Loathe - Two Way Mirror

 

My god, these guys are like the Bloc Party of Post Metal. This is, of course, one of the albums I discovered directly after putting up my 'best of 2020' list last week. The way Loathe move between noise, atmosphere, super intense metal, and melodic vocals is seamless and an absolute joy to listen to, especially on headphones.

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Watch:

 

Alex De La Iglesia is a filmmaker who I've known about for nearly 20 years now but never seen any of his movies. And there's a lot of them. To go back to the early 21st century, when I still lived in Chicago, my good friend and brain trust behind Darkness Brings the Cold Dennis is one of two friends who really stoked my love of Horror movies. Dennis had an enormous collection of DVDs and a wealth of knowledge for the genre at large, and one of the films he always touted as a favorite was one he couldn't update from his old VHS copy, for which he did not have a player. This was Iglesias's 1995 Day of the Beast. Without even knowing anything about this one, I was intrigued based on the name and cover image, which Dennis had on a badass shirt:

After a recent conversation with Dennis, I finally sought out some of Iglesias's films and added them to my Amazon Watch List. Just in time, because the other day the trailer for his new HBO series made its rounds in our Horror Vision text thread, and I was BLOWN AWAY. Whatever that is at 1:19 will be in my nightmares for years to come. It reminds me a bit of that thing at 21 seconds into the American Horror Story: Coven opening credits sequence. 

Either way, January 4th can NOT come fast enough. 

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NCBD:

Holy cow, there were A LOT of new comics for me yesterday. I divide this between the two shops, so I'm spreading my support around, but here's a combined total of what I picked up:

This series continues to be one of the funniest things I've read in a while. Super light, super creative, each issue reads like a chapter in a big-budget action film. 

A recommendation from my Drinking w/ Comics co-host Mike Wellman, this one takes place in Chicago and totally nails its look at feel. Hell, I've been to the Globe Pub, so that got me right away.

 

The previous issue of this new Locke and Key mini series nearly made me cry, so I'm looking forward to some closure before we do next year's crossover with Sandman.

Miskatonic #2, wherein we get a ton of new characters from all kinds of H.P. Lovecraft stories involved in what is shaping up to be a really complex, interesting blend of historical fact with Lovecraft's literary legacy. 

Eddie at the Bug recommended this very independent book to me, and the moment I saw it, I knew I had to have it. Artist Alex Ziritt - who made a huge impression on me with Space Raiders a few years back - offers some truly unique style when designing his visual worlds, and from the brief flip-through I did upon picking this one up, looks like Night Hunters is no different. 

I totally forgot the new Brubaker/Phillis HC was landing this week until I walked into the shop. Perfect timing, as I finally just read their previous one, Pulp, over the weekend. It won't take me nearly that long to dig into this one, that's for sure, as I loved Pulp, and it definitely put me in the mood for more from these guys.

Two issues left after this one, and once again, I have NO idea where this is going. Some definite surprises in this chapter, and more of that gorgeous art and deep character development the Opena/ Remender team seems able to deliver flawlessly.

'

This final one, We Live #3 from Aftershock Comics, just turned this series from an on-the-fence read to something I Love. Definite shades of Day of the Dead and Girl with All the Gifts, this issue supplants the first two chapters' more Fantasy approach with an equal measure of Horror. This book feels like something new, something that blends a lot of different influences and genres for a unique effect. We Live has also proved its ability to continuously surprise me, so from here out, I'll be waiting for each subsequent issue with the kind of excitement few books these days inspire in me. 

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Playlist:

Swans - The Seer

Howard Shore - Crash OST

Portishead - Third

Richard Einhorn - Shockwaves OST

Amesoeurs - Eponymous

Opeth - Deliverance

Anthrax - State of Euphoria

One Stroke Baron - 

Loathe - I Let It In and It Took Everything

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Card:

 

This is certainly how I feel at the moment, having spent nearly $70 on comics today. I'm kind of beating myself up over it. It's such a weird feeling, to balance in your head what you want and what you need. I'd imagine my peers with children have an easier time staying on focus as far as needs/wants. I'm not jealous, but I definitely think that, as I age and find myself pretty much able to buy whatever I want within my realms of interest - none of which is extravagant, mind you, but definitely adds up - I feel occasional pangs of guilt at, well, I guess at not spending the money one something more important? This, however, begs the question who decides what's important. 

3 Days 'til Halloween

New John Carpenter album? Yes please!

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31 Days of Halloween:

I was able to score tickets to Joe Bob's Haunted Drive-In at the Torrance Roadium last night. Nine short films and several trailers, of which, Snake Dick was my favorite. Here's the film in its entirety. Worship it:

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)

2) From Beyond/Monsterland: "Port Fourchon, Louisiana"/Tales of Halloween: "The Night Billy Raised Hell" & "Trick"

3) Mulholland Drive/Creepshow (1982): "The Crate"

4) Waxwork

5) Synchronic/Bad Hair

6) Dolls

7) Lovecraft Country Ep. 8/Tales of Halloween: "The Weak and the Wicked" & "The Grim Grinning Ghost"

8) 976-Evil

9) Repo! The Genetic Opera

10) Firestarter/George A. Romero's Bruiser

11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2

12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses

13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)

14) The Haunting of Bly Manor episodes 6 and 7

15) The Haunting of Bly Manor episodes 8 and 9/Roseanne (88) season 2 and 3 Halloween Episodes

16) The Mortuary Collection/Roseanne (88) season 4 Halloween Episode

17) Ginger Snaps Back: The Beginning

18) Lovecraft Country episode 9/The Haunting/Roseanne (88) season 5 Halloween Episode

19) Lovecraft Country episode 10/Tales From the Crypt season 1 ep. 5 "Lover Come Hack to Me"

20) George A. Romero's Season of the Witch

21) The Omen

22) Texas Chainsaw Massacre: A Family Portrait/Masters of Horror: "Sick Girl" (Lucky McKee)

23) Joe Bob's Halloween Hideaway: Haunt/Hack-O-Lantern

24) Eight Legged Freaks/What We Do in the Shadows season 1 episode 1/Night of the Demons

25) 10/31 - "The Old Hag"/Absentia

26) Prince of Darkness/Tales of Halloween (remainder)

27) Joe Bob's Haunted Drive-In - Nine short films

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Playlist:

Meg Myers - Sorry

Mastodon - Emperor of Sand

Molchat Doma - Monument

Danzig - Danzig II: Lucifuge

Specimen - Azoic

Daniel Ash - Coming Down

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Card:

Lots of fours lately, and even though they indicate coming from a stable place, I feel like the luxury moniker comes at an appropriate time, as I feel like I've been a touch hedonistic of late and am paying the price. I feel perpetually fat, stupid, and lazy. I spend too much money on frivolous (but awesome) things. My cup runneth over, but at what cost?

Isolation: Day 123

Last week, Metal Blade Records announced the new album from Germany's reigning Post-Metal champs The Ocean. Phanerozoic II: Mesozoic drops on September 25th. Pre-order HERE.

I've followed The Ocean since I stumbled across 2007's reissue of Fluxion in the metal section of a local record store. The group is hot and cold for me, in that I have and love all their albums in theory, but not all of those records are practical listens for me. 2005's Aeolian and 2007's Precambrian have their 'I have to hear that song right now' tracks, but overall are so academically 'post-metal' that, although I appreciate their sonic integrity, I find listening to them for any extended length of time often cumbersome. That said, Fluxion and 2010's pair of albums Heliocentric and Anthropocentric are year-round go-to's, and 2013's Pelegial also easily fits into regular rotation. I'm not quite sure where last year's Phanerozoic I fits into my listening routine yet, primarily because the record kind of got lost amidst a ton of other albums that held my attention for most of the year.

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A new episode of The Horror Vision Horror Podcast went up yesterday. I've added the handy little widget in the upper right-hand corner of this page where you can listen or follow over to our page on Spotify, since this is the service most of our listens seems to filter through. In this episode, Ray and I go Dynamic Duo and talk about Natalie Erika James' Relic, Jeffrey A. Brown's The Beach House, as well as a bunch of other cool stuff. Also available on Stitcher, Apple Podcasts, and Google Play.


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NCBD - I messed up and posted this week's books here last week, so I'll be picking up those today.


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Currently reading:

Last week I finished Mark Frost's The List of 7 - very good Victorian mystery novel. Thoroughly enjoyed, and although I was tempted to start the sequel, 6 Messiahs, instead I started Matt Ruff's Lovecraft Country in anticipation of the upcoming HBO adaptation. At a third of the way in, the novel is as fantastic as the trailer looks, so I'm doubly excited now:



The book is very much not what I expected, and that's good. Reading it is a cathartic, as being a long-time Lovecraft fan - we're talking since '92 - I had built up a pretty big head of fandom steam before I ever realized HPL was a completely racist xenophobe. Through the mid-to-late 90s, as his personal correspondences were published, I made it a point to avoid them, as that's when the depth of his ignorance really became apparent (it's in the writing, but not exactly overt, especially not when you're younger and not as skilled at reading into things). Still, as more has come out, it remains more difficult to balance being a fan of his fiction with abhorring his personal philosophies. The first book I read that really played with this was Seamus Cooper's The Mall of Cthulhu, where the protagonists are accosted by a skinhead group who have adopted worship of Lovecraft's entities (great book and only $2.99 on Kindle at the moment). That was a comedy though. Lovecraft Country is not. A taut exploration of this country's racists underpinnings (that just won't seem to go the fuck away), the story is less about Shoggoths and more about human monsters.

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Playlist:

The Birthday Party - Mutiny/The Bad Seed
Mannequin Pussy - Patience
United Future Organization: 3rd Perspective
Henry Mancini - Charade OST
Charles Mingus - Blues and Roots
Cypress Hill - IV
Raury - Indigo Child EP
The Chameleons - Script of the Bridge
Blut Aus Nord - Hallucingen
Palesketcher - Jesu: Pale Sketches

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Card:

"A temporary culmination of events or labors. A well-deserved breath." I'll take it.

2019: June 27th - New Dean Hurley Track!

Frequent collaborator with David Lynch, Dean Hurley's 2017 Anthology Resource Vol. 1 △△ is an eerie walk into another world, and I realize in talking about it now that I do not listen to it nearly enough. And now, Sacred Bones Records will release Hurley's Anthology Resource Vol. II: Philosphy of Beyond on July 12th. You can pre-order the record HERE. I absolutely LOVE this track, and am looking forward to sitting down and listening to the entire album as a whole.

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NCBD yesterday was sleight, but that's the way things are moving for me. Which is good; it's all by design. So what did I grab?

The final issue (?) of Punks Not Dead: London Calling. Haven't read it yet, but looks like this is the end of the story for the time being. Overall, really enjoyed this one.

I feel like I waited forever for this third and final issue of Damned. Gotta say, love the art in this book, but the story... not so much. Kinda feels a bit like Todd McFarlane's fourth Spiderman title waay back in the day - pretty to look at, but a story that really only supports the images. If it wasn't for my love of comics in Magazine Format, this would be going on eBay tonight. As it stands, it still might, somewhere down the road.

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Playlist from the previous few days:

Swans - To Be Kind
Shellac - The End of Radio
Grinderman - Eponymous
Jefre Cantu-Ledesma - Joy (Tracing Back the Radiance pre-release single)
Felicia Atkinson and Jefre Cantu-Ledesma - Limpid As the Solitudes
Black Sabbath - Master of Reality
Zen Guerilla - Positronic Raygun
Zen Guerilla - Shadows on the Sun
Spotlights - Love and Decay
Bloody Hammers - Under Satan's Sun
Sunn O))) - Life Metal
Black Sabbath - Sabbath Bloody Sabbath
M83 - Knife + Heart OST
Malaria - Compiled 1981-1984
Dean Hurley - Anthology Resource II: Philosophy of Beyond Pre-release Singles

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Card of the day:

This one is beyond me at the moment, but I still wanted to record it here, for posterity and future analysis.

2019: April 26th - Under the Silver Lake is Fantastic!

My good friend and increasingly frequent collaborator Jonathan Grimm flies in for a long weekend, so I took today off. With an open morning, I did what I've wanted to do all week - I rented Robert David Mitchell's Under the Silver Lake, altered my perception a bit, and fell into a film I'd ascribed an alarming amount of expectation to in the eight days or so since I first heard about it. With a run time of two hours and nineteen minutes, I knew I'd need a day off to give Mitchell's follow-up to It Follows a proper shake - lately anything with an above-average run time that I watch at night runs the risk of my nodding off. This isn't usually the film's fault; my early schedule and aversion to conservative bedtimes simply runs me ragged. All this aside, I'm happy to report I had a perfect morning, a perfect viewing experience, and I absolutely loved Under the Silver Lake. I don't want to say too much - I didn't even watch the trailer until after I'd seen the movie - so I'll leave you with three words: Approaching. Modern. Hitchcock.

That's big and hyperbolic, I know. Don't care. Visually, we still get some of that soft, pastel style of Mitchell introduced in The Myth of the American Sleepover and perfected in It Follows, though that has been combined with a real love of the medium, and the history of the Hollywood Thriller as a genre. The early scenes of Andrew Garfield's Sam following three girls in a convertible feel like they are pulled right out of Vertigo, as does the deference the story pays to the institutions and living spaces of Los Angeles, the likes of which were directed toward the cities and forests of Northern California in Hitchcock's masterpiece of obsession. Oh, and Disasterpeace knocks the score out of the park; gone are the synths, replaced instead with string-and-brass instrumentation one would also associate with Hitchcock, De Palma and their lineage, both forwards and backwards in time.

Oh yeah, and David Yow from the Jesus Lizard is in it. When is that not a sign of good things?

$5 rental on Amazon. Absolutely worth it, but wait until you have the time to sink slowly into a winding mystery. This films tastes best when allowed to breath.

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Playlist from 4/25:

Soundgarden - Louder than Love
Totalselfhatred - Eponymous
Queens of the Stone Age - Rated R
Queens of the Stone Age - ... Like Clockwork
Queens of the Stone Age - Villains
Windhand - Eternal Return

Rounded the tunes out last night, driving home from Hollywood with KXLU program The Witching Hours as a sonic companion. GREAT show, and its host, DJ Marina, keeps an excellent website with news, prompt archives of playlists, and a bunch of other great stuff. Check it out HERE.

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Card of the day:

From the Grimoire: "By adding to an idea's original form, we dilute it. Not inherently bad, just different. Expect ups and downs while fleshing out and developing anything."

2018: July 12th

I've been on a bit of an Electric Mud kick and this was always one of my favorite songs and one of the ways I got into the record, as Cypress Hill sampled this on their first album, which I used to be quite the fan of.

Playlist from 7/11:
Greenhaus - The Unmistakable Sound of Sloth
Chelsea Wolfe - Abyss
Muddy Waters - Electric Mud
Andre Previn & The London Symphony Orchestra - Samuel Barber: Adagio for Strings, Op. 11
My Life with the Thrill Kill Kult - Sinister Whispers: The Wax Trax! Years
The Atlas Moth - Coma Noir


New Drinking, Fighting, F*&king, and Crying is up HERE. Two more to go and it is officially retired.

Card of the day:

Let's take a literal interpretation, shall we? That'd be nice.

2018: June 12th

I saw Hereditary last night. OUTSTANDING. See it in a theatre.



Playlist from June 11th:

Danzig - Danzig 7: I Luciferi
Zeal and Ardor - Stranger Fruit
Neil Young and Crazy Horse - Everybody Knows This is Nowhere
Melvins - Stag
Terminal A - Fruits of Gomorrah E.P.
Fuck Buttons - Tarot Sport
Besnard Lakes - The Besnard Lakes are the Roaring Night
Goblin - George A. Romero's Dawn of the Dead OST

Not to interpret too literally - although sometimes it's good to not shy away from doing that with the cards - funny I should draw this the day our new bed is being delivered.