Showing posts with label David Yow. Show all posts
Showing posts with label David Yow. Show all posts

Monday, June 16, 2025

Clean Up that Street Trash on Planet Death!

 
I rewatched Ryan Kruger's Street Trash sequel this weekend, and it put ten Althone back on my radar. LOVE this track. You can support the band at any of the links on their Link Tree HERE.




Watch:


I'd been waiting for Writer/Director Joshua Erkman's debut, A Desert, since March. Co-written with Bossi Baker, these two gentlemen have indeed delivered what will no doubt be one of my favorite films of the year. Subtle, creepy, emotional and WEIRD in all the best ways. 


Plus, pretty sure this is the biggest role The Jesus Lizard's frontman David Yow has had in a film, and he NAILS it. A Desert is currently a $6.99 rental on Prime, and it is worth every penny.




Read:

Another book I picked up last week at the comic shop* was something I stumbled across on the racks from a while ago - April 30th, to be exact. Planet Death issue 0:


When I found this, the cover and interior art immediately made me think of 80s-era Dark Horse Comics. Don't let this pristine jpg I grabbed online fool you - Planet Death 0 was printed on a wonderfully sturdy newsprint stock. One that, according to the afterward by the publisher, they actually had to seek out and purchase the entire stock to procure it. This is a wonderfully tactile reading experience.

Seeing the "Bad Idea" imprint name, I assumed I was supporting a local or super-indie book, and while this is indie, it's not 100% indie. The creator is Derek Kolstad, the screenwriter behind John Wick. So yeah, there's some inertia here. Apparently, this was the largest order for an indie comic since Image's fabled launch, with this issue bringing in 655,000 copies ordered. So much for helping the underdog!

Seriously though, I'd still consider this an underdog. Everything that isn't the Big 2 kind of is, and if you want to expand that definition's net a bit further, Bad Idea and Planet Death are still largely unknown and have no name recognition beyond the John Wick DNA. Still, as popular as the Wick movies are, there are very few Screenwriters who achieve the kind of recognition that can help carry a small comic company into the black. 

But Planet Death is cool, super cool, and while a lot of why I feel that way may be linked to nostalgia, I still think its gritty Cyber-Punk space marine feel will appeal to a lot of comic fans. The first issue lands July 9th, and I'll definitely be grabbing that. From there, the afterward makes it clear the subsequent issues will be released when they are complete and perfect, and that sounds great to me. I'm looking forward to this, but I don't necessarily want another monthly book, nor do I feel like this will require a regular schedule. The story seems like it will work on it's own terms. Here's the solicitation from League of Comic Geeks

"Millions of miles from home, hundreds of ships descend into the stormy atmosphere of a hostile frozen world. On board, an army of resolute men and women brace for the coming assault. They are an invasion force, on an impossible mission — destroy the devastating enemy weapon garrisoned below. Corporal Scott and his battalion are in the vanguard but the human forces are no match for their brutal alien adversaries. Scott’s battalion is dead within moments. He is its lone survivor. The landing force annihilated, the battle is lost. Against overwhelming odds, Scott dares the unthinkable — cross behind enemy lines, survive the lethal landscape, evade capture by ruthless enemies, resist natural predators, face human deserters and finish the mission singlehandedly. Locked in his suit of full combat battle armor, sustained only by what he can carry, and driven by Earth’s wrath, Scott must do by himself what an entire army could not. Destroy the weapon. Return home."


* See? All that and I still ended up needed two days to talk about it all. 



Playlist:

Faith No More - Angel Dust
Mr. Bungle - Eponymous
Deafheaven - Lonely People With Power
GBH - City Baby Attacked By Rats
LARD - Pure Chewing Satisfaction
Mothers of Invention - Freak Out!
ten Athlone - Street Trash E.P.
ten Athlone - Travelator
Amigo the Devil - Born Against
The Cops - Free Electricity
Jenny Lewis - Acid Tongue
The Jeff Healey Band - Road House (The Lost Soundtrack)
Anthrax - Worship Music
Billy Idol - Rebel Yell
Judas Priest - Painkiller
Perturbator - Lustful Sacraments




Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• I: The Magician
• Ace of Swords
• Three of Cups

The Spark of Essence. A Breakthrough of Intellect. Solid Emotional Outcome.

Sounds a lot like a three-step plan to get my ass back in gear. I've been slowly dipping my toe back into Shadow Play, but I've had a lot of distractions. This coming weekend is a trip to Chicago, after that, I'm calling it now: Full Immersion!!!

Friday, April 26, 2019

2019: April 26th - Under the Silver Lake is Fantastic!



My good friend and increasingly frequent collaborator Jonathan Grimm flies in for a long weekend, so I took today off. With an open morning, I did what I've wanted to do all week - I rented Robert David Mitchell's Under the Silver Lake, altered my perception a bit, and fell into a film I'd ascribed an alarming amount of expectation to in the eight days or so since I first heard about it. With a run time of two hours and nineteen minutes, I knew I'd need a day off to give Mitchell's follow-up to It Follows a proper shake - lately anything with an above-average run time that I watch at night runs the risk of my nodding off. This isn't usually the film's fault; my early schedule and aversion to conservative bedtimes simply runs me ragged. All this aside, I'm happy to report I had a perfect morning, a perfect viewing experience, and I absolutely loved Under the Silver Lake. I don't want to say too much - I didn't even watch the trailer until after I'd seen the movie - so I'll leave you with three words: Approaching. Modern. Hitchcock.

That's big and hyperbolic, I know. Don't care. Visually, we still get some of that soft, pastel style of Mitchell introduced in The Myth of the American Sleepover and perfected in It Follows, though that has been combined with a real love of the medium, and the history of the Hollywood Thriller as a genre. The early scenes of Andrew Garfield's Sam following three girls in a convertible feel like they are pulled right out of Vertigo, as does the deference the story pays to the institutions and living spaces of Los Angeles, the likes of which were directed toward the cities and forests of Northern California in Hitchcock's masterpiece of obsession. Oh, and Disasterpeace knocks the score out of the park; gone are the synths, replaced instead with string-and-brass instrumentation one would also associate with Hitchcock, De Palma and their lineage, both forwards and backwards in time.

Oh yeah, and David Yow from the Jesus Lizard is in it. When is that not a sign of good things?

$5 rental on Amazon. Absolutely worth it, but wait until you have the time to sink slowly into a winding mystery. This films tastes best when allowed to breath.

**

Playlist from 4/25:

Soundgarden - Louder than Love
Totalselfhatred - Eponymous
Queens of the Stone Age - Rated R
Queens of the Stone Age - ... Like Clockwork
Queens of the Stone Age - Villains
Windhand - Eternal Return

Rounded the tunes out last night, driving home from Hollywood with KXLU program The Witching Hours as a sonic companion. GREAT show, and its host, DJ Marina, keeps an excellent website with news, prompt archives of playlists, and a bunch of other great stuff. Check it out HERE.

**

Card of the day:


From the Grimoire: "By adding to an idea's original form, we dilute it. Not inherently bad, just different. Expect ups and downs while fleshing out and developing anything."

Tuesday, September 2, 2014

Scratch Acid - Live Set in Austin, 1985



The sound quality isn't spectacular but it's from 19-freakin'-85 so what could we expect, eh? Mr. Brown sent this to me some time ago and I'm (criminally) just getting around to watching it now. Yow is in good form, although he doesn't seem quite as insane as his Lizard days. I should add I never had the chance to see Scratch Acid live but became a fan after reverse engineering from The Jesus Lizard. This is pure musical archeology here; for the record, as it were.