Immortal Funhouse

 

Goddamn if I don't still love every track on Deftones' 2012 (ten years!!!) Koi No Yokan.

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Watch:

 

Tobe Hooper's 1981 carnival-themed slasher flick Funhouse just came back to Shudder, and I had forgotten how insane this flick is. The third act climax alone is enough to leave me going, "Jesus, this is totally f*%king coo-coo. If you haven't seen this one - or if like me it'd been a while - it's definitely a good time to revisit.

 

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Read:

I spent the latter half of this week completely enraptured by and re-reading the first issue of Kieron Gillen's Immortal X-Men. 

One of the things I liked least about this new, Krakoan era of the X-books is the change in the portrayal of Mr. Sinister. I have always been a HUGE fan of the old-school Sinister introduced in the Claremont-era of Uncanny, with his limited appearances enhancing his, well, sinister aspect. He reeked of dark schemes and unparalleled violence. Now, however, Sinister almost feels like comedic relief at times, and I experienced a considerable degree of cognitive dissonance at this new persona during HoX/PoX. However, Gillen has changed that with this issue, which is entirely from Sinister's perspective and drops the Godfather of all reveals in the book's final page. I literally exclaimed out loud when I reached the end, and have been picking at the ramifications ever since.

 

I've been so into this, I did something I never do - I took to youtube to try and find people talking about this. (I'll be honest, I'm so tempted to try and restart Drinking with Comics, call it the Immortal Drinking with Comics, and only talk about this, however, there's a host of reasons I can think of not to do that, so I'm staying on the sidelines and listening to others talk. So far, this is the best video I've found.

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Playlist:

The Mysterines - Reeling

The Rolling Stones - Sticky Fingers

King Woman - Doubt EP

Cypress Hill - Back in Black

Perturbator - I Am the Night

U2 - The Joshua Tree

U2 - War

Mark Lanegan Band - Blues Funeral

Entropy - Liminal

Deafheaven - Ordinary Corrupt Human Love

Deafheaven - Infinite Granite

Jim Williams - Titane OST

Ministry - Moral Hygiene

David Bowie - Scary Monsters

Ghost - Impera

The Devil's Blood - The Thousandfold Epicentre

Ghost - Infestissumam

The Besnard Lakes - ... Are the Roaring Night

Boy Harsher - Careful

Jackie Wilson - Higher and Higher

Tears for Fears - The Tipping Point

Quicksand - Slip

Deftones - Koi No Yokan

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Card:

Past: Making ideas actionable

Present: Continue to work at what I've put in motion

Future: The work isn't enough. This will require an inner guidance, known to most as intuition. 

Pretty spot-on with what I'm working on, which I believe is soon to reach its conclusion.

Isolation: Day 34 Code Orange

Mr. Brown turned me on to Code Orange's new record Underneath a few days ago, and it's been quickly becoming a staple. The album is all over the place as far as textures; so many influences in these guys that, in a way, I feel like they're the bridge between reclaiming some of the cooler elements in late 90s/early 00s metal - most of which was ruined by near constant narcissism and ostentatious infusion of hip hop aesthetics - and bridging those elements with the groove-heavy pioneering of mid-period Sepultura, the speed of and precision of DEP, as well as the latter's occasional penchant for incorporating glitch-like electronic elements.

Underneath dropped on Roadrunner Records recently; if you're interested you can order it HERE.

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Speaking of metal, yesterday I re-watched the Joe Bob Briggs presentation of Jason Lei Howden's Deathgasm. Man, I love this movie.



Letterboxd

Also, I finally watched the John Carpenter/Tobe Hooper anthology Body Bags. Not sure why this one took me so long to get around to. Fantastic. The cast really surprised me, with a slew of B-Level actors whose chops were never more apparent than at the direction of two Masters of Horror.



Letterboxd

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Playlist:

Killing Joke - The Fall of Because
Killing Joke - Night Time
Code Orange - Underneath
White Lung - Paradise
The Rolling Stones - Goats Head Soup
The Babies - Our House On the Hill

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Card:

From the Grimoire: "Saving Money." Fitting. Stimulus landed today and all but a tiny bit of it went directly into Savings. I'll stimulate the economy when we buy a house. In the meantime, a portion of the remainder of the government pay-off for ineptitude will be spent on Kindle editions of William Gibson's The Peripheral and it's recently released follow-up, Agency.

Doomriders - The Chase

The Playlist for Joe Begos' new film Bliss has turned out to be the gift that keeps on giving! I've spent the last twenty-four alternating between Deth Crux's Mutant Flesh album and Doomriders' Black Thunder. Both these records are start-to-finish fantastic, and I haven't even had time to dig into some of the other bands with killer tracks on it. Here's the embedded full playlist - if you dig it, follow some of these folks on BandinTown, Spotify, Bandcamp or Apple Music.



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31 Days of Horror:

10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)

Wow. When Masters of Horror aired back in the mid-'00s, I cursed not having cable. I looked forward to the inevitable DVD releases with a sort of frantic fan devotion. I mean, here was a series that assembled most of the greatest living horror auteurs, new and old, in one place. How could that be bad?

When all was said and done, I enjoyed the few I saw (Carpenter's Cigarette Burns, Coscarelli's Incident On and Off a Mountain Road, and Stuart Gordon's Lovecraft adaptation Dreams in the Witch House) but somehow never got around to the rest.

It's as if I knew.

Last year, I went back to the series for the first time in forever, primarily because at ~an hour each, MOH provides a great way to check a box for 31 Days of Horror on a work night. Yesterday, with a late start and an early wake-up time, I sought the series out again, opting to buy the first season digitally on Prime. Once acquired, K and I settled in for one of the episodes I had always anticipated but never got around to: Tobe Hooper's Dance of the Dead.

Dance is an adaptation of an old Richard Matheson short story of the same name that I first read in the early 90s; in fact, Matheson wrote the teleplay to adapt the story for Hooper, so everyone involved with this film is in my 'good book.' That makes it even stranger that I absolutely hated the finished product.

I didn't hate the way the story was adapted. No, what I disliked, and what I now wonder might hold true for more of the MOH series - and maybe even a lot of Mid-'00s, big-name Horror in general - is the aesthetic. I can't speak to that broader picture yet, but let's take a look at Dance of the Dead as a possible microcosm of the overall macrocosm of 2000s Horror.

Dance of the Dead suffers from an extremely dated adherence to mid-'00s culture: the guys in DOD all look like Bros, the attitude of everyone seems an extrapolation and acknowledgment of 'extreme' culture - something horror was DEFINITELY guilty of trafficking in; remember the Dimension: Extreme imprint? - and their messy hair, mountain dew attire, piercings, tattoos, etc. really just look embarrassing for the costume designer and producers. After a similar cultural rift, a lot of us look back on this same broad-stroke cluelessness on 80s youth culture as endearing (bandanas, shoulder-hoisted ghetto blasters, switchblades, etc), so maybe that will happen with the 2000s as well.

Though I doubt it. The schism is a little hard to explain, but if you were socially cognizant during the 00s, you'll know what I mean.

Along with the above, DoD sports an overly enthusiastic reliance on digital effects and awkward, heavily effected camera work that manifests as constant shaking-and-trailing of the picture frame, superimposed imagery, and a general frenetic editing pace that directly detracts from the film's visual exposition, in my opinion. During this period, I remember having a theory that everyone in Hollywood thought the entirety of youth culture suffered from ADD.

Finally, this befuddlement of youthful values and mores leads to a palpable and frankly ugly mean streak, especially when looking back from higher ground. Horror is horror, but in my experience, 'mean' generally doesn't hold up in the light of hindsight.

I fully intend to watch more of the first season of Masters of Horror, so I can only hope some of the other films contained therein prove me wrong.

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Playlist from 10/09:

Tones of Tail - Everything
Various - Bliss Soundtrack Playlist
Bauhaus - In the Flat Field
Doomriders - Black Thunder
Deth Crux - Mutant Flesh
Twin Tribes - Shadows
Ritual Howls - Into the Water

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No card today.

2019: August 1st - Tigers Are Not Afraid Trailer

I've been hearing about this one for months, so I was pretty excited to see Shudder drop the trailer. Not sure how wide a theatrical release it'll get, but I'll definitely make the attempt to see it.

Speaking of seeing things in the theatre, It Chapters One and Two director Andy Muschietti is curating a special run of classic horror films at Arclight Theaters all over the greater Los Angeles area. The roster is fantastic, and I'm going to do my damnedest to catch John Carpenter's The Thing and Tobe Hooper's Poltergeist on the big screen for the first time. Here's a link to the Event's page on the Arclight site, and in honor of my excitement, here's the trailers for two fantastic 80s horror films:






Playlist from 7/31:

Opeth - Watershed
Opeth - Blackwater Park
Kings of Leon - Because of the Times
Drab Majesty - Careless
The Devil and the Almighty Blues - II
The Dillinger Escape Plan - One of Us is the Killer
Cibo Mato - Stereotype A
Uncle Acid and the Deadbeats - Wasteland
Sleep - The Sciences

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No card today.