Yeah, I know it's not the original version with Cait, but I couldn't really pass up posting this one, as we lost both of them this year.
Watch:
A few years ago, I read John Ajvide Lindqvist's novel Handling the Undead and really liked it. A very quiet, contemplative approach to the "living dead,"
As has become my custom, I'm posting this trailer here but not going to watch it . I want to go into this one not having the slightest idea what to expect from an adaptation.
Playlist:
Laura Cannell - Midwinter Processionals
The Pogues - Rum, Sodomy and the Lash
Opeth - Blackwater Park
Shane MacGowan and the Popes - The Snake
Opeth - Deliverance
Card:
Lots'a Disks. Let's see here...
• Six of Disks - Success
• Seven of Cups - Debauch
• Five of Disks - Worry
All the emotional fallout I've thus far been too busy to experience in having the connection to my childhood home severed at the age of 47 is about to come crashing down. My folks are out of the house in South Suburban Chicago and into the new one in Clarksville. There's still work to be done unpacking and arranging, but just being there all day yesterday unloading the last trailer of stuff or watching the movers bring in their furniture - furniture I've seen in the other house all my life - and set it up in foreign rooms was enough to create a sort of disorientation in me that feels a lot like what the Debauch card looks like. Not poison, but murky. Murky emotions that the Success of finally finishing this months-long project has kickstarted.
How about a little Fields of the Nephilim to start this fine Autumn day, eh? I'm telling you, the leaves are crispy and colorful, the air is cool with hints of smoke and rain, and my brain is full-on October. Oh, how I have missed this!!!
31 Days of Halloween:
First, I totally forgot that I watched the first episode of Showtime's new Let the Right One In series earlier in the week, so I've added that below. I was one of those weird moments where I was talking to someone about it the night before, my phone obviously overheard me say I was considering re-subscribing to Showtime to watch it, and the next day I had an email from Showtime offering $3.99 a month for the next three months.
Sold.
I REALLY liked the first episode. Great setup for an ongoing series based on this. Reminds me that I never read the novel, and should do that at some point. The author, John Ajvide Lindqvist, also wrote Handling the Dead, which I read a few years back and really dug.
10/1 - Trick 'r Treat
10/2 - Barbarian
10/3 - Hellraiser ('84)
10/4 - Phenomena
10/5 - Hellraiser (2022)
10/6 - The Dark Backward
10/7 - Sick/The Beyond
10/8 - Werewolf By Night
10/9 - Something in the Dirt
10/10 - Let the Right One in Episode 1/Lux Aeterna
10/11 - My Best Friend's Exorcism/Grimcutty
10/12 - Smile
10/13 - Monstrous/VHS (Amateur Night segment)
While scrolling around Showtime, I noticed Chris Sivertson's Monstrous is on the platform; this is a flick I'd been meaning to see for some time, but which completely dropped off my radar shortly after I posted the trailer back in April. Ends up, Monstrous is a very well-made and gorgeous movie that I didn't quite take to, despite everything on screen looking and feeling great. This may have been due to some stomach issues I've been having forcing us to pause the film several times, creating gaps in the experience. Whatever the case, if you have Showtime, it's worth checking out.
Read:
Almost every year I read two Graphic Novels in October, Rick Spears and Rob G's Teenagers from Mars and James O'Barr's original The Crow. This year, however, since I still haven't acquired bookshelves, A LOT of my books are still packed. I plan on rifling through everything to find these, but in the meantime, the hankering came over me the other night and I realized I would now add a third because it totally fits this time of year for me, and because it was right in front of me:
Originally reading Kraven's Last Hunt as it was published across all three Spidey titles at the time (Amazing, Spectacular and Web) in October of 1987 (I was eleven), I think this is the series that defined my love for Spider-Man. I'll always prefer the Black Costume. Not the symbiote, the black costume. I'll also always consider this a Horror story. It's damn terrifying, maybe not in the I'm afraid to fall asleep way (but what fiction is as an adult?), but in the "Jesus, that's really terrifying" way. You identify so many events in this story as dark A.F. and the ending... wow. Anyway, I am thoroughly enjoying my re-read, for which I am using the Hard Cover I bought about a decade ago, leaving my original floppies safe in their bags and boards.
Playlist:
Rein - Reincarnated
Rein - Freedom EP
Trust Obey - Fear and Bullets (1994 Edition)
Jammes Luckett - May OST
Jim Williams - Possessor OST
Trust Obey - Fear and Bullets (1998 Edition)
Burzum - Filosofem
Card:
Middle-of-the-Night pull last night with my mini-Thoth:
A new idea will require extra fortitude to pull-off, but if followed through, can change things completely. I love when every spread I pull seems to hone in on a project I'm working on.
I pulled out Firewater's classic 1998 album The Ponzi Scheme and, as usual, now find myself unable to put it away. I've posted other songs from this album here before but haven't paid tribute to others. In that interest, here's"So Long Superman," just another of my favorite songs on an album where every song is a favorite.
Read:
I finished John Ajvide Lindqvist's Handling the Undead a few days ago. Wow. Very good. Understated, powerful, and creepy as hell. Lindqvist's prose is a touch dry, but it works well as he filters between the three main groups of characters - three families - and how they react to the return of dead loved ones. Their reactions then become superimposed across a larger arena as the whole of Sweden reacts to the return of what the media dub the "Reliving," a term very much inspired by a government trying to handle a baffling and unprecedented experience. This is an undead book where the undead are, for the most part, completely unviolent, leaving the characters to deal with the psychological, emotional, and sociological ramifications of what would happen if the recently deceased returned to us.
From there I moved back into Nathan Ballingrud's debut short story collection, North American Lake Monsters. I'd been reading a story here or there over the last two weeks, just to have something to dig into that inspires me to write, and now that I'm full bore, I'm once again in Ballingrud's beautiful prose. This man is easily one of the best writers working today, no need for the genre quantifier. I simply cannot wait for this to hit Hulu next month as the new anthology show Monsterland; I'm hoping they do all nine stories. In particular, The Crevasse is one of the best shorts I've ever read, and to see it properly translated would be majestic, in the least.
Playlist:
Firewater - The Ponzi Scheme
Mastodon - Crack the Skye
Mastodon - Emperor of Sand
Perturbator - Dangerous Days
Card:
"Harmonious union of male and female energies" is a nice reminder on something I've been working on as I muster up the gumption to jump back into Shadow Play, which I continue to avoid for some reason.
I have become a HUGE fan of the AMC show Halt and Catch Fire. K had watched it previously, and both her and Mr. Brown recommended it to me on more than one occasion. Two weeks ago we started the now-completed show - at four seasons, ten episodes a season, I had a sense going into it that the story had been crafted in a tight, no-BS manner, and so far that's exactly what I feel I've gotten out of the first two seasons, the second of which we completed a few nights ago.
Following a small Texas tech company in the early 80s, Halt and Catch Fire uses an imaginary company called Cardiff electronics - based on Compaq computers, if what I've read is accurate - as they clone the IBM desktop BIOS and strike out to make the world's first portable computer. "At a feather-lite fifteen pounds, you can take the Giant anywhere," the sales pitch eventually goes.
The interesting thing about the show is how, by the end of season one, we're done with Cardiff and personal computing and onto the proliferation of online games and chat. Interesting, too, is how the show keeps the core five characters growing in different directions yet still realistically intertwined; this show is no slouch - the writing is fantastic. As are the performances, set design (so much nostalgia), and the theme song! Created by Trentmøller, I had so hoped the theme was a shortened version of a longer song. Nope. Short and sweet and leaves me wanting more every damn time I hear it, this is another of those show intros that I would never dream of skipping, even in the height of a binge.
**
Read:
I swam a bit after finishing Matt Ruff's Lovecraft Country; there are so many damn books I want to read right now, that I became paralyzed by the prospect of actually choosing one. I ended up going with a short-story collection/novel combo.
First up, Nathan Ballingrud's debut short story collection, North American Lake Monsters.
I've been wanting to read this since I first read The Visible Filth in 2015, but I'm often a 'saver' - that is to say, I purposefully hold out on reading books by favorite authors so I have something to look forward to. With Babak Anvari's adaptation of the stories as a new HULU original Horror Anthology show set to premiere in October, I figured I should probably get on this one, which was published in 2013 by Small Beer Press.
One story in, the majestic You Go Where It Takes You, I'm even further convinced that Ballingrud is one of the greatest living Horror authors the world has, and I find myself even more excited by the prospect of watching Anvari's interpretation of more of his world (2019's Wounds - which I wouldn't shut up about last year - was Anvari's first work with Ballingrud's material, adapting The Visible Filth, still one of my top five favorite books ever).
Next up, John Ajvide Lindqvist's Handling The Undead.
This is a loaner from my Horror Vision co-host Anthony. Lindqvist is best known for his 2004 debut Vampire novel Let the Right One In - which I have not read - and I am going into Handling.. totally blind to his style or anything about the plot, other than, working backward from the title, this will most likely be Lindqvist's unique take on the Zombie genre, an area I don't normally care all that much for, but which lately I seem to keep finding really interesting derivations of. Hopefully this continues that course.
**
Playlist:
The Cure - Standing on the Beach
David Bowie - Lodger
Rezz - Mass Manipulation
Deftones - Ohms (pre-release single)
Santogold - Eponymous
Deftones - Diamond Eyes
Skywave - Killerrockandroll
A Place to Bury Strangers - Exploding Head
Thou - Heathen
Deftones - Gore
Midnight Danger - Chapter 2: Endless Nightmare
Red Hot Chili Peppers - Blood Sugar Sex Magik
**
Card:
Back to my original, full-size Thoth deck for today's pull:
Keeping me on course. Reading You Go Where it Takes You this morning, I feel the urge to work on one of several short stories I have sitting around. Maybe late tonight; for today's writing session - which I've already budgeted out to be fairly lengthy - it's back to what I have to complete next, Shadow Play Book Two: The Absence of Light, which means I have to finish the outline for Book Three, the title of which I am not yet ready to reveal, but which fills me with unholy glee!
