New Music From Jim Jarmusch's SQÜRL!!!

 

From SQÜRL's forthcoming album Silver Haze, out May 5th on Sacred Bones Records, you can pre-order the album HERE.

Interesting to note that Randall Dunn produced this record. Man's got quite a track record, working with bands like Sunn O))), Earth, and Zola Jesus. Can't wait to hear this entire record; my recent re-watch of Jarmusch's Only Lovers Left Alive for The Horror Vision Presents: Elements of Horror (episode link HERE and HERE for Apple and Spotify respectively) really pushed me back into Jarmusuch's music for a while, both SQÜRL and his work with Jozef Van Wissem. Hearing this first single, I think Dunn was very much a strategic and fantastic choice for this one. Definite Doom vibes, in the best way possible.

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Watch:

I'm not watching this trailer! I'm not watching this trailer! I'm not watching this trailer!

 

I'll have to keep repeating this to myself until March 24th.

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Playlist:

The Sonics - Here Are the Sonics

Caladan Brood - Echoes of Battle

Motörhead - Ace of Spades

Pigs x7 - Viscerals

The Mysterines - Reeling

David Bowie - Diamond Dogs

David Bowie - PinUps

The National - High Violet

Fuck Buttons - Tarot Sport

THUS LOVE - Memorial

Wayne Shorter - The All Seeing Eye

T. Rex - The Slider

Black Sabbath - Paranoid

Ghostland Observatory - Sad Sad City (Single)

Grimes - Shinigami Eyes (Single)

Grimes - Miss Anthropocene

The Bronx - II

The Stooges - Funhouse

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Card:

Taken at face value, this definitely sums up the last few days at work. Some changes really need to take place, not sure where to start. But Tens are also a the end of a journey, and sometimes an indication of burdensome elements at work. A reminder then, how glad I am that I'm not in-house and managing anymore. 

Boris - Funnel of Love (SQÜRL)

 

I'm not 100% sure if this is SQÜRL remixing Boris or what, but I LOVE it. From the upcoming Todo Muere SBXV, which you can order from Sacred Bones Records HERE. 

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NCBD:

Here's tomorrow's haul for NCBD:

New Steve Niles. Always a good thing.

I am so psyched and surprised Marvel is doing a Black, White & Blood for Moon Knight! Can't wait.

I've begun to get a bit freaked out when a Reckless book hits the stands. When you figure Brubaker and Phillips drop them every six months, well, I feel like those months are flying by. Whatever. I love this series.

So now I have three weeks a month with an X-book. If you had told me last year at this time that this is where I'd be, I'd have laughed. Look who's laughing now, eh?

K is a big fan of the 90s X-Men cartoon, so I'm thinking I'll grab this for her. I doubt she has time to catch up on all the House/Powers stuff, so this will be an interesting way for her to experience some of the thrill, but with the versions of the characters she knows and loves.

This is one of the best adaptations of a short story I've come across. Kind of reminds me of that old I Am Legend Prestige format that - bringing it back around without even realizing it at first - Steve Niles did in the early 90s with Elman Brown. Just a solid retelling with some interesting tweaks thrown in here and there. 

I always start reading the Sandman Universe titles and never finish. We'll see how this one goes. One thing is for sure: I love me some Corinthian.

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Playlist:

Ruby Friedman Orchestra - Gem

Walking Papers - The Light Below

Quicksand - Slip

Slow Crush - Hush

Alabama Shakes - Sound & Color

Television - Marquee Moon

Steve Moore - Bliss OST

DJ Muggs and the Black Goat - Nigrum Mortem

Another new track from the forthcoming Dies Occidendum, out March 12th on Sacred Bones. Pre-order HERE.

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Watch:

K and I finally watched Ben Wheatley's remake of Alfred Hitchcock's Rebecca over the weekend. Loved it; K only showed me the Hitch a few weeks ago, and I have to say, perhaps because I'd been wanting to see it for so long and had high hopes, I didn't love it. The third act is great, but it's a rough climb to get there.  The Wheatley version, however, moves at a better pace. It's not faster, it just doesn't waste as much time with A) Miss Van Hopper (ugh), and B) meandering in the relationships it sets up. It also stages the mechanics of its denouement with a better sense of grace, without sacrificing the gorgeous ambience that often trips up Hitchcock's film. 

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Playlist:

Melvins - Working with God

Lard - Pure Chewing Satisfaction

The Replacements - Tim

The Raveonettes - In and Out of Control

PJ Harvey - Stories From the City Stories From the Sea

K's 70s Gold Playlist

 

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Card:

I feel like I wasted a lot of time resting yesterday, but after working a pretty rough week and a Saturday to boot, this card confirms I needed it. Now? Time to finish up this last (I swear) edit on Murder Virus, then, onto Shadow Play again.

Blanck Mass

 It's strange to me that, for all the time I spend listening to the artists on Sacred Bones, I somehow never heard Blanck Mass before yesterday. I'd seen the name, but somehow I just never clicked a link or happened upon anything organically. That changed yesterday when I somehow realized that Blanck Mass is the solo project/primary focus of Benjamin John Power, or as I knew him, one half of Fuck Buttons. I'd lost track of Fuck Buttons these last few years, and it's hard to believe it was a decade ago that I saw them at LA's Troubadour, where they blew my mind and ears in a volatile set of insane noise/techno/edm/soundscapery. Upon learning of Blanck Mass's pedigree, I started with this, the first single from In Ferneaux, out tomorrow on Sacred Bones. I then went to 2019's Animated Violence Mild and proceeded to absolutely fall in love with it. I mean, I listened to this fucker at least five times in a row over the course of my workday.

Order In Ferneaux or any of the other Blanck Mass records - all of which I plan on getting around to sooner rather than later - from Sacred Bones HERE of the Blanck Mass Bandcamp HERE.

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Watch:

 

I haven't been in much of a Horror mood of late, however, yesterday I came home and took my near-customary Thursday nap on the couch with Shudder TV's Slashics channel on. When I woke up, I did so in time to catch Preston DeFrancis' 2018 Slasher-esque Ruin Me. I quite liked this one and; Ruin Me definitely plays with tropes we've seen before - maybe too much of late, hence why it took this long and happenstance to get me to watch it - but it's really good at what it does, and it has enough of a fresh spin on the Slasher/Extreme Haunted House set-up to make it unique and interesting. And no, it's not actually a 'haunted house,' but you'll see what I mean when you watch it. Which I'm recommending you do.

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Playlist:

Blanck Mass - Starstuff (Single)

Blanck Mass - Animated Violence Mild

Nick Cave and Warren Ellis - Carnage

Queens of the Stone Age - Songs for the Deaf

How to Destroy Angels - Welcome Oblivion

Jim Williams - Possessor OST

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Card:

 

Perseverance in the face of frustration and or routine. This final final final edit on Murder Virus is killing me, but it will pay off HUGE in the end, making the book that much tighter, and thus I hope, compelling and enjoyable, with a healthy dose of "WTF?!?" thrown in for good measure come the fourth part. Still, reading the same book four times in as many months can be pretty fucking difficult, even if it is something you consider quite possibly your best work to date.

John Carpenter's Alive After Death

 

New video for John Carpenter's Alive After Death, from the forthcoming album Lost Themes III: Alive After Death, out February 5th on Sacred Bones Records. You can pre-order the record from Sacred Bones HERE, or, do what I did and pre-order the Wax Work/Sacred Bones collab like I did HERE, although, without checking, there's probably a pretty good chance this one is long since sold out. 

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Watch:

K and I finished the new and apparently final "season" of Netflix's Chilling Adventures of Sabrina. Hot damn I love this show! Here's a cool little bloopers reel Netflix dropped on youtube a bit ago. It's cool to see everyone having fun between takes.

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Playlist:

Drab Majesty - The Demonstration

Amy Winehouse - Back to Black

Queens of the Stone Age - Songs for the Deaf

Queens of the Stone Age - Villains

Chelsea Wolfe - Hiss Spun

Ravenous Wolves - Stories and Pictures

Ravenous Wolves - A Horror of Shades Demo EP

Emma Ruth Rundle and Thou - May Our Chambers Be Full

Windhand - Grief's Infernal Flower

ISIS - In the Absence of Truth

The Fixx - Reach the Beach 

 

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Card:

An influx of success!

Motherless Brooklyn's Sovietwave

A month or two back, one of my guys at work turned me onto Molchat Doma, a Belarusian post-punk band from Minsk, formed in 2017, whose newest album Monument, was released this year on Sacred Bones Records. Probably because of introducing them into my youtube algorithm, yesterday afternoon I stumbled across a thumbnail for a post titled "1 Hour of Melancholic SovietWave" (HERE). Sovietwave? I immediately clicked on this, and the track I've posted above was the lead-in track, which in turn sent me looking for more by this band, Воскресная площадка, which so far I have been unable to find a translation for. In listening, so far, I'm fascinated, so I intend to explore this a bit more over the coming days (and nights; this music is perfect for after the sun sets).

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Watch:

Friday night I finally got around to watching Edward Norton's Adaptation of Jonathan Lethem's novel Motherless Brooklyn. Wow. Fantastic film. 

It's been at least ten years since I read Mr. Lethem's novel, and being that I finished my re-read of William Sloane's To Walk the Night yesterday, I moved directly into round two with Brooklyn. In cases like this, where I've read the book but not in a while, I'm never sure if I should watch the film first or re-read the book first, so once again, I'm just going to play it by ear. Either way, both are fantastic. 

Of special note, the music for Mr. Norton's adaptation was done by Composer Daniel Pemberton, with contributions from Wynton Marsalis and Thom York, to name a few (although, as always, I feel like Mr. Yorke's voice is somewhat of an unwelcome sonic element in film scoring and composition, as it is so distinct and unmusical, it usually takes me out of the story immediately). 

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Playlist:

Emma Ruth Rundle and Thou - May Our Chambers Be Full

Oliver Nelson - The Blues and the Abstract Truth

Ornette Coleman - The Shape of Jazz to Come

Ella Fiztgerald - The Best of Ella Fitzgerald Vol. II

True Widow - I.N.O.

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Card:

Dogma. Is this good, or bad? 

Isolation: Day 172 Jeremiah Sand's long lost Album

 Well, I would have never expected to be posting a track off Jeremiah Sand's debut album Lift It Down, out October 30th on Sacred Bones Records. You can pre-order this psyche-folk insanity HERE. 

I'll probably be skipping this one, however, I definitely appreciate the ridiculous level of detail that's gone into pulling this from the fictional world of Mandy into our own.

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NCBD: 

Not a lot out today. However, chomping at the bit for this one after just reading issue two a week or so ago:

Next, there's a couple new books I'm curious about (I know, I know. Wasn't I the guy saying I was done buying monthlies just a few, well, months ago? Yeah). First up, Lonely Receiver from Aftershock comics. Written by Zac Thompson, one of the two writers of Her Infernal Descent, which I loved, and art by Jen Hickman. This one sounds really interesting and taps into something I've been meaning to write a story about myself: AI life mate dolls. 

From the solicitation: 

"Catrin Vander, a lonely video producer, buys an Artificial Intelligence partner that's meant to bond for life. After ten years together, her holographic wife suddenly discon-nects without a warning. The breakup drives Catrin to the point of near insanity. She's alone for the first time in years and reeling from a loss she can't comprehend. Set in the new future, drenched in pastels and sunshine, LONELY RECEIVER is a horror/breakup story in five parts."  

Sound good? Yeah, I think so, too. 

Finally, I've always been hesitant to engage with any of the newer iterations of the John Constantine books that DC has put out over the years. Constantly starting/restarting, renaming, endless turnover on of the moment creative teams - what's all of it mean for a character as old and storied - and beloved - as John Constantine? Usually just a watering down of his legacy. 

That said, I have an interesting feeling about this one, perhaps based on the facts that, A) they've gone back to calling the book Hellblazer, B) it's a limited series, C) Darick Robertson.

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Playlist: 

Windhand - Grief's Infernal Flower

Oh Baby - The Art of Sleeping

Jawbox - For Your Own Special Sweetheart

Opeth - Blackwater Park

Windhand - Eternal Return

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Card: 

 

Four chapters into Shadow Play Book Two, and yeah, it's a new journey alright. This is the first book I've written off an outline - a comprehensive outline whose word count may actually end up rivaling that of the finished product. I've been having back issues, so I'm by the time this post goes up, I've probably taken the day off work and am hip deep in writing.

Isolation: Day 156 Emma Ruth Rundle and Thou

 

Yes please! Emma Ruth Rundle and Thou have a collaborative album coming from Sacred Bones, dropping on - how perfect - October 30th. You can pre-order May Our Chambers Be Full HERE.

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NCBD today. It's been a few weeks since I've been in to collect my books, so I'm really going to try and make it in today.

First up is the second issue of Aftershock's Dead Day. It's been a minute since issue #1, so I'll no doubt re-read that first. As I'm sure I've said here a thousand times, I'm generally pretty exhausted with the Zombie genre, however, every once in a while something new comes along that gives it a fresh spin. This book appears to be doing just that.

Gideon Falls #24 - speaking of re-reading older issues, I really need to find the time to go back and start Gideon Falls over from the beginning. I'm keeping up with the story month to month just fine, however, I'd really like to experience everything thus far in a tight burst; this book is so freakin' out there, I really want to let its odd narrative wash over me and see what more I get out of it.

The second issue of Simon Furman and Guido Guidi's newest chapter in the Transformers original comic Universe that started in the 80s at Marvel hit the stands today, and already has me panting - look at that cover! Shockwave vs. Grimlock? I don't geek out over much that holds this beloved brand's name anymore, but these guys are definitely my window into that world.

Playlist:

The Thirsty Crows - Hangman's Noose

Iress - Prey

Mastodon - Fallen Torches (pre-release single)

Mastodon - Emperor of Sand

Lustmord - Hobart

Low Cut Connie - Hi Honey

Exhalants - Bang (pre-release single)

P I n K O/Exhalants - Eponymous Split 7"

The Birthday Party - Hee Haw

The Birthday Party - Mutiny/The Bad Seed

Nabihah Iqbal - Weighing of the Heart

Mötorhead - 1916

Me and That Man - Songs of Love and Death

Le Butcherettes - A Raw Youth

Lana Del Rey - Norman Fucking Rockwell

La Hell Gang - Thru Me Again

Second Still - Violet Phase

Cocksure - TVMALSV

Savages - Silence Yourself

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No card today.

Isolation: Day 106 New Uniform

Killer track from the upcoming album Shame, out September 11th on Sacred Bones. Pre-order HERE.

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Today is the day! The first three episodes of Doom Patrol Season 2 drop today, with the remaining six to follow weekly from here out. Season One was easily my favorite show of 2019, and thus I'm expecting a similar reaction to Season Two. Will the show draw more madness from Grant Morrison's infamous run? The Scissormen? Albert Hoffman's Bicycle? Mr. Nobody for President? I can't wait to find out.



Speaking of Grant Morrison, the wonderful folks over at Sequart have released Patrick Meaney's Our Sentence is Up: Seeing Grant Morrison's Invisibles. I snatched a copy on Kindle for a meager $3.99, and even after only glancing through it, I can tell you this volume is worth about ten times that much.

It's been quite some time since I last read The Invisibles, and while I have experienced an increasing pull toward re-engaging with it, at the moment, that seems like a misstep.


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Playlist:

Various Artists - The Void OST
Powerman 5000 - Black Lipstick (pre-release single)
Alice in Chains - Eponymous
C-Building Kids - Shitting in the Urinal
Uniform - Delco (pre-release single)
The Birthday Party - Live 1981-82
Helms Alee - Sleepwalking Sailors
Apparat - Soundtracks: Dämonen
Perez - Les vacancies continent (single)
The Knife - Deep Cuts
The Knife - Shaking the Habitual
The Knife - Silent Shout

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Card:

Catharsis and the end of confusion. Globally? I doubt that. Personally, speaking from a mindful perspective at the moment,  I don't feel confused per se, unless I broaden that perspective to my place in the world in its current state. Several plates I had spinning are in limbo, leaving a vague sense of, "Well, is that still a thing?" In that regard, an epiphany of any proportion would be most welcome.

New Myrkur/New Hillary Woods

I love that the resurgence of Folk Horror has grown out of and subsequently helped perpetuate a return of Folk sentiment in other areas of culture, particularly music. Myrkur's Sophomore release M made my "Best of" list back in 2015, but I've not followed her since. That sometimes happens with Best of lists - albums make an impact when they're released, but the time and place of that impact may fade or transfer as the moment disintegrates, giving way to all the other new music that I'm constantly finding. Anyway, I stumbled across this new single this morning, and immediately remembered why I dug Myrkur so much.

You can pre-order the new Myrkur album, Folkesange, HERE. It drops March 20th on Relapse Records.

Speaking of Folk-ish Female musicians, how about a double-header? A new Hillary Woods dropped a few short moments ago, and it fits in nicely along Myrkur, further illustrating this Folk-flavored resurgence.



Ms. Woods' new album, Birthmarks, drops one week before the Myrkur on Sacred Bones Records. Pre-order HERE.

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New episode of The Horror Vision is up! This episode, we watch and react to Jon Wright's delightful Grabbers, an Irish monster movie with a drunken twist that I personally loved.



Other topics include but are not limited to: AHS, Shudder's The Marshes, Osgood Perkins' Gretel and Hansel, the premiere of Netflix's Locke and Key, and Vault Comics' The Plot and Black Stars Above, two horror comics getting seemingly NO attention. Both are awesome.

Also available on Apple, Stitcher, and Google Play.

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Between work and having a few days off with my buddy Dave to hit two of the three LALA Land Mr. Bungle reunion shows, I haven't posted much of late, and I realized yesterday that I forgot to log the most recent episode of The X-Files I watched for Mr. Brown's list. Let's remedy that, because it was a good one: Season Four, Episode Two.

This is the one, folks. This is the episode that legendarily aired once and was never re-run on Network TV. I never saw it back in the day, or rather I think I saw the final few moments on a VHS recording a friend made, but I never had the context for those final images. Regardless, this one is really F'ed up. Home is violent, gross, filled with disturbing sexual imagery and concepts, and, maybe worst of all for Normal 90s America, just plain weird. After finally seeing it, I will say that if you strip all the hype/legend away, I'd say it's one of the best episodes of the show I've seen so far. Great writing, directing, acting, everything. The lighting in the farmhouse of ill repute is spectacular, and although the whole sordid mess owes a little to Tobe Hooper's original Texas Chainsaw Massacre, it really stands on its own two legs as a great piece of serial television, regardless of the era.


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Playlist:

sElf - Gizmodgery
Slayer - Seasons in the Abyss
Boy Harsher - Careful
Anthrax - Among the Living
Antrax - Stomp 442
Corrosion of Conformity - Animosity
Tom Petty and the Heartbreakers - Damn the Torpedoes
Testament - The Gathering
Talking Heads - Remain in Light
Suicidal Tendencies - Controlled by Hatred/Feel Like Shit... Deja Vu
sElf - Super Fake Nice EP
Chris Isaak - Heart Shaped World
Myrkur - M
Slayer - Live Undead
Slayer - Decade of Aggression
Edu Comelles and Rafa Ramos Sania - Botanica De Balcon

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No card.

Hilary Woods - Tongues of Wild Boar

I know nothing about Hilary Woods, but this song and its accompanying video are gorgeous in the creepiest possible way. The album drops March 13th on Sacred Bones - and it brings me a little spark of joy knowing that's a Friday to boot. Pre-order HERE.

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NCBD:

Nothing new this week that's on my radar, but I still have to grab Trees: Three Fates #5. from two weeks ago (not sure how I keep missing this one or why I never put it on my Pull):

Trees: Three Fates has been a nice mostly dose of Warren Ellis' comics writing, and its helped me postpone getting involved in Batman's Grave on a monthly basis. As I editorialized on the most recent episode of Drinking with Comics, I'll read an independent monthly, but I'm done reading Big Two books in a format constantly interrupted by shitty ads. Plus, admittedly, Ellis always reads better in trade.

I know Trees won't be coming back for a while, but I'm really looking forward to the return of Injection, which I believe I read will be starting up again this year. Injection stands as my favorite Ellis book since Doktor Sleepless, and I miss it dearly.

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I finished David Cronenberg's Consumed. Outstanding. Five stars - six if it was possible. I really can't wait to see this rendered by the author into a visual, episodic format. There's some serious body horror here, and it runs the game from subtle-but-terrifying to remarkably vulgar. Thus, it should make for a fantastic Cronenberg project.

In the wake of Consumed, I've become a book my friend Jesus gifted me for Christmas, Chuck Wendig's Wanderers:

One-hundred and six pages in and I can't put this book down! I know nothing about the story going in - I hadn't even heard of it before Jesus put it in my hand - and that's definitely making for a great read. Also, its always nice to see a tense or horrific story start with a twist on something so basic - what if your loved one started sleepwalking and would not stop for anything?

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Playlist:

Steve Moore - Bliss OST
Tangerine Dream - Sorcerer OST
Zombi - Shape Shift
Umberto - Helpless Spectator
Tangerine Dream - Exit
Godflesh - Post Self
Godflesh - Hymns

Card:

Yesterday's card was XXI: The Universe, and it compelled me to work for an extended period of time on the "Bigger Ideas" of the final book in the Shadow Play series. I've made a pact with myself to not begin writing the second book - which is painstakingly outlined - until I have the entirety of the third volume outlined as well. This has proved challenging, to say the least. My writing sessions, have been long and consisted of reading research material, outlining, story boarding (of a sort), and all kinds of other fun tasks, but nothing that scratches the itch to write. Still, a solid three hours yesterday and I made what feels like serious progress.

Serious. Professional. Driven. All qualities I could stand to aspire to of late; as much fun as this phase of the Shadow Play project is, it's susceptible to distraction. I downloaded a new focus app, called Tomato Timer, and it's helped me get a handle on this a bit. And on that note, off to work!

New Music From SQÜRl

From the album Some Music For Robby Müller, out January 31st on Sacred Bones Records. Pre-Order HERE.

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I'm nearly finished with David Cronenberg's novel Consumed. It is fantastic. Seriously, so interesting and unnerving. Conceptually, it's another "How did he even think of that?" which is pretty common for Cronenberg. The idea that he's adapting this for a Netflix series makes me super happy, and here's a short I found online that looks like a dry run at the idea for translating this novel to the screen. Starring Evelyne Brochu, from Orphan Black.



Yeah. The story is creepy AF and a return to the body horror genre Cronenberg defined in the 70s/80s.

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Playlist:
David Bowie - Heathen
David Bowie - Outside
Damage Manual - Limited Edition
Zonal - Wrecked
Zonal - Eponymous Single
Godflesh - Love and Hate in Dub
Zombi - Shape Shift
Preoccupations - Eponymous
King Krule - The OOZ
Carpenter Brut - Trilogy
David Bowie - Low
Tomahawk - Mit Gas

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No card today.

A Tale of Two Lions

I finally made it around to really listening to the new Jenny Hval album, The Practice of Love. Wow. The opening track, Lions, put me through a range of reactions, but I came out loving it. I feel like Ms. Hval is involved in a less ostentatious reclaiming of some of the forgotten musical detritus of 80s and 90s Pop, recontextualizing formerly garrish beats and tones in new ways, kind of like what the Hypongogic Pop sound was doing ten years ago, but smoother.

The opening track, which I've posted above, immediately made me think of Tones on Tail, as they're perpetually on my mind this time of year and I haven't listened to them nearly enough yet. Here's a live version of their song Lions; I'm always amazed when I find shit like this on youtube and see it has under one hundred views.



You can order the Jenny Hval from Sacred Bones Records HERE, and if you're unacquainted with Tones on Tail (the first and, in my opinion, best of the bands that three-fourths of Bauhaus created after splitting with Peter Murphy), find the aptly titled Everything double disc. It is fantastic.

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31 Days of Horror:

10/01: House of 1000 Corpses/31

10/02: Lords of Chaos

10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1

10/04: IT Chapter 2, AHS 1984 Ep. 3

10/05: Bliss/VFW

10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog

10/07: Halloween 2018

10/08: Hell House, LLC

10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)

10/10: Creepshow Episode 3

10/11: Jenifer (Dario Argento; Masters of Horror Ssn 1 Ep 4)

10/12: Poltergeist/Phenomena

10/13: AHS 1984 Ep 4/In the Tall Grass
10/14: Invasion of the Body Snatchers ('78)
10/15: Rabid (2019)
10/16: Wounds
10/17: Behind the Mask: The Rise of Leslie Vernon
10/18: Creepshow Episode 4
10/19: Ed Wood/AHS 1984 Ep. 5
10/20: Sinister/Sinister 2

Despite what I'd heard over the last few years since its release, K and I followed a viewing of Sinister with the sequel, and I loved it. Definitely not as good as the original, Sinister 2 is still pretty freaking solid. Also, one of my takeaways from the original was how James Ransone's Deputy So-and-So is one of the best-supporting characters in a horror flick in years, so I loved that the sequel stayed with him and what happened to him as a result of the first movie's outcome.

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Playlist from 10/20:

Allegaeon - Apoptosis
Boards of Canada - Tomorrow's Harvest
Ulver - Teachings in Silence

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Card of the day:

After the creative, relaxing, and enjoyable weekend, K and I tried to take a few moments to be mindful that we have good lives. If that's not wealth, I don't know what is.