Showing posts with label Hilary Woods. Show all posts
Showing posts with label Hilary Woods. Show all posts

Friday, February 14, 2020

New Myrkur/New Hillary Woods



I love that the resurgence of Folk Horror has grown out of and subsequently helped perpetuate a return of Folk sentiment in other areas of culture, particularly music. Myrkur's Sophomore release M made my "Best of" list back in 2015, but I've not followed her since. That sometimes happens with Best of lists - albums make an impact when they're released, but the time and place of that impact may fade or transfer as the moment disintegrates, giving way to all the other new music that I'm constantly finding. Anyway, I stumbled across this new single this morning, and immediately remembered why I dug Myrkur so much.

You can pre-order the new Myrkur album, Folkesange, HERE. It drops March 20th on Relapse Records.

Speaking of Folk-ish Female musicians, how about a double-header? A new Hillary Woods dropped a few short moments ago, and it fits in nicely along Myrkur, further illustrating this Folk-flavored resurgence.



Ms. Woods' new album, Birthmarks, drops one week before the Myrkur on Sacred Bones Records. Pre-order HERE.

**

New episode of The Horror Vision is up! This episode, we watch and react to Jon Wright's delightful Grabbers, an Irish monster movie with a drunken twist that I personally loved.



Other topics include but are not limited to: AHS, Shudder's The Marshes, Osgood Perkins' Gretel and Hansel, the premiere of Netflix's Locke and Key, and Vault Comics' The Plot and Black Stars Above, two horror comics getting seemingly NO attention. Both are awesome.

Also available on Apple, Stitcher, and Google Play.

**

Between work and having a few days off with my buddy Dave to hit two of the three LALA Land Mr. Bungle reunion shows, I haven't posted much of late, and I realized yesterday that I forgot to log the most recent episode of The X-Files I watched for Mr. Brown's list. Let's remedy that, because it was a good one: Season Four, Episode Two.



This is the one, folks. This is the episode that legendarily aired once and was never re-run on Network TV. I never saw it back in the day, or rather I think I saw the final few moments on a VHS recording a friend made, but I never had the context for those final images. Regardless, this one is really F'ed up. Home is violent, gross, filled with disturbing sexual imagery and concepts, and, maybe worst of all for Normal 90s America, just plain weird. After finally seeing it, I will say that if you strip all the hype/legend away, I'd say it's one of the best episodes of the show I've seen so far. Great writing, directing, acting, everything. The lighting in the farmhouse of ill repute is spectacular, and although the whole sordid mess owes a little to Tobe Hooper's original Texas Chainsaw Massacre, it really stands on its own two legs as a great piece of serial television, regardless of the era.


**

Playlist:

sElf - Gizmodgery
Slayer - Seasons in the Abyss
Boy Harsher - Careful
Anthrax - Among the Living
Antrax - Stomp 442
Corrosion of Conformity - Animosity
Tom Petty and the Heartbreakers - Damn the Torpedoes
Testament - The Gathering
Talking Heads - Remain in Light
Suicidal Tendencies - Controlled by Hatred/Feel Like Shit... Deja Vu
sElf - Super Fake Nice EP
Chris Isaak - Heart Shaped World
Myrkur - M
Slayer - Live Undead
Slayer - Decade of Aggression
Edu Comelles and Rafa Ramos Sania - Botanica De Balcon

**

No card.






Wednesday, January 22, 2020

Hilary Woods - Tongues of Wild Boar



I know nothing about Hilary Woods, but this song and its accompanying video are gorgeous in the creepiest possible way. The album drops March 13th on Sacred Bones - and it brings me a little spark of joy knowing that's a Friday to boot. Pre-order HERE.

**

NCBD:

Nothing new this week that's on my radar, but I still have to grab Trees: Three Fates #5. from two weeks ago (not sure how I keep missing this one or why I never put it on my Pull):


Trees: Three Fates has been a nice mostly dose of Warren Ellis' comics writing, and its helped me postpone getting involved in Batman's Grave on a monthly basis. As I editorialized on the most recent episode of Drinking with Comics, I'll read an independent monthly, but I'm done reading Big Two books in a format constantly interrupted by shitty ads. Plus, admittedly, Ellis always reads better in trade.

I know Trees won't be coming back for a while, but I'm really looking forward to the return of Injection, which I believe I read will be starting up again this year. Injection stands as my favorite Ellis book since Doktor Sleepless, and I miss it dearly.

**

I finished David Cronenberg's Consumed. Outstanding. Five stars - six if it was possible. I really can't wait to see this rendered by the author into a visual, episodic format. There's some serious body horror here, and it runs the game from subtle-but-terrifying to remarkably vulgar. Thus, it should make for a fantastic Cronenberg project.

In the wake of Consumed, I've become a book my friend Jesus gifted me for Christmas, Chuck Wendig's Wanderers:


One-hundred and six pages in and I can't put this book down! I know nothing about the story going in - I hadn't even heard of it before Jesus put it in my hand - and that's definitely making for a great read. Also, its always nice to see a tense or horrific story start with a twist on something so basic - what if your loved one started sleepwalking and would not stop for anything?

**

Playlist:

Steve Moore - Bliss OST
Tangerine Dream - Sorcerer OST
Zombi - Shape Shift
Umberto - Helpless Spectator
Tangerine Dream - Exit
Godflesh - Post Self
Godflesh - Hymns

Card:


Yesterday's card was XXI: The Universe, and it compelled me to work for an extended period of time on the "Bigger Ideas" of the final book in the Shadow Play series. I've made a pact with myself to not begin writing the second book - which is painstakingly outlined - until I have the entirety of the third volume outlined as well. This has proved challenging, to say the least. My writing sessions, have been long and consisted of reading research material, outlining, story boarding (of a sort), and all kinds of other fun tasks, but nothing that scratches the itch to write. Still, a solid three hours yesterday and I made what feels like serious progress.


Serious. Professional. Driven. All qualities I could stand to aspire to of late; as much fun as this phase of the Shadow Play project is, it's susceptible to distraction. I downloaded a new focus app, called Tomato Timer, and it's helped me get a handle on this a bit. And on that note, off to work!