RIP Jeff Hanneman, Ten Years Gone

 

Today is the ten-year anniversary of Slayer Guitarist Jeff Hanneman's death. Hanneman's work inspired a generation of guitarists; almost every solo and riff the guy wrote is a classic, so choosing a favorite is tough. That said, "Spirit In Black," from 1990's Seasons in the Abyss, is one that always makes me stop and listen. The sinewy, circuitous path Hanneman shreds up and down the neck just blows me away every time.

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Watch:

I finally had a chance to see Ari Aster's new film, Beau is Afraid last night:

 

Okay, so I went into this film knowing nothing about it other than a few references I've seen to it being a "Nightmare Comedy." While we probably all know enough about Nightmares and comedies to be able to marry the two theoretically, I had some trouble picturing what this term would mean, let alone in the hands of Ari Aster. After seeing it, I will say this: Nightmare Comedy is the perfect summation of this film. Beau is Afraid is Anxious, breathtaking and sometimes horrifying. Also, it's very, very funny; I laughed out loud quite a bit, with one scene in particular evoking what was probably my longest laugh since either Barry season 2 episode 5 or the South Park: Pandemic Special. 

I just couldn't stop. 

Granted, the scene in question would likely horrify others, but by saying that, I don't want to mislead anyone. This isn't a "Horror" film and there's nothing as severe as the most memorable events from Hereditary or Midsommar. Or, perhaps it's better said there are some fairly severe moments - some that evoke Midsommar especially - but in Beau, these elements are not presented with the same severity. So, while visually, or in concept a few scenes create similar violence, in Beau that violence is, remarkably, played for laughs. 

And it works. 

This feels like Aster's "Gilliam" piece, but I also detect notes of Gondry, the Cohen Bros, and Peter Weir. I'm typing this portion of this post about two hours after leaving the theatre on Monday night, and I'm honestly considering going back tomorrow and seeing it again. There's a thrill to the discovery of what this movie is that I won't be able to recreate now that I know its arc, but would still be damn fun to try.

 

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Playlist:

Witchfinder - Hazy Rites

Ruby the Hatchet - Fear is a Cruel Master

Slayer - Seasons in the Abyss

Slayer - Show No Mercy

The Darts - Snake Oil

Screaming Females - Desire Pathway

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

I did something a bit different for today's Pull; I started with the Bound Tarot and then decided to see what a similar, three-card spread in Thoth would look like. Here's what I got:

Victory over unconscious motivations obscured by two elements fighting one another - Will and Money.

Approach emotional obstructions in an elegant fashion and Will should increase. 

Taken together, this is a hodge-podge of what I already know: I'm slipping on discipline in several areas and it's affecting my output. Victory (completion of a project) is obscured by a failure to place logic over emotion. In order to achieve the desired outcome, decisive action must be taken. 

RIP David Bowie - Seven Years Away From Tibet

 

The Alien has been gone from this world for seven years. Damn. I still remember that day. Thus begins my annual Seven Days of David Bowie, and I thought I'd start with "Seven Years in Tibet," from Bowie's 1997 album Earthling.

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Watch:

The first trailer for Ari Aster's third film Beau is Afraid dropped:

Wow. I'm not even sure what to make of this one other than A) I won't be watching any more trailers, and B) I'll be there opening day.

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Playlist:

Talking Heads - Fear of Music

Talking Heads - Remain in Light

Iggy Pop - The Idiot

Deafheaven - Infinite Granite

The Jesus Lizard - Liar

Ministry - Moral Hygiene

Ozzy Osbourne - No More Tears

Skid Row - Eponymous

Talking Heads - Big Country (single)

The Flamingos - I Only Have Eyes For You (single)

The Thirsty Crows - Hangman's Noose

Kaiser Cheifs - I Predict A Riot

Sylvaine - Nova

Sylvaine - Atoms Aligned, Coming Undone

The High Confessions - Turning Lead Into Gold with the High Confessions

Lustmord - Dark Matter

Metallica - ... And Justice For All

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Transformations of both Emotional and Proprietary merit can be achieved by applying the appropriate degree of Will to the correct avenue. I'm not entirely certain how to actually apply this, yet, because on one level this drawing seems to hold the same vagueries most do, while something here is picking at me that perhaps if I sit and contemplate this one, a more specific epiphany may arrive. 

Isolation: Day 102

Well, I know what I'm doing on July 10th. This looks breathtaking.

One of the things I began working on last year is a collection of short horror stories all based around the horrors of aging. Nice to see kinship in a major motion picture. From all accounts director Natalie Erika James is going to be a force to be reckoned with. That's awesome. Good to have another voice along the lines of Jordan Peele, Ari Aster, and Robert Eggers to look forward to hearing from. James' shortfall Creswick is a Master Class in the craft, from the acting to the camera to the sound. I'd expect with a larger budget, someone this good will give us a powerhouse.



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New Jaye Jayle out August 7th on Sargent House. Here's the latest single. Pre-order HERE.



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Playlist:

Baroness - Gold and Grey
Flying Lotus - You're Dead
Crystal Castles - II
Lead into Gold - The Sun Behind the Sun
Slayer - Reign in Blood
Public Enemy - It Takes A Nation Of Millions To Hold Us Back
Public Enemy - Fear of a Black Planet
Doves - Lost Soul
Stars of the Lid - And Their Refinement of the Decline
Opeth - Blackwater Park
Windhand - Grief's Infernal Flower
Public Enemy - State of the Union (Single)
Bell Witch and Aerial Ruin - Stygian Bough, Vol. 1
KRS-One - Return of the Boom Bap
Run the Jewels - RTJ4
Nexus 6 - Too Late to Tease EP
Allegaeon - Apoptosis
Alio Die and Lorenzo Montan á - The Threshold of Beauty
Van Halen - Eponymous
Sault - Untitled
War On Women - Capture the Flag
Black Sabbath - Master of Reality
Doves - Carousels (pre-release single)
Zeal and Ardor - Stranger Fruit
Zombi - Shape Shift

2019: July 4th - The Soska Sisters Share Rabid Trailer!

RABID from FrightFest on Vimeo.

Big awesome surprise to wake up yesterday and see the Soska Sisters had released the trailer for their upcoming remake of David Cronenberg's Rabid. I'm a fan of the Cronenberg film, but definitely feel there's room to remake it. And who better than the body horror twins who gave us American Mary? Can NOT wait!

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Wednesday night we saw Midsommar, Ari Aster's brilliant and crippling follow-up to last year's Hereditary. I loved it, probably consider it a modern masterpiece, a film in the ranks of an Apocalypse Now or The Shining. Aster is a visionary.

Before the show, the newest issue of Fangoria arrived on my doorstep. I took one look at the cover and knew I'd be waiting until after seeing Midsommar to crack this 40th Anniversary issue open.

When I did open the issue, I found a stunning article that consists of Jordan Peele interviewing Aster about Midsommar. Jesus, what the hell more could a horror fan ask for? Totally worth the price of subscribing, which you can do HERE.

Immediately after our Midsommar viewing, my co-host Anthony Guerra from The Horror Vision and I did a reaction episode. We split it into a non-spoiler and spoiler section, very clearly delineating it for anyone that wants to listen but hasn't seen the film yet. My advice is go in as blind as possible, then listen, but either way, here are those links:

The Horror Vision on Apple

The Horror Vision on Spotify

The Horror Vision on Google Play


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By now, hopefully everyone reading this who cares about the spoiler will have heard that Robert Kirkman and Charlie Adlard's The Walking Dead came to a surprise end with this week's issue #193. For the price of a regular issue, 193 delivered a triple-sized issue that was everything I could have wanted from the series finale for one of my all-time favorite comics, plus there's a long letter in the back of the book from Kirkman, talking about the reasons for ending the series here, the emotional tribulations of doing so, and a bit of a peek behind the curtain on his writing process over the years.

I can't even begin to describe the void losing this series creates in my life, but I will attempt to tonight at 9:00 PM Pacific Standard Time, when Mike Wellman and I do a surprise Drinking with Comics Memorial to The Walking Dead. We'll be streaming live on the Drinking with Comics Facebook Page, so stop by - you might just see me cry.

Funny thing, that this happened just after my existential crisis a few weeks back, the one about collecting comics and a life's worth of accumulated stuff. By my calculation, with all the books I read that are either definitively ending or are on indefinite hiatus, I'm going to be down to about six or seven monthlies by the fall, and that suits me just fine at the moment.

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Playlist from the last two days:

Uniform and The Body - Mental Wounds Not Healing
The Body - No One Deserved Happiness
Black Polygons - Lobélia
Willie Nelson - My Way
The Go Gos - Beauty and the Beat
Calexico - The Black Light
The Beatles - Abbey Road

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No card today.

2019: June 30th Orville Peck Live WFUV

For anyone doubting this man is the real deal. I get chills listening to this song, either studio or here, live in the WFUV studios. At this point, Pony is cresting Spotlights' Love and Decay for my album of the year spot. It's a tight race, and I'm bludgeoning my brain with both albums mercilessly, but Peck's sound holds infinite potential, and his spotlight falls on poetic obscurities the likes of which resonate with me in ways I do not even understand. I'm sure I can say the same about most of my favorite albums, but right now this feels infinitely more than that, if the sentiment makes any sense.

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Currently reading a story in Robert S. Wilson's Ashes and Entropy anthology entitled Red Stars/White Snow/Black Metal by Fiona Maeve Geist. I can't quite tell if it's the most brilliant story in the collection yet - it might be - but it's got me. A disgraced and discarded journalist receives a second chance in the form of an assignment that quickly becomes a bloody immersion into pocket European Black Metal-inspired death cults - or at least that's what I think is happening. Geist's prose is as delicious as it is pretension, which is not necessarily a bad thing, if it lands. It's one of the longer stories in the book, and my reading keeps getting hammered into bite-sized chunks due to my schedule, but so far, Geist goes on my 'Watch' list as someone I would very much like to read more from.

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K and I finished Dark Season 2 this morning. Brilliant. So complex, but not needlessly so, this season turned the Donnie Darko-meets-Twin Peaks analogy I've been using for the show on its ear. We're in an entirely new landscape by the end of the final episode, and knowing the next season is the last is a good feeling. I have no doubt that unlike previous shows with staggeringly complex storylines and character dynamics, Dark will stick this landing, because the creators already know how the story ends.

Very fucking important.

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K and I bought our tickets to see Midsomar this coming Wednesday night. We'll be accompanying my Horror Vision co-host Anthony and his girlfriend, so the plan is to record a brief, spoiler-free reaction to the movie for the podcast and put it up that night. So along with last night's episode - which should go up tomorrow - that'll be three episodes of The Horror Vision in just over a week! Wow. I haven't watched anything but the initial teaser for Ari Aster's follow-up to last year's magnificent Hereditary, but I'll leave the latest trailer here, just in case someone reading this hasn't heard about the film, which I expect to be fantastic:




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Playlist from 6/29:

Soul Coughing - Irresistible Bliss
Grimes - Visions
Thom Yorke - Anima
M83 - Saturdays = Youth
Beach House - 7
Curtis Harding - Fave Your Fear
The Devil's Blood - The Thousandfold Epicentre
Lovett - The Wind OST
L7 - Scatter the Rats.

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No card today.

Midsommar Teaser Trailer is Here!!!

Wow. I can't wait for this movie! And what the hell is that at 1:04???

2018: November 30th - NEW GRIMES!!!

Wow. Just wow. I saw this dropped last night, stopped everything I was doing, put in headphones and closed my eyes, went off to Grimes World. The textures at work in this song feel three-dimensional, no doubt based on her use of the stereo field, as well as a knack for choosing sounds of all kinds - many not traditionally 'musical', and using them to really fill out the sonic space. If this is any indication of the new album, it is going to be a perfect step forward from Art Angels.

Re-watched Hereditary a couple of nights ago. My god, even though Mandy is probably my favorite film of 2018, this is far and away the best film. It lost none of its ability to traumatize me, and really opened up more interpretation-wise with this second viewing. I'd imagine I'll be talking a lot about this come our 'year's best' episode of The Horror Vision. Two observations:

1) Toni Collette had certainly better at least be nominated for best actress.
2) Watching the deleted scenes, you see how good writer/director Ari Aster is at 'killing his darlings.' Not that any of the deleted scenes were darlings necessarily, but watching what he shot and then removed, you see how he was originally trying to flesh out Peter and Steve's characters more, and how he pulled back and gave us only what we needed. The inclusion of any of those deleted scenes would have, in my opinion, hurt the movie's power, so Aster knew exactly where to draw lines and how to intuit when he had enough.

Pretty impressive for a first movie.

There's some criticism out there that Gabriel Byrne's Steve in particular, is a poorly written, two-dimensional character. I for one disagree. He is exactly what the movie needs him to be. I stuggle with this some time in my own work, the idea of adding more to make sure my point gets across, or to ensure a character is 'fully realized.' Then I watch something like this and see that with restraint great things can come. Spaces in the character can evolve, spaces that draw people in the way the people in their life do. We all interact every day with people we only know in one particular role, or way, and it doesn't diminish their role or strength in our lives. Why wouldn't the same be true for characters in a film?

For a counterpoint, watch Rob Zombie's Halloween - RZ spends so much time ensuring that we understand William Forsythe's Ronnie is white trash that it becomes overkill and, frankly, derails the movie.

Playlist from 11/29:

The Doors - Strange Days
LCD Soundsystem - Sound of Silver
Kylie Minogue - Fever
Cocksure - Be Rich
Emma Ruth Rundle - Marked for Death
Grimes - We Appreciate Power (Single)
The Besnard Lakes - The Besnard Lakes are the Roaring Night

Card of the day:

Another card I see a lot. I'm curious if this convergence of regular cards I've pulled during the year are rallying to clarify a point I've missed?