Showing posts with label Blackbraid. Show all posts
Showing posts with label Blackbraid. Show all posts

Monday, September 8, 2025

Blackbraid - God of Black Blood


From the ripping new album Blackbraid III, which is destined to be in my top ten of the year. Awesome video to boot - not too often I can say that. Order your copy of the album HERE.




Watch:

Somehow, it's probably been close to 20 years since I last watched my DVD copy of Caro and Jeunet's The City of Lost Children. It's amazing how, just like I wrote about rediscovering Man Man's Life Fantastic last summer, something I once loved so much could slip to the wayside and go so long without a viewing. 


This film is still every bit as magical as it was the first time I saw it, circa the early 2000s. Released in 1995, the internet show the original, Sony Pictures Classics' DVD was first released in 1999, and I did not acquire my first DVD player until somewhere either near the end of 2000 or the beginning of 2001. This was one of the first DVDs I ever purchased, as the film had been covered in the Wrapped in Plastic David Lynch/Twin Peaks magazine due to Angelo Badalamenti providing the film's score, and all the stills and the write-up had me ravenous to see this film. Ron Perlman is fantastic as One, and all of the children are grand. What really steals the show, though, is the set design. This is a Steampunk Fantasy world unlike anything realized on film at the time. I'd argue that Caro and Jeunet's film is still one of the most unique visions I've had the pleasure of beholding, and I can only hope that, since this December marks the 30th anniversary of its original release, someone might hold a retrospective screening at one of the theatres in Chicago (cuz it ain't gonna play in Tennessee). 



Read:

I am, frankly, all over the damn place with my reading at the moment. 

While I've dedicated the remainder of my year for the written word to all the research I need to do for Shadow Play Book Two, I'm leaving comics/graphic novels as an outlet for pleasure reading. In 2024 I began a Sandman re-read that got me through the first three volumes, and now, since finishing Netflix's second season adaptation, I've knocked out Season of Mists and, this past weekend, A Game of You.


I'm fairly certain this is only the second time I've read this fifth collected volume of Sandman, so while I did remember it as I went along, Barbie and the cuckoo's story is nowhere near as familiar to me as the first three or four volumes of the series. One of the strengths of this series is its supporting cast, and that is on full display here, as Morpheus only appears twice, for a considerably shorter time than one might imagine for a book that carries his name. 

Barbie's story was an interesting one to continue, a thread pulled from back in The Doll's House, where we first met her living with Ken in the house where she and several other memorable characters acted as roommates to Rose during her search for her brother. 

Of particular note here is Wanda's story. Although Netflix did use this character, they eschewed all of A Game of You, lifting her instead as a character in what would ultimately come from the "Dream and Delirium" road trip story from Volume 7: Brief Lives. I had zero problems with this change, and in fact, found Indya Moore's portrayal of the Wanda character quite affecting. It's important to note the different cultural contexts that distinguish the two versions of Wanda. In the comic, the character first appeared in The Sandman issue #32, published in September, 1991. The character is far more masculine here, despite their Transsexual disposition. That makes sense; the creators were no doubt playing off a cultural zeitgeist of the time, where trans people had a much harder time identifying in public and transitioning (not that they necessarily have it easy now, but I would think '91 would seem like the Dark Ages compared to cultural awareness today). Juxtapose that with Wanda in the show, who, in present-day New York, would have a considerably more established and possibly even 'mainstream' support network than the Wanda of 1991 would have ever had. 




Playlist:

Deftones - private music
Blut Aus Nord - Shadows Breathe First (pre-release single)
Blut Aus Nord - Debermur Morti
Blut Aus Nord - 777: Cosmosophy
Blut Aus Nord - Hallucinogen
Revocation - New Gods, New Masters (pre-release singles)
Chris Connelly - White Phosphorus (Chris Connelly Plays Throbbing Gristle)
Ruelle - Emerge
bunsenburner - Reverie
Russian Circles - Gnosis
The Cars - Eponymous
Godflesh - Post Self
Giraffe Tongue Orchestra - Broken Lines
Frank Sinatra - In the Wee Small Hours



Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Three of Swords
• Ten of Pentacles
• IX: The Hermit

Introspection leads to unhappiness, but that unhappiness leads to long-term security.

Well now, that's a pickle, but it seems like something I should try and figure out, now doesn't it?

Friday, August 8, 2025

Blackbraid III is OUT NOW!!!

 
Blackbraid III, out everywhere today! Psyched for the arrival of my vinyl, which I pre-ordered directly from the band's online shop HERE.
 
Last weekend, while doing some work around the house, I put in my headphones and listened to Blackbraid I and II in succession. This is a band that deserves all the hype; in fact, Blackbraid deserves a lot more hype! There's an evolution going on across these three records that is breathtaking to behold, and you can see how their success funnelled directly into their Art. The cover artwork on III is a contender for cover of the year. Artist Adam Burke absolutely nailed this, and with Adrian Baker's layout, this is something I cannot wait to just sit and stare at while cranking the record. (You can read a bit more about the album and the art HERE)


I had hopes of seeing Blackbraid live, but alas, they're playing Chicago when I'm in LA this October, and they're playing LA when I'm back home in TN, so I'll have to catch them next time. 




Watch:

Weapons. Holy shit. THIS might actually topple Eddington as my favorite film of the year. Zach Cregger has actually crafted yet another movie that belies all comparison. Weapons is unique. It is intricate and perfectly executed. The storytelling here is just on another level. The characters - of which there are quite a few - are very well-written and expertly developed. As my good friend and cohost on The Horror Vision said last night during our live, spoiler-free reaction on IG, "The characters are rich."

Yes. That is exactly the word.

Go into this as blind as possible. I will say, another thing that now appears to go hand-in-hand with Cregger's brand is the mystery, so that even though I've seen the initial trailer for this film several times, and have been inundated with a more recent ad while watching The Bear on our HULU (our phone pays for the subscription, so there are ads), I still knew NOTHING about this film. That's a feat. While Blumhouse continues to beat everyone over the head with trailers that show (and ruin) the entire movie, Directors like Mr. Cregger and Oz Perkins have "spoiler-free" built into their brand.


Playlist:

Opeth - Solitude (Black Sabbath Cover live)
Eric Prydz - Call Me (single)
Black Sabbath - Vol. 4
Opeth - Blackwater Park
Deafheaven - Lonely People With Power
Ghost Bath - Moonlover
Beastmilk - Climax
Bella Morte - Where Shadows Lie
Revocation - New Gods, New Masters (pre-release singles)
Black Sabbath - Sabotage
Blackbraid - Blackbraid III
Bruit ≤ - Live on KEXP
Cobalt - Gin




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Queen of Cups - The Watery aspect of Water: Emotion x 2
• Page of Wands - The Earthly aspect of Fire: Earthly expenditures/expression of Will
• Page of Cups - The Earthly aspect of Water: Earthly expenditures/expressions of Emotion

Heavy emotions lead to Earthly concerns diluting the Will. 

Wednesday, July 9, 2025

New Music From Blackbraid!!!

 
Blackbraid III will be released independently on August 8th, and you can pre-order directly from the artist HERE

I'll tell you, I have no problem spending whatever an artist wants to sell their physical media for in 2025 because they need to recoup the cost of services like spotify raping them (while pouring their profits in to the AI arms race). This Blackbraid merchandise looks fantastic - I had to restrain the impulse to buy one of the bundles with the shirt and hoodie - and this is easily the best-looking vinyl release I've seen all year. 




NCBD:

A pretty robust haul this week. Let's go!


This time, it's all about the "B" cover! LOVE this! Those shadowy Decepticon images amidst fire and ruin, with  Only two issues left with DWJ. I haven't seen who is taking over, but it looks like it's just in time for Quintesson War, which starts in Void Rivals 25 and, I'd imagine, will at the very least echo through this book.


My first issue of Savage Sword as a now monthly subscriber and I'm psyched! I owe a huge debt to my good friend Grimm for turning me onto this book. 


I have been looking forward to Planet Death number one since stumbling on issue 0 last month. If you want to know more, check out the Drinking with Comics Mike Shinabarger and I did on this one HERE.


Dark Regrets is turning out to be insanely fun and pretty damn funny to boot! As much as I love Black Metal and (most) of its aesthetic, you have to admit, there's a lot there to make fun of.


Look at that cover by Miguel Mercado! And inside, Andrea Sorrentino's art adds an extra punch to the first mini-series spin-off from the anthology Epitaphs From the Abyss. Not sure if there are any more coming after this wraps up with issue number 4, but hopefully. That's the awesome thing about running an anthology - you can always mine the stories therein for longer ones down the road.


The penultimate issue of Dark Pattern's Case 03: Pareidolia. Can't wait to see where this is going. I've sampled a handful of Batman books over the last year - the first book* to feature the dark detective that I've read in years - and this? This has been one of my favorites (but nothing beats Gargoyle of Gotham!)


* Not entirely true; there was that Maxx/Batman book a few years ago. I didn't buy that for Batman, though.




Watch:

A few days ago, I mentioned my Criterion Sale items, Repo Man and Kiyoshi Kurosawa's Cure. Since I spoke a bit about Repo Man the other day, I wanted to talk now about Cure



I've heard about this one for years, but somehow never got around to it until now. Wow. Talk about atmospheric! There is a beautiful pall that hangs over this film, and while it grinds the characters to dust, it creates a singular cinematic experience for the viewer. The tension is so quiet! That's gotta be hard to do, because no one does it. At least, not like Kurosawa does here. 

For years, one of the things I always saw referenced about this film was how it was the start of the Japanese Horror movement of the late 90s/early 00s. That was an immediate turn-off, because with few exceptions, I'm not really a fan of that era of Japanese Horror. I see now that both the inclusion of Cure in with films like Ringu and Juwon is a false relation, and my own preconceived notions about Japanese Horror from that era are wrong. I wouldn't call either a sweeping generalization, but it's close. It's also a great reminder to draw my own conclusions. Sometimes, certain cinematics feel akin to a quagmire, and I after a small sampling, I run for the hills. Best not to do that, and Cure is the, well, cure?

I loved this film and am happy to have it on my shelf. Further study is on the horizon.



Playlist:

Stephen Sanchez - Angel Face
The Dillinger Escape Plan - Miss Machine
Metallica - Master of Puppets
Arcade Fire - Everything Now
Shellac - 1000 Hurts
The Reverend Horton Heat - Liquor in the Front
Sonic Youth - Dirty
Sonic Youth - Daydream Nation
bunsenburner - Reverie
Ozzy Osbourne - Blizzard of Ozz
Ike Reilly - Salesmen and Racists
Muggs - Dust
Blackbraid - The Dying Breath of the Stag (pre-release single)
Black Sabbath - Master of Reality*
Ozzy Osbourne - Patient No. 9


* Read a fantastic article about a girl who owns 54 different vinyl pressings of Master of Reality HERE.




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Queen of Cups
• Eight of Pentacles
• Four of Wands

Queen of Cups again - as I write this on Tuesday afternoon, Sweetie has returned from surgery. A section of her intestines is enlarged, and - tests pending - it's likely lymphoma. We have been instructed to begin administering Prednisone today, which the Vet says should help hold it at bay and make her feel better. Once the lab results come back and we know for sure what we're dealing with, we can proceed. It's not the best result, but for now, I will take it and lavish her with Queen of Cups-sized emotion.

Eight of Pentacles - dedication. 
Four of Swords - two interpretations that I can see lining up from those in the Grimoire. The first is completion and balance. The second is, "recognize completion and channel it into the next phase." These would seem to be offering two separate wisps of advice, because, of course, I'm interpreting this all about Sweetie. It's not an easy thing to let a loved one suffer, and that is definitely not our intention. So the idea is we treat it best we can. If it's lymphoma, we'll do chemo, which for cats isn't the same as it is for people. We're talking about a pill. I don't know, I have to do a lot more research. First things first, though. We need those results.

Friday, July 7, 2023

Blackbraid II is Out!

 
From Blackbraid II, out today. You can order your copy from Blackbraid's Bandcamp HERE. I woke up this morning and I'm already on my second run-through on the album. Absolutely fantastic. 



Watch:

I'm not really a huge Blumhouse Horror guy. I mean, some of their stuff lands pretty well, but even those that do often feel at least partially flat. So, I've never watched The Nun, despite some interest generated when I heard the Colors of the Dark podcast say, "There's kind of a little Fulci movie buried in The Nun." Whether the overall film fails, hearing something like that makes it seem like watching the film would have to be worthwhile. Yet, it's been almost five years since its release, and I continue to abstain. Now there's a sequel, and I wonder if maybe that will finally prompt me to check that first one out.

 

I'm not trying to sound too cool for school here; there's nothing 'wrong' with Bllumhouse Horror. In fact, hell, they're pretty much singlehandedly responsible for keeping the genre afloat in big-box theatres in the early 10s. The first Insidious was a HUGE buoy for the post-torture porn theatrical Horror release, and through subsequent flicks like The Conjuring, Sinister, et al, Blumhouse has proven Horror to be a viable genre for theatres to continue to invest in, which is a good thing no matter how you cut it. Sometimes I feel like we're thIS close to Marvel being the only game in town - now that scares me. Anyway, as usual, I'm really overthinking whether or not I should watch The Nun, which is currently streaming on Max.




Sky:

It's been difficult for me to keep up with a lot of stuff I want to watch, and I've barely logged more than a couple hours on Puppet Combo's Stay Out of the House, because all I really want to do right now is sit in my backyard at night, drink beer and stare at the sky. So, I thought I'd try and share some of that here. 


This shot comes courtesy of K, who is even more enraptured by the phenomenon of having personalized access to such grandeur. As a native and life-long Angeleno until last August, it's easy to see how this would blow her away; in LaLaLand, there is no 'big sky;' your view is polluted by nothing but buildings, lights, billboards, etc. I don't want to take that away from L.A. - it is a city, and you go there for city things. Given the choice of staring at the Egyptian Theatre or the sky it occupies, I'll take the theatre. L.A.'s problem, like all problems, is that the ratio is out of whack.

But staring at the sky here at night, it's amazing to see the wonder that shines in K's eyes while we lay on our recently acquired gravity chairs (best investment!), sip our nightly poisons and just drink it all in with our eyes. This has given me a completely new perspective on a lot of things, and it's definitely helped mellow me a bit more of late. Hard to be high-strung when you're staring at the night sky.




Playlist:

Forhist - Eponymous
Testament - The New Order
Chamber of Screams, Clement Panchout & Mxxn - Murder House (Original Puppet Combo Soundtrack)
Drug Church - Hygiene
Mammon XV - Bleeding in Excess (single)
Pharmakon - Bestial Burden
Code Orange - Underneath
The Raveonettes - Raven in the Grave
Cash Money - Who Killed the Blues (single)



Card:


• Ten of Swords: Ruin
• XIII: Death
• XX: The Aeon

Lots of big ideas today, and they're breaking down the rational in the face of actually implementing them. 

Regarding Ten of Swords, I wanted to throw in something from Crowley's Book of Thoth: "The number Ten, Malkuth, as always, represents the culmination of the unmitigated energy of the idea. It shows reason run mad, ramshackle riot of soulless mechanism; it represents the logic of lunatics and (for the most part) of philosophers. It is reason divorced from reality."

I see bad information and dreams of grandeur that tempt away from the one path forward. This is all writing stuff, and I'm really picking up what the Cards are putting down today, as I draw in closer to writing the finale to the new novel.