John Carpenter for Christmas!

 

John Carpenter posted this on his YouTube channel yesterday. Very cool. 

Knower - Do Hot Girls Like Chords?

After posting about  Genevieve Artadi last week, my friend Garrett introduced me to the band Knower. While yes, that is a terrible name, this is a fantastic band, and Ms. Artadi provides vocals. I really don't know anything beyond the two tracks Garrett shared with me so far, but I'll be digging today.

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Watch:

I wasn't interested in this one until I saw John Carpenter is doing the score. 

Not a bad looking flick by any means, and odds are I would have gone to see it in the theatre just to go. The movie pass really makes that a no-brainer. But A24 has achieved that same connotation with me that Touchstone Pictures did in the 80s and Fox Searchlight did in the 00s - they have such a specific tone MOST of the time that they begin to feel as though there is an A24 checklist behind the production of each one. Again - there are definite exceptions to this. Most of their BIG releases still feel unique and important. But a lot of the 'fodder' that fills the calendar between those releases feels... rote. Will that be the case here? Well, I don't know, but I'm down for a non-Carpenter film scored by Carpenter, so I'm in.

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Playlist:

Final Light - Eponymous

Oranssi Pazuzu - Muuntautuja

Willie Nelson - Pretty Paper

James Last - Christmas Dancing

Various - I'll Be Home for Christmas

Calexico - Seasonal Shift

Rodney Crowell - Christmas Everywhere

Bing Crosby - Merry Christmas

The Bangles - All Over the Place

Dreamkid - Daggers

The Smashing Pumpkins - Luna (single)

The Jon Spencer Blues Explosion - Extra Acme

Nat "King" Cole - Christmas with Nat King Cole

NIN - Pretty Hate Machine

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Card:

Today's card for study is VII: The Chariot.

Here's what I have written in the Grimoire for this one:

"The Chalice/Grail - origin of ideas (mushroom???) origin of Imagination and with it, Creativity."

This card represents a new idea or path as the outcome of an ordeal. Whereas The Fool is fresh, this is a beginning rooted in what came before, hence the chariot imagery. A vehicle, which can also be a door or method of transport.  Seeing this means you should get excited, but you should also recognize that change is coming.  

Crowley offers this, which I quite like:

"The canopy of the Chariot is the night-sky blue of Binah <THe Great Mother>. The pillars are the four pillars of the Universe, the regiment of Tetragrammaton. The scarlet wheels represent the original energy of Geburah which causes the revolving motion."

It's good to encounter passages like this in The Book of Thoth, as so much of it is nonsensical, Crowley talking a lot to convince everyone how much he knows that we don't. He also equates this card to Cancer, and while I don't traffic in Astrology, he continues, "Cancer is the cardinal sign of the element of Water, and represents the first keen onrush of that element." This fits my own interpretation, so I wanted to double-down and mention it here. 

A Drink Before the War

From 1987's The Lion and the Cobra. Outstanding song from an outstanding album. Makes 1987 feel so close I can almost touch it.

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Watch:

It's been a while since I'd enjoyed John Carpenter's In the Mouth Of Madness. I'm guesting on John Trafton and Mile Fortune's This Movie Saved My Life podcast next week for the second part of their 1994 retrospective (part 1 is HERE), and Madness was one of the four films we're covering. 

Maybe it's because I just rewatched Nightmare on Elm Street 4: The Dream Master, too, but I'd never realized the influence that both the NOES and Hellraiser series had on this flick until now. I'm not sure if that influence comes more from writer Michael De Luca (who also wrote Freddy's Dead: The Final Nightmare) or JC himself, but it's definitely there. Also, and I know everyone who loves this movie knows this, but the brilliance of combining Stephen King's popularity with H.P. Lovecraft's ethos in Sutter Cane is one of the great triumphs of homage to either author, in a world where 75% of Horror is homage to one or the other (or both). I'd add that making Jürgen Porchnow look like Neil Gaiman - who would have been rounding the corner on finishing the original Sandman series for DC's Vertigo at the time, adds just the right amount of prescience about Gaiman's inevitable place in the pantheon King and Lovecraft reside over.

 

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Playlist:

Blut Aus Nord - Memoria Vetusta III: Saturnian Poetry

Blut Aus Nord - Hallucinogen

The Reverend Horton Heat - Whole New Life

The Raveonettes - Sing

Sinéad O'Connor - The Lion and the Cobra

Joy Division - Substance 1977-1980

Black Pyramid - The Paths of Time are Vast

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Six of Cups - Emotional fulfillment.

• IX: The Hermit - I need a period to regroup. Badly.

• Three of Pentacles - Growth in Earthly terms. Not sure if this is responsibility maturation or windfall. Windfall would be nice.

Seven Days of Steve: Day 5

Big Black's Songs About Fucking stands with early Ministry as one of the stalwarts of the Chicago Indie Sound of the 80s. While it's easy to draw comparisons to Industrial music because of the drum machine, Albini's vocals help it remain not so committed to any one genre. It's some important DNA, though, and a perfect record from start to finish.

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Watch:

It had easily been 25 years since my first and only viewing of John Carpenter's Assault on Precinct 13. The film popped up on Prime recently,* and Saturday night, I fired it up and remained rivetted throughout the entire run time.

When I first watched this back in my 20s, I know I dug it, but this was one I never really sought out to add to the collection, and now I just can't understand why. Despite immediate tendencies to embellish and decry this as my new favorite Carpenter film, Assault on Precinct 13 definitely jumps up into that upper echelon on his work, along with Halloween, The Thing and Prince of Darkness. 

This one is raw! There's a scene that dropped my jaw (you know the one). Not that JC can't be brutal, but holy smoke muffins! And through the entire siege portion of the film, there is definitely that 'the calm before the storm' eeriness that percolates through Halloween, as well. The scene where the station receives the "Cholo" is just creepy A.F.

*I feel like amazon has been listening to me through the apps on my phone and actually sought to rectify my major gripe, namely that along with commercials in all their original programming now, most movies have migrated over to freevee. FUCK freevee.

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Read:

Took some time this weekend to re-read James Tynion IV and Joshua Hixson's The Deviant before diving into the newest issue that came out this past Wednesday.

Reading this again, I have to say that The Deviant strikes me as possibly one of the creepiest psychological nightmare mind-fuck series ever published in comics. Five out of Nine issues notched and if this is going where I think it's going (but not necessarily how it's going to get there), Michael and Randall's stories are becoming more and more entwined, not just with each other, but with the Horrors of loneliness and social isolation that seem to have created a world of sad, deadly men. 

Michael is telling us everything point blank; we're just not listening. It feels like this is exactly what it would be like to know a killer. I can say this because I knew one in my teens, and while looking back on his behavior with adult eyes after the fact, it becomes clear the signs were there all along; he wasn't steeped in killing the way a serial killer like the killer in The Deviant is. 

You don't need to have had that experience, though. Tynion and Hixon's tale unfolds in such a character-driven way that we're drawn into their world and their lives. You can imagine being in Michael's boyfriend's shoes, the signs that are literally all over the place, but how do you put that together? How do you learn to distrust and fear people you love enough to properly interpret these silently telegraphed confessions?

We'll see.

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Playlist:

Uncle Acid & the Deadbeats - Nell' ora blu

Big Black - Songs About Fucking

Uncle Acid & the Deadbeats - Blood Lust

Uncle Acid & the Deadbeats - The Night Creeper

The Jesus Lizard - Down

Steven Sanchez - Angel Face

Amy Winehouse - Back to Black

Ian Lynch - All You Need Is Death OST

Tim Hecker - Infinity Pool OST

Black Sabbath - Paranoid

Moon Wizard - Sirens

Alice in Chains - Sap

Alice in Chains - Jar of Flies

Gold Class - Drum

Etta James - 

Sharon Jones and the Dap Kings - Give the People What They Want

Chuck Berry - Berry on Top

Various - Romantic Night in Playlist

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Card:

From Jonathan Grimm's Bound Tarot Deck, which you can buy HERE.

I had a hankering for Grimm's Bound Tarot, so I broke that out for today's Pull.

• Page  (Princess) of Pentacles

• Two of Pentacles

• Seven of Pentacles

Interesting. The first day back with this deck in months, and my entire Pull is Pentacles? Money has been on my mind - for both good and hesitant reasons. It's good right now, but I feel as though there is a shoe hanging above a drop of about 1000 feet. The Page/Princess indicates security, the Two partnership and the Seven Completion. That bodes pretty well, but I'm still feeling things out as I go along. 

John Carpenter - My Name is Death

 

John Carpenter and Sacred Bones announced Lost Themes IV a few days ago. You can pre-order the record HERE. I'm not going to lie - I don't love this first single (or its video); the song feels like a long 5:44. That said, I've also not had the greatest morning - I woke up with one of my cats puking next to my face, so I might just be in an ornery temperament (JC can no doubt relate given that sour look plastered across his puss in the video). I'm suspending judgment - and all further listens - until I can hear the entire album. Something tells me "My Name is Death" will work better as a lead-in to the rest of the ten tracks. 

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Watch:

I watched Terry Gilliam's 12 Monkeys for the first time in what I'm realizing is close to twenty years last night. This flick was very important to me when it came out, and afterward. 

No one uses a camera the way Gilliam and long-time Cinematographer Roger Pratt do; a lot of the angles here just reinforce Gilliam's Orwellian, bureaucratic worldview even more than the way he tells his story. This really put me in mind to finally order that Criterion Brazil 3 Disc DVD set they put out in the 90s. The update to Blu-Ray is tempting. However, I can't quite discern from what I'm seeing online if the other versions of the film in the 3 Disc were ported over to the Blu-Ray. 

Gilliam's worldview, especially his sense of humor, very much shaped me as a young adult. I'd go so far as to say that, without early exposure to the works of Terry Gilliam and David Lynch, I would not be the person I am today. It's been quite some time since I revisited Gilliam, so perhaps it's time.

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Playlist:

Double Life - Indifferent Stars

Nick Cave and the Bad Seeds - Abbatoir Blues

Drive Like Jehu - Yank Crime

Baroness - Stone

bunsenburner - Rituals

Judas Priest - Invincible Shield (pre-release singles)

Ministry - Animositisomina

Justin Hamline - The House With Dead Leaves

Judas Priest - Invincible Shield

Mannequin Pussy - I Got Heaven

Brigitte Calls Me Baby - This House is Made of Corners EP

Ministry - Hopiumforthemasses

Genghis Tron - Board Up the House

Jim Williams  - Possessor OST

Tangerine Dream - Sorcerer OST

Amigo the Devil - Yours Until the War is Over

Frankie and Witch Fingers - Data Doom

Dead Boys - We Have Come For Your Children

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Joy Orbison - Hyph Mngo

I'm not entirely certain how Joy Orbison came to mind this past Saturday morning as I sat in bed working on another new short story, but once I hit play on this track, I was immediately transported back to the dim evening light of 2009, when I spent a lot of time bumping the single that had "Hyph Mngo" on one side and "Wet Look" on the other*. I don't know exactly how long it's been since I listened to Joy Orbinson's music, let alone thought of it, but I'd wager a decade isn't too far off. A quick search of Apple Music revealed Joy's been consistently busy over the last thirteen years, and I had a wonderful morning tapping the keys and listening to everything I've missed. 

* That's a misnomer - I didn't actually have the physical single, but the digital tracks.

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Watch:

I watched quite a few flicks this weekend. Here's a rundown: 

Joe Bob Briggs and Darcy the Mailgirl brought in another stellar episode of The Last Drive-In this past Friday, which helped assuage my blues that Yellowjackets took the week off. First, a flick I'd never really cared for previously, Kevin Tenney's Witch Board:

 

I remember seeing the tv spots for this one during its original theatrical release in 1986. As a ten-year-old, those spots freaked me right the hell out, but the movie never made it onto my screen until 2011 when I bought a used copy at Amoeba Music. Needless to say, Witch Board fell extremely short of my heightened expectations, and I immediately gave that copy to a friend at work. I didn't think anything could make me enjoy this one after that, but I have to say, it's just a totally different experience watching a flick like this with the Drive-In crew. I still wouldn't profess to be a Witch Board fan, but I had a damn good time with it Friday.

The Last Drive-In's second flick was 1975's The Devil's Rain, which features Ernest Borgnine as a red-cowl-wearing Satanist. I love this flick, and it'd been a while, so even though I ended up falling asleep during it on Friday, I restarted and finished it yesterday. That ending!

Predating the Satanic Panic by just a couple years, this is the post-Hippie fallout in America in the 70s: It makes me laugh that so many people entertained the idea of large, active "Satanic Cults" operating all over the U S of A in the dark, psychic corridor following Peace, Love and Understanding. I feel like this movie spins directly out of that idea. 

Saturday I received a call from my Cousin Charles, who had just watched John Carpenter's Prince of Darkness for the first time. This made me realize I hadn't sat down with some Carpenter in a while, so I planned a double feature and kicked it off with Big Trouble in Little China:

 

I'm not sure there's a movie I know of that is more quintessentially 'Me.' I first saw Big Trouble in 86 or 87 -whenever it first hit VHS - and that put me at 10 or 11 years old and 100% in Double Dragon, Snakes Eyes and Storm Shadow, and any stories that included underground caverns and realms. BTiLC has ALL of that, and it shaped me in a way I'm still trying to tap into in my writing. 

I followed one Carpenter favorite with another, 1987's Prince of Darkness: In terms of John Carpenter's films, I always say Prince of the Darkness is my favorite, but the caveat I add is you have to just take Big Trouble out of the ranking - it's always going to win. The Thing and Halloween are both up near the top as well, but the mechanics of the story in Prince of Darkness always blow me away, as well as how effective the film is with such an obviously diminished budget from JC's better-known films.

Finally, Sunday afternoon I finally dug out my old DVD copy of Doug Limon's Go and showed it to K. Here's the trailer:

Maybe it was because I caught the tail end of K watching the Train Wreck: Woodstock 99 doc on Netflix Saturday afternoon, but I had the late 90s on the brain, as awful as they were. Anyway, this flick was introduced to me by friends after we got into a fight with a bunch of gangbangers at, where else, the Crazy Horse II in Vegas. I'm not a strip club kinda guy, but I've been to a few in my early 20s. This was by far the highlight, and not because it was a strip club, but because we literally had to run out of the club, jump a taxi line and steal someone's cab to get away in one piece. After all that, one of the friends with me remarked how much like a sequence in Go the whole thing was, and when I professed to not having seen the film, he showed me.

 

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Playlist:

Forhist - Eponymous

Joy Orbison - Apple Essentials

Spotlights - Seance EP

Spotlights - Alchemy for the Dead

Goatsnake - Black Age Blues

Windhand - Eponymous

Blut Aus Nord - Hallucinogen

Blut Aus Nord - 777 Cosmosophy

Dorthia Cottrell - Death Folk Country

Body Maintenance - Beside You

Intronaut - Habitual Levitations

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Village of the Damned

 

While John Carpenter's 1995 film Village of the Damned is one of the few Carpenter movies I just cannot hang with (I've tried several times and never made it past the second act of the movie), this track by French Electroclash guru The Hacker sounds like sweet, dark candy; perfect for a dark and rainy Christmas Eve morning, my last in LaLaLand.

Taken from the album Reves Mecaniques, 2004 Different Recordings.

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Watch:

 

I finally got around to watching Michael Sarnoski's PIG with Nicolas Cage. NOT what I expected AT ALL, and wonderful because of it. I loved seeing a movie take the piss out of this particular cultural milieu, and in such a strangely calming manner to boot.

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Playlist:

Godflesh - Post Self

Emma Ruth Rundle and Thou - May Our Chambers Be Full 

Ministry - Moral Hygiene

Yeruselem - The Sublime

Wolves in the Throne Room - Primordial Arcana

Converge and Chelsea Wolfe - Bloodmoon: I

Pike Vs the Automaton - Alien Slut Mom (pre-release single)

High on Fire - De Vermis Mysteriis

Vanessa Willams - Dreamin' (single)

Nun Gun - Mondo Decay

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Card:

Recognizing advantage.

John Carpenter's Alive After Death

 

New video for John Carpenter's Alive After Death, from the forthcoming album Lost Themes III: Alive After Death, out February 5th on Sacred Bones Records. You can pre-order the record from Sacred Bones HERE, or, do what I did and pre-order the Wax Work/Sacred Bones collab like I did HERE, although, without checking, there's probably a pretty good chance this one is long since sold out. 

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Watch:

K and I finished the new and apparently final "season" of Netflix's Chilling Adventures of Sabrina. Hot damn I love this show! Here's a cool little bloopers reel Netflix dropped on youtube a bit ago. It's cool to see everyone having fun between takes.

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Playlist:

Drab Majesty - The Demonstration

Amy Winehouse - Back to Black

Queens of the Stone Age - Songs for the Deaf

Queens of the Stone Age - Villains

Chelsea Wolfe - Hiss Spun

Ravenous Wolves - Stories and Pictures

Ravenous Wolves - A Horror of Shades Demo EP

Emma Ruth Rundle and Thou - May Our Chambers Be Full

Windhand - Grief's Infernal Flower

ISIS - In the Absence of Truth

The Fixx - Reach the Beach 

 

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Card:

An influx of success!

John Carpenter Lost Themes III

 

Out February 5th on Sacred Bones, with a variant that I pre-ordered from Waxwork, which I am now ridiculously excited for after hearing this track!

 

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NCBD:

You can set your freakin' watch by how on-time this book is every month.

Lonely Receiver's penultimate issue. I'm really enjoying this one, and things really crystalized last issue, so this is sure to be pretty F*ked up!

I'm unclear whether this "Zero" issue of the Locke and Key/Sandman crossover due out early next year is a full issue, or simply what amounts to an ashcan-sized promo. I'm also unsure why this is coming up as being out this week but has October 2020 across the front cover. 

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Playlist:

Ainoma - Necropolis

Airiel - Molten Young Lovers

Barrie - Canyons (single)

Barrie - Happy To Be Hear

The Blueflowers - Circus on Fire

The Blueflowers - Relapse EP

Mr. Bungle - The Raging Wrath of the Easter Bunny

Sightless Pit - Grave of a Dog

Michael Kiwanuka - KIWANUKA

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Card:

Let go of your preconceived notions and prepare to shake things up a bit. Feels like I could really use this. 

3 Days 'til Halloween

New John Carpenter album? Yes please!

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31 Days of Halloween:

I was able to score tickets to Joe Bob's Haunted Drive-In at the Torrance Roadium last night. Nine short films and several trailers, of which, Snake Dick was my favorite. Here's the film in its entirety. Worship it:

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)

2) From Beyond/Monsterland: "Port Fourchon, Louisiana"/Tales of Halloween: "The Night Billy Raised Hell" & "Trick"

3) Mulholland Drive/Creepshow (1982): "The Crate"

4) Waxwork

5) Synchronic/Bad Hair

6) Dolls

7) Lovecraft Country Ep. 8/Tales of Halloween: "The Weak and the Wicked" & "The Grim Grinning Ghost"

8) 976-Evil

9) Repo! The Genetic Opera

10) Firestarter/George A. Romero's Bruiser

11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2

12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses

13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)

14) The Haunting of Bly Manor episodes 6 and 7

15) The Haunting of Bly Manor episodes 8 and 9/Roseanne (88) season 2 and 3 Halloween Episodes

16) The Mortuary Collection/Roseanne (88) season 4 Halloween Episode

17) Ginger Snaps Back: The Beginning

18) Lovecraft Country episode 9/The Haunting/Roseanne (88) season 5 Halloween Episode

19) Lovecraft Country episode 10/Tales From the Crypt season 1 ep. 5 "Lover Come Hack to Me"

20) George A. Romero's Season of the Witch

21) The Omen

22) Texas Chainsaw Massacre: A Family Portrait/Masters of Horror: "Sick Girl" (Lucky McKee)

23) Joe Bob's Halloween Hideaway: Haunt/Hack-O-Lantern

24) Eight Legged Freaks/What We Do in the Shadows season 1 episode 1/Night of the Demons

25) 10/31 - "The Old Hag"/Absentia

26) Prince of Darkness/Tales of Halloween (remainder)

27) Joe Bob's Haunted Drive-In - Nine short films

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Playlist:

Meg Myers - Sorry

Mastodon - Emperor of Sand

Molchat Doma - Monument

Danzig - Danzig II: Lucifuge

Specimen - Azoic

Daniel Ash - Coming Down

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Card:

Lots of fours lately, and even though they indicate coming from a stable place, I feel like the luxury moniker comes at an appropriate time, as I feel like I've been a touch hedonistic of late and am paying the price. I feel perpetually fat, stupid, and lazy. I spend too much money on frivolous (but awesome) things. My cup runneth over, but at what cost?

Isolation: Day 111 - New John Carpenter!

What a great way to kick off a holiday weekend, as Sacred Bones announces new, non-soundtrack music from John Carpenter! Read about the new 12" and pre-order it directly from Sacred Bones HERE, or from their bandcamp for 'no fees' day HERE.

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Speaking of 80s Horror icons, over the past two nights, K and I watched A Nightmare on Elm Street 2: Freddy's Dead and Scream, Queen: My Nightmare on Elm Street, the new documentary on Shudder about the fall of the film's Final Boy Mark Patton's career after staring in the NoES sequel. The doc is great; it sheds light on a lot of questions that naturally arise in the wake of watching the film, and it really helps recontextualize a lot about 80s Mainstream Horror and Hollywood in general. Freddy's Revenge still feels rushed and stilted, however, previously every decade or so I re-watch it thinking it can't be as bad a I remember, and it always is. This time? Maybe in light of the revelations that have come out about the film, or maybe just because time has turned the nostalgia factor up for me - I've never been a huge Freddy fan beyond the original - but I didn't hate watching the film this time.





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Playlist:

Talking Heads - Remain in Light
Various Artists - The Void OST
The Atlas Moth - Coma Noir
The Atlas Moth - An Ache for the Distance
Soundgarden - SOMMS (Record Store Day Vinyl Exclusive)
Black Marble - In Manchester (pre-release single)
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Card:

Generating positive energy shapes the world. As does negative energy. I've always been a believer in using positive and dismissing the negative. There's a fuckton of negative at the moment, so this is a nice reminder to take a deep breath and look past it.

Isolation: Day 34 Code Orange

Mr. Brown turned me on to Code Orange's new record Underneath a few days ago, and it's been quickly becoming a staple. The album is all over the place as far as textures; so many influences in these guys that, in a way, I feel like they're the bridge between reclaiming some of the cooler elements in late 90s/early 00s metal - most of which was ruined by near constant narcissism and ostentatious infusion of hip hop aesthetics - and bridging those elements with the groove-heavy pioneering of mid-period Sepultura, the speed of and precision of DEP, as well as the latter's occasional penchant for incorporating glitch-like electronic elements.

Underneath dropped on Roadrunner Records recently; if you're interested you can order it HERE.

**

Speaking of metal, yesterday I re-watched the Joe Bob Briggs presentation of Jason Lei Howden's Deathgasm. Man, I love this movie.



Letterboxd

Also, I finally watched the John Carpenter/Tobe Hooper anthology Body Bags. Not sure why this one took me so long to get around to. Fantastic. The cast really surprised me, with a slew of B-Level actors whose chops were never more apparent than at the direction of two Masters of Horror.



Letterboxd

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Playlist:

Killing Joke - The Fall of Because
Killing Joke - Night Time
Code Orange - Underneath
White Lung - Paradise
The Rolling Stones - Goats Head Soup
The Babies - Our House On the Hill

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Card:

From the Grimoire: "Saving Money." Fitting. Stimulus landed today and all but a tiny bit of it went directly into Savings. I'll stimulate the economy when we buy a house. In the meantime, a portion of the remainder of the government pay-off for ineptitude will be spent on Kindle editions of William Gibson's The Peripheral and it's recently released follow-up, Agency.

Isolation: Day 27 - Second Still PTP Sessions

A track from their Part Time Punks Session Cassette floated to the top of my youtube channels this morning, and in listening to it, I realized glorious LA post punk band Second Still released a full-length record last year that I somehow totally missed! Time to remedy that - Violet Phase is available on the band's Bandcamp HERE, although as I write this I see all physical versions of the album are sold out. In the meantime, here's the track that started this morning's odyssey.

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I'm pretty damn happy to still have a job, so I'm helping out in any way I can. We've been rotating shorter hours, and as such, I ended up with yesterday off. Here's the watchlist:



Letterboxd



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Letterboxd

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Playlist:

Jóhann Jóhannsson - Mandy - OST
Dean Hurley - Anthology Resource Vol. II: Philosophy of Beyond
Killing Joke - Night Time
David Lynch - Crazy Clown Time
Lustmord - The Dark Places of the Earth
Childish Gambino - because the internet
Second Still - Violet Phase
White Lung - Paradise
Dio - Lock Up the Wolves

**

No Card.

2019: January 18th

New Finn Andrews! Pre-order The Veil's frontman's debut solo album HERE.



I've been doing pretty good not spending money, but this will most likely be a must.

Playlist from 1/17:

Tool - Aenima
Belong - October Language
Boards of Canada - Geogaddi
Baroness - Purple
Godspeed You! Black Emperor - F#A# (infinity)
Lung - All the King's Horses
Carpenter Brute - Leather Teeth

Card of the day:

A controlled burn for creative victory.

2018: October 20th

A little something from the Trust Obey soundtrack to James O'Barr's graphic novel The Crow. This entire album is fantastic beyond words.

David Gordon Green's Halloween is pretty great. My post-viewing reaction, as well as the reactions of two of my cohosts on The Horror Vision podcast, can be heard on Apple Podcasts or our website. WARNING: This eleven minute mini-episode is FILLED with spoilers so beware.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

10/19) Halloween

Playlist from 10/19:
Tones on Tail - Everything
Uncle Acid & The Deadbeats - Wasteland
Zeal & Ardor - Stranger Fruit
Type O Negative - Dead Again
Not Waving - Good Luck
Beak> - L.A. Playback
Revolting Cocks - Beers, Steers, and Queers
Queens of the Stone Age - Villains

Card of the day:

A problem solved. Hoping this pertains to my writing work today, which is all about reading and editing and thus, is rife with problems, chief among them, DISTRACTION.

2018: August 14th

I received my copy of Death Waltz Records' Big Trouble In Little China OST yesterday. Fantastic! I love all JC's music, but this one, both with the movie and as a stand-alone listening experience, may just be my favorite.

Playlist from yesterday:
Secret Chiefs 3 Traditionalists - Le Mani Destre Recise Degli Ultimi Uomini
Chelsea Wolfe - Hiss Spun
Chelsea Wolfe - Abyss
Christine - Brand New Furies EP
The Cure - Carnage Visors
The Cure - Collector's Curiosities, Vol. 2
John Carpenter/Alan Howarth - Big Trouble in Little China OST

Card of the day:

Second day in a row and third in a week. Needed this.

2018: July 16th

I know I just posted the full album stream that Deafheaven's record label Anti- put up last Friday, however, I'm still ingesting the album and while it is chock full of wonderful surprises, this song hit me the hardest. Gorgeous. And look, there's Chelsea Wolfe, who I appear to be inadvertently stalking here on my blog.

Playlist from yesterday:

John Carpenter's Lost Themes II

Yep. That's it. One album. We spent the day cleaning and organizing our garage, which has enough storage to essentially be a storage unit, so there wasn't a lot of time for music. Ended the night by viewing my new Scream Factory Blu Ray of John Carpenter's Prince of Darkness, my favorite Carpenter film (not his best film, but my favorite). I had a hard time deciding on the collector's edition or the steelbook, as the latter comes with an awesome lithograph. I went with this one because it is my all-time favorite cover art for a dvd/br, artist Justin Osbourne:

If anyone knows where I can get a poster of this, please let me know. I've looked online but found nothing and apparently this edition was originally released with one.

No card today, but let's do the Prince of Darkness trailer to round things out:

John Carpenter's The Thing OST - Sterilization (Ennio Morricone)

You ever wanted to know where Boards of Canada came from, here it is. WaxWork put out a fabulous remaster of The Thing earlier this year and it is proving to be my most listened to record of the year.

John Carpenter's Utopian Facade

Killer.

Zombi - The Zombi Anthology

This was released via Relapse Records today. If you remember, this is the band that had an amazing recreation of John Carpenter's The Thing done stop motion with old school 3 3/4 GIJOE figures as a music video last year. That was my intro to their music and I've been waiting on this new record for what seems quite a long time. Well, it's here!