Monday, May 12, 2025
Ministry w/ Chris Connelly - Do ya Think I'm Sexy (5/9/25 The Riv)
Friday, May 9, 2025
New Music From Preoccupations
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Wednesday, May 7, 2025
Set Adrift on NCBD Bliss
NCBD:
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Monday, May 5, 2025
HEALTH x Chelsea Wolfe
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Friday, May 2, 2025
Mammoth - The End
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Thursday, May 1, 2025
The Endlessly Fascinating Riddle of Neptune's Eye
I've made it a mission to fully engage with Blut Aus Nord's Disharmonuium series again. These guys are so out there sometimes - and I mean that in the best way possible - that I still don't feel like I have a grasp on some of their work. And Disharmonium: Undreamable Abysses/Disharmonium: Nahab feature chief among those albums that confound the living hell out of me.
Back in 2018, while reviewing The Dillinger Escape Plan's final album, Disassociation, I mentioned that their music often feels like encountering an extra-dimensional being that I can only grasp in vague cross-sections. That doubles for Blut Aus Nord when they are at their most experimental. The confluence of Industrial and Black Metal on these albums is astoundingly obtuse - this is the kind of music Lovecraft's protagonists occasionally describe hearing in the presence of the Outer Gods. They set a precedent for that with 2011's The Work Which Transforms God - the album that originally drew me to them. The Disharmonium series, however, really pushes that sound into new places. Dark sonic plaguescapes of an almost ungraspable nature. This sounds dramatic, but it's not. Listening to these albums, it's hard to hold onto the music for very long at all; the drums form an omnipresent backdrop upon which the guitars and keyboards (?) bloom and evolve like blood droplets in hot water. Miasma is a word that springs to mind. I'm gearing up for a session where I smoke up and sit in the middle of my floor between my speakers, just concentrate to the best of my ability on the music and where it takes me.
But I haven't found that time yet.