Showing posts with label ZombieCON Vol. 1. Show all posts
Showing posts with label ZombieCON Vol. 1. Show all posts

Wednesday, December 24, 2025

I Left My Heart in Sunnyvale


I don't know of another piece of music that fills me with such calm. I think it's because I started really getting into Trailer Park Boys shortly after I moved to L.A. in 2006, and I associate those first five years there as being the last bastion of the world before the post-apocalyptic bullshit started. This isn't political - well, not entirely - everyone's wrong. Everything's broken. This song represents a kind of precipice to me, and although the world has since fallen off, every once in a while I hear this and it slows the fall, reminds me what it was like to have our feet planted on what we thought was solid ground*.


* It was never solid ground and every generation feels this. The current generations, though, are the ones living it.     



NCBD:

Short week this week.


Finally - "The Quintesson War" begins! I've declared my love for these odd techno-organic monstrosities on this page many times, and I'm happy as hell to have a six-issue arc dedicated to them in Void Rivals. Unlike fellow Energon Universe title G.I. Joe's current "Dreadnok War" storyline, VR isn't going bi-weekly for this stretch, and I'm fine with that. Just happy to be getting more Quintesson goodness!


When I downloaded this cover, I noticed right away the "7 of 8" added to the corner box. NO! I thought Zander Cannon's Sleep was going to go on longer than just eight issues! I will miss this book SO MUCH! That said, I can not wait for the revelations we're sure to be getting over the next two issues. I mean, I don't need it all explained and wrapped up, but I'm dying to get at least a glimpse at what it is that Jonathan becomes when he falls asleep. That's really all I ask. 


The penultimate issue of this Event Horizon prequel series. This one isn't quite what I expected or hoped for, but it's definitely building to something. I'm hoping that something is as INSANE as those snippets of these events play in the movie. We'll see. 




Watch:

I had the distinct pleasure of being offered a copy of Kyle Valle and Erin Áine's ZombieCON, Vol. 1 this week. Here's a trailer that just barely scrapes the surface of goodness contained within:


This is a super indie film, but I have to say, they really made everything about it work. This feels like it should have come out ten years ago - NOT a knock - and reminds me so much of Joss Whedon - specifically that Dr. Horrible web-series Whedon did circa 2008. This comes from a place of love with the Convention circuit and the entire culture that goes with it. 



Playlist:

Radiohead - Kid A
Godflesh - A World Lit Only By Fire
Somnium Nox - Apocrypha EP
Somnium Nox - Terra Inanis EP
Black Taffy - Out Moon 
Metallica - Ride the Lightning
Metallica - Kill 'Em All
Odonis Odonis - Eponymous
Ashes and Diamonds - Are Forever
Eagulls - Eponymous
Faetooth - Labryinthine
Deadguy - Near-Death Travel Services
Deftones - private music




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• Three of Swords
• Five of Pentacles
• Seven of Pentacles

Blockage, worry and calamity. 

I had an Al Swearingen moment this morning. I drank a bit more beer than I probably should have last night, fully expecting to wake up in the middle of the night to answer the call of nature. Didn't happen. As a matter of fact, I woke up this morning and didn't feel an aching desire to relieve myself then, either. All day this has haunted me. I drank a ton of coffee, but never really felt like what came out was equal to what went in. That's not normally how my body works. So I see this full, and I'm a skosh concerned. 

Let's put a pin in this one and hope everything comes out okay tomorrow.

Friday, December 5, 2025

The Whole Bloody Affair

 
Stone Cold Classic.

I first heard GZA's Liquid Swords sometime in the late 90s. A dude I used to skate with back then bumped this one often, and it made an impression pretty much right away. This was back well before streaming, and I never had a full cassette dub of the entire album, but the title track, "Shadowboxin'" and "B.I.B.L.E." all followed me around on various mix tapes and burned CD comps for years. 
 


Cast:

It is always a great time when I'm able to join in on the monthly Dread Broadcast. So many inspiring Horror fans coming together to discuss their passion, recommend new or overlooked stuff, and just generally geek out about the genre!


This episode, our featured guest was Kyle Valle, Director and co-writer of ZombieCON Vol. 1. Because I'd been out of town, I didn't get a chance to watch the screener he sent to the group, but he and co-writer Erin Áine sent me a screener earlier this week, so I'll be posting about that soon. 

After Kyle's segment, we had a good mix of return panelists and newcomers, all of whom helped fill up a notebook page of suggestions for upcoming books, movies and comics to check out. 

I love being a part of this so much, and hope everyone gets a chance to check the Dread Broadcast out. 




Watch:

Yesterday I invoked PTO from work and took my Dad to see Quentin Tarantino's fourth film in its new, ultimate form:


I hadn't seen either Kill Bill volume since the theatre, and while I remembered some things very vividly (Boss Tanaka's death; the burial; Elle's other eye), there was a lot I didn't remember. My initial takeaway from these flicks back in the day was excitement before their release and satiation upon release, but they never really resonated with me beyond that. 

It's funny what 20 years will do.

Two decades down the spiral of cinema archeology, understanding filmmaking and fight choreography, not to mention a much better understanding of the influences and references that go into these films, and I have to say that, while Reservoir Dogs will likely always be my favorite QT film, I now see Kill Bill as his best. Especially when viewed as originally intended - a four-hour and thirty-five-minute film (that graciously includes a 15-minute intermission perfect for a trip to the john and a power-up at the snack bar). The entire Tokyo sequence is beyond belief - I mean, the sheer depth of field that Robert Richardson's camera has to capture with the choreography is staggering. Also, the original O-Ren Ishii origin animation sequence has been extended by 7.5 minutes, giving us the closest we've had yet to a Tarantino-directed anime episode.

Kil Bill: The Whole Bloody Affair is in theatres for at least the next week, and I'm already plotting whether or not I can manage sneaking in another viewing. Either way, Lionsgate has a Blu-ray in the works, and once that drops, I will finally add this one to the collection.




Playlist:

Blut Aus Nord - Hallucinogen
Blut Aus Nord - Ethereal Horizons
The Seatbelts - Cowboy Bebop OST
Sumerlands - Dreamkiller
Telefon Tel Aviv - Immolate Yourself
The Police - Synchronicity
Gaerea - Loss (pre-release singles)
Fever Ray - Eponymous
GZA - Liquid Swords
Mondo Decay - Nun Gun




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.


• XI: Justice
• Page of Swords
• XVI: The Tower

Weighed down by Earthly concerns, fight back and don't fall into old patterns.