditating again? Yeah, never happened. Would probably help.
When I say new, I should specify I am way behind on this one - looks like it dropped two weeks ago! Funny, as I just listened to Sound & Color for the first time in a while last week and had a moment of forlorn reflection that it's been ten years since that album was released. I don't know if this new track heralds an upcoming album, but I sure hope so.
Watch:
Where K and I would normally have seen The Long Walk on opening night this past Thursday, we had the opportunity to see John Carpenter's The Thing on the big screen (our second time) during Regal's Cine: A Month of Masterpieces. This series has me in awe: We're seeing Sunset Blvd tonight (also a second time on the big screen for us), I'm going to try like hell to see GDT's Pan's Labyrinth on Wednesday, then we have Psycho on Friday. And we're still in the second week of the month!!!
However, it's Francis Lawrence's The Long Walk I want to talk about right now. Adapted from a Richard Bachman - aka Stephen King - novella of the same name, with the adapted screenplay coming to us from JT Mollner, the Writer/Director of one of 2024's best films (Strange Darling), The Long Walk feels, in this moment, like the best adaptation of King's work to date. Ten years ago, that might have been a no-brainer until you stop to consider The Shawshank Redemption or Stand By Me (I've always heard The Green Mile is up there as well, but I haven't seen that one). But we've had a spate of pretty good adaptations over the last decade, top among them Mike Flanagan's Doctor Sleep and Gerald's Game. In the Tall Grass, and while I don't love the Andy Muschietti IT films, they're better than the original. Castle Rock - while not officially an adaptation of any one King story, is a super solid amalgam of his work. So we're light-years from the days of Langoliers and Needful Things. But The Long Walk feels like it has all of them beat.
I'm largely unfamiliar with Francis Lawrence's work as a Director. Yes, I've seen Constantine, and it puts me in a tough spot, as if they had not based that on John Constantine: Hellblazer, I would have loved it. Some fantastic images and ideas, but it just doesn't work with Reeves as JC and Chas being anyone but a hulking ex-Football hooligan. Other than that, though, looking at Lawrence's IMDB, I see he is mostly known for working with Suzanne Collins' The Hunger Games. I tried and couldn't get twenty pages into the first book, so I didn't even bother with the films, partially because the entire thing feels like a watered-down version of The Long Walk and Battle Royale. His history doesn't matter, though, because this film is excellent. A complete gut-punch in the best possible way, and King's knack for male camaraderie and how it can be a shortcut to major life epiphanies really shines through in this film. The characters are fantastic, and it hurts to see what happens to them. Cooper Hoffman confirms he is an excellent actor, following in his late father's footsteps, but David Jonsson - wow! In two movies (the other being Alien: Romulus, where he plays Andy, Rain's synthetic "brother"), he has demonstrated charisma and range that have me watching for his next film, genre or not.
I'd recommend catching this one in the theater. If you want to hear more, hit the widget at the upper right-hand side of this page for The Horror Vision's new episode, where we start with a spoiler-free review, then give ample warning before veering into a full-spoiler comparison between the book and the film. Also available on YouTube HERE.
Playlist:
Sleep - Sleep's Holy Mountain
Hellbender - Hellbender OST
HEALTH - Ordinary Loss (pre-release single)
HEALTH - Rat Wars
David Bowie - Outside
Double Life - Indifferent Stars
Entropy - Dharmakāya
Deftones - private music
Godflesh - Streetcleaner
Blut Aus Nord - Shadows Breathe First (pre-release single)
Blut Aus Nord - Disharmoniu - Nahab
Dreamkid - Daggers
Faetooth - Labyrinthe
Alabama Shakes - Another Life (single)
Netherlands - Vapor
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Queen of Swords
• Six of Wands
• Page of Wands
A major creative period is happening, but it will take clear judgment to navigate.
I love when these are so spot on. I've been working pretty diligently on Shadow Play Book Two, and there are SO many ideas at play right now. So many historical themes to tie into this century-spanning saga, so it's an immense creative rush, but I have to keep asking myself, "How much is too much?"
From the ripping new album Blackbraid III, which is destined to be in my top ten of the year. Awesome video to boot - not too often I can say that. Order your copy of the album HERE.
Watch:
Somehow, it's probably been close to 20 years since I last watched my DVD copy of Caro and Jeunet's The City of Lost Children. It's amazing how, just like I wrote about rediscovering Man Man's Life Fantastic last summer, something I once loved so much could slip to the wayside and go so long without a viewing.
This film is still every bit as magical as it was the first time I saw it, circa the early 2000s. Released in 1995, the internet show the original, Sony Pictures Classics' DVD was first released in 1999, and I did not acquire my first DVD player until somewhere either near the end of 2000 or the beginning of 2001. This was one of the first DVDs I ever purchased, as the film had been covered in the Wrapped in Plastic David Lynch/Twin Peaks magazine due to Angelo Badalamenti providing the film's score, and all the stills and the write-up had me ravenous to see this film. Ron Perlman is fantastic as One, and all of the children are grand. What really steals the show, though, is the set design. This is a Steampunk Fantasy world unlike anything realized on film at the time. I'd argue that Caro and Jeunet's film is still one of the most unique visions I've had the pleasure of beholding, and I can only hope that, since this December marks the 30th anniversary of its original release, someone might hold a retrospective screening at one of the theatres in Chicago (cuz it ain't gonna play in Tennessee).
Read:
I am, frankly, all over the damn place with my reading at the moment.
While I've dedicated the remainder of my year for the written word to all the research I need to do for Shadow Play Book Two, I'm leaving comics/graphic novels as an outlet for pleasure reading. In 2024 I began a Sandman re-read that got me through the first three volumes, and now, since finishing Netflix's second season adaptation, I've knocked out Season of Mists and, this past weekend, A Game of You.
I'm fairly certain this is only the second time I've read this fifth collected volume of Sandman, so while I did remember it as I went along, Barbie and the cuckoo's story is nowhere near as familiar to me as the first three or four volumes of the series. One of the strengths of this series is its supporting cast, and that is on full display here, as Morpheus only appears twice, for a considerably shorter time than one might imagine for a book that carries his name.
Barbie's story was an interesting one to continue, a thread pulled from back in TheDoll's House, where we first met her living with Ken in the house where she and several other memorable characters acted as roommates to Rose during her search for her brother.
Of particular note here is Wanda's story. Although Netflix did use this character, they eschewed all of A Game of You, lifting her instead as a character in what would ultimately come from the "Dream and Delirium" road trip story from Volume 7: Brief Lives. I had zero problems with this change, and in fact, found Indya Moore's portrayal of the Wanda character quite affecting. It's important to note the different cultural contexts that distinguish the two versions of Wanda. In the comic, the character first appeared in The Sandman issue #32, published in September, 1991. The character is far more masculine here, despite their Transsexual disposition. That makes sense; the creators were no doubt playing off a cultural zeitgeist of the time, where trans people had a much harder time identifying in public and transitioning (not that they necessarily have it easy now, but I would think '91 would seem like the Dark Ages compared to cultural awareness today). Juxtapose that with Wanda in the show, who, in present-day New York, would have a considerably more established and possibly even 'mainstream' support network than the Wanda of 1991 would have ever had.
Playlist:
Deftones - private music
Blut Aus Nord - Shadows Breathe First (pre-release single)
Blut Aus Nord - Debermur Morti
Blut Aus Nord - 777: Cosmosophy
Blut Aus Nord - Hallucinogen
Revocation - New Gods, New Masters (pre-release singles)
Chris Connelly - White Phosphorus (Chris Connelly Plays Throbbing Gristle)
Ruelle - Emerge
bunsenburner - Reverie
Russian Circles - Gnosis
The Cars - Eponymous
Godflesh - Post Self
Giraffe Tongue Orchestra - Broken Lines
Frank Sinatra - In the Wee Small Hours
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Three of Swords
• Ten of Pentacles
• IX: The Hermit
Introspection leads to unhappiness, but that unhappiness leads to long-term security.
Well now, that's a pickle, but it seems like something I should try and figure out, now doesn't it?
From the forthcoming album Ethereal Horizons, out on November 28th 2025 on the always epic Debemur Morti Productions. Pre-order HERE.
I am so psyched for this release!
Watch:
I've been picking at Alien: Earth for a little over two weeks now. From the moment I sat down to watch the first episode, I hated it. It's funny - I love Noah Hawley's Fargo series, or at least what I've seen of it (seasons 1, 2 and 5), but it seems like everything else I try from him just doesn't gel with me (I tried Legion a few years ago and also hated it). Despite the disconnect, though, this is Alien, and because of that, I have tried to hang in there the best I can, hoping for something to latch onto. This past Tuesday night, they delivered.
Big time.
Holy smokes, did this episode give me everything I wanted! True, I'm a bit disappointed they had to go back to the standard Alien formula of 'Xenomorph loose on a ship' to get there, but I don't care. This was fantastic, and it reaffirmed my hanging in there. Even if I hate the next three episodes, this one made it all worthwhile.
Most of my issues come from the show's heavy focus on Boy Kavaliar and his 'lost boys.' A cunty, twenty-something douche bag trillionaire and his host of synthetics that have had the consciousnesses of sick children uploaded into them. The concept is cool, and it works great with the premise of the show - that governments were done away with as functionless, archaic designs when 'five corporations' stepped up and took control of the globe. That's gotta be a Fugazi reference, right?
Granted, one of the things I probably have so much trouble with here is the fact that this all feels a bit too real. Corporate ownership has weighed heavily on my mind, and this is honestly exactly where I see us going. But the characters in this thread are all very unlikeable and, while that's surely the point, the show spends SO MUCH time with them. Then, when they give us some Alienness, it's akin to what happened in the second episode with the apartment full of rich c_nts partying in powdered wigs and getting slaughtered - off screen, btw - in what felt like an empty gesture; a softball pitch to keep us happy before they just went right back to almost exclusively following the trillionaire and his toys.
Episode four started to come around, and five just blew me away. Part of what I want to see so much more of are not just the Xenomorphs, but the other alien life forms they've introduced on the show. The Eyeball Kid, for instance, is my favorite new thing. Love this 'character' and am eager to find out more about it.
Playlist:
Steve Moore - VFW OST
Jóhann Jóhannsson - Mandy OST
Zeal and Ardor - Eponymous
Blut Aus Nord - Hallucinogen
Deafheaven - Lonely People With Power
Alabama Shakes - Sound & Color
Ghost - Infestissumam
Goblin - 2013 Tour E.P
The Dead Weather - Dodge and Burn
The Body - All the Waters of the Earth Turn to Blood
S U R V I V E - Mnq026
Fever Ray - Radical Romantics
Cibo Mato - Viva! La Woman
Blut Aus Nord - Debermur MoRTi (single)
Boy Harsher - Careful
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Three of Cups
• XVI: The Tower
• 0: The Fool
Three of Cups really kind of owns me at this point. I stopped putting individual card metadata in these posts a while ago, but I'm starting to think I should remedy that just to see if I'm wrong or if this card comes up like every three days. That's what it feels like, so let's look at the card a bit more in-depth than usual.
From Crowley's The Book of Thoth:
"This card refers to Binah in the suit of Water. This is the card of Demeter or
Persephone. The Cups are pomegranates: they are filled bountifully to overflowing from a single lotus, arising from the dark calm sea characteristic of
Binah. There is here the fulfillment of the Will of Love in abounding joy. It is
the spiritual basis of fertility.
The card is referred to the influence of Mercury in Cancer; this carries further
the above thesis. Mercury is the Will or Word of the All-Father; here its
influence descends upon the most receptive of the Signs.
At the same time, the combination of these forms of energy brings in the
possibility of somewhat mysterious ideas. Binah, the Great Sea, is the Moon in
one aspect, but Saturn in another; and Mercury, besides being the Word or Will
of the All-One, is the guide of the souls of the Dead. This card requires great
subtlety of interpretation. The pomegranate was the fruit which Persephone
ate in the realms of Pluto, thereby enabling him to hold her in the lower world,
even after the most powerful influence had been brought to
bear. The lesson seems to be that the good things of life, although enjoyed,
should be distrusted."
Abundance in Thoth, this card signifies good times and social connections, and Grimm did a great job illustrating that for his card. Mix this with The Tower - a change in paradigms, and the Fool, a new journey, and I'm thinking this may be telling me to make some new friends here in Tennessee, something I've had a relatively difficult time doing.
Mr. Brown sent this track to me at some point in the last week or two, and I'm just getting around to it now. Holy smokes! With a video directed by Writer/Director of 2014's Faults - fabulous film - Chat Pile and Hayden Pedigo have instantly captured my attention.
It's been a minute since I've talked about my growing fascination with Chat Pile here; I got into their 2022 debut full-length, God's Country, late, and their 2024 album Cool World just narrowly missed being incorporated into my best of list last year. Hayden Pedigo, on the other hand, I am not nearly as familiar with, despite a dalliance with their 2021 album, Letting Go, last year, courtesy of a recommendation from my cousin Charles.
The album, In the Earth Again, is due out October 31st and can be pre-ordered from Computer Students HERE.
NCBD:
As always, a lot of great stuff this week, so let's talk about what I'm bringing home for NCBD September 3rd, 2025:
Jason Aaron's TMNT continues to drop at a bi-monthly pace and I love him for it! A great relaunch of the 2012 IDW reboot that I'm so fond of that really shines as we follow the four brothers into the trials and tribulations of adulthood (Janika has her own book).
Look at that Mignola cover! This tenth issue of the anthological Savage Sword of Conan apparently begins a new mini-series that will run through all three tales in this issue, all penned by Jim Zub. While dipping into The Black Stone spin-off mini taught me to stick to what's in this main title, I'm here for whatever they have to say inside this bi-monthly mag.
Third story arc, "The Horror Men," comes to a close and Jeff Lemire and Gabriel H. Walta's Phantom Road goes back on hiatus, much to my chagrin. I love this book, and I'm always a bit blue during its off-seasons.
Revisiting Larry Hama's ongoing, now 43-year-long run on this G.I. Joe: A Real American Hero has been loads of fun and does not appear to be slowing down any time soon. Luckily, despite my card-carrying status as a completionist with comics, I feel zero urge to fill in the 150+ issues I missed that would connect the last time I picked up the Marvel iteration in 1994 and the first Image issue going on two years ago. That said, I have begun looking into filling in a few of the gaps for the central part of Hama's original Marvel run, eyeing connecting the dots that would give me a solid run from issue 26 through to issue 126. It's only seven issues, so I figured, why not?
And finally, a new re-start of the flagship Batman book being written by Matt Fraction? Definitely going to give this one a shot, as Hayden Sherman and Dan Watters' "Dark Patterns" is closing out in a few months and it's been so good, it's given me a taste for a regular Bat-book.
Watch:
Monday night K took control of the remote and picked a film I'd never heard of before, Phillip Kaufman's 1979 film The Wanderers.
First, check out this cast: Ken Wahl, Karen Allen, Dolph Sweet (!), Ken Foree, Linda Manz. The list goes on with a lot of people I recognized, but those are the heavy hitters to me. Ostensibly another "The American Teenagers of early 60s" story a la American Graffiti, The Outsiders, etc. The Wanderers does a pretty good job of adding to that pot with likeable characters and an intricate hierarchy of Street Gangs and the characters' allegiances/associations with them. Where this film really stuck in my head, though, is in three key scenes that introduce a definite Horror element. It dawned on me while watching the second of these scenes - a scene where a character stumbles into the Ducky Boys' territory - that this film may have been meant as a metaphor for the changes Hollywood underwent between the 1960s and 1970s.
First, the Elements of Horror.
The Ducky Boys appear in three scenes in this film. The first is while the main characters are driving and accidentally encroach on the Ducky Boys' side of town. The film takes place in the Bronx in 1963, and up until this key moment, it's a representation of NY in the 60s that's right in line with most of the other movies like this have painted. This, however... there's something so intentionally nightmarish and surreal about this scene that I was immediately taken aback. While watching, I assumed Kaufman had chosen this route to convey the 'we're out of our territory' fears of a teenager in the 60s whose entire world revolved around their block. Taking into account the next two scenes that feature the Ducky Boys—the one where a protagonist is killed while in their neighborhood, and the other, the climactic gang battle at the end of the film, which the film does a great job of subverting until the Ducky Boys arrive. It was a combination of these two scenes that led me to my second point. Is The Wanderers a cinematic metaphor for the changing American Film Zeitgeist in the 1970s?
The film goes from the streets-of-New-York, day-in-the-life Golden Age of Hollywood storytelling trope to the more epic, artistic weirdness of the New Hollywood era.
If this was intentional and not just me reading into things, The Wanderers is a piece of genius cinema that is content to masquerade as 'just another 60s West Side Story throwback.'
Somehow, I missed that The Body had a new album come out a few months back, even though by now I should know to expect a new release at least once a year. All the Waters of the Earth Turn to Blood is another challenging masterpiece from these guys, its majesty crystallized in this final track.
Watch:
I rewatched Toby Wilkins' 2008 film Splinter over the weekend. I had only ever seen this one once before, back when my good friend Grimm came out and visited me in 2011. He's the one who turned me onto this film, and rewatching it after so long, I had to message him a note of thanks. I don't know how I haven't rewatched this once more, but it's definitely on my permanent radar now.
The creature FX in this film are outstanding. Sure, the filmmakers are a bit coy with the camera on the monster at times, but that gives this really intense, "What the fuck did I just see?" feeling that helps to put you in the place of the characters. In fact, it's Nelson Cragg's camera work that makes me think of Samy Inayeh's work behind the lens on another creature-feature favorite of mine, Jeremy Gillespie and Steven Kostanski's 2011 masterpiece The Void. I'm writing this Saturday afternoon, and I'd wager by the time this posts on Tuesday, I'll probably have rewatched Kostanski & Gillespie's film, too.
Playlist:
Blut Aus Nord - The Mystical Beast of Rebellion
Blut Aus Nord - 777 - Sect(s)
Blut Aus Nord - Codex Obscura Nomina
Anthrax - Persistence of Time
Anthrax - Stomp 442
Deftones - private music
Ruelle - Emerge
Dead Man's Bones - Eponymous
Man Man - Life Fantastic
The Dead Weather - Dodge and Burn
The Body - All the Waters of the Earth Turn to Blood
Spectral Tilt - Sleepers (single)
lords. - Bleeding Out (single)
lords. - aven (single)
leaving_forever & stream_error - nobody home
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• XVIII The Moon
• Three of Cups
• Knight of Cups
A lot of emotion can obscure what you're looking for.
Not sure how to read this one. Work-related? Maybe. Also, Thinking it might be for someone else, but who that would be, at this point, I'm not sure.
The first track off Testament's upcoming fourteenth studio album, Para Bellum, is out October 10th on Nuclear Blast Records. You can pre-order a copy HERE.
Fourteen albums? That just blows me away. I've dodged in and out of keeping tabs on these guys. Most of their records still sound fantastic to me, and if this first track is any indication, Para Bellum will be no different.
Watch:
Last night I saw Shinji Higuchi and Hideaki Anno's 2016 Shin Godzilla on the big screen for the second time in three days.
Unlike many of my friends, I did not grow up with Godzilla. Certainly, I knew what the monster was. Who doesn't? The big G has occupied a fairly lofty space in the cultural lexicon for longer than I have been alive. I'm not sure that, without that layer of nostalgia, I'll ever be able to go back and embrace the Godzilla movies of the past (maybe, though), but between this and Minus One, hot damn am I a convery. This movie is STUNNING. Some of the best effects I have ever seen theatrically. They build a world and destroy it and, although I know I'm not watching half a dozen skyscrapers in Tokyo topple, I believe that's exactly what I'm seeing.
Read:
I'm halfway through Oscar Wilde's The Picture of Dorian Gray, and to complement it as research for Shadow Play Book Two, I've also procured a $10 Kindle copy of Richard Ellmann's celebrated biography of Wilde, Oscar Wilde:
This is often shown titled as Oscar Wilde: Pulitzer Prize Winner; however, I find that adding the book's accolade to the title is a bit churlish, to say the least.
I've pretty much accepted that despite the literal tower of books on my 'to-read' pile, the remainder of my 2025 reading will most likely be reserved specifically for research. Two exceptions are the Nathan Ballingrud and Laird Barron novellas due next month. Other than that, I'm all in on researching both Victorian and Elizabethan England, which have winnowed their way into my novel as main characters of the second act.
Playlist:
Windhand - Eternal Return
Sleep - Dopesmoker
White Zombie - La Sexorcisto: Devil Music, Vol. 1
Steve Moore - VFW OST
Blackbraid - Blackbraid III
Testament - Infanticide AI (single)
Mastodon - Leviathan
Testament - The Gathering
Portishead - Third
Faetooth - Remnants of the Vessel
Hall & Oats - Rock 'N' Soul, Part 1
Deftones - private music
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• XVII: The Star
• XX: Adjustment
• Eight of Swords
Struggling interrupts the path to enlightenment.
That's a pretty vague interpretation, but I'm picking up what I'm putting down. This is a work-oriented Pull, letting me know that the theoretical middle finger roadblocks I'm throwing in certain folks' direction are perhaps counterproductive. I would argue that corporate backstabbing and rigamarole are also counterproductive, but that's just it - stop pointing that out and try to work past it.
The new album from Revocation lands in under a month and I'm pretty psyched. I've especially taken to this pre-release single "Cronenberged," the name of which almost immediately signified how I would feel for it. And with a title referencing the Godfather of Body Horror, Revocation and Director, Cinematographer and FX guru David Brodsky 100% delivered!
You can pre-order the new album, New Gods, New Masters, from Metal Blade Records HERE.
NCBD:
Another Wednesday, another NCBD pull list! Super excited about these, so let's get into it!
So excited for the next chapter in this cosmic game of thrones (not a reference to George R. Martin). Hickman brings his trademark complexity, but also, he once again manages to infuse it with a sense of excitement I've not seen anyone bring to the big two in quite some time.
G.I.Joe issue #9 was, I think, the best of the series thus far, so despite the instant exhaustion I feel looking at a cover displaying Cover Girl and Baroness as the stars of the issue, I have high hopes. I'd just really like to move on from them soon.
I feel a re-read coming on for Exquisite Corpses. Interesting to note that issue 3 had Pornsak Pichetshote and Valentine De Landro were credited as Writer/Artist, so I'd kind of assumed this might be a project that Tynion and Walsh had conceived, set up and handed off; however, that's not the case. League of Comic Geeks' entry for this issue shows the founders back on board for the next few solicitations.
The first issue of Catacombs of Torment was a blast, so I've been jonesing to read #2, due out today! There is nothing quite as satisfying as a fantastic Horror Anthology, especially when it's in comic book form (This is probably based on the fact that I saw Creepshow as a very young child, and it imprinted on me forevermore).
Watch:
After rewatching Osgood Perkins' The Monkey this past Sunday night, I was reminded just how much I'm looking forward to his next film, Keeper, due in theatres November 14th!
I'm continually amazed at not only how fast Mr. Perkins works, but how he's really matured as a filmmaker of late.
Playlist:
The Knife - Silent Shout
The Knife - Shaking the Habitual
The Knife - Deep Cuts
Blackbraid - Blackbraid III
Drug Church - Prude
King Woman - Doubt EP
Steve Moore - The Mind's Eye OST
Steve Moore - Christmas Bloody Christmas OST
Revocation - New Gods, New Masters (pre-release singles)
Helmet - Aftertaste
Spotlights - Love & Decay
Kate Bush - Hounds of Love
Perturbator - The Uncanny Valley
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• XVI: The Tower
• XII: The Hanged Man
• 7 of Disks: Failure
It'd been a minute since I put hands on my Thoth deck, so that's what I pulled for today. Looks like to change a paradigm, I'm going to have to go through a sacrifice and fail once or twice. Not sure what this is alluding to; might be the new methodology I've been tweaking for working on Shadow Play Book 2. Might be work-related.
Ritual Howls announced a new record and dropped an awesome new track, so let's all rejoice! You can pre-order a super nifty neon green vinyl on their Bandcamp right HERE.
I realized I completely forgot about and never ordered the band's previous release, 2023's Virtue Falters, so I have to go back and take care of that at some point. But this is a very well-timed release; we're approaching Autumn, and just over the last two days, I've felt twitches of it. First, I pulled out the copy of The Damned's live Night of 1000 Vampires the other day, an album Mr. Brown gifted me and that I played continuously last autumn. Then yesterday I had a taste for Joy Division. So, having a new Howls' record for Halloween 2025 will be a welcome event.
NCBD:
Another easy week, but everything here is something I can't wait to read! Let's go:
The penultimate issue of Daniel Warren Johnson's run, which ends next month with Transformers issue 24! The cover says it all - I really dig what they've been doing with ol' Ultra Magnus, and in general, the Autobots are in such dire straits, I can't wait to see how this all plays out.
I LOVED issue one of the first Epitaphs from the Abyss spin-off mini series, Blood Type, and am looking forward to more.
Hands down the best regularly produced Batman book I've read since Morrison's run almost twenty years ago now. I know this ends in a few issues, but I'll enjoy Dark Patterns while I can. Dan Watters and Hayden Sherman are really operating at peak performance on this one.
Watch:
I found this trailer for Matt Stuertz's new feature, Human, via Bloody Disgusting, which had a headline comparing it to Greg Araki meets Evil Dead 2. I see the Araki for sure, not 100% certain I see the Raimi. Regardless, for what looks like a super small budget, I am intrigued and won't hold a Howie Mandel cameo against the film.
Playlist:
The Damned - Night of 1000 Vampires
Windhand - Eternal Return
John Carpenter and Alan Howarth - Prince of Darkness OST
Revocation - New Gods, New Masters (pre-release singles)
Blackbraid - Blackbraid III
Witchthroat Serpent - Trove of Oddities at the Devil's Driveway
Sleep - Dopesmoker
QOTSA - Rated R
Black Sabbath - Eponymous
Joy Division - Substance
Ritual Howls - Follow the Sun (single)
Ritual Howls - Virtue Falters
Ritual Howls - Into the Water
Ritual Howls - A Safe Haven From the Sun (single)
Cryo Chamber - Echoes of the Hollow Earth
Young Widows - Power Sucker
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Ace of Cups
• V: The Hierophant
• Seven of Wands
Emotional breakthrough leads beyond accepted dogma/practices to a victory of Will.
First, let's take a moment to marvel at the artistic merit of these three particular cards. My god - I'm blown away every time I stop to examine Grimm's art in this deck. Not just the actual art, but the concepts and pulling together of so many similar attributes - stoner rock, Weedian folklore, Occult influences, 70s Sci-Fi and Fantasy. Breathtaking, I tell you.
Okay, so what the hell is this pull saying? I've finally knuckled down and have been writing very nearly every day, and it's paying off. The book I'm working on - Shadow Play Two - is extremely difficult to write. I have a timeline that dates back to Elizabeathan England and draws in a lot of minor historical figures. I'm having trouble shaping the second act of the book - which I'm back to thinking will take place in both Elizabeathan and Victorian England, and a lot of my work is slow going.
Blackbraid III, out everywhere today! Psyched for the arrival of my vinyl, which I pre-ordered directly from the band's online shop HERE.
Last weekend, while doing some work around the house, I put in my headphones and listened to Blackbraid I and II in succession. This is a band that deserves all the hype; in fact, Blackbraid deserves a lot more hype! There's an evolution going on across these three records that is breathtaking to behold, and you can see how their success funnelled directly into their Art. The cover artwork on III is a contender for cover of the year. Artist Adam Burke absolutely nailed this, and with Adrian Baker's layout, this is something I cannot wait to just sit and stare at while cranking the record. (You can read a bit more about the album and the art HERE)
I had hopes of seeing Blackbraid live, but alas, they're playing Chicago when I'm in LA this October, and they're playing LA when I'm back home in TN, so I'll have to catch them next time.
Watch:
Weapons. Holy shit. THIS might actually topple Eddington as my favorite film of the year. Zach Cregger has actually crafted yet another movie that belies all comparison. Weapons is unique. It is intricate and perfectly executed. The storytelling here is just on another level. The characters - of which there are quite a few - are very well-written and expertly developed. As my good friend and cohost on The Horror Vision said last night during our live, spoiler-free reaction on IG, "The characters are rich."
Go into this as blind as possible. I will say, another thing that now appears to go hand-in-hand with Cregger's brand is the mystery, so that even though I've seen the initial trailer for this film several times, and have been inundated with a more recent ad while watching The Bear on our HULU (our phone pays for the subscription, so there are ads), I still knew NOTHING about this film. That's a feat. While Blumhouse continues to beat everyone over the head with trailers that show (and ruin) the entire movie, Directors like Mr. Cregger and Oz Perkins have "spoiler-free" built into their brand.
Tomorrow I'm starting 7 Days of Sabbath, but in the interim, I wanted to get this awesome new track by L.A.'s Faetooth a little push. This band landed on my radar with their 2022 album Remnants. This new track precedes their upcoming second album, Labyrinthine, out September 5th on The Flenser record label. Pre-order HERE.
Watch:
I had my second theatrical viewing of Ari Aster's Eddington last night. There is almost no doubt this will be the movie of the year. I can scarcely believe the sophisticated levels of layering in this film. There are levels of insight into the human animal, human society and human ignorance in this film that I'll be unpacking for years.
Eddington is a Western, a Horror movie, and on a very subtle level, a comedy made for people who see humanity the way I do - pessimistically. Ari Aster also crafts one hell of a shoot-out sequence, and has the subtle audacity to pepper it with Looney Tunes-esque visual gags that, if you catch them, will blow your mind. So many disparate elements synthesized into a perfect whole.
From the LONG-AWAITED album Private Music, out August 22nd. Order HERE. Easily one of my most anticipated albums of the last five years, I'm absolutely stoked we're getting this next month. I cannot wait to put on headphones, smoke some pot (increasingly rare) and listen to this record from start to finish.
NCBD:
HUGE haul today. Let's dive in:
Oni's resurrection of EC comics continues to evolve. No sooner did Epitaphs From the Abyss end, than the the Grave Digger has passed the proverbial Horror mic to his cohort, The Tormentor, for the new series Catacomb of Torment.
New Z News! I still have barely scratched the surface of the backlog of issues I picked up in Chicago last month, but good to no it's still going.
Has this series had the best covers of 2025? Maybe. I'm still loving that this is bi-monthly and wondering how we lucked into that? Reminds me of the old 80s Turtles, when it would come out bi-monthly or... maybe later. Either way, it's been very cool to see Jason Aaron come on board with the brothers completely pulled apart and slowly... oh so slowly... put them back together.
Oh man. Crisis time - Phantom Road's current arc, The Horror Men, ends next issue and the solicitations on League of Comic Book Geeks ends there, so that means, with Lemire having all the irons in the fire he does, this series is about to go back on hiatus.
One of my most anticipated books when it's dropping, it's hard to imagine going another couple of months without Phantom Road. But I guess we do what we have to do.
I have been waiting for Imperial issue 2 for what feels like months! I loved the first issue, and cannot wait to jump back in, especially with Hulk's proclamation of "War" at the end of the first issue!
This whole "Baroness as a Joe" scenario continues despite the hope last issue's cover instilled in me. Oh well, I'll just shut my mouth because at this point, there's probably no way I'm not going to continue this series. The one silver lining is the burgeoning friendship between Clutch and Hound. LOVE that development A LOT! Hear Mike Shin and I talk about this on the new episode of Drinking with Comics, HERE.
\Speaking of the latest episode of Drinking with Comics, I convinced my cohost, Mike Shin, to read Ben Winters and Leomacs' Philip K. Dick amalgamation, Benjamin, and he loved it! What's not to love? PKD lived an absolutely fascinating life, and, in retrospect, it blows my mind that it took this long for someone to use that life as fodder for a fictional story! Issue two drops tomorrow, and I cannot wait!!!
I wasn't blown away by issue one of "Death of the Silver Surfer," probably because the whole "Death of" idea seems incredibly passé at this point. That said, there's no way in hell I'm not buying a book with this cover. Holy smokes!
Watch:
Two episodes from the finale and I have to say, Ian Carpenter and Aaron Martin's Hell Motel (i.e. Slasher, season six) might just be the Horror Event of 2025! Every episode has been fantastic, but this week's? Chef's fucking kiss!
This show is so expertly plotted. A perfectly maddening Whodunit? combined with all the beautifully brutal flourishes Slasher is known for, the combination just works so goddamn well! Also, while I gave props to Martin and Carpenter up front as the creators, lest it not be forgotten that the inimitable Adam MacDonald directed all of these nasty little fuckers.
Playlist:
Ty Segall - Possession
Deftones - White Pony
Deftones - Saturday Night Wrist
Deftones - Eponymous
dan le sac Vs. Scroobius Pip - Angles
Drug Church - Prude
Hangman's Chair - Saddiction
YUNGBLUD - Idols
Horrendous - Ontological Mysterium
Ozzy Osbourne - Patient No. 9
Blind Willie McTell - Complete Recorded Works In Chronological Order (Vol. 1)
Willie Nelson - Oh What a Beautiful World Songs of Rodney Crowell
Reggie Watts - Fuck Shit Stack (single)
Jogger - Nephicide (single)
Mi Loco Tango - Rocco and His Brothers (single)
Abby Sage - Smoke Break (single)
Abby Sage - The Rot
Crystal Castles - II
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Nine of Swords
• IX: The Hermit
• Nine of Wands
Two nines? Not sure this has occurred for me before. Climax and accomplishment? That combined with the Hermit actually lead me to believe this is a direct acknowledgement by the cosmos (ie my inner self) that I've earned the break I've taken, through the accomplishment of finishing my book and the culmination of Sweetie's existence. But it's almost time to really tune back in,.
