My Ten Favorite Albums of 2024

This list isn't to say I don't have more than ten favorite albums in 2024 because this year has been chocked full of great music. Maybe I'm just more in tune or something; I don't know. A couple years ago, I remember doing this list and saying up front that I felt like I spent way more time listening to older music. Not this year; I could barely keep up, and every time I thought I had this list finished, something else came my way and made me rethink everything. Here then, is perhaps the most tentative top-ten list I've done since 2013, when I kind of bitched out and did eleven. 

Note: I did away with the numbering because the order is interchangeable and impossible to commit to. That said, Numbers one and two are definitely my favorite albums of the year.

• Zeal and Ardor - GREIF

The first Zeal and Ardor record written by the band, not just founder Manuel Gagneux, and it's fantastic. Very different from previous albums, but that's the thing that impresses me the most about this band - the evolution. From a mission statement that would have worn out its welcome in the hands of most others, Manuel has shepherded this project to new heights, and there's never a moment I'm not 100% enthralled. 

Buy HERE.

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• Chelsea Wolfe - She Reaches Out to She Reaches Out to She

Another left-hand turn from Ms. Wolfe! There are moments on this record that remind me of mid-90s trip-hop, a la Poe's first record. There are also moments where I feel the dark echo chamber of Chelsea Wolfe's mind, and it continues to draw me into her strange, Stoner-brand Desert Psyche Rock. There's something so expressive about every aspect of the music Ms. Wolfe creates - I'm literally transported into what feels like a very clearly defined psychic space, each album its own specific time and place. Her world only briefly syncs up with the 'real,' which makes listening feel like I am literally catching onto pieces of her consciousness. It feels intimate and a little scary at times, like a lot of the best music does. 

Buy HERE.

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• Shellac - To All Trains

Yeah, like the final Shellac album wasn't going to be on this list. I have to admit, I'm not the biggest fan of the band's previous record, and this one... shit, I've had a lot of internal trouble accepting this record simply because it's release dovetailed with the death of one of the most important persons in modern music. A Chicago native, like myself, and what's more, one of the last bastions of integrity turned up to eleven, Steve Albini. But Shellac's character is something etched into me across the divide since 2000's Thousand Hurts, the first Shellac record I bought and fell deeply in love with. The cynicism, the in-jokes that long-time listeners fall in on simply by having gotten to know these strange men who play jagged, angular analog indie rock with fists... it's all just such a pleasure, and I will miss it for the rest of my days.

Buy HERE.

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• Moon Wizard - Sirens

I love this record! I had never heard of Moon Wizard before Sirens was released somewhere in the first few months of the year, but this one has been a constant companion ever since. This four-piece writes and plays this blissfully melodic sludge that feels extremely well-defined for such a relatively young band. The melodic strains of lead singer Sami Wolf's voice are perfectly matched by  Aaron Brancheau's guitar, whose riffs and arranging go from soaring emotional heights to "bash your fucking head in" even while wielding the spry, haunting melodies strewn across the runtime of this record. Magnolia is a forever song for me, burned into my brain upon contact and perhaps matched only by Luminaire's ghostly ability to snare the very breath from my lungs. 

Buy HERE.

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• The Cure - Songs For A Lost World

Talk about a late entry. As much as I am an eternal fan of The Cure's albums Pornography and Disintegration, I haven't really kept up with anything they've done since the late 90s. Even the other 80s/90s albums stay on the outskirts of my heart. I love Kiss Me, Kiss Me, Kiss Me, Head on the Door, et al, but none of them are essential to my being the way the other two are. Then they release Songs For A Lost World, and Whammo! Another complete emotional sledgehammer! This is what I feel The Cure does best. 

Both aforementioned previous albums destroyed me at different stages of my life, shattered me, and eventually put me back together. That's exactly what Songs For A Lost World promises; I'm just too emotionally defensive at the moment to allow it full access. You get it from the album's title, yeah? This fucker's poignant, especially when you consider it was released back in late October, right before... well, you know. 

Upon first listen, every tune, every melody seemed instantly ingrained in me, so that upon each subsequent early listen, I felt I already knew every song by heart. These songs hurt, though. Maybe it's the times, maybe it's the fact that I came out of the first months of 2024 actively acknowledging that we now live in a dystopian future, but this album just feels like what the world needs to, well, go out on.

Buy HERE.

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• Amigo The Devil - Yours Until the War Is Over

The album whose title I misquoted the most this year, Amigo the Devil has been increasingly endeared to me for a few years now, and I have my very good friend Mr. Brown to thank for that. The post-modern Singer/Songwriter tradition I fell in love with through Nick Cave and Tom Waits is alive and well in this man, as he balances the delicate and diabolical sides of his own existence against an ever-evolving tableau of scenarios that the most debaucherous of us can only shake out heads and say, "Goddamn, I'd like to buy this man a beer."

Buy HERE.

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• Justin Hamline - The House With Dead Leaves

Full disclosure, since this record was released in March, Justin has come to be a friend of mine. He's guested on The Horror Vision twice this year; however, before the release of his score for a non-existent Giallo, I only knew him as a person I followed on IG. One I wasn't entirely sure how I discovered in the first place. We were obviously like-minded mutants, but when I saw him begin to post about this album, I knew it was going to be a huge record for me. Coincidentally, I spent the year writing a Giallo novel, and this record immediately slipped into place as a constant soundtrack for those sessions. It colored many key scenes in the book and put me in that very specific Giallo tone, which isn't exactly easy to do for the first time invoking it with prose.

Buy HERE.

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• Oranssi Pazzuzu - Muuntautuja

Oranssi Pazuzu's Muuntautuja is the first record the band has released since I became a fan. I'm still not familiar with their entire body of work to date; it was late last year that the members of Baroness put this band on my radar by way of their "What's in My Bag?" on the Amoeba Music YouTube channel, but the moment I hit play on their Live At Roadburn album from 2017, I was hooked. I suppose their off-kilter approach to psychedelic Black Metal scratches the same itch for me that Blut Aus Nord does; the songs are all cohesive but unlike anything I've ever heard before. This was especially true the first time I hit PLAY on the track "Valotus". It was late; I was buzzed, had headphones on, and didn't quite understand what exactly I was listening to. It was music, yes, but there was such a "Cosmic Occult" element to the sounds and arranging that I wasn't sure how most of what I was hearing was being made or orchestrated. I knew at that exact moment this would be an album that would earn my devotion by confounding me, by pushing the boundaries of what I like and listen to and comprehend about music. 

Buy HERE.

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• Drug Church - Prude

I was only really familiar with Patrick Kindlon's name as one of the two writers on We Can Never Go Home, the comic/graphic novel released by Black Mask Comics back in 2014. After that, I followed him through a few more series, not realizing this band I started hearing about counted him as singer. When my good friend Jacob recommended 2022's Hygiene that year, it slowly became a go-to, and as it did, my research revealed Kindlon's involvement. Which, of course, only made me love Drug Church more. Now, with Prude, I can honestly say Kindlon's lyrics are among my favorites out there at the moment. Lyrics aren't something I adhere to easily; I like a lot of music where I couldn't sing along if I tried. But Prude is sharp and astute from the jump, and every track kicks ass musically, as well. 

Buy HERE.

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• Ministry - HOPIUMFORTHEMASSES

I don't know how Uncle Al keeps doing it, but Ministry continues to not just be relevant ideologically, but musically as well. Goddamn, if this isn't my favorite album of theirs since 2008's The Last Sucker. The samples are spot-on, the lyrics angry but (mostly) thought-provoking, and the songs blaze a path from track one through to the end, with penultimate track "Cult of Suffering" and its guest vocals by Gogol Bordello's Eugene Hütz weighing in as my favorite song of the year. 

Buy HERE.

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There you go. Seriously though, I could easily make a second top ten for the year. So many albums this year! Here's to what's coming in 2025!!!

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Watch Song

 

Seven just wasn't enough. We miss you already, Steve!

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Seven Days of Steve: Day 3

1000 Hurts was the first Shellac album I bought, and the one-two of "Prayer to God" and "Squirrel Song" really explains the band's style: light and dark, baby.

I keep feeling like I want to write more about Albini's passing, but I just don't have it in me to say anything that doesn't sound trite other than this sucks. 

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2019: July 27th - Shellac The End of Radio Live 2004

It's been a few weeks since Shellac dropped The End of Radio, a really nice collection of live tracks culled from Peel Sessions in 1994 and 2004. Being that the band's 2007 album Excellent Italian Greyhound just might be my favorite of Shellac's records (or it's tied with 2000's 1000 Hurts), and I think Greyhound has one of the best opening tracks of all time, this is my favorite on this new album. The Martina Navratilova aside near the end of this performance makes me so happy I can often hardly stand it.

You can order The End of Radio on Vinyl - as it was meant to be heard - from Touch and Go Records HERE.

I really need to see Shellac live again. It's been a while.

**

I'll admit that I fully expected to hate Amazon's adaptation of Garth Ennis and Darick Robertson's The Boys, but after watching one and a half episodes last night, I can tell you that is most definitely not the case. In fact, so far, I LOVE it. Karl Urban remains a perfect actor, in my book.


**

Playlist from 7/26:

Primus - Frizzle Fry
Motörhead - Ace of Spades
Uncle Acid and the Deadbeats - The Night Creeper
Grand Duchy - Let the People Speak
Zeal and Ardor - Stranger Fruit
Numenorean - Adore

**

Card of the day:

Being that I've ended up working Tarot into Ciazarn considerably more than I expected, I'm going to continue interpreting these draws that occur while I'm on a writing streak with it as direct influences on the story and/or characters. In this case, I have two 'set pieces,' but I believe I need two more in order to have a solid first act.

2018: February 18th 11:33 AM

Continuing this somewhat - to me anyway - fascinating record of the music I wake up with in my head, because there's always music there when I open my eyes to a new day, today it was one of the more nuanced tracks from 2016's Total Depravity by The Veils:



I say nuanced and I do not mean it in a negative way; every track off Total Depravity is marvelous, and what's more, The Veils are very good at doing that that thing that I love: all the tracks add up to make an outstanding full album, one that resonates on multiple harmonic levels when listened to as a whole. We're talking sonically, thematically, and overall aesthetically, this record shines. In fact, I'd call it one of the best 'albums' I've heard in years.

Playlist yesterday was sparse. I finally found my CD copy of Shellac's most recent record Dude Incredible so that may be going into regular commute rotation for a while:

The Soft Moon - Criminal
Shellac - Dude Incredible
Deftones - Gore
The Doors - LA Woman (original vinyl pressing - used to be my Dad's and has THIS little nasty on the back of the bright yellow record sleeve).

I pre-ordered Dude Incredible on vinyl back when it was released and Mr. Albini and crew included as something of, I think, a philosophical statement on their preference for analog over digital, a totally unlabeled copy of the album on disc. Lately I've had the strongest hankerings for Shellac while in the car, so although it's been a while since I've pulled the vinyl out at night, during the day I'd several times been frustrated to discover I had no idea where the disc was. I even feared,  due to its unmarked facade, its possible loss in the great divorce tally/purge of 2015. Then a couple days ago I pull out 1000 Hurts on disc and there's the unlabelled missing album on top. I very much count this as a win.

Last night K and I tried to watch both Good Time and It Comes at Night but failed at both. Part of this may have been due to a certain persnickety fatigue six long days of work surrounded by LA commutes had left me with by the time I'd prepared dinner and had a few Smithwicks, but I definitely feel it this lack of connection was not entirely on me. Both films are distributed by A24, whose films I normally fall right in line with, but with my shortage of time to appropriate for watching movies these days, I feel fairly certain I won't be giving either of these another chance. Instead, we're seeing The Philadelphia Story on the big screen this afternoon, thanks to Turner Movie Classics and Fathom Events, and steering tonight's Sunday Night Feature to Dark Song, a film several good friends have given near rave reviews of, and which I'd waited on since first reading about on the Horror Amino community, where there's a wealth of awesome horror information updated on pretty much an hourly basis.

Card of the day:

A lot in my Grimoire about this one, however most of it presupposes the card's value in a spread, in relation to other cards, especially Disks and its representation of Earthly matters. Specifically I see one relating to gambling. I'll keep this in mind, however the one point of primary interest here is the note that the Three of Swords can indicate, "... a current period of unhappiness, not necessarily one to come."

Two reasons for this note's perceived poignancy at the moment with regards to my existence:

I'm not in the best of moods today due to a certain lackadaisical approach to property management by the cunts that run the building that I will soon be moving out of, and two, the "... not necessarily..." part really helps when looking back at the last few days' cards and tracking their ongoing juxtaposition with my moving situation: knowing the Futility of the current situation with finding a new place forces a decision to be made; accepting the Change that will come with that decision, and now the suggestion that unhappiness will not necessarily follow on the tide of that Change, well, the pieces are in motion and I'm helping to keep them that way. My contributions pail in comparison to K's near constant attempts to stay in contact with the other parties involved.

New Shellac Record Dude Incredibe...

...will be released on Touch and Go Records on September, 16th. You can pre-order the record, which is a paltry $21 for 180 gram vinyl that also includes a CD, on Touch and Go's site HERE.

I am extremely excited for this record. It's been seven years since Shellac's last record, Excellent Italian Greyhound was released. Dude Incredible was, as all Shellac records are, recorded in full analog glory. If you should know anything about guitarist/vocalist Steve Albini it's that he's an analog loyalist. If you go back to one of Mr. Albini's earlier bands, Big Black, specifically their 1987 seminal record Songs About Fucking you'll find that the back cover harbors the famous quote, "The Future Belongs to the Analog Loyalists, Fuck Digital". Mr. Albini is known to record on two inch tape (glory!) and of course he takes it one step further. While there are a handful of bands and artists that still use the analog recording medium, far fewer of those few actually take it a step further and master their records in the analog realm:

"Audio quality is paramount, as always, with Shellac. The LP was mastered entirely in the analog domain, using the DMM (Direct Metal Mastering) process. The LPs are being manufactured at RTI in Camarillo, CA using their HQ-180 system. The pressings are 180 gram audiophile quality."

-quoted from the above-linked pre-order page at Touch and Go Records.com