7 Days of Ozzy - Day 3: Diary of a Madman

 

It's been a couple decades since I've listened to Diary of a Madman. This one was omnipotent in my life for a few years back around the end of High School/beginning of College. Not sure if the entire album will hold up, but I know the title track does.

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Cast:

The second episode of my new Southside 90s podcast went up today:

This is a project I'd wanted to do for so very long; all my life-long friends from High School and I gathering periodically to tell the tales that, well, when we tell them, people don't believe them. But they're all real. Seriously. This week's ep is largely focused on a house we hung out at first semester of Junior Year, a two-story in a rich subdivision where adults were almost never present, and when they were, they didn't stop us. 

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Watch:

Holy shite:

Have I mentioned how much more I like Amazon's version of The Boys than I do the comic? Nothing against Garth Ennis and Darick Robertson; this is totally a case of being able to improve a story with the hindsight that comes after a decade since its completion.

 

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Dollar Bin:

You know what I find A LOT of in Dollar Bins? Issues from Marvel's failed late-80s New Universe line:

I'm not interested in all the books from that particular experiment, but anything pertaining to The Star Brand, The Pitt or the surrounding narrative that encompassed the four titles that survived after that first, failed year. These are pretty easy to come by these days, and that surprises me a little. I don't read Jason Aaron's Avengers book, but I know he's integrated The Star Brand into the modern 616 continuity over the last few years. I'm curious if anyone has updated Spitfire - basically the Iron Man of the New Universe, except with a woman in the armor (long before that was fashionable, to boot!), DP7 (mutants), or Justice, which I can't compare to a regular Marvel 616 book, as I don't think I ever read it or at least don't remember it.

These are total nostalgia bombs for me, but also, The New Universe's arrival dove-tailed with my blossoming interest in the non-G.I.Joe comics in general and Marvel Universe specifically, so there's something about it that is integral to my love of the medium.

And as I've said before, post-Pitt New Universe is dark AF.

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Playlist:

The Mysterines - Reeling

The Bronx - The Bronx (II)

Blut Aus Nord - Hallucinogen

Intronaut - Habitual Levitations (Instilling Words with Tones)

The Atlas Moth - Coma Noir

The Ruby Friedman Orchestra - Gem

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Card:

I'm pretty sure this either has to do with something I thought I was done with. Modern Life is Rubbish, indeed. 

Isolation: Day 200

Musick:

 
Well, we pulled the bandage off last night and finished Halt and Catch Fire. Easily one of the best shows I've ever experienced, and it really reminded me a lot of Six Feet Under, which K has never seen. We're going to move that one up the list, however, now is the time to really double-down on The Boys. I watched Season One last year without her, so this year I've been slowly rewatching that with her in preparation for moving into Season Two. Can't wait, even if the pop culture saturation point with it is riding an annoying level of saturation.

Rewatching Six Feet Under scares me a little bit. I loved the show, however, by the end it had very much changed the way I looked at Death in a tangible way, and with it, how I look at life. Not necessarily bad, but from about halfway through the second to last season, the show really gets heavy, and I'm not sure I can take the emotional beating until at least after November (and maybe not then, depending on how things go).

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NCBD

There's a number of great things out today:

The Boys: Dear Becky Issue 5, just in time for my engagement with the show. This book was obviously brought into existence to coincide with and capitalize on the show, however, I'm fine with that. Ennis is telling a story and flexing his absurdity muscles, so it's about what I would have expected. I don't love it, but I didn't love the entire comic series either - only the first six issues and the last year's worth, with the Butcher mini-series, included in that. Those were the facets of the saga I thought were fantastic. The rest had its high points but was a little too much of Ennis trying to out Preacher Preacher, if you know what I mean and I think you do.

I love this book, however, after reading 1-5 in a straight shot last month, there are some serious hinks to the writing. Usually, art will not make up for that in my book. With Mercy, the problems don't outweigh the good, especially with this art. It's fantastic.

Really digging this series so far, and meaning no disrespect whatsoever to Jacob Philips or Chris Condon, it fills the hole left by Criminal's end quite nicely.
 

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Playlist:

Deftones - Ohms 

Dame Fortune - Am I a Warrior (single) 

Molchat Doma - Etahzi

Not a heavy music day yesterday, because over on the Bret Easton Ellis podcast, Mr. Ellis has begun reading his newest novel in a serialized fashion. He hasn't given a title, and it wasn't until this newest episode - the first hour or so of which is the reading (followed by a fantastic interview with Hollywood Legacy Executive Peter Bart) - that Ellis even quantified that that's what he's doing - serializing his new novel. The story is a purported memoir, though at this stage I'm fairly certain it's about as much of a memoir as Lunar Park is. That's fine - Lunar is my second favorite novel of all time, right behind Gatsby, and I find Ellis' ability to sync real life with narrative both riveting and powerful. 

The book has to do with something terrible that happened to a teenage Bret Ellis and his close friends 1981 in Los Angeles, and how those events line up with a serial killer dubbed "The Trawler" who stalked LA at the time. Ellis has said everyone's names have been changed, and even the killer's nome de plume is made-up, although was bandied about early on in this larger than life horror's earliest days of activities.

I'm fascinated, and can't wait for more. You can click over to Ellis' Patreon HERE to sign up and get the podcasts. Worth every dime (roughly $3 a month I believe for the silver tier, which is what I have).

 

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Card:

New ideas, new journeys afoot.

Isolation: Day 141

Mr. Brown sent me this last night, and after watching it, both K and I are immediate fans. I can't wait to dig into The Hu's catalogue, which you can peruse and purchase from HERE.
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A new trailer dropped for Season Two of The Boys.



The trailer is a bit overdone, but I'm still excited to see where this goes.

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NCBD:

Not a lot this week. I did notice this coming from Vault, and I'm curious. Back in the early/mid 90s, I wasn't a RPG'r, but I loved Vampires. I know the entire genre is cliched now, and maybe it was back then, too. I didn't know that. I discovered Anne Rice's Interview with a Vampire when I was a senior in High School, and I LOVED it. This was shortly before the movie - which I'm not a huge fan of - and reading that first novel in Rice's Vampire Chronicles coinciding with my purchasing Type O Negative's Bloody Kisses (the digipak version, of course). I'd smoke out and lay around devouring the novel, while listening to Peter Steele's voice sing of Blood and Fire, and Suspended in Dusk, and Steele's voice became Louie's voice. I haven't gone back to those novels in since I read them; I'm not even sure I'd like them now. Back then though, Rice's fiction had me ravenous for more Blood Lore, and in this way I discovered White Wolf Publishing's Vampire: The Masquerade. My Chicago comic shop Amazing Fantasy carried a lot of books as well (thank you Garrett!), and I believe that is where I bought my first Masquerade novel. I wouldn't even be able to tell you which one it was, it left a bit of an impression on me. Enough that I'm curious to see a comic series reviving the line.

A few years back, when my friend Missi turned me on to Poppy Z. Brite's fiction from the 90s, it kind of scratched a long-standing itch for this kind of Goth-Pageantry fiction, and it's probably the hangover from reading her Lost Souls last year that has me tempted to pick this up.


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Playlist:

Young Widows - Settle Down City
Protomartyr - Under Color of Official Right
Rezz - The Silence is Deafening EP
The Teardrop Explodes - Kilimanjaro
Urge Overkill - Saturation
Metallica - Master of Puppets

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Card:

Keep going despite fatigue. The wheel turns, so says Ka.

2019: New Tool Track!

I definitely dig it - reminds me a lot of Lateralus. That said, listening to this removed from the context of an entire album that will eventually surround it makes me think listening to this would be like never hearing Lateralus and listening to Disposition. What this has done is make me anticipate the full album on a considerably more rabid note.

August 30th is soon.

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Ticked off episodes 6 and 7 of The Boys last night. I was warned about the 'fingering' episode. Wow. This show is, as Butcher might say, top gear.

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Playlist from 8/08:

Catherine Wheel - Ferment
Tool - Fear Inoculum (Pre-release single)
Angelo Badalamenti - Twin Peaks: Fire Walk With Me OST
Twin Peaks Playlist
Revolting Cocks - Big Sexy Land
Revolting Cocks Trance Playlist*
Tool - Undertow

* Comprised of No Devotion, Attack Ships on Fire, Something Wonderful, and Can't Sit Still. Great writing playlist, even though I ended up getting f*ckall accomplished yesterday. Still, I showed up and put my ass in the seat.

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Spread of the day:

Lots of strong, Feminine energy, lots of "Big Ideas" or Influences, and all Earth/Kingdom/Malkuth. Technically, 9s are Yesod, or Foundation, but that very much informs ten. Very good signs that, despite a frustrating day yesterday, I am on the right track.

2019: July 27th - Shellac The End of Radio Live 2004

It's been a few weeks since Shellac dropped The End of Radio, a really nice collection of live tracks culled from Peel Sessions in 1994 and 2004. Being that the band's 2007 album Excellent Italian Greyhound just might be my favorite of Shellac's records (or it's tied with 2000's 1000 Hurts), and I think Greyhound has one of the best opening tracks of all time, this is my favorite on this new album. The Martina Navratilova aside near the end of this performance makes me so happy I can often hardly stand it.

You can order The End of Radio on Vinyl - as it was meant to be heard - from Touch and Go Records HERE.

I really need to see Shellac live again. It's been a while.

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I'll admit that I fully expected to hate Amazon's adaptation of Garth Ennis and Darick Robertson's The Boys, but after watching one and a half episodes last night, I can tell you that is most definitely not the case. In fact, so far, I LOVE it. Karl Urban remains a perfect actor, in my book.


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Playlist from 7/26:

Primus - Frizzle Fry
Motörhead - Ace of Spades
Uncle Acid and the Deadbeats - The Night Creeper
Grand Duchy - Let the People Speak
Zeal and Ardor - Stranger Fruit
Numenorean - Adore

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Card of the day:

Being that I've ended up working Tarot into Ciazarn considerably more than I expected, I'm going to continue interpreting these draws that occur while I'm on a writing streak with it as direct influences on the story and/or characters. In this case, I have two 'set pieces,' but I believe I need two more in order to have a solid first act.

Teaser Trailer for Garth Ennis and Darick Robertson's The Boys

Courtesy of NYCC. Props to my good friend Chris from DwC and the Thirsty Crows for tipping me to it's release. After watching all I can say is...

I'm in.

As a series, I really liked The Boys at the start, but felt it became a bit blah in the middle. Then, about a year before it's end, Butcher stabbed someone to death for killing something special to him and the book became a juggernaut of awesome until the end. Hoping the show might streamline and smooth over some of the complacent parts.