Friday, April 14, 2017

He Knows You're...

... fucking someone else. From the intro to the Scottish deviation on the second chorus, the only problem with this version and the entire live Origin of the Feces is it kind of makes it hard to listen to Slow, Deep and Hard. So good.

Oh yeah, the best thing about this record? It's not actually live. Here's the story; it makes me laugh every time. I think I read somewhere else that after the studio fees, the band used the money the label gave them for the 'live' production on vodka.

Seven Years Ago Today Peter Steele Left Us

Amazing image/lyric pairing by nervennahrung

As I sit at my computer typing this morning I'm listening to Swans's The Glowing Man, disc one. It's very zen and flows perfectly from my half hour of mediation and ongoing efforts to put proverbial pen-to-paper. But in the background there's a growing sense of unease, as if I've remembered something but not fully realized it yet. Then it hits me: April. April 14th.

Interestingly enough, upon waking this morning I spent an hour or so finally reading the first trade of Kieron Gillen and Jamie McKelvie's The Wicked and The Divine, which centers around the death and rebirth of gods as rock stars.

Peter Steele, I miss your music. I love what you gave us and will want more until I follow you out to the next big Halloween Party. To commemorate your passing here's an absolutely shattering live version of one of the songs I always go back to. Love You to Death illustrates how Steele - and by extension Type O as a whole - could pen beautiful, emotionally resonant epics and place them beside their pitch black satire without ever breaking the overall tone they perfected over the course of almost, but not quite, twenty years.

Rest in Peace. Now time to break out the Type O.

Swans - The World Looks Red/The World Looks Black

My morning, perfectly encapsulated.

Friday, April 7, 2017

Mastodon - Steambreather

Emperor of Sand has been out a week today. I don't dig it as much as Once More Round the Sun, but it's pretty damn great. A lot of its pretty dense and takes a few listens to crack. Not this one - when track four came up on my first go-through I knew from its opening chords it was a force to be reckoned with.