My Ten Favorite Albums of 2024

This list isn't to say I don't have more than ten favorite albums in 2024 because this year has been chocked full of great music. Maybe I'm just more in tune or something; I don't know. A couple years ago, I remember doing this list and saying up front that I felt like I spent way more time listening to older music. Not this year; I could barely keep up, and every time I thought I had this list finished, something else came my way and made me rethink everything. Here then, is perhaps the most tentative top-ten list I've done since 2013, when I kind of bitched out and did eleven. 

Note: I did away with the numbering because the order is interchangeable and impossible to commit to. That said, Numbers one and two are definitely my favorite albums of the year.

• Zeal and Ardor - GREIF

The first Zeal and Ardor record written by the band, not just founder Manuel Gagneux, and it's fantastic. Very different from previous albums, but that's the thing that impresses me the most about this band - the evolution. From a mission statement that would have worn out its welcome in the hands of most others, Manuel has shepherded this project to new heights, and there's never a moment I'm not 100% enthralled. 

Buy HERE.

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• Chelsea Wolfe - She Reaches Out to She Reaches Out to She

Another left-hand turn from Ms. Wolfe! There are moments on this record that remind me of mid-90s trip-hop, a la Poe's first record. There are also moments where I feel the dark echo chamber of Chelsea Wolfe's mind, and it continues to draw me into her strange, Stoner-brand Desert Psyche Rock. There's something so expressive about every aspect of the music Ms. Wolfe creates - I'm literally transported into what feels like a very clearly defined psychic space, each album its own specific time and place. Her world only briefly syncs up with the 'real,' which makes listening feel like I am literally catching onto pieces of her consciousness. It feels intimate and a little scary at times, like a lot of the best music does. 

Buy HERE.

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• Shellac - To All Trains

Yeah, like the final Shellac album wasn't going to be on this list. I have to admit, I'm not the biggest fan of the band's previous record, and this one... shit, I've had a lot of internal trouble accepting this record simply because it's release dovetailed with the death of one of the most important persons in modern music. A Chicago native, like myself, and what's more, one of the last bastions of integrity turned up to eleven, Steve Albini. But Shellac's character is something etched into me across the divide since 2000's Thousand Hurts, the first Shellac record I bought and fell deeply in love with. The cynicism, the in-jokes that long-time listeners fall in on simply by having gotten to know these strange men who play jagged, angular analog indie rock with fists... it's all just such a pleasure, and I will miss it for the rest of my days.

Buy HERE.

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• Moon Wizard - Sirens

I love this record! I had never heard of Moon Wizard before Sirens was released somewhere in the first few months of the year, but this one has been a constant companion ever since. This four-piece writes and plays this blissfully melodic sludge that feels extremely well-defined for such a relatively young band. The melodic strains of lead singer Sami Wolf's voice are perfectly matched by  Aaron Brancheau's guitar, whose riffs and arranging go from soaring emotional heights to "bash your fucking head in" even while wielding the spry, haunting melodies strewn across the runtime of this record. Magnolia is a forever song for me, burned into my brain upon contact and perhaps matched only by Luminaire's ghostly ability to snare the very breath from my lungs. 

Buy HERE.

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• The Cure - Songs For A Lost World

Talk about a late entry. As much as I am an eternal fan of The Cure's albums Pornography and Disintegration, I haven't really kept up with anything they've done since the late 90s. Even the other 80s/90s albums stay on the outskirts of my heart. I love Kiss Me, Kiss Me, Kiss Me, Head on the Door, et al, but none of them are essential to my being the way the other two are. Then they release Songs For A Lost World, and Whammo! Another complete emotional sledgehammer! This is what I feel The Cure does best. 

Both aforementioned previous albums destroyed me at different stages of my life, shattered me, and eventually put me back together. That's exactly what Songs For A Lost World promises; I'm just too emotionally defensive at the moment to allow it full access. You get it from the album's title, yeah? This fucker's poignant, especially when you consider it was released back in late October, right before... well, you know. 

Upon first listen, every tune, every melody seemed instantly ingrained in me, so that upon each subsequent early listen, I felt I already knew every song by heart. These songs hurt, though. Maybe it's the times, maybe it's the fact that I came out of the first months of 2024 actively acknowledging that we now live in a dystopian future, but this album just feels like what the world needs to, well, go out on.

Buy HERE.

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• Amigo The Devil - Yours Until the War Is Over

The album whose title I misquoted the most this year, Amigo the Devil has been increasingly endeared to me for a few years now, and I have my very good friend Mr. Brown to thank for that. The post-modern Singer/Songwriter tradition I fell in love with through Nick Cave and Tom Waits is alive and well in this man, as he balances the delicate and diabolical sides of his own existence against an ever-evolving tableau of scenarios that the most debaucherous of us can only shake out heads and say, "Goddamn, I'd like to buy this man a beer."

Buy HERE.

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• Justin Hamline - The House With Dead Leaves

Full disclosure, since this record was released in March, Justin has come to be a friend of mine. He's guested on The Horror Vision twice this year; however, before the release of his score for a non-existent Giallo, I only knew him as a person I followed on IG. One I wasn't entirely sure how I discovered in the first place. We were obviously like-minded mutants, but when I saw him begin to post about this album, I knew it was going to be a huge record for me. Coincidentally, I spent the year writing a Giallo novel, and this record immediately slipped into place as a constant soundtrack for those sessions. It colored many key scenes in the book and put me in that very specific Giallo tone, which isn't exactly easy to do for the first time invoking it with prose.

Buy HERE.

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• Oranssi Pazzuzu - Muuntautuja

Oranssi Pazuzu's Muuntautuja is the first record the band has released since I became a fan. I'm still not familiar with their entire body of work to date; it was late last year that the members of Baroness put this band on my radar by way of their "What's in My Bag?" on the Amoeba Music YouTube channel, but the moment I hit play on their Live At Roadburn album from 2017, I was hooked. I suppose their off-kilter approach to psychedelic Black Metal scratches the same itch for me that Blut Aus Nord does; the songs are all cohesive but unlike anything I've ever heard before. This was especially true the first time I hit PLAY on the track "Valotus". It was late; I was buzzed, had headphones on, and didn't quite understand what exactly I was listening to. It was music, yes, but there was such a "Cosmic Occult" element to the sounds and arranging that I wasn't sure how most of what I was hearing was being made or orchestrated. I knew at that exact moment this would be an album that would earn my devotion by confounding me, by pushing the boundaries of what I like and listen to and comprehend about music. 

Buy HERE.

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• Drug Church - Prude

I was only really familiar with Patrick Kindlon's name as one of the two writers on We Can Never Go Home, the comic/graphic novel released by Black Mask Comics back in 2014. After that, I followed him through a few more series, not realizing this band I started hearing about counted him as singer. When my good friend Jacob recommended 2022's Hygiene that year, it slowly became a go-to, and as it did, my research revealed Kindlon's involvement. Which, of course, only made me love Drug Church more. Now, with Prude, I can honestly say Kindlon's lyrics are among my favorites out there at the moment. Lyrics aren't something I adhere to easily; I like a lot of music where I couldn't sing along if I tried. But Prude is sharp and astute from the jump, and every track kicks ass musically, as well. 

Buy HERE.

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• Ministry - HOPIUMFORTHEMASSES

I don't know how Uncle Al keeps doing it, but Ministry continues to not just be relevant ideologically, but musically as well. Goddamn, if this isn't my favorite album of theirs since 2008's The Last Sucker. The samples are spot-on, the lyrics angry but (mostly) thought-provoking, and the songs blaze a path from track one through to the end, with penultimate track "Cult of Suffering" and its guest vocals by Gogol Bordello's Eugene Hütz weighing in as my favorite song of the year. 

Buy HERE.

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There you go. Seriously though, I could easily make a second top ten for the year. So many albums this year! Here's to what's coming in 2025!!!

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Ministry - New Religion

LOVING this new Ministry record. Somehow, Uncle Al almost never disappoints. This particular track, while I'm not in love with the video, is one of those Ministry songs where you can really hear the Killing Joke influence. This started back around 2003 with Animositisomina, which is interesting when you consider that Paul Raven didn't join the band until 2006's Rio Grande Blood. Not that there wasn't always a little Killing Joke DNA in Ministry, but occasionally, it really shines through.

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NCBD:

Light pull this week, but there are some goodies, so let's get into it:

A new Last Ronin series? Whoah! This slipped by my radar completely until about a week ago. Apparently, if I understand this right, this series is set a number of years after the original series and follows more grown-up versions of the four new turtles that Casey (Jr) was training. I love the Miller-esque dystopia of the first Last Ronin series, so definitely sign me up for this next round. I love to see the evolution of future worlds like this. 

Here's another one that slipped past me - David and Maria Lapham have a new series called Underheist and I missed the first issue! I'll be grabbing that as well as this week's number two. Everything the Laphams do is fantastic, so I can't wait to see what this new one has to offer.

Void Rivals returns! I honestly had only realized it must have been on hiatus - probably because I've been so preoccupied with the other Energon Universe series. I feel like this family of books is moving in to take over the fervor I've held but watched wane for the X-Books since Hickman. I don't know if my brain finds something to fill the, ahem, void, or if 

Speaking of the X-Book, I still haven't found any issues with Gerry Duggan and his X-Men. Solid, every issue. And what's this? Lockheed returns? Can't wait to see this. Where the core Fall of X books have been a mixed bag, Mr. Duggan continues to drive his RBI percentage up by turning in solid episodes of the core 'team' book in the family. Also, love seeing Kitty and Ilyana side by side with swords!

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Watch:

Recently, I was psyched to see that Shudder added the first three Coffin Joe movies to their ever-expanding roster. I am not super familiar with these, but back in 2004, my friend JFK (where are you?) mentioned these to me and I started a hunt that didn't end until I walked into either Generation Records or Village Revival Records in Greenwich Village, NY and found a copy of At Midnight I'll Take Your Soul. I picked that up and gifted it to JFK for Christmas that year, and after we watched it one night, I haven't seen a Coffin Joe flick since. Until now.

"The Brazilian Freddy Krueger" is how Coffin Joe is often described, and while there is a simple comparison there, that's a bit of a misnomer, and probably the reason I walked away from that first viewing twenty years ago less than impressed. So despite the fact that I myself have used that comparison recently, I offer here the caveat that Coffin Joe is not a supernatural being (at least not in the early flicks) and he doesn't invade his victims' dreams or materialize in gross and grandiose ways. He's a terribly evil human being, an undertaker with no empathy and a greedy soul, and he terrorizes the town in rural Brazil where he resides as a rich and powerful citizen. 

On the surface, these flicks feel a little quaint. At Midnight I'll Take Your Soul is from 1964 Brazil for god's sake, so that's to be expected. But, if you really pay attention and move past that surface layer, these are some pretty f**ked up films. What's more, let's think about that year of origin again: 1964 Brazil! These are also SO ahead of their time, even in the States, and slot in nicely with some of the other creators releasing Horror films at the time; if you google "Horror Films Released in 1964," you get a list that includes Roger Corman, William Castle, and Hershal Gordon Lewis.

Ultimately, Coffin Joe - the character created and portrayed by Brazilian cinematic jack-of-all-trades  José Mojica Marins - won't be for everybody, however, in rewatching the first film last night, I found a decidedly more cerebral and, honestly, disturbing experience than I remembered. Strip away some of the limitations of the day, some of the slightly archaic approaches to the accouterments of the Horror genre - maniacal laughter, spiders (no laughing matter for me), and female hysteria, and you have an amoral villain who commits grievous acts in the name of a rather messed up approach to child-rearing. Joe is an icon in Brazil - hence the real reason for the comparison to Mr. Kreuger - so Shudder adding these films is another way in which the service continues to promote a more well-rounded fan base for the genre. Something we're all the better for. 

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Playlist:

The Body & Dis Fig - Orchards of a Futile Heaven

Uniform & The Body - Mental Wounds Not Healing

Witchfinder - Hazy Rites

Black Sabbath - Volume IV

The Devil's Blood - The Thousandfold Epicentre

Justin Hamline - The House With Dead Leaves

Godflesh - A World Lit Only By Fire

Dio - The Last in Line

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• XI: Justice

• Four of Wands

• VIII: Strength

Approaching a situation or decision without bias leads to empowerment. Again, another character nod to the book I'm writing. I turned in a solid hour and a half last night - actually made it out to my old coffee shop and was really able to lose myself for the duration of the session. These characters are growing in depth and complexity, and the cards are assuring me I'm on the right path.

New Music from Ministry!!!

Ministry released a new track last week, and as usual, I love it. From the forthcoming album HOPIUMFORTHEMASSES, out March 1, 2024, I feel like this is a bit early, but still, I can't really complain about new Ministry. No pre-order link that I could find yet, but that's sure to come. In the meantime, enjoy Goddamn White Trash.

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Watch:

K and I took her Mom to see the Barbie movie over the weekend. This was about as interesting to me as the battleship movie until Mr. Brown posited that he'd read the entire thing was going to be one big piss-take. 

That got me interested. 

I waited for the hype (and crowds) to die down before even entertaining the idea of getting a ticket. We were at the theatre multiple times since this thing opened, and the crowds of pink-adorned moviegoers gave me pause. The malaise for big-budget IPs I always experience when actually faced with seeing them kicked in, and I figured I could go on just fine without ever actually seeing this thing, thank you very much. 

Then K's Mom expressed interest, so we decided to take her. Verdict? Greta Gerwig did exactly what I hoped she would with this one: It's irreverent toward everything that deserves irreverence - including itself and the Barbie brand - yet still manages to be fun and touching as all hell. And as far as the cries of man-hating, anyone offended by this is a douche, and exactly what the film is commenting on. 

Ms. Gerwig had come a long way from being the friend in Ti West’s House of the Devil, and I applaud Mattel for allowing this to be what it is. Also, fucking Rhea Pearlman, am I right? 

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Read:

I finished Grady Hendrix's We Sold Our Souls over the weekend. OUTSTANDING novel! I read the last 60 or so pages in a mad gallop, unable to put the damn thing down. This means I'm going to reassess some of his newer books, all of which I'll probably read at some point.

Moving on, I finally started Nathan Ballingrud's novel The Strange. 

Holy smokes! Only 80-odd pages in, and I can pretty much guarantee right now, this will be the best novel I read this year. No disrespect to the others - Laird Barron's The Wind Began to Howl, and Stephen Graham Jones's Don't Fear the Reaper are both going to come in close, but Mr. Ballingrud's prose is just mouthwatering.

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Playlist:

Blut Aus Nord - Disharmonium: Undreamably Abysses

Blut Aus Nord - Disharmonium: Nahab

Sinéad O'Connor - I Do Not Want What I Haven't Got

Agnes Obel - Aventine

Ghost - Impera

The Rods - Wild Dogs

The Rods - Live

Van Halen - 1984

Def Leppard - Pyromania

Mercyful Fate - Don't Break the Oath

Etta James - Second Time Around

Standish/Carlyon - Deleted Scenes

Metallica - 72 Seasons

Ubre Blanca - Polygon Mountain EP

Ozzy Osbourne - Diary of a Madman

Mercyful Fate - Melissa

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Oracle:

Just want to do a simple, one-card Pull today, and Missi's Raven Deck is the one I use for that:

Beware bad information and/or don't overlook information from dubious sources. 

The Last Temptation of Read

From Lard's 1990 album The Last Temptation of Reid. Pretty sure the titular Reid - the co-owner of Chicago Trax who recorded the band's first EP - came into the pizza place where Mr. Brown and I worked in High School. Weird anecdote, but one I can't help but think of whenever I throw this record on.

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NCBD:

Speaking of Temptations to Read, this is my biggest NCBD Pull in some time. Let's get into what I'm bringing home:

I'm going to be dropping off Ghost Rider fairly soon. I don't know, this one just isn't doing for me what it did about half the time at the onset. I can really feel Marvel building up their Midnight Sons line, introducing a lot of new characters, bringing back older iterations, and building out the world of monsters that lurks in its underbelly. You'd think that as a Horror fan, that would work for me, but I just feel like it's a sanitized Horror, and that's disappointing. Maybe I'm wrong. Maybe I'll read to the end of this current storyline and realize they're building something great, but all the books over the last year that have contributed to that - Moon Knight, that Crypt of Shadows one shot, the crap they did with Man-Thing a few years ago, none of it feels substantive.

I'm definitely digging this deeper dive into the Last Ronin world. 

So, after reading the first 'season' of Red Room, not reading the second, and then picking up the first issue of the third, I'm still digging this book. My pass on that second installment had more to do with trimming the Pull List and diverging from the fairly disturbing subject matter - which, as I've pointed out here previously, is very much offset by Piskor's Ed Crumb-like art style - and not due to any perceived failure on the book's part. Quite the contrary - each issue continues to seduce me with the social mystery that surrounds this strange, underground world of dark web murder rooms, cryptocurrency, and psychopaths. Of particular note this week, this homage cover to Charles Burns's Black Hole comic just blows me away.

I feel like it's been months since I read the first two issues of The Seasons Have Teeth, even though it's only been a few weeks. Can't wait to see where this is going. The anthropomorphizing of the actual seasons into monsters is just too damn cool to miss, especially when those monsters are rendered as visually strange and beautiful as series artist Sebastián Cabrol has made them.

The third and final one shot to welcome in the Fall of X era, the first two books - Sons of X and First Strike both constituted a huge letdown. We're talking Trial of Magneto level bad. Being that those books were not written by current X-scribes and this one is, I'm holding out hope this one justifies reading.

 

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Playlist:

Blut Aus Nord - The Work Which Transforms God

Rein - Reincarnated

Lard - Pure Chewing Satisfaction

Lard - The Last Temptation of Reid

The Jesus Lizard - Liar

Cocksure - Be Rich

Lustmord - Dark Matter

Godflesh - Post Self

God is LSD - Spirit of Suicide

Anthrax - Persistence of Time

Tom Petty and the Heartbreakers - Damn the Torpedoes

        

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Card:

• 9 of Disks: Gain - Yesod again, so imagination and reflection, and enjoying the satisfaction that comes with that. Worded in the grimoire as "Self Satisfaction," which automatically puts me in mind of hubris, the obvious point of the Pull when you take the following two cards in.

• 3 of Swords: Sorrow - Directly from the Grimoire, "Paired with Disks can point to problems w/ work;" "Let thing develop before making another one;" "Intense passion to create but doing so is problematic."

• 7 of Disks: Failure - A difficult period in Earthy life

Well, what a cheery Pull for today! Seriously, this obviously warns against a sneaky inclination I've experienced to try to deviate one or two days a week to work on another languishing project. I'm so close to a final first draft on the current one, best not to deviate. Head on to the finish line!

 

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Duration:

Better.

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X's For Eyes... And That's All

 

I have always carried a torch for a handful of songs from the Phil Collins/80s Genesis catalogue. I know, I know... I don't care. These songs are in my DNA from early life exposure. Also, weirdly enough, a lot of comic book memories are attached to some of them, this one in particular. Not necessarily specific issues, but eras.

The year Tonight, Tonight, Tonight came out - 1986 - was the year I first started reading comics on a regular basis with Larry Hama's G.I.Joe issue #49. The same year, this song appeared in a Michelob television commercial. Something about that commercial primed me to be both a Ministry fan and a Bret Easton Ellis fan, though it's difficult to explain the latter half of that statement. (Ministry's Everyday is Halloween would score a - get this - Old Style Dry commercial, just two years later. My memory so clearly stated it was a Bud Dry commercial that I would have put money on it. Also, who remembered that Old Style had a "Dry" beer? Not me, and probably not Dennis Farina, either. I mean, if he was still alive...)

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Play:

The New Puppet Combo game Stay Out of the House drops June 16th! I've already pre-ordered my copy for Switch. Why? Check out this gnarly trailer:

Oh man, I need to double-down on No One Lives Under the Lighthouse, which I played the hell out of for the first week and a half and then haven't really had time for since.             

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Read:

Blew through Laird Barron's third Isaiah Coleridge novel, Worse Angels and, exactly as instinct suggested, it went from a 4-star to a 5-star rating simply because I did not reread Black Mountain (Bk 2) first. Love this series, and it's put me in mind of tracing some of the recurring characters, so the instant I finished it, I picked up Barron's 2015 novella X's for Eyes.         

I've only read this particular Barron book once before when it first came out, and it's not a Coleridge novel, however, Tom Mandibole makes an appearance, and since he is a major force in Worse Angels, I really wanted to work backward on his character. The first memory I have of him is "More Dark," the closing story in Barron's 2013 The Beautiful Thing That Awaits Us All collection, where - in my mind at least - it's heavily implied he is a riff on author Thomas Ligotti. I read Barron's work as it's released, and in the past, I haven't kept notes, so I'm hazy on where and how often Mandibole has appeared. Hence the 'working backward.' At any rate, Mandibole shows up in the first two pages of X's For Eyes, as does Sword Industries, the Labrador family and who knows what else. So I'm in the right place until The Wind Began to Howl (Coleridge Bk 3.5) arrives.

 

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Playlist:

Lustmord - Berlin

Low - Double Negative

Ganser - Odd Talk

Les Discrets - Prédateurs

Godflesh - Post Self

Danzig - Danzig III: How the Gods Kill

Alice in Chains - Sap EP

Soundgarden - Superunknown

Huey Lewis and the News - Sports

Phil Collins/Genesis - Collins. Phil Collins. Playlist

Pastor T.L. Barrett & the Youth for Christ Choir - Like a Ship (Without a Sail)

Ministry - Moral Hygiene

Yeruselem - The Sublime

Pigface - Pigface Live 2019 vinyl

            

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Card:

Heading to Chicago today, so here's a card from Missi's Raven Deck to see me on my way and plot the course of the trip:

Things change; long-standing certainties switch polarity. Life is change, so embrace change. Kill. Your. Darlings.

 

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No Devotion For Mr. Gibson

 

A little old-school Chicago Industrial to kick things off today.

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Watch:

This is my favorite thing I think I've ever encountered on the internet. No BS. A HUGE thank You to Seth:

I literally just want to watch this over and over and have Bobby Fingers tell me everything is going to be okay. Seeing this, and sending it over to my former bandmate Joe.Baxter, I can't help but feel like when we finally try and finish recording all that unfinished Christian Fisting material, we should dust off the old "Mel Gibson's a Cunt" song we had, written in the wake of that 2006 arrest that is being modeled here. 

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NCBD:

It's Wednesday, and that means new comics are on the shelves! Here's what I'm picking up at Rick's Comic City!

Street-level Spidey on a Goblin hovercraft? interesting. Love this cover. 

The penultimate issue of Deadly Class!

I definitely liked the twist Marvel's Judgment Day took at the end of the second issue. Hoping this continues to expand that, instead of focusing on what we already know has happened. I get that in the onset of this series beginning, we only really got a 'thin slice' of the siege on Krakoa and holocaust on Arrako, but showing us all the nooks and crannies of those battles is getting a touch old. Issue 2 moved things forward, but then Death to the Mutants moved it back again. 

This book is fantastic but truly independent, so there have been a lot of scheduling delays. I'm hoping it actually lands today.

LOVING this new Shaolin Cowboy series. Geof Darrow is an amazing artist, and he's really cooked up an "Anything Goes" world with this one. I pulled out my copies of the previous series and realized the titular character died at the end of it. This means Darrow has been - as he should be - doing whatever the hell he wants time-wise with this odd, post-apocalyptic mash-up series. I need to pick up the collected first series of this and read them all straight through. Not that you have to, because, like I said, I love that Darrow appears t be jumping around.

I'm not 100% sold on this big, TMNT 'Event,' but I'll hang for a while. 

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Playlist:

Various - Every Day (Is Halloween) Playlist: Small Cat, Big Yard

Various - Every Day (Is Halloween) Playlist: You, The Knight, and the Music

Leaving Time - Eponymous EP

Revolting Cocks - Big Sexy Land

Pailhead - Trait

Melvins - Stoner Witch

Various - Snatch OST Playlist

Slipknot - We Are Not Your Kind

David Bowie - Station to Station

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Card:

Pulling out the Raven Deck for today's reading:

Some isolation will do me good today. Hopefully finishing something I've been working on. 

My Top Albums of 2021

2021 was a weird year for music. I spent A LOT of time on albums that came out in previous years. So much so, I wasn't entirely certain I could pick ten records that had a huge impact on me. Some of these have ended up here despite my having not fully ingested them yet. That's okay, I always know the special ones the moment I hear them (for the most part).

Here then, are my ten favorite records released this year:

Jerry Cantrell - Brighten: This is the album I've been waiting for Jerry Cantrell to make for years, and its arrival serves as the beginning of a new role for him in relation to popular music. Cantrell has always been a sage, but previously he's been reluctant about it. Brighten shows him aging into this new position in a way so as to best take advantage of the role as a songwriter and musician. Brighten is big and filled with living reflections, a man looking behind him to better inform his path into the future. The songs hit hard, because, despite a decade between us, I can completely relate. Aging is rough, but you have to take what you can from it, use your mistakes and triumphs to make the future better. 

Also, bringing Greg Puciato into the fold earns JC enormous goodwill in my book. 

 

Sleaford Mods - Spare Ribs: Spare Ribs hit at exactly the right time, in my opinion, to make it both extremely poignant socially and serve as the most idealized presentation of Sleaford Mods' sound to date (I say that at the risk of having Williamson dismiss my assessment as 'cuntish'). These guys have a social perspective that previously made their minimalist approach to songwriting feel a lot bigger than it might have seemed at first glance. With Spare Ribs, the music has caught up. 

Ministry: Moral Hygiene: I'm not entirely sure when the last time a Ministry album made it onto one of my year-end lists. Maybe 2007's The Last Sucker, because, while I've liked most of the band's releases, I haven't loved any since Sucker. Moral Hygiene, however, is a return to form for Uncle Al and his cohorts. This makes perfect sense, as who else could you expect to chronicle the shitstorm of the last two years into pulse-pounding, cynical Industrial Metal that perfectly represents where we are in relation to our planet and technology? 

Perturbator - Lustful Sacraments: How so many fans turned their backs on James Kent for this album blows my mind because to me, Lustful Sacraments is an evolution for him as an artist that makes 100% perfect sense. It's deep, layered with nuance and knows when to take huge swings - all of which land. Incorporating more traditional "band" elements is no doubt a turn-off to some old-school fans who want another Dangerous Days. For myself, I'm happy to go wherever Kent's artistic wanderlust takes him.

Mastodon - Hushed and Grim: Double albums almost never work, yet they remain a rite of passage for bands. Hushed and Grim is probably the most solid of the like to come out in three decades. There's no excess here, nothing is superfluous. Each of the songs helps to expand Mastodon's sound, while as an overall cycle, all fifteen tracks form a solid, coherent whole. Not a feat easily mastered, but then, Mastodon has become one of the best bands around. 

Odonis Odonis - Spectrums: After 2016's Post Plague ranked as my number one album that year, I've not even really liked anything Odonis Odonis has done since. Spectrums is a return to form for the group, running the line between industrial and electro in a way that feels unique to this particular band, thrilling and a little crazy.

Adam Egypt Mortimer - The Obelisk: Filmmaker Adam Egypt Mortimer conjures another dimension with The Obelisk. This is unlike anything else I've ever heard, and for that reason alone, it garners my praise. But moving beyond the stunning adventure of the album's occult soundscapes, everything about the textures AEM uses to construct this fit into my favorite types of music. Sparse beats, analog synth, brooding overtones and flitting, ghostly flourishes of voices and who knows what the hell else. This is another one of those records that opens a door I feel as though I've been waiting my entire life to step through.

Eldovar: A Story of Darkness and Light: I stumbled across this record by the combined talents of Elder and Kadavar with no previous knowledge of either band's work. I think I may have listened to an Elder album at some point, but I remember nothing about that previous engagement with them. This then was a complete surprise. From the opening notes of the record, an immediate comparison to Led Zeppelin came to me. Not because of the sound of the music, per se, but because of the timeless aesthetic applied here. I believe this is what some folks took to calling "Proto Metal" back in the 2010s, and despite a certain lack of clarity in that as a descriptor, I get it. There's also a healthy dose of Acid Rock. But the emphasis on melody, specifically intertwining vocal melodies, gives this one an ephemeral quality that is not nearly as important to rock musicians today as it was in the afterglow of the 60s. Eldovar seems to have learned the lesson of that far-gone era and transported it to the present day with this album.

King Woman - Celestial Blues: King Woman has always been about balancing Doom aesthetics with a certain Post-Metal reserve, and on Celestial Blues, they perfect it. As brutal as it is reflective, this one drones, beats, cuts, and soars in a way that I defy anyone to put a definitive genre tag on. The haunting overtures that ebb and flow throughout the course of the album's nine tracks show songwriting on a level that bodes great things from this band in the future.

Nun Gun - Mondo Decay: A last-minute HOLY FUCK moment thanks to Heaven is an Incubator's 2021 list, it makes perfect sense this would hit me as hard as it did seeing as Algiers owned both my 2015 and 2017 with their first two albums. Mondo Decay is a strange, sick record that's filled with sonic homage while still playing as an extremely new, unique sound. When I listen to this, I feel like I'm honing in on it from between white noise transmissions, like Harlan and Maxx finding the pirate transmissions in Video Drome. This is clandestine and important, and a little scary in the best possible ways.

New Ministry!

I haven't been this excited for a new Ministry album in quite some time. I'm loving this song; the "fuck the police" samples seem a bit overdone, but the old-school flavor of the music grabbed me immediately (Thanks Mr. Brown!)

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READ:

Parts 1 & 2 of my first Reddit Nosleep serialized story is now up. You can read it HERE. It's kind of about a Haunted Garage. Kinda.

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NCBD:

Big Day for comics. Again.

"Get April!"

JUST reading the core title, but so far, for my first modern Star Wars series, I'm digging this one. I mean, the last issue we had 4-Lom and Zuckus. I've been waiting for an expansion on those cats since I was like four years old.

Can't wait to read this AND see the film, which I believe should be available to rent on Prime.

The Silver Coin recently got "renewed" for more issues beyond this initial four-part run, and I am totally stoked for more.

Been a minute, and this awesome BW&B series totally fell off my radar.

More Spidey, 'Nuff said!

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Playlist:

Windhand - Eternal Return

Ministry - Animositisomina

Ministry - Good Trouble (pre-release single)

The Gutter Twins - Saturnalia

King Woman - Celestial Blues (pre-release singles)

Emma Ruth Rundle - Marked for Death

Chelsea Wolfe - Hiss Spun

 

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Card:

Big picture. Now that the Nosleep is going, I'll take this as a nod in the right direction as yesterday I dove back into Shadow Play, Book Two.