Feast of Wire, NCBD

 

From Calexico's fourth studio album, Feast of Wire. This one is a masterpiece. Well, most of Calexico's records are, but as I listen to this track while typing these words, I remember exactly how I felt the first time Mr. Brown played it for me back in 2003. Which is fitting, as I'm listening to Mr. Brown's copy of the record, which he lent me during our previous record swap and I only just acquired a new turntable that easily plays 45 RPM. Now that I can play this, it won't be leaving my 'on deck' pile until we switch out again at the end of the month. 

Hot damn is this record fantastic!

---

---

---

NCBD:

Last week I walked into Rick's Comic City in Clarksville and realized a kind of comic book apocalypse had come to pass: with Diamond now bankrupt and liquidated, their POS system, Comic Suite, is defunct. My Drinking with Comics co-host Mike Shinabarger had mentioned this was coming a while ago; however, I didn't fully understand the implications until last week. Stores now have no computerized way to assign books to customers' pulls, order specific books for customers, and a whole mess of other complications. So it's anybody's guess if I'll be able to pull down the books I flag each week, especially the upcoming new titles beginning over the next few weeks. Apparently, there's no good substitute for the software, either.

Here's what I'm hoping to bring home today:

Issue three of this creepy A.F. haunted house story that we now know is a lot more than just a haunted house story. 

This book is growing on me more and more. That said, I've just realized my copy of #1 is going for a pretty penny on eBay, and I have a rather gratuitous purchase on a loop in my head, so I may be parting with that.

The finale of this odd little book about the Jersey Devil, a subject I have long had a great deal of fascination for. I'm not entirely sure what the deal is with this book; i.e., is it based on actual historical figures that factored into the origin of the Jersey Devil myth, or if this is just James Tynion playing with history and folklore? Either way, I've enjoyed the book quite a bit. 

Mindbender's revenge. 'Nuff said! Love this cover. 

---

---

---

Watch:

I'm not sure how I discovered this Captain Beefheart interview on Lettermen, but for whatever reason, it just felt right today:

 

It's crazy how much he looks like my Uncle Phil. Also, this is 1983, and before I watched the old NBC show that I became such a fan of in the mid-to-late 80s, staying up, watching it with my Mom (always Magnum P.I, and this). 

---

---

---

Playlist:

Emilie Leviensaise-Farrouch - Censor OST

Jim Williams - Possessor OST

Stereolab - Instant Holograms On Metal Film

John Corigliano - Altered States OST

Calexico - Feast of Wire

Sqürl - Third Man Records Sessions

Exhalants - Atonement

Federale - Reverb & Seduction

Decalius - Dehumanizing Loneliness

Black Pyramid - The Paths of Time are Vast

Black Sabbath - Sabbath Bloody Sabbath

Amoeba Music What's in My Bag? - Tony Hawk

Comic Tropes - The Worst X-Men Run

The Clash - Sandinista!

Black Sabbath - Sabotage

Led Zeppelin - In Through the Out Door

---

---

---

Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Two of Pentacles

• XXI: The World

• Knight of Wands

Collaboration opens up new opportunities that will reshape and reinvigorate the Will. 

The Weird Tale of Helmet Live on KEXP!!!

 

Helmet on KEXP! Thank you to Mr. Brown for sending this my way. Fantastic seeing Hamilton and his current band slice through a nice, tight set.

 

---

---

---

Read:

Yesterday was K's birthday, so I planned for us to stay a night at the historic Belle Air Mansion, which was originally built in 1790 as a private residence and eventually opened to the public in its current restored state in 2019. Since moving to Tennessee in August of 2022, we haven't made it out to Nashville more than a dozen times. It's a city thriving with the wrong kind of consumerism, and other than pockets we've found here and there, not a place either one of us is very eager to frequent. One of those pockets is the area around Dashwood Vintage Market, a BOHO Vintage and Flora shop that captured her heart immediately upon entering. Nearby are several other Vintage shops, one that has a great Vinyl area (Jimbo's) and one (Rivival) that serves as the closest thing to an independent bookstore I've seen since moving here. There were places all over Nashville like this when I was first here in 2005, but in the long corridor between then and now, "Nash Vegas" became the call of the city, and strip malls, franchises and country-star-owned multiplex drinking venues have replaced a lot of the charm. Think of it as kind of a Microcosm/Macrocosm of our society - vulgarity replaced intellectualism long ago, and our current fearless leader seems intent on ensuring that is the only way forward for the States.

Anyway...

Belle Air Mansion is gorgeous. Pricey but located close to the aforementioned Vintage markets, we arrived at 3:00 PM and relaxed into our room, the rustic 1790 Hideaway. After a brief respite, we headed out to Dashwood, only to realize we missed its operating hours by about ten minutes. 

Drat! 

Upon entering Revival, I quickly located the Sci-Fi/Horror section and nearly keeled over when I saw original copies of Weird Tales 291 - 302, with a few missing in there. This is from the late 80s/early 90s period revival of the magazine, and while I only grabbed two of them that first night, we returned the next morning so I could correct that mistake and procure the rest. 

As a Lovecraft and Derleth fan from my early teenage years, I of course know what Weird Tales was, but while I inherently assumed there had been some revival iterations of the literary periodical, I had never seen any edition of the magazine in the wild. Seeing these, holding them in my hands and eventually reading through several stories and columns ("The Eyrie" - essentially the letters column; "The Den" - the review column), I was instantly strengthened by finding an item so intrinsically in tune with my nature, yet also completely crestfallen. Just typing the words 'literary periodical' above thrills me that such a thing ever could have existed. I have a mental and tactile record in my history of a world where a magazine like this could exist, where inside its pages you find multiple ads for other, completely independently run literary magazines available by subscription - the addresses listed for contact clearly the progenitor's home address - but we are so far past this in 2025, anyone who doesn't have the experiential knowledge of this era would surely never know or perhaps even believe it ever existed.

Issue 291 (Summer 1988) was the first I dove into. Featuring a spotlight on Tannith Lee (2 whole Novellas, or "Novelettes" as the editors refer to them) alongside stories by Ronald Anthony Cross, Morgan Llyewelyn, Nancy Springer, Brian Lumley, Harry Turtledove and Ken Wisman, this magazine is a veritable Feast of genre literature. Illustrated entirely by Stephen Fabian with verse by a wide range of authors, I'm absolutely in love with Weird Tales. 

Looking into the history of this revival, it seems the magazine continued unchanged until 1994 when it lost the use of the Weird Tales moniker and became Worlds of Fantasy & Horror - a fantastic name in its own right, but one that was ultimately lacking the, ugh, 'brand recognition' to continue forward with any real momentum. There have been subsequent iterations as well, but I'm limiting my focus - for the time being at least - to what I have, perfect when you consider the years of operation for this revival match up perfectly to when I would have read my first Lovecraft-related work, August Derleth's The Lurker on the Threshold.*

Something I never knew but discovered on the Weird Tales Wikipedia page is that in 1995, HBO licensed the name with the intention of producing a Tales From the Crypt-style anthology show that unfortunately never happened. With Directors like Tim Burton, Francis Ford Coppola and Oliver Stone attached, it really is a shame this did not line up with the revival because that might have sealed the deal insofar as cementing an audience.

---

* Motivated by Metallica and Iron Maiden's references to HPL, I found a copy of this in the old Record Swap that used to rule the Southwestern corner of Harlem and 159th in Tinley Park, IL. This was at a time before Borders had moved into Chicago's south suburbs, before the stand-alone mega structure B&N, when mall-based bookshops like Kroch's and Brentano's were really all I knew, and HPL was not carried there or in my local library. The edition, Carroll & Graff's 1988 mass market paperback, features HPL's name in text almost as large as the title, but nowhere on the cover does it mention the actual author, August Derleth, so for years I went on thinking this was Lovecraft's work. 

---

---

---

Playlist:

Butthole Surfers - Live at the Leather Fly

Henry Rollins and Mother Superior - Get Some Go Again Sessions

The Obsessed - Lunar Womb

Jóhann Jóhannsson - Mandy OST

The Tony Danza Tapdance Extravaganza - Danza III: The Alpha - The Omega

Deth Crux - Mutant Flesh

Soft Kill - An Open Door

Battle Tapes - Sweatshop Boys EP

SOD - Speak Spanish or Die

The Jeff Healey Band - Road House (The Lost Soundtrack)

Tangerine Dream - In Seach of Hades: The Virgin Recordings 1973 - 1979

Interpol - Antics

Helmet - Betty

The Thirsty Crows - Hangman's Noose

The Bengals - All Over the Place

---

---

---

Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Queen of Wands

• Page of Cups

• Ace of Wands

Female-inspired energy - "she can help you"- massive outpouring of power.

Spending K's birthday weekend with her, a lot of unfettered time that we don't normally get, and I'm feeling recharged. Also: "Dreams can become reality," as a notation in the grimoire, as well as, "Pay attention to your dreams." K and I both had a very early night last night and super strong dreams after our second sleep interval. Let's see what I dream tonight. Perhaps I can go back to writing them down. Always a power boost, that.

Frank Black - Teenager of the Year 30th Anniversary

You know you're getting up there when your favorite, most influential post-High School albums start turning 30. How is Teenager of the Year three decades young? I mean, seriously? 

Last weekend, K and I drove up to Chicago for a few days. Saturday night I met up with a bunch of old friends and saw the first night of Black's Teenager of the Year 30th Anniversary show at the Metro. Mr. Brown was in attendance, and it felt like such a full circle moment - Brown was the friend who got me into so much of the most influential music of my twenties. In 1995, I'd gotten out of a three-year relationship begun in High School.

---

---

---

Watch:

Last Thursday, K and I had the distinct pleasure of catching Steven Soderbergh's new film Presence.

Not posting a trailer, partially because I haven't seen one and don't have the time to vet one of spoilers, partially because I LOVE the posters they've released for this film. Soderbergh is always a class act, and his film about a haunted house is exactly what you'd expect by being nothing you would expect. 

This film blew me away, and I implore any even remotely interested parties to seek this one out while it's still on the big screen. Mind you, this isn't a movie you have to see on the big screen, like The Substance or Nosferatu. However, the camera flows across that massive screen in a way that just intoxicates. In a way, this isn't a "Horror" film in that Horror films generally unfold via events, and there are not a lot of events here. This is a character study of a family first and foremost. That said, when things get fucked up, they get really fucked up. Presence has one of the most disturbing concepts in it I've seen in some time. 

---

---

---

NCBD Addendum:

I wasn't going to pick this new SIKTC: Book of Cutter one-shot up, but due to this rolling disaster that is Diamond Distribution, my take-aways from Rick's felt pretty light on Wednesday, and I admit, I was very curious to learn more about the SIKTC mythology, which this book pays off with in droves.

Loved it. More prose than graphic fiction, Book of Cutter really delves into the order of St. George's history while also advancing Maxine Slaughter as a soon-to-be major player in the ongoing SIKTC book. Reading this made me excited about the overall world-building in a way I haven't been since shortly after realizing I love the flagship book but not necessarily the ancillary titles. Might be time to revisit House of Slaughter...

---

---

---

Playlist:

Jim Williams - Possessor OST

Jim Williams - Titane OST

Ben Salisbury & Geoff Barrow - Archive 81 OST

Portishead - Third

The Inmates - Runaway

Blood Incantation - Absolute Everywhere

Blood Incantation - Timewave Zero

Deafheaven - Ordinary Corrupt Human Love

Sleep - Dopesmoker

Foster the People - Torches

Bauhaus - Go Away White

The Talking Heads - Speaking in Tongues

Sunn O))) - Monoliths and Dimensions

---

---

---

Merry Christmas From Me & Calexico!

 From Calexico's EXCELLENT Seasonal Shift record, which Mr. Brown gifted me several years ago, and which has become a seasonal favorite. Have a wonderful holiday, secular or not, and remember! It's about Peace, Love and Happiness. As in, EVERYBODY'S happiness.

Blood Incantation - The Stargate

2019's Hidden History of the Human Race put Blood Incantation on a lot of people's radar, mine included. I dug the record, but probably not as much as the legions that ranked it as or near their album of the year. Since then, they'd fallen off, as I'm not even certain I knew they had a 2022 record (Timewave Zero; named after Terence and Dennis McKenna's theories of novelty and emergence, which I was once obsessed with). Recently, Mr. Brown mentioned these guys had a new one, so I sought out this year's Absolute Everywhere on Apple Music earlier today and gave it a listen. Then I went looking for a track to post and saw I had no actual idea how ambitious this band is. Holy shit. Tangerine Dream? Michael Ragen, DP for Panos Cosmatos' The Viewing? Knights? Space Ships? Cosmic Horror???

What the absolute fuck? There are moments on this album that are among the heaviest things I've heard, and moments that remind me of 90s electro-psychedlic group The Orb. Mind thoroughly blown.

---

---

---

Watch:

Holy smokes! Steven C. Miller's Werewolves hits theatres this weekend, and after seeing it Thursday night, K and I are both chomping at the bit to see it again! A LOT OF FUN!!

This movie 100% knows what it is, shortcomings and all, and just leans into it. There's a lot of macho shit in the opening few moments, which rubbed me a bit wrong at first. Then there's a scene where Grillo's character is introduced as a Micro Biologist, and I suddenly understood the M.O. here - Werewolves is essentially a Stallone flick from the mid-80s, and realizing that freed me to embrace it for the insane ride that it is. Once we move past the handful of transformations we see - remember the set up here is that a Super Moon is going to cause BILLIONS of people to become werewolves for one night - most of the FX are gloriously practical. 

---

---

---

Playlist:

Final Light - Eponymous

Dance with the Dead - Dark Matter E.P.

Dance with the Dead - B Sides: Vol. 1

Drug Church - Prude

Sort Sol -w/ Chelsea Wolfe - Life Took You For A Freq. (single)

Sylvaine - Nova

Fen - Epoch

Ulver - Liminal Animals

Antibalas - Where the Gods Are in Peace

Moon Wizard - Sirens

Windhand - Grief's Infernal Flower

Oranssi Pazuzu - Muuntautuja

Windhand - Eponymous

Shellac - To All Trains

Mastodon - Once More 'Round the Sun

Sumerlands - Dream Killer

---

---

---

Card:

Today's card:

Here are two little bits from the Grimoire:

"Intense passion to create, but its children are monsters."

And the equally intriguing, if far more vague:

"The Darkness of the Raging Sea."

The second bit is an obvious observation from The Book of Thoth, truncated from Crowley's meaningful (less?) meanderings about the background of the card's image. To me, the "Seven-ness" of this card hits the lights first; completion. But this is a warning, and that's to "Understand the solutions" you employ to achieve that solution, as you may solve one issue and create something worse, hence the choppy waters.

RIP Selim Lemouchi - Eleven Years Gone

Since there was never any exact day of death released, March 1st denotes the beginning of the month when one of the most talented artists to grace the metal genre in decades left the planet for the "endless ever after," to quote the song.

---

---

---

Watch:

My good friend and Horror Vision Cohost Anthony "Butcher" Guerrera tipped me off to this one, which I had heard about but ignored under the auspices that no spider Horror film could do to me what Arachnophobia does. Yeah, I know the big "A" isn't that scary, but when you feel about spiders the way I do, it does a good job exacerbating that fear. On Anthony's recommendation, however, I watched about half of Sting's trailer and yes, I see it now. This is a completely different kind of spider movie.

Written and directed by Kiah Roache-Turner, who also gave us a bunch of movies that I've yet to see (Wyrmwood was on Netflix forever but suffered from bad thumbnail disease, so I passed over it for years before anyone recommended it to me). Sting hits theatres on May 31st. I'll definitely be in a seat if Sting plays near me. 

What the hell is it about spiders that terrify me? I'm not sure. Of course, there are folks who have to live with a greater arachnophobia than I do; little spiders don't bother me. It's not the size, it's the girth. Any spider with a meaty body, regardless of the size, is going to creep me out. Now take that girth and scale it up and... no. Let's just stop there. 

A friend once told me a story about growing up with a kid named Spider who also had a paralyzing fear of arachnids. Apparently, Spider achieved his moniker when, as a child, Spider's parents built him a treehouse. One night, when he was older, he snuck up there in the middle of the night to smoke a joint. As the high settled over him in the dark, Spider glimpsed movement from the corner of his eye. He flicked his lighter and realized the walls of the treehouse were covered in spiders. Like, hundreds upon hundreds of them. 

Spider fell out of the treehouse and broke some bones. It was, in his words, a welcome price to pay for the expedient extraction.

The treehouse was torn down a few days later.

I relate this story, which I openly admit I may have fudged a few specifics on but not the gist (the walls of spiders I could never forget or amend; I see this in a way that terrifies me, even all this time and space away from the event, only knowing it as folklore) because it speaks to the power available to a Horror movie that uses this innate terror the Arachnida instills in a certain percent of the population. The insect kingdom in general is so goddamn alien it can give me the chills, but spiders... there's just something about their shape, their textures, their limbs... I've often said that the cinematic Xenomorph is my favorite movie monster because its design is absolute nightmare fuel in my eyes. In the real world, that honor goes to spiders. The girthy ones. The hairy ones.

---

---

---

Read:

I finished Mary Roach's journalistic endeavor to hold a scientific lens up to the afterlife and would wholeheartedly recommend it to anyone who is even remotely interested in a seriously skeptical but fair discussion of the many facets of spiritualism that have arisen over the course of the last two hundred years or so. Mary travels to India to talk to doctors, believers and naysayers about reincarnation, she travels to England to attend a Medium Workshop, and she travels to rural America to investigate a court case from one hundred years ago where a spirit's intervention helped decide a legal hearing. Spook is a fantastic romp through the detritus of the spirtualism movement and the scientists that have attempted to take that torch and run it through calibrated methods without bias - which she always seems to find is still present. Mary's snarky sense of humor peppers her conversational tone, so I found myself smiling a lot, and laughing quite a bit as well. Great book - Thanks Mr. Brown!

Now, I've moved on to another book Mr. Brown lent me: Jason Heller's Taft 2012. This one's been sitting on my shelf or in various packing boxes for years, so that I had forgot about it. 

About halfway through, the premise here is the book is set in a slightly alternate timeline where William Howard Taft disappeared the day his successor Woodrow Wilson was to take the presidential torch from him, then wakes up in 2011 as if not a day has gone by. The novel's charm so far really comes from reflecting on the fact that, for someone who was considered almost a presidential albatross in his day, in ours Taft appears almost Christ-like in his earnestness, strength of character, and honesty. As you can imagine, this gives author Heller room to play with how our world of today (well, of 13 years ago) to someone from one hundred years prior. And his characterization of Taft's interpretation of our social ills and foibles is both hysterical and cutting. We don't see the depth of the bullshit we wade through on a daily basis, because as the level rises, we acclimate to it as the norm.

I don't need to finish this one to recommend it. And yeah, I'd kind of like Will Taft to reappear and steer for a while. 

---

---

---

Playlist:

Julee Cruise - Floating into the Night

David Lynch & Alan R. Splet - Eraserhead OST

Calderum - Mystical Fortress of Iberian Lands

Genghis Tron - Dream Weapon

Ministry - HopiumfortheMasses

Mannequin Pussy - I Got Heaven

Oranssi Pazuzu - Live at Roadburn 2017

Sisters of Mercy - Floodland

Blackbraid - Blackbraid II

Stephen Sanchez - Angel Face

Prince - Purple Rain

The Fixx - Reach the Beach

Raspberry Bulbs - Before the Age of Mirrors

Jello Biafra and the Guantanamo School of Medicine - White People and the Damage Done

Tangerine Dream - Sorcerer OST

Ministry - Psalm 69

Double Life - Indifferent Stars

The Damned - Evil Spirits

Ozzy Osbourne - Diary of a Madman

---

---

---

Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Queen of Cups

• Nine of Wands

• Five of Pentacles

Emotional connection reachds a climax, leads to conflict. Pretty sure this is a nod toward two characters' relationship in the novel I'm working on. Things have stalled a bit of late, as I recently began starting work two hours later and this cuts into my evening writing time. I'd been meaning to phase out my mindset of having to drive to a coffee shop to write anyway, so this was a boon. However, it's taken me some time to integrate a new writing schedule that I can actually adhere to. I spent a nice chunk of time this past Saturday afternoon, and during that session, the relationship between my main character and a love interest really began to blossom, so this is a welcome sign post on the the route forward. 

Stephen Sanches - High

 

Here's one K found recently and I am completely enamored with. If you're like me and feel compelled to make "Best of the Year" lists, then you probably know that the rule of thumb is traditionally, the moment you post your "Ten Favorite Albums of the Year," you'll come across a new one that should have been on it. That is most definitely the case with Stephen Sanchez's Angel Face. K's a huge Twin Temple fan, and it was on some social media page or feed dedicated to them that she ran across Mr. Sanchez's music. The moment I heard this, I was in love!

---

---

---

Read:

My month in L.A. essentially served as a complete pause on Acceptance, the third and final volume in Jeff Vandermeer's Southern Reach Trilogy. 

Despite my gusto for Vandermeer's writing, I found myself having a difficult time concentrating while I was there. Off nights where I stayed in the hotel - of which there were purposely quite a few - I advanced a handful of chapter but never made any significant progress. So, now home and properly rested, I took to finishing Acceptance over the weekend and am happy to report that, while the second book, Authority, remains my favorite of the three, the entire cycle is an outstanding example of Literary Science Fiction meeting Literary Horror. Really deep concepts of self, authority, defiance and human nature at play, with some genuinely horrific ideas executed in a generally psychologically disturbing manner. Although, there are some real visceral moments, as well. The kind of "shell game" Vandermeer plays with his characters is endlessly fascinating, as you see people's situations and motivations from multiple angles, back and forth through time. This lends the books an even more surreal quality than they already have, just being based on the concept of a subtle alien presence slowly imitating and replacing all life inside a specified area. 

Next, I'm picking back up with Mary Roach's Spook: Science Tackles the Afterlife.  

This is a loaner from Mr. Brown that I began to read several months back, but got sidetracked. So far, Roach's writing is very approachable for a layman like myself, and I enjoy her personality quite a bit. We start off in India, researching/interviewing possible cases of reincarnation. 

---

---

---

Playlist:

Tangerine Dream - Sorcerer OST

Genghis Tron - Dream Weapon

Richard Einhorn - Shockwaves OST

Blut Aus Nord - Memoria Vetusta I: Fathers of the Icy Ages

Turnstile - Glow On

The Bronx - (II)

Ministry - Filth Pig

Firebreather - Under A Blood Moon

Nobuhiko Morino - Versus OST

Stephen Sanchez - Angel Face

Double Life - Indifferent Stars

Witchfinder - Hazy Rites

Run the Jewels - RTJ4

The Plimsouls - Everywhere At Once

The Police - Synchronicity

---

---

---

Card:

Back to the classic Thoth for today's Pull:

• 10 of Swords - Ruin

• V: The Hierophant

• Princess of Swords

The hasty revelation of a 'secret' results in a negative experience. 

Wow. Okay. The surprise I was going to reveal this week is going to wait until I put a little more time into it. Well-timed, Thoth. Well-timed.

Snake Oil for the Authoritarian Soul

 

From 2023's post-script collection of covers Snake Oil, here's Frank Black and the Catholics doing Bruce Springsteen's "I'm Going Down" and absolutely OWNING the song. Special thanks to Mr. Brown for lending me this in our most recent vinyl swap. Hot damn, I needed a fresh dose of Catholicism!!!

---

---

---

Watch:

A couple nights ago, K and I went to see Sean Durkin's new film, The Iron Claw. This was completely off my radar, and I'm very grateful K suggested it.

Durkin's 2011 debut film, Mary Marcy May Marlene left an impression on me that has lasted long since my only viewing, shortly after it hit physical media. I've watched his name pop up here and there but hadn't actually seen anything else by him until now. Imagine my absolute joy to find out his work has paid off with a widely released film (thank you once again, A24!!!) that features some fairly notable actors. Zac Efron impressed the hell out of me with his physical dedication to taking on this role, as did The Bear's Jeremy Allen White, both of whom gave enormous performances. This one is a story for the heart, and I find it infinitely gratifying that the cultural detritus of previous eras are being reevaluated and recirculated in new contexts, helping unify the various cultural 'eras' of our time on this planet into something that helps us understand one another better. 

---

---

---

Read:

Two nights ago I began reading Jeff Vandermeer's Authority, the sequel to Annihilation. Seventy or so pages in, this one hasn't inspired quite the same level of rabidity that book one did, however, there's a brilliant bridge built into the story from the first book and this one; something that promises things are going to get pretty insane pretty soon. 

Based on my difficulty finding images for this one's cover, I'm going to guess that this series didn't really receive the attention it deserves. This is super high concept Science Fiction/Horror that pushes into the spaces between the world as we understand it and really tries to pick apart the atomic structure of what humanity has built for itself. Not always the easiest read, as evidenced by the somewhat scuttling pace of the opening chapters of this book, there's a "clinicism" here that pushes how we take in and assimilate concepts through language. Reminds me a bit of China Meivile, specifically Embassytown and City and the City.

---

---

---

Playlist:

Portishead - Third

Baroness - Stone

Frank Black and the Catholics - Snake Oil

Frank Black and the Catholics - Eponymous 

Various - Snatch Soundtrack Playlist

Blackbraid - Blackbraid II

Frank Black and the Catholics - If It Takes All Night (single)

The Bronx - IV

Exhalants - Atonement

---

---

---

Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• King of Swords

• Ten of Wands

• Nine of Wands

Lots of phallic imagery today! The Airy aspect of Air indicates to me at this moment that I'm not smart enough for what is required of me in some situation at play that, in fact, may have already resolved itself.  Recognize the accomplishment and don't dwell on the afterbirth.

Rodney Crowell - Something Has To Change

From Rodney Crowell's 2021 album Triage. Mr. Brown and I have been doing record swaps for the last year or so; I lend him six, and he fires back six. One of the best records to come of those exchanges is Rodney Crowell's 2021 album Triage. Something "Has to Change" is the Side A closer, and it's a powerhouse. Throughout the record, I hear a lot of 70s-era Stones and Chicago singer-songwriter stalwart Ike Reilly. Also, as Brown pointed out, a lot of Catholics-era Frank Black (my favorite Frank Black). 

All that is not to say Mr. Crowell does not have his own sound. He does, and it's a sound grown from the same good Earth those others are - old-school Rock n' Roll, Rhythm and Blues and, well, just straight up Blues. The arranging on his albums continues to evolve, and you hear it best on this track. That trombone!!!

---

---

---

NCBD:

Here's the Pull for this week's NCBD:

The Penultimate issue of Immortal X-Men looks like it might just answer my complaints about the Jean Grey series and tie the end of that into the current story. Granted, they did start to do that in Jean #4, so maybe I jumped the gun. We'll see. Either way, my complaints are small; overall, this era of X-Men is still my favorite since Claremont's. 

I feel like it's been longer than 30 days since our last issue of Tenement; however, that's likely because I love this book so much. I have a four-day weekend coming up; might be time to re-read the Bone Orchard Mythos to date.

Sadly, I won't get my hands on this until my next trip to Chicago, which is likely only a week away or so. Still, knowing another chapter of Garth Ennis and Jacen Burrows' The Ribbon Queen is just out of reach may drive me mad. This one is escalating in a way that reminds me of Fincher's The Game; not sure anyone else is getting that, and I'm definitely not referring to the story itself. But as the pieces move into place, a bigger picture slowly emerges, the brief images of it we see suggesting Horrors beyond anything we've seen before. As the dread creeps in beneath the human dramas unfolding, page after page, we wait for awful things to happen. When they do, they are both a release and a harbinger of even worse, more cosmic monstrosities that await us. The feeling is... thrilling.

Time once again for my most-anticipated book of the month. Void Rivals has been a delight through and through, and having loved the experience of reading Kirkman's The Walking Dead month-to-month for most of its original run, I know what this man can do with a monthly. 

---

---

---

Read:

Pat O'Malley, the Writer/Creator of one of my favorite comics of the year, Popscars, has a Kickstarter up for 12 more days. Jurassic Parkour 4 looks fun as hell.

I had Pat on The Horror Vision a few months ago; it was a great time, two Horror fans just geeking out on the stuff we love. Parkour 4 looks a lot more like - well, kind of like what if the Triceratons from TMNT were the lead characters. Being a TMNT fan, I gotta see what that looks like.

---

---

---

Playlist:

The Cure - Disintegration

David Bowie - Black Star

Donny McCaslin - Beyond Now

PJ Harvey - Stories From the City, Stories From the Sea

Frank Black and the Catholics - Snake Oil

Willie Nelson - First Rose of Spring

Depeche Mode - Violator

U2 - One (single)

---

---

---

Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

• Ten of Pentacles

•XIV - Temperance (Art)

• Page of Swords

The Ten of Pentacles/Disks again. Hmm...

Closure is dictated by the Creative solution to an upcoming problem. I'm hoping this refers to yesterday when our Realtor and I had to use some last-minute finesse to solve a problem with earnest money. Barring that, I could also see this as a reminder to not let the chaos in my life at the moment distract me from my writing goals, which is absolutely another facet of what transpired yesterday.

It's Beyond Me, the Way That We Use it

If you know me, you will be surprised to see me posting an Eric Clapton track here. Outside of "Layla", I am NOT a fan. But a few days ago, Mr. Brown showed me Rick and Morty's "The Vat of Acid Episode," where they use this track from Clapton's 1986 album August for a hilarious montage sequence. This is full-blown, mid-80s, mid-life crisis EC, and it's... well, I can't really talk all that much shit about it at the moment because a combination of R&M and nostalgia for the world as it was in 1986 (to a degree) has it in regular rotation inside my head. This has made me question something about myself: my cynicism. I'll write more about this soon - I'm running on 12 hours of sleep TOTAL over the previous 72 hours, and I just don't have the mental capacity to explain my thoughts because, you know, it's in the way that you... yeah. 

---

---

---

Beyond:

Tuesday night, running on next to no sleep, my friend Jesus, Horror Vision Ray and I attended the opening night of Beyondfest with Nikhil Nagesh Bhat's new film Kill. There's no trailer yet, so here's a poster:

This one BLEW ME AWAY. I’m fairly certain I won’t see a movie I like more over the next two weeks, maybe not for the rest of the year. Kill provoked a standing ovation and a whole lot of encouraging "fuck yeahs" from this guy right here. I felt like I was at a freakin' metal show it pumped me up so much.

Kill instantly became my third favorite action movie ever (Predator and Die Hard being one and two). Also, though I don't want to give too much away, Kill becomes something of a “reverse slasher” in the last half and is apparently the "bloodiest film to ever come out of India." Of that, I have no doubt. If you are lucky enough to get a chance and see this on the big screen whenever it comes out, do yourself a favor and do just that. Outstanding!!!

---

---

---

NCBD:

Here's an amalgam of what will be waiting for me at Rick's Comic City when I return to Clarksville, as well as what I'm planning on picking up while I'm on the road:

Probably the book I am most anticipating this week. I really dug the previous arc of The Stuff of Nightmares, and from the brief synopsis I saw months ago that stated this is a Horror story that takes place at a Horror Convention - not to mention this Barbarian-homage cover - Red Murder really has me excited. Funny then, that when I first heard the creator Goosebumps had a Horror Comic on the way, I wrongfully dismissed it; I grew up a voracious reader, but born in '76, I was too old for that kid-driven series, and honestly, I was reading Horror novels from the Worth Library's paperback spinner racks that were probably way advanced for me at the time, subject matter-wise.

Not super sure what to make of Jean Grey number one, other than A) Louise Simonson has returned to B) Whatever happens after Fall of X, pretty sure Jean will be returning from beyond the grave as the Phoenix.

Newburn! That is all. 

LOVING this new Garth Ennis/Jacen Burrows Horror series. 

I know something about issue four of Robert Kirkman's Void Rivals that shocks me into almost placing it above Red Murder #1 on the anticipation scale.

Not going to lie - I need a full-series re-read to reestablish where we're at in What's the Furthest Place From Here. That doesn't lessen my fervor for the book; just makes it difficult to say very much about picking this up today. But pick it up, I shall.

---

---

---

Watch:

Somehow, I missed the fact that a teaser for Issa Lopez's True Detective Season Four dropped a couple of months ago. I didn't miss this one, though:

So, you know my recent aversion to trailers? I couldn't help but hit "Play" on this; however, I cut out after about half. I mean, I didn't need to see anything at all ahead of time to know I was going to be all-in. I mean, have you seen Tigers Are Not Afraid? Set in Alaska and... well, that's about all I know about this one at this point, other than the fact that it stars Kali Davis, Jodie Foster, John Hawkes and Destro - I mean Christopher Eccleston, and has something to do with the operators of a research station disappearing. Sound familiar? Chances are this won't resemble John Carpenter's The Thing at all, and the comparison I'm actually referencing is the work of Laird Barron, which would fit right in with what I originally thought this show was going to be in Season One. Based on the appearance of a certain symbol, this season is apparently going to tie into one and three. Fine by me - world-build True Detective. Please! 

---

---

---

Playlist:

Umberto - Prophecy of the Black Widow

Screaming Females - Desire Pathway

Le Butcherettes - A Raw Youth

Mastodon - Leviathan

Eric Clapton - It's In the Way That You Use It (single)

The Damned - Evil Spirits

Danko Jones - We Sweat Blood

Sandrider - Godhead

Blackbraid - Blackbraid II

Pale Dian - Feral Birth

Godflesh - Songs of Love and Hate

Trust Obey - Fear and Bullets (1994 Edition)

Two Minutes to Late Night: Serpents of Christ

Johnny Marr - Somewhere (single)

Mutoid Man - Mutants

Feuerbahn - The Fire Dance EP

---

---

---

Card:

I'm on the road, so all my Pulls will be from my mini Thoth deck for the next two weeks. Not a bad thing, but wanted to put up a reminder that Grimm's new Tarot Deck, The Hand of Doom Tarot, is both gorgeous and live on Kickstarter until Tuesday, October 3rd. Here's the LINK.

• Eight of Swords - Interference

• X - Fortune

• Ace of Wands

Again, I'm probably too tired at the moment of Pulling and writing this, however, pretty sure this is a work-related issue. The 8 of Swords, combined with Fortune (The Wheel in other decks) which denotes change, and the Willful breakthrough intimated by the Ace of Wands leads me to believe there will be somewhat of a confrontation tomorrow and this is a reminder to handle myself with tact and professionalism.

Weird being on the job site again. 

C.O.F.F.I.N. - Give Me a Bite

Early last week, my good friend and former Schlitz Family Robinson bandmate Sonny V. sent Mr. Brown and I this track from Australia's Children Of Finland Fighting In Norway, or, C.O.F.F.I.N. The album, Australia Stops, dropped this past Friday, and I have to tell you, the whole thing freakin' kicks some serious face in. Give this one a listen on your favorite music streaming service, and if you dig like I do, you can head over to the C.O.F.F.I.N. Bandcamp page and pick up the album for a pretty easy $18.99 with a mere $5.00 shipping for U.S. Pretty sweet, right? Now, prepare to have your faces kicked!

---

---

---

Watch:

Bring this on right freakin' now, please!

Last week I scored tickets to a handful of Beyondfest screenings, with more of the RSVP to follow. I'm in Chicago this Friday through Sunday, seeing Godflesh for Coldwaves on Sunday, then boots on the ground for work and debauchery in LaLaLand for two weeks. writer/director Kristoffer Borgli's Dream Scenario is, unfortunately, this year's festival closer on 10/10, so I'll miss it there. That said, this  should be hitting theatres nationwide. 

---

---

---

Playlist:

Baroness - Stone

C.O.F.F.I.N. - Australia Stops

High on Fire - The Art of Self Defense

Goatsnake - Black Age Blues

Blut Aus Nord - Disharmonium: Nahab

Perturbator - The Uncanny Valley

Lord Huron - Long Lost

Ritual Howls - Virtue Filters

Belong - October Language

Boy Harsher - Careful

---

---

---

Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.  Just a reminder that Grimm's new Tarot Deck, The Hand of Doom Tarot, is both gorgeous and live on Kickstarter right now. Here's the LINK.

• XVIII: The Moon

• King of Pentacles

• Ten of Wands

Hidden Aspects of Earthly concerns will require a perfectly harmonized application of Will to harness/overcome. 

I'm not in a headspace to properly decode this today. I'm scattered, and that in and of itself may be where I need to apply that Will in order to make any progress. There's a slowly increasing hum of anxiety surrounding my upcoming 17-day trip away from home, 14 of those in LaLaLand. The last two trips have instilled in me a rising sense of unease when residing in L.A., and that's something I'm dreading.

That said, this trip will not be like the one last March; Beyondfest is back, my good friend and Horror Vision Co-Host Ray is taking a week off work to hang out, and I get to meet frequent Horror Vision collaborator and all-around awesome new friend John Trafton in person! Not to mention, all the other friends I will see. I've spoken here before about the importance of populating your life with Events, and that's definitely how these fall trips are set up, so there should be considerably less time spent sad and lonely in my hotel room, surrounded by the trash-littered landscape of West L.A., basically a post-apocalyptic city at this point. 

Rodney Crowell - Ever the Dark

My favorite track from a fantastic summer album Mr. Brown recently recommended to me, Rodney Crowell's The Chicago Sessions, produced by Wilco's Jeff Tweedy. 

Crowell has been kicking around for decades; his debut record, Ain't Living Long Like This came out in 1978, but I don't remember ever being exposed to his music until Brown sent me a copy of his 2018 Christmas Record Christmas Everywhere last year. Working backward, there's a wealth of fantastic material (especially on that first record and 2001's The Houston Kid). Crowell spent some time in the mid-to-late 70s in Emmylou Harris's backing band, and they did an album together in 2013 that's also on my list to check out.

---

---

---

Watch:

I've never really been a Godzilla fan, but I have to admit, I think I'd probably be a fool not to see Godzilla Minus One when it opens this December:

 

I'm assuming it was lack of exposure to Godzilla flicks as a kid that is the reason they don't really resonate with me. I remember when the trailer for that first Legendary film with Brian Cranston popped up before something in the cinema - that trailer made me think the new approach would be a lot more in the Cloverfield vein, and that sounded really cool at the time. Then several of my friends saw it and reported back that if I was looking for something new, this wasn't it. I let that film come and go, then tried to watch the second one on HOBOMAX a few years ago and actually fell asleep for lack of Godzilla. Will this return to Toho ignite a love for these films? Well, it's not likely to move the needle backward, but you have to admit, this looks pretty badass, so I'll check it out. What I'm really hoping is all my Godzilla-loving friends come away super happy with this one; the buzz of the franchise's return to its original home Toho seems like a good omen for sure. 

---

---

---

Read:

I finished Nathan Ballingrud's The Strange, and as I suspected, I'm having a difficult time choosing a book to move to next, simply because The Strange was so damn good. Officially, as of right now, this is the best novel I've read in 2023 (new or old):

Described by the Author in the afterword as "The Martian Chronicles meets True Grit," I think that says it all. This is a coming-of-age story shaped by loss and the quiet, frustrating echoes of it that resound forward through our lives and shape who we become, especially for those loss touches at a young age. Annabelle Crisp is a protagonist for the ages, and I loved the brief 'wraparound' that Ballingrud employs so we could 'hear' a grown Belle relate the events of her 14th year on Mars, 1931. 

---

---

---

Playlist:

Mercyful Fate - Don't Break the Oath

Sinéad O'Connor - I Do Not Want What I Haven't Got

Black Sabbath - Paranoid

Soul Coughing - El Oso

Underworld - Beaucoup Fish

Led Zeppelin - Houses of the Holy

Type O Negative - Life is Killing Me

Blut Aus Nord - Disharmonium: Nahab

Lustmord - Berlin

Metallica - The $5.98 EP: Garage Days Re-Revisited

Various - Apple Yacht Rock Essentials

Bria - Cuntry Covers Vol. 2

The Ravenonettes - In and Out of Control

T. Rex - The Slider

Rodney Crowell - The Chicago Sessions

Bluekarma - The Frictin, The Pain

Zeal and Ardor - Eponymous

Southern Fried True Crime Podcast - Episodes 180, 182 and 190

---

---

---

Oracle:

From Jonathan Grimm's Bound Tarot, which you can buy HERE. And as of 5:00 PM Central Time today, September 5, 2023, you can head over to Kickstarter and back Grimm's new deck, The Hand of Doom Tarot. Check it out HERE.

• Eight of Cups

• Six of Pentacles

• IV: The Emperor

Right off the bat (and probably because I'm tired and have a lot of work-work in front of me), I'm reading this with a squint, which is to say, I'm not even looking past the fact that there's only one Major here, and it's telling me to sit quietly and hammer out my work before even thinking about the creative and emotional threads that will emerge as the day lengthens. 

Alice Donut - Mother of Christ Live

From Alice Donut's 1994 Live at CBGB's album Dry Humping the Cash Cow. Fantastic double-disc capture of Donut in their prime. Mr. Brown gifted me this on vinyl and a few years ago and from first listen, the recording and performance blew me away. I wish I would have seen Alice Donut live, but alas, that never happened. I don't know their discography nearly as well as I should, with a large part of my time with the band having been eaten up by a preoccupation that bordered on obsession for a while in the late 90s with their 1992 masterpiece The Untidy Suicides of Your Degenerate Children, which is start to finish, one of the best and most underrated albums of the 90s.

---

---

---

Watch:

I've been waiting for Stewart Thorndike's Bad Things to hit Shudder since reading an article in the most recent issue of Fangoria. I wasn't the biggest fan of Thorndike's 2014 film Lyle, but I definitely liked it and felt as though, my opinion aside, this was a director to watch.

 

This flick looks unnerving as hell, and all the references I keep seeing to Gayle Rankin's performance evoking Jack Torrance, well, sign me up.            

---

---

---

Playlist:

Sigur Rós - Ágœtis Byrjun

Dungen - Ta Det Lugnt

Boards of Canada - Tomorrow's Harvest

Alice Donut - Dry Humping the Cash Cow

The Bret Easton Ellis Podcast - S7E21: The Top of the Heap

Metallica - 72 Seasons

Odonis Odonis - Post Plague

Deftones - Koi No Yokan

---

---

---

Card:

• III: The Empress

• 0: The Fool

• XIII: Death

Lots of BIG influences are afoot today. Keeping my eyes open for signs to the contrary, but this seems to suggest a fork in the path; institution vs. change.

 

---

---

---

Fear Factory - God Eater

 

From the new album Re-Industrialized. My good friend and cohost on The Horror Vision Butcher mentioned the new Fear Factory was getting pretty favorable reviews. 

Honestly, I've never had a huge attachment to this band, however, two things about them stand out to me: back in 1993, Mr. Brown and I went to Chicago's Riviera Theatre to see Sepultura on the Chaos A.D. tour. Openers were Fudge Tunnel - who we were familiar with through their debut Hate Songs in E Minor - and two bands we'd never heard of, Clutch and Fear Factory. Fear Factory would have been touring for their first major label album, Soul of a New Machine. I remember seeing their name and laughing. We joked a lot that night in the lead-up to the show: "Ooh, Fear Factory. Is that where they make the fear?" 

After Fear Factory took the stage, we stopped making fun. 

These guys blew the fucking doors off the Riv. Demanufacture came out two years later, and at first listen, you could tell it was a seminal album. It sounded so unique, the industrial beats, the chanting vocals laid atop BCB's vitriolic snarl. The overly compressed and gated guitar sound (fresh at the time, but would quickly overstay its welcome once it became a standard across the genre and birthed the metal hybrid that distinguished itself with an umlaut. 

Butcher's fervor for the new record intrigued me. What would this sound like to someone with no real connection outside of one album, tenuous at best over time?

Listening again the other night at two-something in the morning, I remembered Demanufacture for what it is - a game changer in metal production, one that inspired some great new bands and a lot of shitty ones. The same can be said for Faith No More, Helmet, and probably a few other bands I love. I wouldn't say I love FF, but I dig them enough to give the new album a chance. \

First impression was good, but weird hearing a different voice - Milo Silvestro apparently replaced Burton C. Bell after 2021's Aggression Continuum. This is a milieu and the associated drama that never found my ears. But segueing into Re-Industrialized, some tracks definitely caught my fancy. Two days later, the same tracks persist, but more of the album has opened up to me as well. The one above, but also of note is a really kick-ass track that shares a name with William Gibson's Difference Engine novel and the atmospheric dithering of "Human Augmentation," my favorite track so far simply because it's less a song and more the sonic habitation of a melting Cyber Punk city somewhere in the distant future, or forgotten past.

---

---

---

Watch:

Since we had a stamped concrete patio put in as an extension of our back porch, it's become difficult for me to want to do anything with my nights other than sit outside with K and the cats and just enjoy the summer. Last night we were treated to a lightning storm that was out of this world. Saturday, we just sat outside, listened to music and soaked up the night. That went late, and when we finally came in, I was pretty tired. I fired up Shudder on habit, always curious as to what's playing on Shudder TV, and when I saw Cold Hell was only two minutes and some change in, I cracked another Sierra Nevada Summer Fest and settled in for what has become my second favorite Neo Giallo after Knife + Heart. I know I've talked about Cold Hell here before, like I know I've posted the trailer, but here we go again:

 

Directed by Stefan Ruzowitzky, with fantastic performances by everyone involved, Cold Hell is a relentless game of Cat-and-Mouse that always keeps my pulse jacked and my brain totally engaged, even though I've seen it enough in the last five years to know it by heart. Violetta Schurawlow's Özge is the most badass female protagonist I know, easily sailing over Sharni Vinson's Erin from You're Next - who is by no means not awesome, she just doesn't have the kickboxing prowess and surging fury that Schurawlow brings to the table while she fights for her life against a killer she accidentally witnessed murder her neighbor. The "Car Scene" in this flick is a straight redline of adrenaline, and it fires me up every time.

---

---

---

Playlist:

Forhist - Eponymous

Fear Factory - Demanufacture

Witchskull - The Serpent Tide

Perturbator - The Uncanny Valley

Ministry - The Land of Rape and Honey

Baroness - Last Word (pre-release single)

QOTSA - In Times New Roman

Fear Factory - Re-Industrialized

Jenny Lewis & the Watson Twins - Rabbit Fur Coat

Led Zeppelin - In Through the Out Door

Ween - The Mollusk

Drug Church - Hygiene

The Watson Twins - Holler

Alice in Chains - Sap EP

Tom Waits - Raindogs

Angelo Badalamenti - Twin Peaks: Fire Walk With Me OST

Soul Coughing - Ruby Vroom

---

---

---

Card:

• VI - The Lovers

• Prince of Wands - Here, I'm reading this very pointedly as applying Intellect to the Creative Process

• Princess of Wands - Likewise, applying Earthly Understanding to the Creative Process

Normally I might be tempted to read that Princess in a very different way, however, I spent a large chunk of my writing time yesterday working up a timeline and a family history for some of the major characters in the new novel - which I missed completing the first draft by last Tuesday, however, which I entered the final "act" on yesterday. Add in The Lovers, and we get this in the Grimoire:

"Finally - Man!!! As Amoeba he splits his opposite and humanity is born!"

I'm assuming I culled that from either Crowley or Moore, but I compiled the bulk of this tome a long time ago, so I'm not really sure. I know some came from contemplation of the cards, the above-mentioned sources - as well as others - and more than a few Mugwort or Mushroom experiences, so who knows?

The point, of course, is that while that sentence is not the only thing on the page for Trump VI, it is what spoke to me in this moment, because through all of the Intellect and Earthly application to Will, I feel as though I have further honed and developed the characters - who happen to be familial and are, in fact, quite purposely opposites of one another.

---

---

---