Here Julee Cruise's haunting vocals and Angelo Badalamenti's equally compelling music provided the soundtrack to one of my favorite scenes from Twin Peaks, Season One: The hike to find Jacques Renault's cabin!
Watch:
To once again refer back to that Netflix trailer dump from last week; GDT and Panos Cosmatos working together as part of a GDT anthology series?
Sold! Also helming episodes are Jennifer Kent, David Prior, Guillermo Navarro, Keith Thomas, Catherine Hardwicke (on a thus-far untitled episode that has H.P. Lovecraft credited as a writer), Vincenzo Natali, and Ana Lily Amirpour!
Playlist:
Julee Cruise - The Art of Being A Girl
Sex Pistols - Never Mind the Bollocks...
Def Leppard - Hysteria
Angelo Badalamenti - Dark Space Low (Hour-long version HERE)
Yard Act - The Overload
Card:
The watery, or emotional aspect of our Earthly drives/desires/needs. This is a presumption since I won't be house hunting in Tennessee for about another week, but I think this is a good reminder that we have to temper our emotional drive to get the hell out of California with the pragmatic realities of actually doing this smartly and successfully.
Also, the Queen of Disks always reminds me to survey my 'Kingdom' and appreciate where I am and how I got there, especially the people in my life who have helped. If you're one of them - and you very well might be if you're reading this and I know you - thank you. You've helped bring me to this point in my life.
Years ago, my good friend Sonny observed that, on the cover of 1982's Bark at the Moon, Ozzy looked like someone shaved a poodle and then glued the shavings to him. That's a pretty funny - and still pretty freakin' accurate - description. But hey, metal album covers ran an interesting gamut back in the day. All things considered, you take the good with the bad. Which is kind of the case with Bark at the Moon, too. It's definitely not Ozzy's best solo record, and this is definitely not even the best song on the long player, but I dig the way the song moves and I dig the production. Ozzy does what he normally did back in the early 80s - Rock n Roll/you can't stop me/don't judge me. But the pre-chorus builds in a nice way and I swear I can hear how some of Jake E. Lee's guitar solos rubbed off on Kim Thayil ten years later.
k
>kl
NCBD:
Despite the wait, I actually dig that Marvel held Immortal X-Men #2 back so it landed the same week as X-Men Red's second issue.
Both these books are off to a great start, and I am still thinking about the closing page shocker of Immortal's first issue.
Madelyne Pryor, aka the Goblin Queen, up against Illyana Rasputin, aka Magik for the reigns of Limbo? No way I'd miss this one.
Speaking of Hulk, if the rest of Banner of War lives up to even half the promise of the Alpha issue, I will be super happy. Donny Cates continues to take huge swings and knock every issue out of the park.
A Misfits-esque Taskmaster? This limited series has already paid for itself in just one issue. Can't wait to dig into #2.
The final chapter in a pretty great adaptation of Joe Hill's novella Rain.
The first issue of Steve Niles and Szymon Kudranski's A Town Called Terror was mostly set-up, but that set-up brought the creep factor up to about an eight, so I'm in. I think the last Niles book I read monthly was Winnebago Graveyard, and that turned out to be a pretty wicked ride. Hoping for something in the same ballpark here, and pretty sure I won't be disappointed.
Watch:
Thanks to Mr. Brown, without who, I probably wouldn't have seen this new trailer for She-Hulk for another day or so:
Despite giving Moon Knight two episodes before jumping off amidst a seething hatred nothing since the DCU live-action Swamp Thing from a few years ago provoked, I remain optimistic about everything Marvel is doing with their shows (Mr. Brown has even talked me into giving Moonie another chance. Eventually).
The tone of this one is obviously going to be considerably less severe and more fun, but I am absolutely cool with that. Especially with appearances by "Professor Hulk."
Now, if we can just get Gray Hulk Joe Fixit.
Playlist:
Mr. Bungle - Disco Volante
Wesley Willis - Rock 'N' Roll Will Never Die
Calexico - El Mirador
The Bronx - The Bronx (II)
La Hell Gang - Thru Me Again
Various Artists - Nativity in Black: A Tribute to Black Sabbath
Joseph Bishara - Malignant OST
Ozzy Osbourne - The Ultimate Sin
Card:
Taking stock, keeping a clear head and above all things, planning. That's how I read this one. There are variables coalescing soon, but for the moment, they are still en route, traveling at an undetermined speed. Get Ready.
Sampa the Great is new to me (see below), but I am digging on this entire record.
Watch:
A couple weeks ago my Drinking with Comics cohost Mike Wellman sent me this interview with Mike Patton. Fantastic discussion, but of special interest here is his mention of Sampa the Great, who I'd never heard of before and whose 2019, award-winning record The Return is currently blowing my mind. Here's my favorite track (so far) on an album where there are a lot of tracks and all of them are good.
What I love best here is the fact that, if you go to the All-Music entry on The Return and check the credits, almost all of the instrumentation is real, very little in the way of samples. Plus, all of it hits that 70s Soul/ R&B sweet spot I love so much. You know, back before people considered crap like beyonce R&B.
Playlist:
Death Valley Girls - Under the Spell of Joy
Perturbator - Excess (Single)
Perturbator/Author & Punisher - Excess n (Single Remix)
Vreid - Wild North West
Sampa the Great - The Return
Deftones - Ohms
Ice-T - Power
Card:
The Queen of Disks always feels like a bit of an indictment to me. Kind of the spiritual or theoretical equivalent of Dante's change experiment in Clerks (yeah, I know that's an odd reference to tie into Tarot). While your better self (or Star self as I always imagine Crowley called it and didn't) is looking the other way, are you participating in something you shouldn't? The goat up front staring at us, essentially breaking the fourth wall, is a reminder you should always be aware, because others are whether you realize it or not.
There's a reminder of culpability here that I like, and whenever I see it, I try and run a mental checklist to see if all my ducks are indeed in a row. Interestingly, I feel like there's an element of that in The Return, as the record is peppered with dialogue snippets - mostly third party phone messages by Sampa's friends - that seem bent on making her understand something the world around her expects of her, but that she herself has left behind. And that's part of culpability, too, making sure that just because the world expects something of you, if it doesn't align with who you actually are inside, you're not falling in line. Keep your ducks in a row, not theirs.
For my fellow Sabbath Lads. Ozzy has never sounded so serene.
Watch:
The season opener of John Favre's The Mandalorian was so chocked full of goodness that I thought, for a moment, I might explode. Thankfully, someone is doing something cool with Star Wars.
Also, now that I've restarted my Disney + sub, I'm really looking forward to Wandavision. So much so, I think I'm going to start re-watching the MCU from the beginning, filling in those gaps I've missed along the way. What stoked my excitement?
I feel like I am about to very much re-engage with Marvel.
NCBD:
Pretty light week.
A new series from Aftershock Comics, Miskatonic looks like it will pit J. Edgar Hoover's "Red Scare" against the seedy underground world of Lovecraftian Death Cults. How could I not want to read this?
The old reliable, every-month-is-better-than-the-last.
Playlist:
Selim Lemouchi and His Enemies
Opeth Deliverance
I found an excellent podcast recently that has become increasingly important to the research aspect of writing Shadow Play Book II and spent some time listening yesterday. Mexico Unexplained is a series of quick but amalgam of informative historical facts and subsequent conjecture, and it's fascinating. Go to their site HERE.
Card:
Patient and stable. Also, coming out the other side of that solitude we started today's post off with.
Moments after I posted yesterday's page here I learned that Sid Haig passed away. This seemed inescapable after all the reading I'd done late last week about why he had such a small role in Rob Zombie's 3 From Hell, and sure enough, one week to the day after the film's release, we lost Captain Spaulding. I can think of no great tribute than the scene I've posted above; other than the intro to Way of the Gun, this is possibly my favorite to any movie ever.
**
This record is absolutely fantastic!
After stumbling across it's premature release late last week and posting about it here, I ended up truncating my first listen; last week was my on-call shift at work, and during those weeks I always refrain from smoking, which I knew I wanted to do for my first go-through on this one. So yesterday, after turning the phone over to the next person in the rotation, I returned home after work and hit the ol' dugout, then put on my headphones and lay on the bed listening - and I mean full-attention, not doing anything else listening - to the album all the way through.
It's epic. My favorite Blut Aus Nord record since Memoria Vetusta II, probably because this feels like a direct sequel to that record, even more than Memoria Vetusta III does. Epic, cosmic, and majestic, Hallucinogen takes me straight to the stars, and I love it.
**
NCBD: This will be the first week in number of weeks that anything I read comes out, so I'm pretty excited:
After mis-reporting it last month, here it is, just in time to coincide with my re-read of the series: Black Science ends with issue forty-three!
Two Remender books in the same week - always a great thing!
**
Playlist from 9/23:
Air - Talkie Walkie
Carpenter Brut - Leather Teeth
Rob Zombie - Hellbilly Deluxe 2
Blut Aus Nord - Hallucinogen
**
Card of the day:
Despite not having a formal writing session yesterday, I did a pretty good deal of research and I had a massive breakthrough on a major aspect of the overall Shadow Play story. It would seem the suggestion for today is to do a little housekeeping and translate some of those notes into actual story Bible material.
I definitely dig it - reminds me a lot of Lateralus. That said, listening to this removed from the context of an entire album that will eventually surround it makes me think listening to this would be like never hearing Lateralus and listening to Disposition. What this has done is make me anticipate the full album on a considerably more rabid note.
August 30th is soon.
**
Ticked off episodes 6 and 7 of The Boys last night. I was warned about the 'fingering' episode. Wow. This show is, as Butcher might say, top gear.
**
Playlist from 8/08:
Catherine Wheel - Ferment
Tool - Fear Inoculum (Pre-release single)
Angelo Badalamenti - Twin Peaks: Fire Walk With Me OST
Twin Peaks Playlist
Revolting Cocks - Big Sexy Land
Revolting Cocks Trance Playlist*
Tool - Undertow
* Comprised of No Devotion, Attack Ships on Fire, Something Wonderful, and Can't Sit Still. Great writing playlist, even though I ended up getting f*ckall accomplished yesterday. Still, I showed up and put my ass in the seat.
**
Spread of the day:
Lots of strong, Feminine energy, lots of "Big Ideas" or Influences, and all Earth/Kingdom/Malkuth. Technically, 9s are Yesod, or Foundation, but that very much informs ten. Very good signs that, despite a frustrating day yesterday, I am on the right track.
It's 12:00 AM, and for the second time this week, I can't sleep. There's bravado in the clouds tonight, distant thunder echoing across the sky, holding the population of LA's South Bay hostage. Those of us still awake, anyway. I'm on the couch, watching Lucio Fulci's City of the Living Dead as I type this. I've had horror on the brain this evening - I feel both that I want to consume an unheard amount of it, and that there's some new story bubbling just beneath the surface of this rabid spike in fandom I'm experiencing. Maybe it's an escalating love for Shudder's historically minded programming, or a love for all the peripheral content the open-market of the internet has made possible. Or maybe it's just that the world we live in is a horror story, a very sad yet wonderful story whose outcome remains unproven. I watched Horror Noire a few days ago, and the first episode of Eli Roth's History of Horror earlier tonight. One quote from Edgar Wright rings out in my head; while discussing George A. Romero's Day of the Dead, Wright says something to the effect of, "It's an apocalypse you wouldn't mind living in. Or at least, I wouldn't." Very true, but the question is, does ours measure up? Would you rather have a never-ending parade of narcissistic cunts running things and two hyperbolically ludicrous political parties totally devoid of common sense, or a hell-on-Earth, zombie apocalypse?
I'd wager you can guess my answer.
**
I ended up unable to drop off until around 2:00 AM, so I called out from work. Will use the time to make major progress in finishing the book.
But first, let's look at what's happening this morning, now that I have slept.
Sargent House just dropped new music from Seminal Crawl band Earth. New album Full Upon Her Burning Lips drops on May 24th; you can pre-order physical HERE and digital HERE.
**
NCBD:
This is the MVP pick of the day for me. Hell, maybe of the year. I acquired the first two volumes of Warren Ellis and Jon Davis-Hunt's The Wildstorm at Amazing Fantasy in Chicago back in December. I read them in a day, and seriously think it might be Ellis' best comic work since Transmet. The relationship between Jon Davis-Hunt's art and Ellis' script make this the best example of 'wide screen comics' I've seen in years, maybe ever. It's so clean. A complex, fascinating story that just feels effortless in how it's told. And if you're worried about the superhero source material, don't: I had next to no experience with the Wildstorm Universe before this, aside from the occasional mini series by Ennis (not even sure if those are Wildstorm, now that I think of it; all those early Image "team" books run together for me because I never read any of them back in the day), and I think my read on this new reimagining from Ellis is better for it. And it's not a superhero book. At all.
I Can't recommend The Wildstorm enough:
Finally! Walk Through Hell returns! I think I was referring to this in previous posts as "A Walk Through Hell," and now that I see my mistake, I feel like the title is even creepier, because, in keeping with the story, it's a command.
More Warren Ellis! Cemetery Beach, with artist Jason Howard, comes to an end. I'm assuming this is the end of a first volume, and now that Ellis and Howard's Trees is set to rotate back in with a five-issue third volume, we'll have to wait until after that completes before we have more Cemetery Beach. Whatever the case, this book has been fantastic. If you read Ellis' newsletter, with its fascinating glimpses into the man's work methodology, you can see a window into how he has evolved into such an efficient storyteller. This is the end goal for me folks; it gives me something to shoot for. Not to write like Warren Ellis, but to have as crisp and clean a process.
A new issue of Deadly Class will pair nicely with my continued love of the Remender-run SYFY adaptation, and serves as a reminder that now that K has read the entire run of the comic to date, I need to initiate my own re-read. Look at that cover!
Jesus, this is looking like an expensive week! No complaints though, not when Paper Girls is returning. And again, look at that cover! I'm going to have to revisit the final issue of the previous arc, because I can't quite remember where we are in this totally batshit crazy book.
And I may have listed it here last, but this will be the first book I read today! The Walking Dead 189. This book has, as always, been a riveting descent into the chaos at the heart of humanity's designs on civilization. Why doesn't structure work? Because we are the walking dead, and all order is transient when compared to the chaotic nature of the Universe. Or is it just order on a scale we can't see?
Who knows? Part of the fun is wondering. But I digress...
Part of the beauty of TWD, is it maps out an allegorical timeline to our own history inside the world of the book. The seeming perfection of this new society our long-haul characters have found in this newest arc is turning out to be not so civilized, and as we inch toward the landmark 200th issue, I think things are going to get hairy. As usual though, Kirkman has no limit in his writing and imagination, and he never does what I think he's going to do; that's why I love this book.
Playlist from 3/05:
Various Artists - Trainspotting OST
Cold Showers - Matter of Choice
Cold Cave - Cherish the Light Years
Prince - Sign O' The Times
Blut Aus Nord - Cosmosophy
Boy Harsher - Careful
Card of the day:
Perfectly grounded. Water of Earth; cares for her house. Perfect for the day for two reasons: A) The Earth track that dropped, and B) I'm home and going to attempt to finish this house I've built in Shadow Play, Book One. I finished the Grammarly editing last night, now I have to record myself reading the last half of act two and all of act three, and I can listen to it and suss out any final story edits that need to be made. Excited!
