Showing posts with label Jordan Peele. Show all posts
Showing posts with label Jordan Peele. Show all posts

Tuesday, February 15, 2022

Orville Peck - Outta Time

 

New Orville Peck in April? Sign me right the f*&k up! Of the three songs from Bronco that Peck dropped last Friday - thanks to Mr. Brown for cluing me in on that - this is my favorite. All three are great, though, and you can pre-order the album HERE




Watch:

July 22, 2022.

 

The trailer for Jordan Peele's Nope dropped the other day, and it looks as though it once again proves Mr. Peele knows how to make a trailer that makes his audience salivate without showing or telling you really anything that the movie is about. I keep seeing references to this being his "Alien Invasion" movie, but if you think Nope is going to be as cut and dry as that, I'm pretty sure you're wrong. Or, perhaps more eloquently stated, "Nope."




Playlist:

Zeal and Ardor - Eponymous
Urge Overkill - Oui
PJ Harvey - To Bring You My Love
The Ronettes - Presenting the Fabulous Ronettes
Orville Peck - Bronco (pre-release singles)




Card:

Outta Time suddenly seems like the perfect song for today's post:


In undertaking this move, it would be easy to let all of the stress, planning, discussion and interaction overwhelm me. This happens. What I'm reminded of in drawing this particular card at this particular moment, is not to be seduced into inactivity or take the easy way out. I like my job a lot, and while I am mostly taking it with me, it would be so much easier to stay where we are and keep living the good, fairly easy life K and I have carved out for ourselves over the last six years. The important thing is to lean into the fray and meet this challenge head-on because once on the other side of it, our lives will be infinitely better. 

That, ladies and gentlemen, is the goal.



Wednesday, December 22, 2021

Nun Gun

 
I'd not heard of this Algiers side project until Heaven is an Incubator posted his favorite albums of the year list (read it HERE. Seriously. READ IT). If you've seen my last couple years of "best of" lists, you know Algiers' first two records claimed my top album spots in the years they were released, and then 2020's There Is No Year fell flat for me. Well, Nun Gun is a return to form - in a way, since, you know, it's not the entire band. Take all the weird shit from those first two albums and leave out the soul and you have Nun Gun's Mondo Decay. I LOVE this record, and this song... this song is the stand-out track on an album of all stand-out tracks. SO fucking catchy, in the oddest possible way. The vocals remind me of Rockwell, which, surprisingly, is just a great thing.
 


Watch:

After re-watching the original, Bernard Rose Candyman the other night in preparation, K and I finally saw Nia DaCosta's Candyman.


Dubbed a 'spiritual sequel,' this Jordan Peele-produced entry in the Candyman mythos, this is one of the few examples of a sequel that makes the original better. The first Candyman (I've never seen two or three) focuses on a narrow width of a story that by the entire way it's handled you know is bigger. This sounds like it could be a flaw, but it's most definitely not. This unconventional approach is what I love about it. And now, three decades later, DaCosta's sequel then arrives to finally fill in all the background, and the way it does this is fantastic. The final image/dialogue is what really seals the deal, but the entire fill gloriously fulfills the original and its promise of one day telling us a much bigger story. 




NCBD:

Let's see what's on tap for this penultimate NCBD for 2021:

Maw has had some of the gnarliest covers of the last few years. Here's to hoping I'm able to find this one.



The final issue of this Kang the Conqueror mini-series that will no doubt lead into the Timeless one-shot hitting shelves later this month. I'm fairly certain Marvel is positioning Kang to be the next Thanos-level big bad in the MCU, which is good news for those of us who adore the character. This series has been great, and while reading the previous issue, I was struck by just what a late 70s/early 80s/Bill Mantlo vibe this book has achieved. 


Loving this Moon Knight series, and what's more, it's getting me pretty pumped for the forthcoming Disney+ show featuring Oscar Issac as ol' Moony himself. 


I fell in love with this comic just as issue ten hit the stands, so this one is the first I've had to wait a full thirty for. 

Wasnt' easy.

Like a lot of this Hickman-era X-Men stuff, I've re-read several of these issues a few times now, which is something I haven't done since I was a kid, re-reading books the same month I acquire them. But there's enough going on here that multiple 'viewings' really open the stories up.


If issue twelve of That Texas Blood was the end of the "1981" storyline, this must be a coda before the book goes back on seasonal hiatus. Go on and get your rest Chris Condon and Jacob Phillips - you've earned it, and I'll be waiting right here when you get back. This one has really turned out to be the sleeper hit of the year.




Playlist:

Godflesh - Post Self
Blut Aus Nord - Deus Salutis Meae
Kowloon Walled City - Piecework
Read Yellow - Radios Burn Faster




Card:


I'm feeling with an increasingly chaotic state of mind of late, and I know what I have to do, yet still, I resist. I'm not sure why the idea of meditation puts me off so much at the moment, but The Empress here definitely suggests I need to adopt some more nurturing practices again. 

Saturday, November 14, 2020

New Melvins!

 

New Melvins? Yes, please!

Pre-order the new album HERE, out February 26 on Ipecac Records!




Watch:

Friday morning I woke up and rented Bryan Bertino's new film The Dark and The Wicked on Prime. Great flick. I didn't 100% connect with it the way I had hoped, however, I probably had some pretty unrealistic expectations. That said, it's a very well made film, even if I did kind of think all the atmosphere and tension didn't quite "pop" the way it tried to. Definitely worth supporting, though, and Bertino is one of the best modern filmmakers working in Horror, in my opinion. 


I also finally made it around to Benson and Moorhead's episode of this year's season of The Twilight Zone. "8" is great. I still don't dig the overall feel of the series, and as much as I dig Jordan Peele, he just doesn't have the same wry manner needed to fill Rod Serling's shoes, but I did like seeing an Octopus kill off a team of Arctic research scientists. 

Despite my misgivings on the series, I'm glad someone's doing it, because anthology shows like this help employ a lot of filmmakers, and whether I watch them or not, it makes me happy they exist.




Playlist:


Opeth - Watershed 
Mr. Bungle - The Raging Wraith of the Easter Bunny 
Barry Adamson - As Above So Below 
Swans - My Father Will Guide Me Up a Rope To the Sky 
Miserable - Uncontrollable 
Anna Von Hausswolff - All Thoughts Fly
Mrs. Piss - Self-Surgery
Windhand - Grief's Infernal Flower
Fen - The Dead Light
Hoseback - The Invisible Mountain
Blut Aus Nord - Hallucinogen
Deafheaven - Ordinary Corrupt Human Love
Opeth - My Arms Your Hearse



Card:


What I've been doing to myself again with writing. I did nail some important backstory in a scene yesterday, but I could have got a lot more done had I not kept flitting around, being distracted by menial tasks that totally could have waited. 

Monday, June 22, 2020

Isolation: Day 102



Well, I know what I'm doing on July 10th. This looks breathtaking.

One of the things I began working on last year is a collection of short horror stories all based around the horrors of aging. Nice to see kinship in a major motion picture. From all accounts director Natalie Erika James is going to be a force to be reckoned with. That's awesome. Good to have another voice along the lines of Jordan Peele, Ari Aster, and Robert Eggers to look forward to hearing from. James' shortfall Creswick is a Master Class in the craft, from the acting to the camera to the sound. I'd expect with a larger budget, someone this good will give us a powerhouse.



**

New Jaye Jayle out August 7th on Sargent House. Here's the latest single. Pre-order HERE.



**

Playlist:

Baroness - Gold and Grey
Flying Lotus - You're Dead
Crystal Castles - II
Lead into Gold - The Sun Behind the Sun
Slayer - Reign in Blood
Public Enemy - It Takes A Nation Of Millions To Hold Us Back
Public Enemy - Fear of a Black Planet
Doves - Lost Soul
Stars of the Lid - And Their Refinement of the Decline
Opeth - Blackwater Park
Windhand - Grief's Infernal Flower
Public Enemy - State of the Union (Single)
Bell Witch and Aerial Ruin - Stygian Bough, Vol. 1
KRS-One - Return of the Boom Bap
Run the Jewels - RTJ4
Nexus 6 - Too Late to Tease EP
Allegaeon - Apoptosis
Alio Die and Lorenzo Montan รก - The Threshold of Beauty
Van Halen - Eponymous
Sault - Untitled
War On Women - Capture the Flag
Black Sabbath - Master of Reality
Doves - Carousels (pre-release single)
Zeal and Ardor - Stranger Fruit
Zombi - Shape Shift

Thursday, February 27, 2020

Candyman! Candyman! Candy...



Looks fantastic; I love that Peele's Production is going for a sequel instead of a re-boot.

**

Playlist:

John Carpenter and Alan Howarth - Prince of Darkness OST
The Mars Volta - De-Loused in the Comatorium
The Mars Volta - The Bedlam in Goliath
The Mars Volta - Frances the Mute
Mol - Jord
Zombi - Shape Shift
Steve Moore - Bliss OST
Slayer - Live Undead/Haunting the Chapel
Mazzy Star - So Tonight That I Might See
Bohren and Der Club of Gore - Patchouli Blue
Myrkur - M
The Smiths - Meat is Murder

**

Card:


Zenith of development. I'm very close to having everything in the arc of both Shadow Play Books 2 and 3 come into full alignment.

Saturday, March 23, 2019

2019: March 23rd - Zeal & Ardor release Live in London!



I should have realized that, a few days ago when they released We Never Fall, that it would be a harbinger of the band's first live album. I can NOT wait to dig into this today.

K and I saw Jordan Peele's Us last night. Despite one of the worst crowds I've shared a theatre with in recent memory, and me being a bit too high to let all the random conversations not affect my viewing, the film is outstanding. Peele is one of the most original filmmakers out there today, and seeing him interviewed recently on both Horror Noire and Eli Roth's History of Horror, it excites me to no end that he embraces Horror as much as he does, and wants to continue to create inside the genre.

Also, that second trailer for Pet Sematary that I had been avoided was foisted on me before the movie last night, and it looks scary as hell.

Playlist from 3/22:

Talking Heads - Remain in Light
Canadian Rifle - Peaceful Death
Thought Gang - Eponymous
Stan Getz - Focus

No card today.

Wednesday, December 26, 2018

2018: December 26th



This will be the only time and the only trailer for Jordan Peele's upcoming film Us that I watch. I do not want to know a single thing more about this film before I sit down to watch it in a theatre in March. But boy is it a doozy. Can NOT wait for this one; Peele had proven himself to be a major voice in establishing a beachhead of viability for horror with major studio budgets again. Also, watching this trailer and being genuinely chilled at several moments therein, the idea that Peele is Producing a new Candyman movie makes me extremely excited.

Playlist from 12/25:

Vince Guaraldi Trio - A Charlie Brown Christmas
Christmas Music of all varieties (kinda need it to stop)
Henry Mancini and His Orchestra - Charade OST
The Police - Synchronicity
Talking Heads - Remain in Light

Card for today:


The Earthly aspect of Air. Let's read that initially as keep your head out of the clouds and down to Earth, or translated into Writerly Advice, stop f&^king talking about it and do it. There's also an element of destructive logic, which fits my overthinking the ending of this book. I've become gun-shy, and the next four days needs to undo that so I have a completed manuscript - in need of a hardcore edit, mind you - by NYE.