Scary Little Green Men

 

Mr. Brown recently mentioned how much he liked the latest album from Rock Icon Ozzy Osbourne, and it piqued my interest. I haven't really engaged with Ozzy's music in decades, or at least not the music made during those decades. I've always championed No More Tears, and over the last few years, I've grown to have a renewed love of Blizzard of Oz and Diary of a Madman, as well as a new appreciation for two albums I had previously no interest in, 1986's The Ultimate Sin (I've always loved "Shot in the Dark", but the rest of the album fell flat for me in comparison until just a year or two ago) and 1983's Bark at the Moon, even if, yes Sonny, it definitely looks like someone shaved a poodle and then glued the fur to him for the cover shoot. This is the ridiculousness of Cocaine-fueled Hard Rock, and while many of us that grew up loving it as kids reached a point where we simply had to turn a blind eye to the escalating foolishness, there is comfort for some of us in going home again later in life.

My aversion to Ozzy probably also comes from the fact that my high school girlfriend and her two older sisters were SO into the man that one of them had a boyfriend who literally thought he was Ozzy. I mean, he knew he wasn't Ozzy, but he also put it out that he was him, going so far as to have the license plate "I'm Ozzy 1" on his mustang. Perfect for the time, yes, but he was a good guy and I hope he's done well.

Anyway, I guess enough time and distance has come to pass, because in firing up 2020's Ordinary Man, I found I quite liked it. Definitely not going to be a daily jam, but for this morning it's found a place with me, and no song made me smile more than Scary Little Green Men, which seems to encapsulate so much about Ozzy defying ALL expectations - even his own - and making it into his 70s.

Rock on, Mr. Osbourne! I'm glad you're still with us.

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31 Days of Halloween:

1) VHS 94 (don't waste your time)

2) The Mutilator

3) Demons 

4) Vortex

5) Possession

6) The Black Phone

7) Slumber Party Massacre

8) Antlers

9) No One Gets Out Alive

10) A Nightmare on Elm Street '84

11) A Nightmare on Elm Street 2010

12) A Nightmare on Elm Street 3: Dream Warriors

13) Satan Hates You

14) Night of the Demons

15) Lamb

16) The Company of Wolves

17) There's Someone in the House

18) A Nightmare on Elm Street 4: The Dream Master

19) Titane

20) A Nightmare on Elm Street 5: The Dream Child (9, 10, Never watch again)

21) Freddy's Dead: The Final Nightmare (same. Awful)

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Playlist:

Ritual Howls - Into the Water

Electric Youth and Pilot Priest - Come True OST

Mastodon - Emperor of Sand

Hank III - Straight to Hell

Vreid - Wild North West

Mastodon - Sickle and Peace (pre-release single)

X - Under the Big Black Sun

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Card:

Because this weekend begins the work of preparing to move across the country. Fuck, this is going to take a long time, because we have to help K's Mom prune her belongings, an entire cache of which resides in a storage facility in San Pedro. So guess where I'm spending my Saturday. Considering how fucking exhausted I am from work of late, this is going to Hurt. As good friend Missi would advise - remember to breathe. So simple, but something that we always forget. Or at least I do.

Valkyrie - Feeling So Low

One of my favorite albums from my Relapse Records 30th Anniversary Golden Ticket is Valkyrie's Fear. Some call this Proto-Metal, and that fits pretty good for me, although straight-up Hard Rock probably also works, as long as that moniker doesn't diminish the band in any way. Because Valkyrie feels like a very tight four-piece making metal that doesn't slot into the modern broth a lot of the bands I dig sip from. There's a definite 'back-to-basics' with instrumentation, arranging, and vocals, so in that regard they remind me a bit of The Devil's Blood or Baroness. But these guys are their own thing, and I dig it.

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Watch:

I don't remember hearing about Director Chad Crawford Kinkle's new film Dementer before seeing this post on Bloody Disgusting recently, however, with Larry Fessenden's name on top of the video drew me in, so that as I was about to post this trailer last night, I realized Dementer released this very day, so I hit amazon and rented it for a paltry $4.99 - SO very worth it.

The trailer doesn't give anything away, so my elevator pitch would be, "Gummo meets Hereditary." If that sounds as intriguing to you as it does to me, rest assured that although Dementer takes a little bit of a laborious journey to achieve its destination, the destination is 100% worth it, the atmosphere alone inciting a pleasurable Horror movie anxiety the likes of which I haven't had in a while

As an aside, it's been a difficult couple weeks at work - the unprecedented weather in the south basically destroyed FedEx's operations out of their Memphis hub for a fortnight, and with it, made my life a living hell. One of the things that always helps me through a rough day at the office - other than the copious amount of music I listen to on my headphones - is browsing Bloody Disgusting for new movie news. But almost a year after the first major changes due to the COVID-19 virus, the film industry's shut down is finally hitting us in the form of what feels like a MAJOR drought. People just haven't been able to film, and we've run through a lot of what was already in the pipes pre-pandemic, so there's not a lot coming out. First-world problems, I know, but it doesn't change the world from feeling even bleaker at the moment. In contrast to this was my stumbling across Dementer last night and being able to click over and jump right in. 

 

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Playlist:

Jackie Wilson - Higher and Higher

Melvins - Working with God

The Raveonettes - In and Out of Control

Lynch Mob - Wicked Sensation

The Misfits - Earth A.D.

The Plimsouls - Everywhere at Once

Nick Cave and Warren Ellis - Carnage

Blanck Mass - Animated Violence Mild

The Foundations - Build Me Up Buttercup (single)

The Foundations - Baby, Now That I Found You (single)

Various Artists - That Philly Sound Presents The Best of Northern Soul 

Wolves in the Throne Room - Two Hunters

Run the Jewels - RTJ4

Queensrÿche - Empire

Keiichi Okabe - NieR:Automata OST

Valkyrie - Fear

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Card: 

The Elevatred (or Macro) view is always the clearest when it comes to details on the horizon. 

The Gate Dismal

I'm pretty late checking out Nothing's latest release, which came out last year on Relapse Records. The Great Dismal was included in my Golden Ticket haul from Relapse, and I'm still working through that. A Fabricated Life begins the record, and I won't lie - its slow, soft, dreary sound hasn't been where my head is at. That said, listening to the record on headphones for the first time this morning, I'm able to grasp the nuance and vibe of the song, and it has stirred something within me. Something that harkens back to the first Nothing release, Downward Years to Come, which I discovered back in 2013. I love this band, and haven't spent nearly enough time with them these past two records, so I'll start correcting that today.

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Watch:

 

I stumbled across this short film - really more of a Proof of Concept trailer for a movie I can only hope gets made. Very cool use of CGI, ingenious locations, and what looks like the set-up for an intriguing take on Cosmic Horror. Directed by Matt Sears and written by Ryan Grundy, Mr. Sears' youtube channel appears packed with interesting content. Sub HERE.

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Playlist:

Cinderella - Long Cold Winter

Ghost - Opus Eponymous

Metallica - Kill 'Em All

The Plimsouls - Everywhere at Once

Perturbator - Dangerous Days

Metallica - Master of Puppets

Emilie Autumn  - Opheliac 

Keiichi Okabe - NieR: Automata OST

 

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Spot on today, as I've definitely been preoccupied with a sort of drifting that has displaced a lot of my creative intent. I'm sure it's just a phase, but it makes me contemplate ideas like, "What if I lose all motivation to write?" which is ridiculous, but, you know, this is the way the mind works.

Greg Puciato's Fucking Content

 

As if I'm not completely overtaken by my love of Greg Puciato's debut solo album Child Soldier: Creator of God, the former lead singer of Dillinger Escape Plan has put out a new, multi-media package. Available from his own Federal Prisoner label HERE, Fuck Content is a video/audio release featuring a ten-song live set and five new studio tracks. I love Puciato's music, but I've also become quite a fan of his aesthetic. All the glitchy, seizuring graphics, the black and white digital abstractions that almost resemble some cyberpunk version of newsprint. It's all very fitting for the noisy/melodic mash-up that defines this first album's sound, so the idea that his follow-up release is an audio/visual thing really just makes sense. Also, not nearly enough musicians do this.

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Read:

I finished my re-read of Jonathan Lethem's Motherless Brooklyn. It'd been over ten years since I read this the first time and inspired by the film, I decided to revisit, not remembering a lot of specifics, except that the movie is very different. Still, I really enjoyed both. After that, I picked up that new Brubaker/Phillips Hardcover Graphic Novel Reckless, expecting to read it in several sittings. Nope. I blew through Reckless non-stop, and even though I just got done telling everyone Pulp is their best, Reckless comes in ahead of that one by about 100 miles. 

This book is the perfect iteration of these gentlemen's ongoing collaboration, and if this is the case, we have nowhere to go but up. Hot damn, go buy this and read it now; Reckless is FANTASTIC!

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Watch:

The Mandalorian's second season ended last night and I am going to feel every day between now and season three. I am absolutely floored, not only at how fantastic this show is, but how John Favreau has completely undone my hatred of star wars - a hatred rooted in a betrayal, the complete undermining and convolution of something that should have been so simple, namely, making new star wars movies. This veritable disgust that I feel for the franchise began to sink deep into my blood three years ago, when I sat in a movie theatre in LaGrange, Illinois and watched the trainwreck that is The Last Jedi.

Disney + has really been a gamechanger for the fan-driven content previously only associated at such a high level with movies released in megaplexes. If you watch The Mando show, you're missing something great if you skip the end credits (especially on this last episode. Whewww! and on that, I will say no more). When you watch all those names and roles scroll up your screen and realize that these television shows Disney is producing are every bit as accomplished as major motion pictures. That in itself just blows me away, the fact that Disney is so big they can change the game this much (also, I secretly hope all the Marvel/Star Wars stuff will go this route and we can go back to having non-blockbuster movies in theatres in a year or four).

Anyway, Favreau really should be crowned king Geek for what he did for starting the MCU with Iron Man and now reinventing and, frankly, saving Star Wars from itself by taking it back to its roots. This final episode brought me to tears. Not just because of the story, but because finally, after twenty years of new star wars material, SOMEBODY GOT IT FUCKING RIGHT.

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Playlist:

Four Stroke Baron - Planet Silver Screen

Opeth - Deliverance

Allegaeon - Apoptosis

The Plimsouls - Everywhere At Once

Preoccupations - Eponymous

XTC - Drums and Wires

Kevin Morby - Singing Saw

Calexico - Seasonal Shift

Squeeze - Argybargy

Slayer - Live Undead

Mrs. Piss - Self-Surgery

Chelsea Wolfe - Hiss Spun

Devo - Going Down (single)

Fleet Foxes - Shore

Greg Puciato - Child Soldier: Creator of God

Various Artists - Joe Begos's Bliss Spotify Playlist

Emma Ruth Rundle and Thou - May Our Chambers Be Full

Loathe - I Let It In and It Took Everything

Code Orange - Beneath 

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Card:

 

A solid foundation for a solid trilogy. That's what I've been thinking about as I approach a stopping point in Shadow Play Book Two. I have to wind this plot down just right by the end of this section of three sections, so after I do one last post-Beta Reader edit on Murder Virus and release it, I can hop back into Shadow Play and really make that third act SPRING.

Loathe - Two Way Mirror

 

My god, these guys are like the Bloc Party of Post Metal. This is, of course, one of the albums I discovered directly after putting up my 'best of 2020' list last week. The way Loathe move between noise, atmosphere, super intense metal, and melodic vocals is seamless and an absolute joy to listen to, especially on headphones.

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Watch:

 

Alex De La Iglesia is a filmmaker who I've known about for nearly 20 years now but never seen any of his movies. And there's a lot of them. To go back to the early 21st century, when I still lived in Chicago, my good friend and brain trust behind Darkness Brings the Cold Dennis is one of two friends who really stoked my love of Horror movies. Dennis had an enormous collection of DVDs and a wealth of knowledge for the genre at large, and one of the films he always touted as a favorite was one he couldn't update from his old VHS copy, for which he did not have a player. This was Iglesias's 1995 Day of the Beast. Without even knowing anything about this one, I was intrigued based on the name and cover image, which Dennis had on a badass shirt:

After a recent conversation with Dennis, I finally sought out some of Iglesias's films and added them to my Amazon Watch List. Just in time, because the other day the trailer for his new HBO series made its rounds in our Horror Vision text thread, and I was BLOWN AWAY. Whatever that is at 1:19 will be in my nightmares for years to come. It reminds me a bit of that thing at 21 seconds into the American Horror Story: Coven opening credits sequence. 

Either way, January 4th can NOT come fast enough. 

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NCBD:

Holy cow, there were A LOT of new comics for me yesterday. I divide this between the two shops, so I'm spreading my support around, but here's a combined total of what I picked up:

This series continues to be one of the funniest things I've read in a while. Super light, super creative, each issue reads like a chapter in a big-budget action film. 

A recommendation from my Drinking w/ Comics co-host Mike Wellman, this one takes place in Chicago and totally nails its look at feel. Hell, I've been to the Globe Pub, so that got me right away.

 

The previous issue of this new Locke and Key mini series nearly made me cry, so I'm looking forward to some closure before we do next year's crossover with Sandman.

Miskatonic #2, wherein we get a ton of new characters from all kinds of H.P. Lovecraft stories involved in what is shaping up to be a really complex, interesting blend of historical fact with Lovecraft's literary legacy. 

Eddie at the Bug recommended this very independent book to me, and the moment I saw it, I knew I had to have it. Artist Alex Ziritt - who made a huge impression on me with Space Raiders a few years back - offers some truly unique style when designing his visual worlds, and from the brief flip-through I did upon picking this one up, looks like Night Hunters is no different. 

I totally forgot the new Brubaker/Phillis HC was landing this week until I walked into the shop. Perfect timing, as I finally just read their previous one, Pulp, over the weekend. It won't take me nearly that long to dig into this one, that's for sure, as I loved Pulp, and it definitely put me in the mood for more from these guys.

Two issues left after this one, and once again, I have NO idea where this is going. Some definite surprises in this chapter, and more of that gorgeous art and deep character development the Opena/ Remender team seems able to deliver flawlessly.

'

This final one, We Live #3 from Aftershock Comics, just turned this series from an on-the-fence read to something I Love. Definite shades of Day of the Dead and Girl with All the Gifts, this issue supplants the first two chapters' more Fantasy approach with an equal measure of Horror. This book feels like something new, something that blends a lot of different influences and genres for a unique effect. We Live has also proved its ability to continuously surprise me, so from here out, I'll be waiting for each subsequent issue with the kind of excitement few books these days inspire in me. 

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Playlist:

Swans - The Seer

Howard Shore - Crash OST

Portishead - Third

Richard Einhorn - Shockwaves OST

Amesoeurs - Eponymous

Opeth - Deliverance

Anthrax - State of Euphoria

One Stroke Baron - 

Loathe - I Let It In and It Took Everything

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Card:

 

This is certainly how I feel at the moment, having spent nearly $70 on comics today. I'm kind of beating myself up over it. It's such a weird feeling, to balance in your head what you want and what you need. I'd imagine my peers with children have an easier time staying on focus as far as needs/wants. I'm not jealous, but I definitely think that, as I age and find myself pretty much able to buy whatever I want within my realms of interest - none of which is extravagant, mind you, but definitely adds up - I feel occasional pangs of guilt at, well, I guess at not spending the money one something more important? This, however, begs the question who decides what's important. 

Jehnny Beth - I'm The Man

 

I have a very push/pull with this video. Two days ago my good friend Jacob sent me a link to Jehnny Beth's debut record, To Love is to Live. You may remember her from Savages, whose 2013 debut Silence Yourself still resounds as one of my favorite records of the previous decade. Savages' follow-up Adore Life came out in 2016 and just kind of left me flat. I go back to it every now and again, but the 'a-ha' moment has never come. Still, I hold out hope that one day it might. 

So too, my first couple of attempts at listening to To Love is to Live were completely unsuccessful. I put the record away, went about my business, and came back to it later for a fresh perspective. This time, I perused the track listing before jumping in from the beginning, as I am most often wont to do, and decided to start with the fifth track on the record, "A Place Above", simply because the listing said featuring Cillian Murphy, and I was curious what that would sound like. You can actually hear that track in the video above for track six, "I'm The Man", as it serves as something of a prologue to the song. I'm happy to report, from this track on, the album opened to me in a way that very much made me appreciate Ms. Beth in a way I don't think I have before. The video above, directed by Anthony Byrne, is gorgeously shot and lit, even if the theatrics themselves that comprise the narrative of the video's run time leave me a little harumphed. 

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Watch:

If you've listened to any of the recent episodes of The Horror Vision - we've been weekly for a month or two now - you'll have heard me talk about Eibon Press's four-issue comics expansion/adaptation of Lucio Fulci's The Beyond. I loved the book, and immediately ordered the trade paperback collection The Gates of Hell, which does for Fulci's City of the Living Dead what the aforementioned comic did for The Beyond. There's a big picture here, and it excites the F*CK out of me. One of the things that converted me to such a huge fan of Fulci's Gates of Hell Trilogy is the mythos, the larger picture that can be glimpsed beneath the films. It reminds me of HP Lovecraft's mythos, and I think Eibon Press is breaking serious ground by going in and fleshing it out. 

After talking about this on our show, Eibon Press founder Sean Lewis hit me up online. There will be an interview coming up down the road, but before that, some more reviews, as he sent review copies of a lot of other Eibon books with my Gates of Hell trade. 

First up was House By the Cemetery, three issues that further my favorite Fulci film in ways that directly connect it to the other two movies in the series. Next, that Gates of Hell trade is calling my name, so first, K and I re-watched City of the Living Dead last night.

Easily the poorest of the three films in this cycle, the comic will only be able to improve the story, for which there is only the barest hint of in the film. Don't get me wrong, I still dig it, but even that clipped, nightmare logic that makes The Beyond work so well kind of fails here, as we move from scene to scene with a pretty transparent disregard for anything but the gore and atmosphere. 

Interestingly, while this is the weakest of the three Gates of Hell flicks as far as story is concerned, City contains the best FX in any of these: Bob's drill-through-the-head death scene doesn't suffer from the usual tail-end let down present in most of these movies, where you can see how the actor is replaced by a close-up of the model. Below, compare Bob's death with the infamous 'gut-spewing' scene from this same movie, where you can clearly see the actress replaced by a dummy (again, not badmouthing here, just saying).

I should add, these are some especially gross-out clips (okay, really just the second one), so press play at your own risk:

 

 

Anyway, as I said, Eibon press's Gates of Hell comic can only improve on this one, so I can't wait to dig in later today.

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Playlist:

Michael Kiwanuka - KIWANUKA

Me and That Man - Songs of Love and Death

Queens of the Stone Age - ... Like Clockwork

Curtis Harding - Face Your Fear

Venue - One Without a Second

Deafheaven - 10 Years Gone

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Card:

Twos are often an indication of balance, I can't help feeling that is a spot-on assessment of the morning so far. 

Two's also indicate cycles, shorter cycles, and I feel a few loops closing in the near future. This is good, as I seem to constantly be opening more of them.

New New Order

 

New Order dropped an EP last Friday. Here's the first 'single.' Awesome tune, not at all where my head is at right now, but I have a feeling this will come in handy in a few days or so.

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Watch:

 

My Co-Host on The Horror Vision Chris Saunders and I have decided to try and do a week-by-week podcast exploration of CBS' The Stand series starting on December 17th. I'm a King fan for sure, but I've never been a rabid one, and I've never undertaken the commitment to read The Stand. Usually, in undertaking a project like this, I'd set aside what I'm reading and try and 'bang it out' before the launch of the show, however, there's just no way. The original cut of the novel is 823 pages, but the expanded is lost 1500. Add to that the fact that I started 2020 reading a very long novel about a pandemic (Chuck Wendig's Wanderers, which despite it's eerie parallels to our reality while I read it - or perhaps because of it - still occupies my mind on an almost daily basis and lingers with a strong A+ rating in my book) and, well, for obvious reasons don't want to finish it out doing the same. So I'm doing the audiobook. Which, at ten chapters in, frankly isn't great.

Still, having read the Dark Tower books since shortly after The Drawing of the Three, I've wanted to read The Stand since early High School. In the Dark Tower books, Roland and his compatriots travel across worlds and, at one point, end up in the world of The Stand, a world decimated by a flu-like virus called Captain Tripps. Weird timing for the show to be coming out, but I'm excited to cover it, as it's been a while since I've done something like this, and it's not so often I get to work with Chris these days. So win win.

 

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The Horror Vision:

The New episode of The Horror Vision Horror Podcast went up yesterday. We talk about the Barbara Crampton-produced Castle Freak remake, which I LOVED, along with Freaky, Max Brooks's Devolution, and a bunch of the Mario Bava that just landed on Shudder recently. And as usual, that's really only the tip of the iceberg. Also, I'm doing anything with the video side of this show yet, but I've started posting the episodes on youtube as of late.

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Playlist:

Behemoth - The Satanist

Blut Aus Nord - Hallucinogen

Selim Lemouchi and His Enemies - Earth Air Spirit Water Fire

James Last - Christmas Dancing

Bing Crosby - Merry Christmas

Orville Peck - Pony

The Seatbelts - Cowboy Bebop OST

Daniel Pemberton - Motherless Brooklyn OST

Jehnny Beth - To Love is to Live

Opeth - Deliverance

Mr. Bungle - The Raging Wrath of the Easter Bunny

New Order - Be a Rebel

Barry Adamson - As Above So Below

David Bowie - Black Star

 

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Card:

Ah, the wonderful Knight of Disks, the Fire in the Element of Earth.

Interpreted here as a pragmatic focus on and progression with ongoing projects. Industrious perseverance. Bread winner and objective provider. 

Down When I'm Not

This song literally makes me feel like I'm twenty-five years old again, about to head out with my friends for a night of adventure. 

When I set out to find the track above from Greg Puciato's Child Soldier: Creator of God and ended up finding this collaboration between Puciato and Jesse Draxler. I'm not gonna lie; I'd been putting off deep-diving into this record for the last few months because I wasn't sure where my head would be in relation to this project, which I'd been hearing mixed things about. I knew I would like it, but I wanted to LOVE it. And I guess I waited until the exact right moment because after two full listens, I'm floored. Also, reading about the album, I was reminded of Puciato's Federal Prisoner label, and in looking up their youtube channel, found this little curiosity.

 

I love what this man is doing! The dissolution of The Dillinger Escape Plan a few years ago filled me with nervous, awful energy. They'd been a mainstay in my life, both live and on record, for nearly two decades; when I fell out of most heavy music, they never waned in my heart. I'm happy as hell to see Greg Puciato doing something I consider pretty extraordinary in his post-DEP life. 

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Playlist:

Emma Ruth Rundle and Thou - May Our Chambers Be Full

The Ocean - Phanerozoic II

Sex Pistols - Never Mind the Bollocks...

Fleet Foxes - Shore

Me and That Man - New Man, New Songs, Same Bullshit Vol. 1

Greg Puciato - Child Soldier: Creator of God

Michael Kiwanuka - Kiwanuka

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Card:

Interesting to get a card that signals completion and success at this exact moment when my Beta Reader is back on track and about to finish the penultimate reading of Murder Virus. My original plan to release the book this year have transitioned into a 'first quarter' scheduling for 2021, and I do believe the finished product will be all the better for it.

The View from a Sightless Pit

 

How I missed this record's release a few months back, I have no idea. A collaboration between Lee Buford of The Body, Kristin Hayter of Lingua Ignota, and Dylan Walker of Full of Hell? This record is, as you'd expect, unlike anything else I've ever heard. 

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Read:

It's not NCBD yet, but I wanted to post about a couple of books I ended up with last week that I hadn't planned on buying, but my friends at both Atomic Basement and The Comic Bug know me pretty damn well and they often pull extra titles for me if they think I'll dig them. No obligation, of course, but more often than not, they're right on the money. I haven't read these yet, but I'm chomping at the bit to for sure:

This last one was my own discovery, and while I'm not really in the market for any Marvel or Mutant books, this stand-alone (I think) book is kind of a throwback to the old Marvel Comics Presents series in the 80s, except it's in Black and White and Red. And it's glorious.

 

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Playlist:

Daniel Pemberton - Motherless Brooklyn OST 

Sightless Pit - Grave of a Dog

I spent almost all day yesterday plowing through The Black Tapes podcast. MAN! So f*&king good! 

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Card:

This has been a key concept for 2020 and most likely one that will echo out into the new year. I take this pull, on December Eve (yeah, I just made that up), as a reminder that things are not really all that likely to get better just because we flip a calendar and get rid of a jackass. Not pessimism, just realism.

Run for the Shore

 

My cousin Charles is a huge Fleet Foxes fan, and although I've liked everything I have previously heard by the band, A) my most recent previous listen was quite some time ago, and B) they long ago fell off my radar. Until Charles messaged me about how much he loved the newest record, Shore. I gave this one a spin last week, liked it, and then did not return to it until yesterday, when Shore absolutely blew me away.
First, the way this record is recorded is gorgeous. There's some real craft here, especially with the vocals and the mixing. Robin Pecknold's voice is handled in a way that makes it feel enormous and intimate at the same time, no easy feat. The instrumentation and arranging is full but organic in a way that gives the depths of most songs a very layered, aquatic feel, so that the music washes over and submerges you. Given the title and cover art, this is most definitely intentional, and very much appreciated. I've always loved aquatic themes and 'flavors' in music, and that goes especially well with the songwriting on this record.

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Watch

Holy smokes. Run, which should have been in theaters this past Mother's Day weekend, is on HULU now. I knew nothing about this one other than Sarah Paulson is in it - always a good thing - until my friend Jonathan Grimm texted me about how much he liked it. An hour and a half and some change later, I couldn't agree more. Don't watch any trailers, don't read anything, just WATCH IT! Wow. Co-writer/Director Aneesh Chaganty is definitely someone who I will be watching like a hawk for whatever he does next.

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NCBD:

Isn't it nice when, every November, NCBD falls the day before a holiday made for eating too much and laying around reading? Yeah, it is. 

So far, I adore this series, so let's continue on. I'm loving all the Autumn-tinted Horror in comics this year, three of them with new installments today!

The Plot is back and I am HAPPY! More dark, Ancestral Horror is exactly what this holiday season needed.

The Best of Raphael book from a few months ago remains one of my favorite comics since I was a kid - something about this oversized format. So of course, I'll be buying them all...

This last one is The Unkindness of Ravens #3. I'm digging this Sabrina-esque story, and realizing today that there's only one more issue, I'm unsure how this is going to wrap in a satisfactory manner. 

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Playlist:

Emma Ruth Rundle and Thou - May Our Chamber Be Full

Fleet Foxes - Shore

Genesis - From Genesis to Revelation

Yob - Clearing the Path to Ascend

Sex Pistols - Never Mind the Bollocks...

Venue - Desiréena 

Venue - One Without a Second

Death Crux - Mutant Flesh

The Seatbelts - Cowboy Bebop OST

Zombi - Shape Shift

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Card:

Endings and transformation. 

Crippled Black Phoenix - Lost

 

From the new Crippled Black Phoenix record, Ellengæst, which dropped October 9th on Seasons of Mist. You can order the record HERE. Full disclosure: I haven't even heard this record yet. I have a bit of an interested/not interested relationship with this band, and I completely forgot this was coming out.

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Watch:

I had the absolute joy of watching Josh Boone's New Mutants on Friday, and I have to say, I LOVED it. I talk about it on the latest episode of The Horror Vision, which will be on all streaming platforms, youtube,  IGTV, and the little widget in the top righthand corner of this blog by the time you read this. In a nutshell - see it.

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Playlist:

Zeal and Ardor - Wake of a Nation

Windhand - Grief's Infernal Flower

White Lung - Eponymous

Young Widows - Old Wounds

Yob - Clearing the Path to Ascend

Fleetwood Mac - Greatest Hits

Anna Von Hausswolff - All Thoughts Fly

Trust Obey - Fear and Bullets

Windhand - Eternal Return

Corrosion of Conformity - Deliverance

System of a Down - Eponymous

The Besnard Lakes - The Besnard Lakes are the Roaring Night

Etta James - Third Album

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Card:

Completion. Full power. I realized on Saturday that, despite my mental lapses and sagging work ethic, I am very nearly complete with nearly half of the second book in the Shadow Play trilogy. The image from this card is a perfect representation of how I feel when I reflect upon that.

To Walk the Night

 

Glint, the first release from Deafheaven's Ten Years Gone live album , out December 4th on Sargent House. Order HERE.

 

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READ:

For Halloween I did an impromptu re-read of Bret Easton Ellis' Lunar Park, which has become a book I read every couple of Octobers and never tire of. From there, I'd planned to begin Daniel H. Wilson's Robopocalypse, a book my good friend and fellow co-host from Drinking w/ Comics and The Horror Vision gifted me a copy of a few months back. However, something steered me into another impromptu re-read, this time of William Sloane's To Walk the Night. I first read this one back in 2016, and found I already was chomping at the bit to get back into it. 75 pages or so in, it's every bit as great as I remember. Also, the narrator speaks a lot like Hunter S. Thompson - which I attribute era and region - and that familiarity adds a entirely new level of pleasure to the prose.

To Walk the Night was originally published in 1937, and as such, there are many editions of the book that have been published in the intervening years. The most recent I know of, and the edition I have, is in a volume titled The Rim of Morning, published by NYRB Classics in 2015.

The volume also contains the novel The Edge of Running Water, another fantastically dark, cosmic tale of restrained but utterly creepy Horror. 

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Playlist:

Naked Eyes - Promises, Promises (Single)

Tamaryn - The Waves

The Stone Roses - Eponymous

Stevie Nicks - Stand Back (Single)

Run the Jewels - RTJ4

Bölzer - Hero

Steve Morse - Bliss OST

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Card:

The 5 of Wands always leaves me scratching my head a bit - there are things about this card that suggest a level of discomfort or discontent with authority to me, and I wonder if that has to do with my recent re-engagement with world news (imagine that, throw out the clown and the news no longer feels like a sideshow). However, there's also something militant about this card, and it makes me wonder if perhaps that might not bode well for the coming restrictions civic leaders are no doubt going to have to impose as the population of entitled cunts that apparently make up a sizable portion of this country's population continue to act like spoiled children.

This is why we can't have nice things, America.

Nobody Wants to Party with Us, says Mrs. Piss

 

I did not find out about Chelsea Wolfe and Jess Gowrie's new band Mrs Piss until a week or two ago, and since, their debut Self-Surgery has become a record I simply cannot turn off. Available on the always great Sargent House, you can order the record HERE.

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Watch:

 

Having just seen the original Castle Freak for the first time within the last year or two (Thanks, Joe Bob!), I'd read about Barbara Crampton's work producing a remake and became immediately interested. It's not often one of the original cast members in a seminal film take on such a labor of love, and the fact that the cast member in question is possibly the greatest Scream Queen of all time only adds to my interest. Why remake this film? I can only assume Ms. Crampton has good reason to throw her hat into the project, and judging by the trailer, we should have a new iteration of Stuart Gordon's somewhat odd modern take on the H.P. Lovecraft classic in just a few short weeks.

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NCBD

First, the return of Rick Remender and Jerome Opena's dark fantasy epic has become even more exciting now that they've announced Seven to Eternity will be ending in just three short issues. I love this book, and I've missed it incredibly.

We Live is an Aftershock book getting a lot of press. On a whim I grabbed the first issue last month, dug it quite a bit, and now I'm hooked. Love this cover on issue two. 

A 'zombie book' that is very much not about zombies, Dead Day continues to make me smile.

Die! Die! Die! may be a book I've continued to read out of inertia, but that doesn't mean I'm not still enjoying it. "GI Joe but totally nuts" is really the only way to describe this one.

I mistakenly never added Jason Howard's Big Girls to either one of my pulls at Atomic Basement or The Comic Bug, and as such, it has been a pain in the arse to find since I picked up the first issue. If I hadn't stumbled across a copy of #3 last week, I would have probably given up and waited for trade, but since I'm only missing #2 now, I'm making the attempt to go monthly again, just to support Howard, whose art I adore.

And finally, this is a new one I'm considering picking up. A sequel to Vault Comics' Fearscape, which I did not read but keep hearing good things about, I thought I might grab the first issue of A Dark Interlude and the Fearscape trade. 

This is definitely the biggest NCBD is a while. I still have storage concerns, but they've kind of taken a back seat to 'the passion' again.

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Playlist:

Mrs. Piss - Self-Surgery

The Clash - London Calling

The Bronx - Eponymous (I)

Fleet Foxes - Shore

The Foxies - Anti Socialite (single)

Emma Ruth Rundle and Thou - May Our Chambers Be Full

Greg Puciato - Child Soldier: Creator of God

Steve Moore - Bliss OST

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Card:

Really, not necessarily a new journey or undertaking, as a direct indictment of how fucking lazy I have been of late. I just can't seem to get my discipline with writing back online at the moment; it's been a struggle now for the last few months, and I really need to do something about it

Pallbearer - Forgotten Days

 

Pallbearer is a band I've dabbled in a bit, but who have never clicked with me. Until this past Saturday morning. Up early despite my best intentions to stay in bed, I made a big 'ol pot of joe and sat down to do some writing, fired up my headphones and somehow wound up listening to the new album, Forgotten Days, two times in a row and thus, cementing an immediate bond.

Order Forgotten Days from Pallbearer's Bandcamp HERE or from Nuclear Blast records HERE.

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Watch:

Holy smokes. Magnolia is releasing a Zappa documentary:   

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Playlist:

Pallbearer - Forgotten Days

Opeth - My Arms, Your Hearse

My Life with the Thrill Kill Kult - Confessions of a Knife

Carpenter Brut - Blood Machines OST

Paul Zaza - My Bloody Valentine OST

Orville Peck - Pony

Massive Attack - Blue Lines

Sir Neville Marriner and Academy of St. Martin in the Fields - Amadeus (OST)

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Card:

A new beginning you say? Not entirely, but I like the optimism. 

3 Days 'til Halloween

New John Carpenter album? Yes please!

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31 Days of Halloween:

I was able to score tickets to Joe Bob's Haunted Drive-In at the Torrance Roadium last night. Nine short films and several trailers, of which, Snake Dick was my favorite. Here's the film in its entirety. Worship it:

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)

2) From Beyond/Monsterland: "Port Fourchon, Louisiana"/Tales of Halloween: "The Night Billy Raised Hell" & "Trick"

3) Mulholland Drive/Creepshow (1982): "The Crate"

4) Waxwork

5) Synchronic/Bad Hair

6) Dolls

7) Lovecraft Country Ep. 8/Tales of Halloween: "The Weak and the Wicked" & "The Grim Grinning Ghost"

8) 976-Evil

9) Repo! The Genetic Opera

10) Firestarter/George A. Romero's Bruiser

11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2

12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses

13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)

14) The Haunting of Bly Manor episodes 6 and 7

15) The Haunting of Bly Manor episodes 8 and 9/Roseanne (88) season 2 and 3 Halloween Episodes

16) The Mortuary Collection/Roseanne (88) season 4 Halloween Episode

17) Ginger Snaps Back: The Beginning

18) Lovecraft Country episode 9/The Haunting/Roseanne (88) season 5 Halloween Episode

19) Lovecraft Country episode 10/Tales From the Crypt season 1 ep. 5 "Lover Come Hack to Me"

20) George A. Romero's Season of the Witch

21) The Omen

22) Texas Chainsaw Massacre: A Family Portrait/Masters of Horror: "Sick Girl" (Lucky McKee)

23) Joe Bob's Halloween Hideaway: Haunt/Hack-O-Lantern

24) Eight Legged Freaks/What We Do in the Shadows season 1 episode 1/Night of the Demons

25) 10/31 - "The Old Hag"/Absentia

26) Prince of Darkness/Tales of Halloween (remainder)

27) Joe Bob's Haunted Drive-In - Nine short films

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Playlist:

Meg Myers - Sorry

Mastodon - Emperor of Sand

Molchat Doma - Monument

Danzig - Danzig II: Lucifuge

Specimen - Azoic

Daniel Ash - Coming Down

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Card:

Lots of fours lately, and even though they indicate coming from a stable place, I feel like the luxury moniker comes at an appropriate time, as I feel like I've been a touch hedonistic of late and am paying the price. I feel perpetually fat, stupid, and lazy. I spend too much money on frivolous (but awesome) things. My cup runneth over, but at what cost?

7 Days 'til Halloween

I received an email alerting me to the fact that the copy of Mr. Bungle's Raging Wraith of the Easter Bunny shipped yesterday. Oh glorious day! I cannot wait to double down on this one when it lands. 

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31 Days of Halloween:

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)

2) From Beyond/Monsterland: "Port Fourchon, Louisiana"/Tales of Halloween: "The Night Billy Raised Hell" & "Trick"

3) Mulholland Drive/Creepshow (1982): "The Crate"

4) Waxwork

5) Synchronic/Bad Hair

6) Dolls

7) Lovecraft Country Ep. 8/Tales of Halloween: "The Weak and the Wicked" & "The Grim Grinning Ghost"

8) 976-Evil

9) Repo! The Genetic Opera

10) Firestarter/George A. Romero's Bruiser

11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2

12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses

13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)

14) The Haunting of Bly Manor episodes 6 and 7

15) The Haunting of Bly Manor episodes 8 and 9/Roseanne (88) season 2 and 3 Halloween Episodes

16) The Mortuary Collection/Roseanne (88) season 4 Halloween Episode

17) Ginger Snaps Back: The Beginning

18) Lovecraft Country episode 9/The Haunting/Roseanne (88) season 5 Halloween Episode

19) Lovecraft Country episode 10/Tales From the Crypt season 1 ep. 5 "Lover Come Hack to Me"

20) George A. Romero's Season of the Witch

21) The Omen

23) Texas Chainsaw Massacre: A Family Portrait/Masters of Horror: "Sick Girl" (Lucky McKee)

24) Joe Bob's Halloween Hideaway: Haunt/Hack-O-Lantern

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Playlist:

Zeal and Ardor - Wake of a Nation EP

Zeal and Ardor - Stranger Fruit

Emma Ruth Rundle and Thou - Ancestral Recall (pre-release single)

Emma Ruth Rundle and Thou - The Valley (pre-release single)

Deftones - Ohms 

Mr. Bungle - Sudden Death (pre-release single)

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Card:

Speed and negligence can bring about severe troubles. A great reminder on a day I woke up late for work.

8 Days 'til Halloween - New Zeal and Ardor Out Today!

 

New Zeal and Ardor dropped today! Six songs and Manuel Gagneux continues to evolve this project in ways that keep it feeling anything but stagnant or gimmicky. Love this band. Buy HERE.

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31 Days of Halloween:

Last night I went up to Hollywood and visited my friend Keller for the first time since early March. Hollyweird is not exactly a place I want to be at the moment, but tucked away in his apartment, the petri dish of the streets is far removed, so it at least felt safe. We talked, played each other a bunch of music we'd been into or found since our last palaver, and then rounded out the night with my DVD copy of Filmrise's Texas Chainsaw Massacre: A Family Portrait. Keller had never seen this, didn't even know it existed, and what's more, he had only days before just watched the original TCM for the first time. He's a brave man, and a student of film, so he did the scholarly thing and watched the original with the 2003 remake. Full disclosure: While there are a few small things I liked about that remake, it is a film I abhor. I hate Jessica Biel's 'acting' and the film's and its denouement's insistent on plying her character with enough water to soak her white shirt to her flesh. I hate the way the extremely impressive scene that follows the bullet through the hitchhiker's head and out the back becomes transparent in the final frame and you can clearly see the actor has been replaced with a dummy (otherwise, it's an awesome shot). I know there's more I hate about the film, but that's what I remember and I've thankfully put the rest out of my mind. 

But I digress. The original TCM is a classic, and we spent a good deal of time talking about its charms and strengths, then I showed him A Family Portrait - all in-depth interviews with the primary film's villains - Edwin Neal, Jim Siedow, John Dugan, and of course, Gunnar Hansen. They tell stories about the film's set, and the absolute insanity director Tobe Hooper used to sculpt the set, mood, and performances of the cast. 

Texas Chainsaw Massacre: A Family Portrait will blow your mind, and it is definitely the film that helped grow my appreciation of the original film into the holy reverence I hold it in (it's not a film I watch often, and I'm not a card-carrying, memorabilia-collecting fan, but when I do find myself in the mood to watch it, I do so in quiet reverence every time). I consider A Family Portrait and essential companion piece to the original film, and lo and behold, the entire thing is on youtube:

 

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)

2) From Beyond/Monsterland: "Port Fourchon, Louisiana"/Tales of Halloween: "The Night Billy Raised Hell" & "Trick"

3) Mulholland Drive/Creepshow (1982): "The Crate"

4) Waxwork

5) Synchronic/Bad Hair

6) Dolls

7) Lovecraft Country Ep. 8/Tales of Halloween: "The Weak and the Wicked" & "The Grim Grinning Ghost"

8) 976-Evil

9) Repo! The Genetic Opera

10) Firestarter/George A. Romero's Bruiser

11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2

12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses

13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)

14) The Haunting of Bly Manor episodes 6 and 7

15) The Haunting of Bly Manor episodes 8 and 9/Roseanne (88) season 2 and 3 Halloween Episodes

16) The Mortuary Collection/Roseanne (88) season 4 Halloween Episode

17) Ginger Snaps Back: The Beginning

18) Lovecraft Country episode 9/The Haunting/Roseanne (88) season 5 Halloween Episode

19) Lovecraft Country episode 10/Tales From the Crypt season 1 ep. 5 "Lover Come Hack to Me"

20) George A. Romero's Season of the Witch

21) The Omen

23) Texas Chainsaw Massacre: A Family Portrait/Masters of Horror: "Sick Girl" (Lucky McKee)

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New Creepshow animated special hits Shudder THIS Thursday, 10/29 - just in time for Halloween!

While season on of Shudder's Creepshow started out with a bang but kind of became a series of diminishing returns, I'm still of the opinion that any Creepshow is better than no Creepshow. Can't wait!

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Playlist:

My Life with the Thrill Kill Kult - Confessions of a Knife

Ministry - The Mind is a Terrible Thing to Taste

Joy Division - Still

16 Horsepower - Low Estate

Crystal Castles - II

Miranda Sex Garden - Fairytales of Slavery

The Misfits - Earth A.D.

The Rollins Stones - Hot Rocks 2

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Card:

Grandiose ideas and the Will to transmute them from intangible to palpable.

9 Days 'til Halloween - Deafheaven Live Daedalus

New, live Deafheaven from the forthcoming double-live album Ten-Years Gone, out December 4th on Sargent House. Pre-order HERE. 

I ordered mine along with a nifty long-sleeve shirt back in March (I think it was March). I received the shirt shortly after, and only just recently remembered the good news that there was Deafheaven vinyl on the horizon.

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31 Days of Halloween:

Believe it or not, I'd never seen the original The Omen in its entirety. I fixed that last night, however... not a fan. It has a few moments, and I enjoyed David Warner, but overall, this one just feels like it's a bunch of Hollywood types 'hanging out in horror' because it was seen as a lucrative career move after the success of The Exorcist. I'm not saying I'm right, but that's how it felt to me.

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)

2) From Beyond/Monsterland: "Port Fourchon, Louisiana"/Tales of Halloween: "The Night Billy Raised Hell" & "Trick"

3) Mulholland Drive/Creepshow (1982): "The Crate"

4) Waxwork

5) Synchronic/Bad Hair

6) Dolls

7) Lovecraft Country Ep. 8/Tales of Halloween: "The Weak and the Wicked" & "The Grim Grinning Ghost"

8) 976-Evil

9) Repo! The Genetic Opera

10) Firestarter/George A. Romero's Bruiser

11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2

12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses

13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)

14) The Haunting of Bly Manor episodes 6 and 7

15) The Haunting of Bly Manor episodes 8 and 9/Roseanne (88) season 2 and 3 Halloween Episodes

16) The Mortuary Collection/Roseanne (88) season 4 Halloween Episode

17) Ginger Snaps Back: The Beginning

18) Lovecraft Country episode 9/The Haunting/Roseanne (88) season 5 Halloween Episode

19) Lovecraft Country episode 10/Tales From the Crypt season 1 ep. 5 "Lover Come Hack to Me"

20) George A. Romero's Season of the Witch

21) The Omen

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Playlist:

John Carpenter - Lost Themes

Fields of the Nephilim - Elizium

I took a break from the Halloween vibe today and whipped up a Spotify playlist based on a lot of stuff I was listening to ten years ago or so. Here it is:

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Card:

Undertaking an arduous working will tax the Will. This is an indication to replenish it, which I'm looking at my month-long Sam Hain celebration as a battery-charging exercise for.