Butthole Surfers Week Day 5

As though in total contrary to yesterday's post, here's Locust Abortion Technician at its grimiest. Is this my favorite track by the band? Might just be. I mean, this song is not only a total throwback to the earlier albums

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Writer/Director/Producer/FX/Cinematographer/Everything else Doug Roos has released a teaser for his new film Bakemono along with a crowdfunding campaign to help add more practical FX to the film. 

 

The teaser is just enough to ramp up my anticipation. Anyone else get total The Void vibes from this? Also, check out this poster!

You can click HERE to travel over to the IndieGoGo page and back this/read more. The $100 level included a making of for the Practical FX, which might come in handy down the road. Roos explains the film is already shot, so this is all for icing on the proverbial Gore Cake, which I am all about. 
 

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I really was not prepared for the angle Robert Kirkman and Joshua Williamson are taking for the new GIJOE Energon Universe. Although we've seen a few teasers and one full issue of Duke prior to the release of last week's Cobra Commander #1, it wasn't until Williamson got into old Chrome Dome's backstory for this series that we see this is definitely more akin to the Cartoon than Larry Hama's comic. And you know what? I'm alright with that.

SPOILERS below. You've been warned.

There is a lot to dislike about the original 80s GIJOE cartoon movie and the direction the show took after. There's also a lot of really cool ideas here, once you get past the insanely SciFi take on what Larry Hama made such a realistic property in the comics. Thanks to CC #1, we now see that, just like the Energon Universe's Transformers comic, this take on GIJOE is going to run closer to the cartoon. And I'll say, full-on Cobra-La excites me. The concepts are crazy and will fit in so nicely with how intertwined we already see Transformers and GIJOE are going to be (not to mention adding Void Rivals to the taepstry!) The revelation of both Cobra-La and that they have Megatron captive and are reverse engineering their technology from him sets an ENORMOUS stage for this series, and I'm exicted to see how the entire thing plays out without all the trappings and limitations that the movie/show had.

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Playlist:

R0BBER - La Cosa Nostra EP

Butthole Surfers - Locust Abortion Technician

Cherry Cheeks - Lp2

Turnstile - Glow On

The Thirsty Crows - Hangman's Noose

Black Pumas - Chronicles of a Diamond

Disappears - Pre Language

Marilyn Manson - We Are Chaos

Baroness - Stone

Double Life - Indifferent Stars

Mannequin Pussy - I Got Heaven (pre-release singles)

Mannequin Pussy - Patience

Frank Sinatra - In the Wee Small Hours

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Card:

I decided to jump back in on a new month with a single card draw from Missi's Raven deck.

• III: The Empress - Let's start with a quote from A.E. Waite:

"She is the inferior Garden of Eden, the Earthly Paradise, all that is symbolized by the visible house of man."

There's a lot here for me this morning. I have literally just returned to my own "House of Man," my Earthly Paradise. My home. It never really occurred to me while I spent the sixteen years that spanned the entirety of my thirties up through my early and mid-forties in LA that there was a way to carve out my own space in the world. By moving out of a major population center and leaving the rental lifestyle, K and I made our own paradise, and leaving it for weeks at a time is always a nice way to gain fresh perspective and appreciation. The Empress is oft associated with Love and Beauty, two attributes I couldn't associate with K more. The third Trump is also the path that bridges Chokmah (Knowlege - the Father) and Binah (Understanding - the Mother) on the Sephirothic Tree of Life. Interesting then that this is also the first time as an adult that my parents have become a regular social aspect of my life. Couple all this with the fact that today is the Eighth Anniversary of the day K and I met, and I believe The Empress has appeared to remind me to stop and take it all in. 

RIP Massimo Morante

The Founder/Guitarist from iconic Horror Soundtrack Prog group Goblin passed away at 70. Goblin has many amazing tracks and albums, this may be the greatest.

Also, along with guitars, Morante played the bouzouki. How about that? If you're like me, you might find yourself suddenly wondering if that's the instrumental layers in some of their music you could never quite place before.

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I know there's not a lot of Goblin's music in the intro scene to Dario Argento's Suspiria, however, it feels like there's more than there is, right? I believe that's because Goblin crafted such a fantastic score - and I'm under the (possibly mistaken) assumption that they wrote the music without having viewed the final cut of the film - in such a way that it mixes perfectly with the nightmare logic of Argento's cinematic aspirations.

I love the way the music hard stops when they cut from what Susie sees to the medium close-up of her walking. The direction, editing and score suggest she's not seeing what is actually there, which, if you think about it, fits the film perfectly from start to finish. Or rather, she's seeing what is there but what no one else can see. She's entering a Nightmare. Massimo Morante ladies and gentlemen. Rest in Peace, sir.

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Playlist:

Orville Peck - Pony

Roy Orbison - Mystery Girl

Gordon Lightfoot - Greatest Hits

The Soft Moon - Him (pre-release single)

Hank Williams III - Straight to Hell

The Essential Dolly Parton

Johnny Cash - At Folsom Prison

Alabama Shakes - Sound & Color

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Card:

Open to new influence, awareness and new life. Not sure any of that really does me any good at the moment. Both K and I are having MASSIVE doubts about our plans for TN. There are a ton of reasons, but a lot of it boils down to it may not be exactly what we thought, we're priced out of the area we wanted and our second choice isn't nearly the same, and even though we've seen some houses we love and almost jumped on, there's the idea that, find the perfect home, move in, and if you have nothing around it to make you happy, in six months it's a prison and that will make you resent it and maybe your partner. And fine, so don't move, but the thing is, I really don't know where the hell we're going to live if we don't move here. Stay in LaLaLand paying insane rent? There's really nowhere else we've thought of, so we would have to take some serious time. In my head, there's also the idea that, if this shit with my lungs goes south, I want to be able to get her into a house that's hers before I check out. That's probably paranoia, but that doesn't mean it isn't clouding the situation. 

Greg Puciato - Never Wanted That

 

Another awesome new song from the upcoming sophomore album Mirrorcell, by former Dillinger Escape Plan frontman Greg Puciato. 

You can pre-order Mirrorcell from Puciato's Federal Prisoner Records HERE.

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NCBD:

This week is another super fun one. Here's why:

I have NO idea where Rick Remender & André Lima Araújo's A Righteous Thirst For Vengeance is going. Hell, I'm not even sure how long this book will run. Is this a Deadly Class/Black Science, 30-50 issues kind of story, or a 10-and-done like Tokyo Ghost? I'm sure that information is available somewhere online, either in an interview with Remender or the book's solicitations, however, I prefer not to know. All I do know is it's swift, often disturbing, and yet still has a positive energy to it. 

I surprised myself in the weeks since Ghost Rider #2 - I would say this may be my most anticipated book now, below of course Immortal X-Men. I definitely detected some Clive Barker influence in the second issue of old flame head's new series, and that was enough to make me want more. Think about it - why not apply a Barker-esque Horror vibe to this title/character? 

See, you couldn't come up with anything there, could you? So here's to hoping the book delivers (that monster truck cover isn't doing the series any favors, but hopefully that's all it is - a cover).

I was on the fence with Little Monsters simply because I'm trying - totally unsuccessfully, I might add - to limit what I buy until I move. But the first two issues got me to come back for three, and the first page of three dropped my jaw, so I'm in.

After my recent re-read of issues 1-8 of James Tynion IV's The Nice House on the Lake, I've been waiting for issue 9 with a lot more anticipation. Such a great character study of people at the end of the world. If, that's what this actually is, which is in question at the moment.

Maybe it was just momentum from Dr. Strange and the Multiverse of Madness, but I loved issues 1 and 2, and this is a mini-series, so I'm sticking with Strange while Clea is running the show. 

I know nothing about this one, but a Horror book called The Closet that shows a little kid playing in front of a closet that no doubt scares him seems like a great set-up. When you add in the fact that James Tynion IV is the author, well, count me in.

Just began re-reading What's the Furthest Place From Here last week, so issue 6's release is well-timed to say the least. I love this one. 

Issue one wasn't really my thing, but I enjoyed it enough. I'm mainly buying this one because K is into it. 

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Playlist:

Ghost - Infestissumam

Alice in Chains - Eponymous

Various Artists - Lost Highway OST

The Mysterines - Reeling

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Card:

Hopefully, this card bodes well for renewed creative energy. Because mine needs some renewal. 

Nun Gun

 
I'd not heard of this Algiers side project until Heaven is an Incubator posted his favorite albums of the year list (read it HERE. Seriously. READ IT). If you've seen my last couple years of "best of" lists, you know Algiers' first two records claimed my top album spots in the years they were released, and then 2020's There Is No Year fell flat for me. Well, Nun Gun is a return to form - in a way, since, you know, it's not the entire band. Take all the weird shit from those first two albums and leave out the soul and you have Nun Gun's Mondo Decay. I LOVE this record, and this song... this song is the stand-out track on an album of all stand-out tracks. SO fucking catchy, in the oddest possible way. The vocals remind me of Rockwell, which, surprisingly, is just a great thing.

 

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After re-watching the original, Bernard Rose Candyman the other night in preparation, K and I finally saw Nia DaCosta's Candyman.

Dubbed a 'spiritual sequel,' this Jordan Peele-produced entry in the Candyman mythos, this is one of the few examples of a sequel that makes the original better. The first Candyman (I've never seen two or three) focuses on a narrow width of a story that by the entire way it's handled you know is bigger. This sounds like it could be a flaw, but it's most definitely not. This unconventional approach is what I love about it. And now, three decades later, DaCosta's sequel then arrives to finally fill in all the background, and the way it does this is fantastic. The final image/dialogue is what really seals the deal, but the entire fill gloriously fulfills the original and its promise of one day telling us a much bigger story. 

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NCBD:

Let's see what's on tap for this penultimate NCBD for 2021:

Maw has had some of the gnarliest covers of the last few years. Here's to hoping I'm able to find this one.

The final issue of this Kang the Conqueror mini-series that will no doubt lead into the Timeless one-shot hitting shelves later this month. I'm fairly certain Marvel is positioning Kang to be the next Thanos-level big bad in the MCU, which is good news for those of us who adore the character. This series has been great, and while reading the previous issue, I was struck by just what a late 70s/early 80s/Bill Mantlo vibe this book has achieved. 

Loving this Moon Knight series, and what's more, it's getting me pretty pumped for the forthcoming Disney+ show featuring Oscar Issac as ol' Moony himself. 

I fell in love with this comic just as issue ten hit the stands, so this one is the first I've had to wait a full thirty for. 

Wasnt' easy.

Like a lot of this Hickman-era X-Men stuff, I've re-read several of these issues a few times now, which is something I haven't done since I was a kid, re-reading books the same month I acquire them. But there's enough going on here that multiple 'viewings' really open the stories up.

If issue twelve of That Texas Blood was the end of the "1981" storyline, this must be a coda before the book goes back on seasonal hiatus. Go on and get your rest Chris Condon and Jacob Phillips - you've earned it, and I'll be waiting right here when you get back. This one has really turned out to be the sleeper hit of the year.

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Playlist:

Godflesh - Post Self

Blut Aus Nord - Deus Salutis Meae

Kowloon Walled City - Piecework

Read Yellow - Radios Burn Faster

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Card:

I'm feeling with an increasingly chaotic state of mind of late, and I know what I have to do, yet still, I resist. I'm not sure why the idea of meditation puts me off so much at the moment, but The Empress here definitely suggests I need to adopt some more nurturing practices again. 

Leviathan the Fleeing Serpent

I think I previously recorded this one in the "Playlist" section of this page as Corpse Eater: Satanic Misery yadayadayada. Apparently, the actual band name is Leviathan the Fleeing Serpent and the album is Crushing the Ritual Live. None of that really matters because this isn't a real band - it's Rob Zombie and his musical cohorts playing the fictional Black Metal band Heidi LaRock and her stoolies interview in Lords of Salem. Whatever the hell the name of it is, I LOVE it and kinda wish RZ would focus on making more of this for a while. Here's a video I didn't know existed until just now.

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Another day at home yesterday, feeling like crap, waiting for the PCR test results to tell me what I'm now certain of: I do not have COVID. As I write this, I feel MUCH better. The AC/DC is cranked, my fingers are moving over the keys, and I'm starting my third pot of coffee. I'm almost 60% of the way through Stephen Graham Jones' new novel My Heart is a Chainsaw and I LOVE it so much. Spent a lot of time with that yesterday, as well as watching the following three flicks:

 

I bought this one sight unseen back when it was released on DVD circa 2008, watched it once or twice and, although really liking it, never made it back for another viewing until now. How was it? Vinyan is a Five Star film. Contrary to all the shit that studios like dimension were pumping into the Horror-sphere in the 00s, people like Fabrice du Welz were making excellent films such as this (his other Horror film I know, Calviare, is pretty badass too if memory serves).

 

Vinyan gave me the taste for more foreign Horror, so I decided to A and B an original and a remake, for which I chose the Indonesian film The Queen of Black Magic. The original was released in 1981, is pretty cool for that time and place, but doesn't sit terribly well now. It's by no means bad, just dated, so you really have to try and put yourself in the headspace of someone seeing this film in Indonesian in '81, which was admittedly probably insane. Overall I dug this one as a fun, kind of Hammer Horror-esque getaway. 

So how's the remake?

 

I f*&king loved this one. It's slow off the start, which I don't mind but feel deserves a warning. However, once this one gets going, holy hell, there's some squirm-worthy scenes the likes of which I don't think I've felt since Fede Alvarez's 2013 Evil Dead (which I adore). Really cool, simple story and execution, and lots of gnarly Horror.

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Playlist:

(NOTE: I didn't listen to any music yesterday, so this is what's on the stereo so far today)

Leviathan the Fleeing Serpent - Crushing the Ritual

Various - Lords of Salem OST

Zombi - 2020

Various - The Devil's Rejects OST

AC/DC - Highway to Hell

King Woman - Celestial Blues

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Card:

The past four days have definitely added up to a sort of renewal for me. I was pretty burnt out from work. If you look at the dark colors of Wednesday's pull (7 of Disks) and now the light, gentle colors of The Empress, that is sort of a visual expression of where I was two days ago compared to where I am now.

The Irresistible Bliss of Jolene's Cake

I bought a new phone this past weekend. It was time. One of the new features on Apple Music that is cribbed from Spotify is when an album you're listening to ends, they throw a bunch of songs at you that the almighty algorithm finds based on what you just listened to. This is a little cool and a little lame. Lame, because Nick Cave dredged up a bunch of really bad stuff the other day, cool because after I spun through Soul Coughing's Irresistible Bliss this morning, Apple went into Cake's "Frank Sinatra". One taste of that track and there was no way I wasn't going all the way through Fashion Nugget, one of my favorite records from the 90s. Here's the thing though. I count myself a Cake fan because of how much I love this record, but I'm not really familiar with their other stuff. So when this particular version of Nugget ended with a live version of "Jolene", I was floored. This track is amazing. Anyway, I'll finally be digging into some more of Cake's discography after this, so I'm pretty excited. It's not every day I get to have a band from my past feel so new to me (I think that's why I play so coy with some bands in the first place).

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NCBD:

Only a few titles this week on NCBD, but that's fine. Last week was a killer.

The Autumnal has been a great Horror title so far, and I'm definitely anxious to see where it's going. Kind of a mash-up of Folk and Ancestral Horror, but with a decidedly more modern feel.

I picked up issue one of Night Hunters a few months back on a whim when I noticed the unmistakable art of Alexis Ziritt. You may know Ziritt's work from Black Mask's 2015 limited series Space Raiders. Hard to say what's going on in Night Hunters after only one issue, but whatever it is, I dig it. From Floating World comics, who are super indie, so give them the benefit of the doubt and pick this one up if you see it at your local comic shop.

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I caught David Keating's Cherry Tree on Shudder yesterday after work and enjoyed it quite a bit. Pretty cool little flick, but then these smaller, English/Irish films tend to be my jam.

 

The make-up at the climax has a definite Nightbreed-era Barker feel, which was cool and added to an already very cool atmosphere.

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Playlist:

Soul Coughing - Irresistible Bliss

Cake - Fashion Nugget

Der Butterwegge - Super Optimiert

Blut Aus Nord - 777 Cosmosophy

Blut Aus Nord - 777 The Desanctification

Godflesh - Pure

The Bangles - All Over the Place

Butthole Surfers - Rembrandt Pussyhorse

 

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Card:

 Rewards for creativity and perseverence.

DJ Muggs and the Black Goat - Nigrum Mortem

Another new track from the forthcoming Dies Occidendum, out March 12th on Sacred Bones. Pre-order HERE.

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Watch:

K and I finally watched Ben Wheatley's remake of Alfred Hitchcock's Rebecca over the weekend. Loved it; K only showed me the Hitch a few weeks ago, and I have to say, perhaps because I'd been wanting to see it for so long and had high hopes, I didn't love it. The third act is great, but it's a rough climb to get there.  The Wheatley version, however, moves at a better pace. It's not faster, it just doesn't waste as much time with A) Miss Van Hopper (ugh), and B) meandering in the relationships it sets up. It also stages the mechanics of its denouement with a better sense of grace, without sacrificing the gorgeous ambience that often trips up Hitchcock's film. 

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Playlist:

Melvins - Working with God

Lard - Pure Chewing Satisfaction

The Replacements - Tim

The Raveonettes - In and Out of Control

PJ Harvey - Stories From the City Stories From the Sea

K's 70s Gold Playlist

 

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Card:

I feel like I wasted a lot of time resting yesterday, but after working a pretty rough week and a Saturday to boot, this card confirms I needed it. Now? Time to finish up this last (I swear) edit on Murder Virus, then, onto Shadow Play again.