It's just the best Rock n' Roll song ever recorded from the best Rock n' Roll album ever released.
Watch:
This recent trend with prequels to 70s Horror classics hasn't given us very much in the way of anything worth hanging onto. The idea that Paramount has a Rosemary's Baby prequel called Apartment 7A coming straight to Paramount Plus didn't move the needle with me at all until I saw Julia Garner is the lead. She will FOREVER be in my good book for Ruth from Ozark. Here's the trailer, which I didn't bother with; I'll just watch and assess when it lands on the streamer come September 27th:
I should also mention that there's more good news: Apartment 7A is Directed and Co-written by Natalie Erika James, whose 2020 flick Relic made quite the impression on me (it's definitely time for a rewatch of that one, and it's currently streaming on Shudder).
Read:
I blew through Nathan Ballingrud's novella Crypt of the Moon Spider yesterday. Both the Hardcover and Paperback are currently available; I posted the paperback's cover art last week, primarily because that's the version I chose for my shelf, as I liked the art just a smidge more; here's the Hardback:
It's fantastic but short, and the advance chapter from the second book of his Lunar Gothic Trilogy that serves as an epilogue to this volume only made me want MORE! Seriously, Ballingrud writes Science Fiction with a silver lining of Horror and it's GLORIOUS!
Now, however, I'm in between books. Bad Hand Books began shipping Laird Barron's new collection, Not A Speck of Light, last week. However, I've not received a shipment notice yet, so I have some time to kill, and I'm not quite sure what will adequately follow Ballingrud.
I heard this while drinking with friends this past Saturday night in Nashville. It was a guys' trip for my good friend Grez's 50th birthday, and we spent Friday night/all day Saturday hanging out on Music Row and in East Nashville (fuck the strip). Our last stop Saturday night was Duke's, which Grez and I felt was a proper substitution for Chicago's Estelle's, the late-night Rock n' Roll bar we grew up hanging out at until the wee hours. Duke's was awesome, and the DJ there fired one great tune after another, quite a few of which I had never heard before. When Jet came on, it was loud AF and sounded oh so sweet. I'm not much of a Beatles fan - they are obviously important and have their place in history, as well as their moments I enjoy - but they're the most overrated band ever, in my opinion. I've made the statement "I prefer Wings" for years as a kind of inciting statement when questioned about my stance on John, Paul, Ringo and George, and hearing this Saturday, I can confirm it is, in fact, the truth.
Watch:
Shudder released a teaser for V/H/S/Beyond, which drops on October 11th, and while this series doesn't have the best track record with me, based on the Directors lined up, I'm cautiously optimistic:
This one features Kate Siegel's directorial debut on a short written by her frequent collaborator Mike Flanagan, so that should be cool. And Justin Long is directing one? Interesting.
Read:
It completely slipped my mind that Nathan Ballingrud's Crypt of the Moon Spider came out this past week:
This is part one of Ballingrud's Lunar Gothic Trilogy, and seeing the words "Lunar" and "Gothic" together to describe a novel makes me more excited than I can possibly relate.
Playlist:
High on Fire - Cometh the Storm
The Damned - Evil Spirits
Mike Campbell & The Dirty Knobs - Vagabonds, Virgins & Misfits
Garland Jeffreys - Ghost Writer
Bohren and der Club of Gore - Sunset Mission
Calexico - Black Light
The Veils - Total Depravity
Ian Lynch - All You Need is Death OST
X - Under the Big Black Sun
X - Los Angeles
Zen Guerilla - Positronic Raygun
Japandroids - Celebration Rock
James - Wah Wah
Emma Ruth Rundle & Thou - May Our Chambers Be Full
Amigo the Devil - Born Against
The Fabulous Thunderbirds - Tuff Enuff (single)
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Eight of Pentacles
• XVIII: The Moon
• Five of Cups
Concentration on what previously seemed mastered reveals unknown damage. This is 100% an editing reminder, as I'm at the point where Black Gloves & Broken Hearts is finished; it just has to be edited again.
My favorite track from a fantastic summer album Mr. Brown recently recommended to me, Rodney Crowell's The Chicago Sessions, produced by Wilco's Jeff Tweedy.
Crowell has been kicking around for decades; his debut record, Ain't Living Long Like This came out in 1978, but I don't remember ever being exposed to his music until Brown sent me a copy of his 2018 Christmas Record Christmas Everywhere last year. Working backward, there's a wealth of fantastic material (especially on that first record and 2001's The Houston Kid). Crowell spent some time in the mid-to-late 70s in Emmylou Harris's backing band, and they did an album together in 2013 that's also on my list to check out.
Watch:
I've never really been a Godzilla fan, but I have to admit, I think I'd probably be a fool not to see Godzilla Minus One when it opens this December:
I'm assuming it was lack of exposure to Godzilla flicks as a kid that is the reason they don't really resonate with me. I remember when the trailer for that first Legendary film with Brian Cranston popped up before something in the cinema - that trailer made me think the new approach would be a lot more in the Cloverfield vein, and that sounded really cool at the time. Then several of my friends saw it and reported back that if I was looking for something new, this wasn't it. I let that film come and go, then tried to watch the second one on HOBOMAX a few years ago and actually fell asleep for lack of Godzilla. Will this return to Toho ignite a love for these films? Well, it's not likely to move the needle backward, but you have to admit, this looks pretty badass, so I'll check it out. What I'm really hoping is all my Godzilla-loving friends come away super happy with this one; the buzz of the franchise's return to its original home Toho seems like a good omen for sure.
Read:
I finished Nathan Ballingrud's The Strange, and as I suspected, I'm having a difficult time choosing a book to move to next, simply because The Strange was so damn good. Officially, as of right now, this is the best novel I've read in 2023 (new or old):
Described by the Author in the afterword as "The Martian Chronicles meets True Grit," I think that says it all. This is a coming-of-age story shaped by loss and the quiet, frustrating echoes of it that resound forward through our lives and shape who we become, especially for those loss touches at a young age. Annabelle Crisp is a protagonist for the ages, and I loved the brief 'wraparound' that Ballingrud employs so we could 'hear' a grown Belle relate the events of her 14th year on Mars, 1931.
Playlist:
Mercyful Fate - Don't Break the Oath
Sinéad O'Connor - I Do Not Want What I Haven't Got
Black Sabbath - Paranoid
Soul Coughing - El Oso
Underworld - Beaucoup Fish
Led Zeppelin - Houses of the Holy
Type O Negative - Life is Killing Me
Blut Aus Nord - Disharmonium: Nahab
Lustmord - Berlin
Metallica - The $5.98 EP: Garage Days Re-Revisited
From Jonathan Grimm's Bound Tarot, which you can buy HERE. And as of 5:00 PM Central Time today, September 5, 2023, you can head over to Kickstarter and back Grimm's new deck, The Hand of Doom Tarot. Check it out HERE.
• Eight of Cups
• Six of Pentacles
• IV: The Emperor
Right off the bat (and probably because I'm tired and have a lot of work-work in front of me), I'm reading this with a squint, which is to say, I'm not even looking past the fact that there's only one Major here, and it's telling me to sit quietly and hammer out my work before even thinking about the creative and emotional threads that will emerge as the day lengthens.
Ministry released a new track last week, and as usual, I love it. From the forthcoming album HOPIUMFORTHEMASSES, out March 1, 2024, I feel like this is a bit early, but still, I can't really complain about new Ministry. No pre-order link that I could find yet, but that's sure to come. In the meantime, enjoy Goddamn White Trash.
Watch:
K and I took her Mom to see the Barbie movie over the weekend. This was about as interesting to me as the battleship movie until Mr. Brown posited that he'd read the entire thing was going to be one big piss-take.
That got me interested.
I waited for the hype (and crowds) to die down before even entertaining the idea of getting a ticket. We were at the theatre multiple times since this thing opened, and the crowds of pink-adorned moviegoers gave me pause. The malaise for big-budget IPs I always experience when actually faced with seeing them kicked in, and I figured I could go on just fine without ever actually seeing this thing, thank you very much.
Then K's Mom expressed interest, so we decided to take her.
Verdict? Greta Gerwig did exactly what I hoped she would with this one: It's irreverent toward everything that deserves irreverence - including itself and the Barbie brand - yet still manages to be fun and touching as all hell. And as far as the cries of man-hating, anyone offended by this is a douche, and exactly what the film is commenting on.
Ms. Gerwig had come a long way from being the friend in Ti West’s House of the Devil, and I applaud Mattel for allowing this to be what it is.
Also, fucking Rhea Pearlman, am I right?
Read:
I finished Grady Hendrix's We Sold Our Souls over the weekend. OUTSTANDING novel! I read the last 60 or so pages in a mad gallop, unable to put the damn thing down. This means I'm going to reassess some of his newer books, all of which I'll probably read at some point.
Moving on, I finally started Nathan Ballingrud's novel The Strange.
Holy smokes! Only 80-odd pages in, and I can pretty much guarantee right now, this will be the best novel I read this year. No disrespect to the others - Laird Barron's The Wind Began to Howl, and Stephen Graham Jones's Don't Fear the Reaper are both going to come in close, but Mr. Ballingrud's prose is just mouthwatering.
Playlist:
Blut Aus Nord - Disharmonium: Undreamably Abysses
Blut Aus Nord - Disharmonium: Nahab
Sinéad O'Connor - I Do Not Want What I Haven't Got
Agnes Obel - Aventine
Ghost - Impera
The Rods - Wild Dogs
The Rods - Live
Van Halen - 1984
Def Leppard - Pyromania
Mercyful Fate - Don't Break the Oath
Etta James - Second Time Around
Standish/Carlyon - Deleted Scenes
Metallica - 72 Seasons
Ubre Blanca - Polygon Mountain EP
Ozzy Osbourne - Diary of a Madman
Mercyful Fate - Melissa
Oracle:
Just want to do a simple, one-card Pull today, and Missi's Raven Deck is the one I use for that:
Beware bad information and/or don't overlook information from dubious sources.
I'm fairly certain I posted this track here at some point in the distant recesses of the past. This is the track that made me a fan of Ms. Jesus. Reconnecting with her music of late (via that old iPod), I was pleased to see she released an album this year.
Watch:
Holy smokes. Nicolas Winding Refn has a Noir releasing on Netflix just after the new year?
I cannot wait for this. Despite the fact that I still have not finished Refn's previous series, the "We'll release that but f*&kin' bury it so no one knows it's on here" To Old To Die Young that Amazon 'released' on Prime back a few years ago. I really dig the series, however, when I copped to the fact that it is an exercise in one of Refn's favorite philosophical mantras, namely - It's so beautiful you will want to watch it, but it's so ugly you'll have trouble doing so - I nodded in understanding but moved away and haven't yet gone back to it. This will probably be the same, but I'm game regardless.
Read:
Two days ago, I restarted my reread of Nathan Ballingrud's Wounds: Six Stories from the Border of Hell collection. I blew through the first four stories - all as fantastic as I remember them from my initial reading several years back upon the book's release - and when I got to Visible Filth, I'm telling you. This is just one of my favorite pieces of prose ever. I fall so hard into the narrative, and every sentence, every sentiment and setting and character arc, they are all satisfying on a level not much else is. What I did not remember from that first reading was how absolutely glorious the final story in the volume is. The Butcher's Table - so named after a pirate ship that crosses from the Gulf of Mexico to the black seas of Hell, is nothing short of a masterpiece. With a remarkably wide and diverse cast that runs the gamut from the Egalitarian members of a refined Cannibal cult and a Secret Order of High Society Satanists, all the way down (or is that up?) the food chain to cutthroat Pirates and hired Victorian Dock Scum, this story winds itself taut and then literally springs to a conclusion that is satisfying right down to the final sentence. The Butcher's Table also showcases Mr. Ballingrud's ability to write in any timeline.
If you've not read this, please do yourself a favor and do so. I've already posted the US cover to Wounds multiple times, so in the interest of seeing something new and awesome, here's the Turkish cover, where the book was renamed The Atlas of Hell.
Playlist:
The Men That Will Not Be Blamed For Nothing - Now That's What I Call Steampunk, Vol. 1
Zola Jesus - Stridulum
Calderum - Mystical Fortress of Iberian Lands
The Men That Will Not Be Blamed For Nothing - Eponymous
Bat For Lashes - Fur and Gold
The Knife - Silent Shout
TVOTR - Return To Cookie Mountain
TVOTR - Staring at the Sun EP
Drab Majesty - Careless
Shellac - Dude Incredible
Vaguess - The Bodhi Collection
Rodney Crowell - Christmas Everywhere
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
The outcome of a material endeavor, possibly with an accomplishment.
Rein was the first act we caught at Cold Waves 2022 last weekend. Amazing set - to get up on stage and perform without the solidarity of a band, or even a single other musician, always impresses me. Doubly so for Rein, who really just exudes naturally compelling confidence in the world her music and video accompaniment creates, kind of a Cyberpunk Punk Dark Wave. This is one of my current favorite tracks on 2020's Reincarnated record. The percussive synths that slip in at about the one-minute mark, and then continue to percolate throughout the song really get my imagination flowing, much like the closing synth "fireworks" on NIN's Terrible Lie, one of the first tracks that made me experience what I now realize is synesthesia.
Rein's official site is HERE and the Bandcamp is HERE.
Watch:
Netflix dropped a new trailer for Guillermo Del Toro's Cabinet of Curiosities, the anthology series coming on October 25th. I'm not sure if I'm going to watch this trailer or not, but as always, I post this here to spread the word and so I have it in posterity:
I cannot wait to watch the Panos Cosmatos episode.
Read:
One of the first posts I saw on social media this morning belonged to Nathan Ballingrud, author of The Visible Filth, aka Wounds. The post announced the UK version of the book, to be published by Titan Books in March 2023, with this gorgeous cover by Vince Haig.
I had NO idea this was coming, so imagine the joy I felt seeing this first thing on my first day off while working in LaLaLand. The US edition - coming three days before my birthday next year - is no slouch either:
On this side of the pond, The Strange comes to us courtesy of Saga Press. This is Mr. Ballingrud's first novel. That seems insane to me, but I would imagine that is because he is so adept at building worlds in short-story form, that everything I've read by him resonates with the same sacred gravity that novels do.
Yesterday marked the 22nd anniversary of Type O Negative's World Coming Down. I can still remember driving to Threshold Music in Tinley Park to pick it up that first day, smoking up before driving home with it blasting in my minivan. It still haunts me today, as it did then, that my friend Jake did not live to hear the follow-up to October Rust.
The title track will always be my favorite among WCD's 13 tracks (if you count Skip it, and we are); this one is an emotional jackhammer.
Watch:
Current obsession:
This show just gets Chicago perfectly.
Read:
Currently splitting my time between two short story collections that couldn't be more different:
First, Irvine Welsh's The Acid House. I started this with my third-ever reading of "A Smart Cunt", the novella that rounds out this collection. This was the first story by Welsh I ever read, back in the 90s. It made an enormous impression on me then, and still does now. From there I cherry picked a few other stories: "Snuff," "Snowman Building Parts for Rico the Squirrel,""Sport For All," "The Granton Star Cause," and the Eponymous story, "The Acid House." I am very much enjoying this return to Welsh's writing, and can't wait to dip back into this for more.
Then this morning, inspired by the encroaching Halloween season, I went looking for my Ramsey Campbell Alone With the Horrors trade paperback I have, but couldn't find it. I haven't bought bookshelves for the new house yet, so a lot of my books are still in boxes. I gave a perfunctory search, but when I stumbled across Nathan Ballingrud's Wounds:
As I've related here previously, although I have the original, softcover novella The Visible Filth - the novella Babak Anvari's film Wounds is based on, I picked this new volume up as soon as it hit the shelves in tandem with the release of the film. I've read The Visible Filth at least three times, but the other stories packaged with it in this particular volume have all only received one go-through. Until now, that is. So yesterday I started my day with The Atlas of Hell, a story that feels so much like Clive Barker to me, yet still stands tall on its own thanks to the clean and precise ton of Mr. Ballingrud's prose. I plan on picking through this one a story at a time over the coming month, and maybe going back and re-reading the stories in Ballingrud's first collection, North American Lake Monsters as well, if I can get around to finally watching the rest of the series based on that book HULU did a few years ago. Previously, I'd only watched two episodes of Monsterland (produced by Anvari), not because they weren't great, but maybe because the two I saw were ultra disturbing. In a good way, but also in a real way. Which is the goal, however, sometimes you have to work up to that sort of thing.
Playlist:
Ozzy Osbourne - Patient Number 9
The Cramps - Stay Sick
The Dead Milkmen - Beelzebubba
Misfits - Static Age
Type O Negative - World Coming Down
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
The center and left card go along with the rejection notice I received this morning for a short story I submitted to a Horror Anthology last week. I'm having trouble figuring out the Queen though... or maybe I'm not.
I pulled out Firewater's classic 1998 album The Ponzi Scheme and, as usual, now find myself unable to put it away. I've posted other songs from this album here before but haven't paid tribute to others. In that interest, here's"So Long Superman," just another of my favorite songs on an album where every song is a favorite.
Read:
I finished John Ajvide Lindqvist's Handling the Undead a few days ago. Wow. Very good. Understated, powerful, and creepy as hell. Lindqvist's prose is a touch dry, but it works well as he filters between the three main groups of characters - three families - and how they react to the return of dead loved ones. Their reactions then become superimposed across a larger arena as the whole of Sweden reacts to the return of what the media dub the "Reliving," a term very much inspired by a government trying to handle a baffling and unprecedented experience. This is an undead book where the undead are, for the most part, completely unviolent, leaving the characters to deal with the psychological, emotional, and sociological ramifications of what would happen if the recently deceased returned to us.
From there I moved back into Nathan Ballingrud's debut short story collection, North American Lake Monsters. I'd been reading a story here or there over the last two weeks, just to have something to dig into that inspires me to write, and now that I'm full bore, I'm once again in Ballingrud's beautiful prose. This man is easily one of the best writers working today, no need for the genre quantifier. I simply cannot wait for this to hit Hulu next month as the new anthology show Monsterland; I'm hoping they do all nine stories. In particular, The Crevasse is one of the best shorts I've ever read, and to see it properly translated would be majestic, in the least.
Playlist:
Firewater - The Ponzi Scheme
Mastodon - Crack the Skye
Mastodon - Emperor of Sand
Perturbator - Dangerous Days
Card:
"Harmonious union of male and female energies" is a nice reminder on something I've been working on as I muster up the gumption to jump back into Shadow Play, which I continue to avoid for some reason.
I have become a HUGE fan of the AMC show Halt and Catch Fire. K had watched it previously, and both her and Mr. Brown recommended it to me on more than one occasion. Two weeks ago we started the now-completed show - at four seasons, ten episodes a season, I had a sense going into it that the story had been crafted in a tight, no-BS manner, and so far that's exactly what I feel I've gotten out of the first two seasons, the second of which we completed a few nights ago.
Following a small Texas tech company in the early 80s, Halt and Catch Fire uses an imaginary company called Cardiff electronics - based on Compaq computers, if what I've read is accurate - as they clone the IBM desktop BIOS and strike out to make the world's first portable computer. "At a feather-lite fifteen pounds, you can take the Giant anywhere," the sales pitch eventually goes.
The interesting thing about the show is how, by the end of season one, we're done with Cardiff and personal computing and onto the proliferation of online games and chat. Interesting, too, is how the show keeps the core five characters growing in different directions yet still realistically intertwined; this show is no slouch - the writing is fantastic. As are the performances, set design (so much nostalgia), and the theme song! Created by Trentmøller, I had so hoped the theme was a shortened version of a longer song. Nope. Short and sweet and leaves me wanting more every damn time I hear it, this is another of those show intros that I would never dream of skipping, even in the height of a binge.
**
Read:
I swam a bit after finishing Matt Ruff's Lovecraft Country; there are so many damn books I want to read right now, that I became paralyzed by the prospect of actually choosing one. I ended up going with a short-story collection/novel combo.
First up, Nathan Ballingrud's debut short story collection, North American Lake Monsters.
I've been wanting to read this since I first read The Visible Filth in 2015, but I'm often a 'saver' - that is to say, I purposefully hold out on reading books by favorite authors so I have something to look forward to. With Babak Anvari's adaptation of the stories as a new HULU original Horror Anthology show set to premiere in October, I figured I should probably get on this one, which was published in 2013 by Small Beer Press.
One story in, the majestic You Go Where It Takes You, I'm even further convinced that Ballingrud is one of the greatest living Horror authors the world has, and I find myself even more excited by the prospect of watching Anvari's interpretation of more of his world (2019's Wounds - which I wouldn't shut up about last year - was Anvari's first work with Ballingrud's material, adapting The Visible Filth, still one of my top five favorite books ever).
Next up, John Ajvide Lindqvist's Handling The Undead.
This is a loaner from my Horror Vision co-host Anthony. Lindqvist is best known for his 2004 debut Vampire novel Let the Right One In - which I have not read - and I am going into Handling.. totally blind to his style or anything about the plot, other than, working backward from the title, this will most likely be Lindqvist's unique take on the Zombie genre, an area I don't normally care all that much for, but which lately I seem to keep finding really interesting derivations of. Hopefully this continues that course.
**
Playlist:
The Cure - Standing on the Beach
David Bowie - Lodger
Rezz - Mass Manipulation
Deftones - Ohms (pre-release single)
Santogold - Eponymous
Deftones - Diamond Eyes
Skywave - Killerrockandroll
A Place to Bury Strangers - Exploding Head
Thou - Heathen
Deftones - Gore
Midnight Danger - Chapter 2: Endless Nightmare
Red Hot Chili Peppers - Blood Sugar Sex Magik
**
Card:
Back to my original, full-size Thoth deck for today's pull:
Keeping me on course. Reading You Go Where it Takes You this morning, I feel the urge to work on one of several short stories I have sitting around. Maybe late tonight; for today's writing session - which I've already budgeted out to be fairly lengthy - it's back to what I have to complete next, Shadow Play Book Two: The Absence of Light, which means I have to finish the outline for Book Three, the title of which I am not yet ready to reveal, but which fills me with unholy glee!
Two films. Babak Anvari has made two feature-length films, and after seeing his second, Wounds, earlier this evening at the penultimate night of Screamfest 2019, I am floored by how exquisite a filmmaker he has become in so short a period of time.
I first read Nathan Ballingrud's The Visible Filth back in late 2015. I've read it at least three more times since. It is one of my favorite pieces of prose and was a very large inspiration in my completing my first book of short stories, A Collection of Desires. To say it is a very important work of fiction to me is an understatement. That means I went into viewing Wounds with extremely high expectations. The film met every one of those expectations. It lands on Hulu this Friday. Watch it. Then, go read The Visible Filth, which is now available in a collection of six stories, conveniently titled Wounds. (you can order signed copies from Malaprop's Bookstore in NC HERE or Amazon HERE)
Thanks to Screamfest for bringing this to the big screen, if only fleetingly; in a perfect world it would receive a much wider release. Also thanks to Screamfest, Tuesday night I saw the Soska Sisters' remake of David Cronenberg's 1977 film Rabid. This is another film I'd anticipated for a long time, and it did not disappoint. My quick-take review on Rabid is up as a short episode of The Horror Vision Horror Podcast, available in the usual places:
There will be a Wounds review up tomorrow as well.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)
10/10: Creepshow Episode 3
10/11: Jenifer (Dario Argento; Masters of Horror Ssn 1 Ep 4)
10/12: Poltergeist/Phenomena
10/13: AHS 1984 Ep 4/In the Tall Grass
10/14: Invasion of the Body Snatchers ('78)
10/15: Rabid (2019)
10/16: Wounds
**
Playlist from the last few days:
Bauhaus - The Sky's Gone Out
Talking Heads - Sand in the Vaseline (Disc One)
Allegaeon - Apoptosis
Ritual Howls - My Friends Bury Their Souls for the Devil to Find
Ritual Howls - Their Bodies
Flipper - Album - Generic Flipper
Deafheaven - Ordinary Corrupt Human Love
Opeth - In Cauda Venenum
**
No card today, mainly because it's 2:29 AM and I am exhausted beyond reprieve.
Deep, murky dreams last night, the kind that follow you right up to the door that leads back across the wall of sleep. I woke up before my 6:00 AM alarm feeling the need to begin the day with Sunn O)))'s new album Life Metal, which I'd yet to spin since its release (was holding out for the vinyl). So far, these tracks actually scare me a little bit, which is awesome. There's something to the sound this time, something Steve Albini no doubt helped add to the thick, rolling fog metal of this behemoth. Sunn O))) actually sound more massive, if that is possible. Life Metal would make a perfect soundtrack to a re-read I'm planning for John Langan's The Fisherman, a book I had some issues with as far as execution, but which still stands as probably the scariest novel I've ever read, and has stayed with me on an almost daily basis for two years now.
Speaking of great Weird/Horror fiction, I was unbelievably happy to see Nathan Ballingrud announce on Twitter yesterday that his first collection of short stories, North American Lake Monsters, was just picked up by Hulu as an anthology series. Mr. Ballingrud's continued success is well-earned, and it's nice to see that happen.
**
The Watchlist from 5/24 was the final episode of Joe Bob Briggs' The Last Drive-In on Shudder. Joe Bob played Blood Harvest and Hello Mary Lou: Prom Night II, and while Hello Mary Lou is definitely better than the first Prom Night (its affiliation with the franchise apparently decided after the fact), I didn't much care for either film. However, that is totally not the point here. I watched these movies for Joe Bob's interruptions, and as always, he delivered. The Last Drive-In prom at the end of the episode was especially sweet and funny; can't wait for season 2, and I definitely find myself hoping there's a holiday marathon in the interim.
**
Playlist from 5/24:
Muggs - Dust
Pelican - Cold Hope (Pre-release single)
Pelican - Midnight and Mescaline (Pre-release single)
Faith No More - Angel Dust
The Raveonettes - Raven in the Grave
Melvins - Houdini
The Veils - Total Depravity
Card of the day:
Probably my favorite card in the Sword suite, this tells me I need to be very methodical today. I work, need very desperately to write again (still sick, still exhausted), and have plans to tape a new episode of The Horror Vision tonight. That's a lot to fit in feeling like I do. I'll need to be resourceful and above all focused.
I've been on a Ravenettes kick for the first time in a while as of yesterday, and I had completely forgotten that one of my favorite bands covers one of my favorite songs. And their take is great; where the original takes you deep into some sandy cave in the Arabian Desert, the Raveonettes keep the psychedelic aspect but transport it to a subterranean cave that might have been stumbled upon while walking on the beach in some deserted, exotic location. So good.
**
I've already blown through 2/3 of Nathan Ballingrud's short story collection Wounds: Six Stories from the Border of Hell, and wanted to slow down on it for a minute. Coincidentally, my friend Maddy and I have been attempting to do a synchronized read of Gemma Files' Experimental Film for quite some time - we got the book a year or so ago - and just haven't had a chance to lock schedules. Well, that changed Saturday, and as of yesterday I'm 60 pages in and HOOKED. I'll talk about this more as I go through it, but as of now, I see what the hype was about.
**
Playlist from 5/20:
Jeff Whalen - Man of Devotion
Jeff Whalen - The Alien Lanes
The Raveonettes - In and Out of Control
The Raveonettes - 2016 Atomized
Malcolm Middleton - A Brighter Beat
Malcolm Middleton - Sleight of Heart
Earlier today I found myself scouring Nathan Ballingrud's Twitter feed for a drawing a fan drawing he had posted earlier in the month. To say Wounds: Six Stories From the Border of Hell is blowing me away is an understatement; comparisons to Clive Barker's early work are definitely warranted, but Ballingrud has his own style and it's one I love. The Barker comparison, to me, is most earned by way of both author's love of desecrating flesh. I remembered seeing Mr. Ballingrud post this piece of fan art - a drawing of one of the Black Iron Monks from collection's opening story The Atlas of Hell. While searching for the drawing, I found Mr. Ballingrud had posted the teaser for the new film by Perry Blackshear, director of 2015's They Look Like People. Apparently The Rusalka has been re-titled The Siren. Either way, this teaser is creepy as all hell - primarily due to the sound, which is always a huge sell for me - and I can't wait to see this one.
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Playlist from 5/18:
Big Business - Here Come the Waterworks
Helms Alee - Sleepwalking Sailors
Anthrax - Persistence of Time
The Beatles - Abbey Road
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No card again today. This is a short one, banged out at the start of a solitary hour I've stolen to try and finish the story I began in Spokane, and which, despite the cards telling me to let it rest, won't leave me be.
Many thanks to Mr. Brown for alerting me to this new Mike Patton project, a collaboration with historic Serge Gainsbourg collaborator Jeanne Claude-Vannier. You can pre-order the album from Ipecac Records HERE; Corpse Flower is scheduled to drop September 13th.
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I finished Alan Campbell's The Art of Hunting this morning, and now I must HOWL at the fact that there is a third book completed and TOR baulked at publishing it! WTF! Mr. Campbell doesn't have very much of an internet presence to speak of - can't blame anyone on that philosophy - so, although two or three years ago there was an update on the possibility of him releasing the book digitally, there's been nothing since. Please! I need to read the third book NOW!
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Lacking a third volume of Campbell's Gravedigger Chronicles, I've moved into one of my two most anticipated books of the year: Nathan Ballingrud's Wounds: Six Stories From the Border of Hell. This is the collection that re-publishes Mr. Ballingrud's masterpiece of short, Weird fiction The Visible Filth that I have expounded on often in these pages since I discovered it in late 2015, and adds to it five other short stories that, if the first one is any indication - and I'm sure it is - are brilliant! Such a great time for lover's of dark fiction!
Wounds comes to us just slightly ahead of the first cinematic adaptation of Ballingrud's work, director Babak Anvari's take on The Visible Filth, also titled Wounds. I believe the arrival of this one-two punch will be the opening salvo on the establishment of Ballingrud as a major force in the modern Horror Lexicon. And that makes me incredibly happy.
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Playlist from 5/16:
The Cure - Disintegration
Blackwater Holylight - Eponymous
Black Sabbath - Sabbath Bloody Sabbath
Bauhaus - In the Flat Fields
Clint Mansell - Out of Blue OST
Blut Aus Nord - 777 Sect(s)
Melvins - Houdini
Helms Alee - Sleepwalking Sailors
Helms Alee - Noctiluca
Playlist from 5/17:
The Cure - Disintegration
Opeth - Blackwater Park
Beach House - 7
Lustmord - Songs of Gods and Demons
Melvins - Houdini
Melvins - (A) Senile Animal
Big Business - Here Come the Waterworks
Big Business - The Beast You Are
You know there's more to this than there seems. But even if season 9 is only a simple 80s slasher story, I'd be 100% happy with that. Now, I just have to watch Cult and Apocalypse...
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I'm posting this late/early. Haven't been to bed yet. K's plane was delayed and it's almost 1:00 AM. I'm groggy, just opened another beer, and am watching the credits to Robert Rodriguez's The Faculty scroll across my screen. Ray has been telling for years to watch this, and it's currently in Shudder's Last Chance bin (see a pattern?), so I figured I'd go for it. Not blown away - didn't expect to be - but I dug it. I especially dug realizing how goddamn hot Frazier's ex-wife is. WOW BOB WOW.
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This past Tuesday, Nathan Ballingrud's Wounds: Six Stories From the Border of Hell dropped. If you don't remember,I've postedabout Mr. Ballingrud's The Visible Filth a few times since I first discovered it a couple years ago. The original version of that novella, published by the marvelous This is Horror imprint, went out of print recently, to make way for this collection, which contains Visible Filth, as well as five other stories. Wounds is also the name of the movie adaptation of Visible Filth that I can NOT wait to see, directed by Babak Anvari, and starring Armie Hammer and Dakota Johnson. I can't say how happy I am for Mr. Ballingrud. There are super positive reviews rolling in for both the book and the movie, and I really think this is the launch of a massive presence in horror fiction. You can order the book HERE from Amazon, or, if you are lucky enough to have a brick-and-mortar bookstore in your area, I'm sure they will have it. I guarantee you won't be disappointed.
...is one of the best damn horror stories I've read in some time that doesn't have the name "Laird Barron" on it somewhere. Mr. Ballingrud is the real deal and what he does in 60 something pages is worth 500 of a lot of other horror writers. What's he do you ask?
Gives me the heebie goddamn jeebies, that's what! The Visible Filth plays with that special place horror doesn't always know how to get to, the modern world; it is a story that makes small incisions in our technological awareness of ourselves, and once inside lays eggs of paranoia and revulsion. To borrow the name of Mr. Ballingrud's publisher and use it as an exclamation, This is Horror.
Also, many thanks to Justin Steele for the indirect recommendation.
