Because Ritual Howls' 2016 album Into the Water is one of those perfect albums, some of the individual songs that make up that perfection get taken for granted. This is one of those. Although, honestly it's hard to hear this in a way that doesn't lead directly into the next track on the album, 'Coils and Magnets'.
31 Days of Halloween:
1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
8) 976-Evil
9) Repo! The Genetic Opera
10) Firestarter/George A. Romero's Bruiser
11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2
12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses
13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)
14) The Haunting of Bly Manor episodes 6 and 7
Playlist:
Halloween Playlist
St. Germain - Tourist
Concrete Blonde - Bloodletting
The Smiths - The Queen is Dead
Prince - Sign O' The Times
Deftones - Ohm
Jucifer - L'autrichienne
Chris Connelly - Sleeping Partner
Blut Aus Nord - Hallucinogen
Type O Negative - World Coming Down
Card:
Getting the wheel turning again on several things that are in need of closure.
Michael Gira, the brainchild behind Swans, announced recently that their 1987 album Children of God will be re-released via Gira's own Young Gods Records in cooperation with Mute. This is Jarboe-era Swans, arguably the most lauded, and one I am not nearly as familiar with as I would like. You can pre-order the CD or Vinyl from Gira HERE.
Watch:
Being that The Mandalorian Season Two is on the horizon, I will be signing up for Disney+ again soon. After Marvel/Disney released this trailer for the upcoming WandaVision show yesterday, looks like I'll be sticking that sub out for as long as it takes to see this show as well, because folks, this looks insane! I'm not entirely sure what the premise, set-up, or plot of the show is, but I'm definitely digging the almost Doom Patrol vibe I'm getting (notice I said almost Doom Patrol, as in irreverence for the medium and conventions). We'll see if WandaVision is as weird as it looks, but as Mr. Brown observed to me recently, with the MCU flicks making a 'Bajillion' dollars, Marvel may have the elbow room to indulge in some weirder ideas for a while, and that, I'm all for.
Playlist:
Windhand - Grief's Infernal Flower
Sepultura - Quadra
Le Butcherettes - Don't Bleed
Mannequin Pussy - Patience
Exhalants - Atonement
Earth, Wind, and Fire - I Am
Black Sabbath - Sabbath Bloody Sabbath
Carpenter Brut - Trilogy
Mastodon - Medium Rarities
Card:
On the nose as usual, being that I should be completing the first of three acts in Shadow Play, Book Two this week.
I have become a HUGE fan of the AMC show Halt and Catch Fire. K had watched it previously, and both her and Mr. Brown recommended it to me on more than one occasion. Two weeks ago we started the now-completed show - at four seasons, ten episodes a season, I had a sense going into it that the story had been crafted in a tight, no-BS manner, and so far that's exactly what I feel I've gotten out of the first two seasons, the second of which we completed a few nights ago.
Following a small Texas tech company in the early 80s, Halt and Catch Fire uses an imaginary company called Cardiff electronics - based on Compaq computers, if what I've read is accurate - as they clone the IBM desktop BIOS and strike out to make the world's first portable computer. "At a feather-lite fifteen pounds, you can take the Giant anywhere," the sales pitch eventually goes.
The interesting thing about the show is how, by the end of season one, we're done with Cardiff and personal computing and onto the proliferation of online games and chat. Interesting, too, is how the show keeps the core five characters growing in different directions yet still realistically intertwined; this show is no slouch - the writing is fantastic. As are the performances, set design (so much nostalgia), and the theme song! Created by Trentmøller, I had so hoped the theme was a shortened version of a longer song. Nope. Short and sweet and leaves me wanting more every damn time I hear it, this is another of those show intros that I would never dream of skipping, even in the height of a binge.
**
Read:
I swam a bit after finishing Matt Ruff's Lovecraft Country; there are so many damn books I want to read right now, that I became paralyzed by the prospect of actually choosing one. I ended up going with a short-story collection/novel combo.
First up, Nathan Ballingrud's debut short story collection, North American Lake Monsters.
I've been wanting to read this since I first read The Visible Filth in 2015, but I'm often a 'saver' - that is to say, I purposefully hold out on reading books by favorite authors so I have something to look forward to. With Babak Anvari's adaptation of the stories as a new HULU original Horror Anthology show set to premiere in October, I figured I should probably get on this one, which was published in 2013 by Small Beer Press.
One story in, the majestic You Go Where It Takes You, I'm even further convinced that Ballingrud is one of the greatest living Horror authors the world has, and I find myself even more excited by the prospect of watching Anvari's interpretation of more of his world (2019's Wounds - which I wouldn't shut up about last year - was Anvari's first work with Ballingrud's material, adapting The Visible Filth, still one of my top five favorite books ever).
Next up, John Ajvide Lindqvist's Handling The Undead.
This is a loaner from my Horror Vision co-host Anthony. Lindqvist is best known for his 2004 debut Vampire novel Let the Right One In - which I have not read - and I am going into Handling.. totally blind to his style or anything about the plot, other than, working backward from the title, this will most likely be Lindqvist's unique take on the Zombie genre, an area I don't normally care all that much for, but which lately I seem to keep finding really interesting derivations of. Hopefully this continues that course.
**
Playlist:
The Cure - Standing on the Beach
David Bowie - Lodger
Rezz - Mass Manipulation
Deftones - Ohms (pre-release single)
Santogold - Eponymous
Deftones - Diamond Eyes
Skywave - Killerrockandroll
A Place to Bury Strangers - Exploding Head
Thou - Heathen
Deftones - Gore
Midnight Danger - Chapter 2: Endless Nightmare
Red Hot Chili Peppers - Blood Sugar Sex Magik
**
Card:
Back to my original, full-size Thoth deck for today's pull:
Keeping me on course. Reading You Go Where it Takes You this morning, I feel the urge to work on one of several short stories I have sitting around. Maybe late tonight; for today's writing session - which I've already budgeted out to be fairly lengthy - it's back to what I have to complete next, Shadow Play Book Two: The Absence of Light, which means I have to finish the outline for Book Three, the title of which I am not yet ready to reveal, but which fills me with unholy glee!
Mr. Brown had to remind me several times to look up Low Cut Connie, and when I finally did, I understood and became extremely thankful for his persistence. So far, 2015's Hi Honey is all I know, but MAN is it a fantastic album. This is a tie for my favorite track - so far - with Royal Screw, which I might just post here tomorrow.
**
As of yesterday, my short story Pentagram Girls is available to read for free on Wattpad, just follow the widget below:
If you dig the story, you can follow the widgets to the left to order the book - I have a 'quarantine special' of $.99 for the Kindle copy running now, so that's a pretty great deal, if I do say so myself. Also, that fantastic cover art is from my good friend and often co-conspirator Jonathan Grimm. If you dig his art, check out his site HERE.
**
Playlist:
Primus - Frizzle Fry
Low Cut Connie - Hi Honey
The Smiths - Louder Than Bombs
The Blues Brothers - Briefcase Full of Blues
Orville Peck - Pony
Baroness - Gold and Grey
Nothing - Guilty of Everything
Joy Division - Closer
Black Sabbath - Sabotage
Dead Swords - Enders
**
Card:
I keep getting this card because I shake my head like I understand and heed the advice contained therein, then turn around and do the exact opposite.
Another track from the forthcoming album Prisyn, out August 7th on Sargent House. Pre-order HERE.
**
I've had Fulci on the mind of late. Yesterday after work I threw on The Beyond, and my love of this flick - which is still pretty new, as previously I just did not get it at all - prompted me to go to Eibon Press and finally order one of their Fulci comics, specifically the first issue of The Beyond, the signature edition that comes with the premiere of the US version of the film's soundtrack by Mitch and Ira Yuspeh.
The edited, US version of the film, re-titled 7 Doors of Death, was the only one available here until Quentin Tarantino helped Grindhouse Releasing put out The Beyond in its original form in 1996. The 7 Doors of Death version eschewed Fabio Frizzi's soundtrack for one by the Yuspehs.
The comics Eibon Press makes all look fantastic. I've been curious about their Fulci stuff for a while, but I've been unsure if the books are simply adaptations of the films or extensions of them, the latter what I'd be interested, the former not so much. Either way, the inclusion of the score on this package - even if its not vinyl - is what ended up sealing the deal for me. And worse case scenario, I have a cool comic based on the film, too!
**
Playlist:
Stereolab - Mars Audiac Quintet
The Smiths - The Queen is Dead
The Smiths - Louder Than Bombs
The Smiths - Meat is Murder
La Matos - Summer of '84 OST
M.I.A. - Arular
Baroness - Gold and Grey
La Hell Gang - Thru Me Again
House of Pain - Same As It Ever Was
**
Card:
I get it. I've been tempted to tinker with the finished product. I've seen this card enough lately to know I should just leave it alone and concentrate on moving on.
Mr. Brown sent this video to me yesterday and it absolutely made my day! Henry Rollins' excitement for music is an enjoyable thing to experience, and watching this has made me miss listening to his radio show on Los Angeles Public Radio KCRW (Link directly to his show, where past episodes are streamable HERE). The show used to be my regular Saturday night thing, but that was years ago, and as soon as KCRW moved him to Sunday at 9:00 PM, it killed my patronage. I've been meaning to make a habit of streaming the shows the day after, and I think this video was just what I needed to finally make that happen.
As far as the subject of the video, Rhino's Funhouse 50th Anniversary pressing - it's awesome for sure, but not something I'd shell out $400 (plus, as Brown pondered in a text, what about shipping on a box that size?). Still, it's a pleasure to hear Rollins geek out about that which he loves, and it's definitely infectious.
**
Two nights ago I woke up from an after-work nap and found K about fifteen minutes into a movie I'd never heard of before. I sat down and ended up getting sucked in, especially when I saw that Hannah Gross and DAVID CRONENBERG both had roles in the flick (as does Aaron Poole). Albert Shin's Disappearance at Clifton Hill is a weird little flick, visually gorgeous, and with definite Lynch influence. Until I looked the film up, as we were watching it, I began to suspect it might be a Brad Anderson film, as Clifton definitely feels like something Anderson might have done around the time he made The Machinist or Transsiberian.
The film is currently streaming on HULU, and is definitely worth your time.
**
Playlist:
François-Eudes Chanfrault - Computer Assisted Sunset
Metallica - Master of Puppets
Melvins - Houdini
The Smiths - The Queen is Dead
The Stooges - Eponymous
The Stooges - Funhouse
**
Card:
Too much to get into at the moment, but let's just say I re-thought the book and am going to try something a little bit different with it than I originally intended.
I am in love with this White Lung album! They used the track Wild Failure in that movie Excision I wrote about yesterday and I've been listening to the album since.
NCBD yesterday:
And, what I forgot came out and will no doubt have to hurry to grab a copy of:
Playlist from yesterday:
Reverend Horton Heat - Martini Time
The Atlas Moth - The Old Believer
Alice in Chains - Rainier Fog
Stellar Corpses - Respect the Dead
White Lung - Eponymous
Ennio Morricone - Black Belly of the Tarantula OST
I watched David Lynch's Inland Empire last night for the first time in probably over ten years. One of the most incredible theatrical experiences I've had when it came out back in 2007, I've never made it through the entire film on DVD, simply because it is long, fragmented, and requires very specific viewing criteria for me, criteria that usually means I end up falling asleep because of my early schedule. That criteria is
1) Absolute Darkness
2) Stoned
3) As few interruptions as possible
This usually means I have to watch it late at night, and I just don't make it through. Inland Empire really shines in a theatre, but at home it's a bit arduous. That said, it is a wonderful film, amazingly dream-like, and after reading this awesome little interpretation, I am contemplating another viewing sometime within the next week.
Card of the day:
Again, let's go face value and say this means I'll finish the editing on DwC 43 today.
