Well, we pulled the bandage off last night and finished Halt and Catch Fire. Easily one of the best shows I've ever experienced, and it really reminded me a lot of Six Feet Under, which K has never seen. We're going to move that one up the list, however, now is the time to really double-down on The Boys. I watched Season One last year without her, so this year I've been slowly rewatching that with her in preparation for moving into Season Two. Can't wait, even if the pop culture saturation point with it is riding an annoying level of saturation.
Rewatching Six Feet Under scares me a little bit. I loved the show, however, by the end it had very much changed the way I looked at Death in a tangible way, and with it, how I look at life. Not necessarily bad, but from about halfway through the second to last season, the show really gets heavy, and I'm not sure I can take the emotional beating until at least after November (and maybe not then, depending on how things go).
NCBDThere's a number of great things out today:
Really digging this series so far, and meaning no disrespect whatsoever to Jacob Philips or Chris Condon, it fills the hole left by Criminal's end quite nicely.
Playlist:Deftones - Ohms
Dame Fortune - Am I a Warrior (single)
Molchat Doma - Etahzi
Not a heavy music day yesterday, because over on the Bret Easton Ellis podcast, Mr. Ellis has begun reading his newest novel in a serialized fashion. He hasn't given a title, and it wasn't until this newest episode - the first hour or so of which is the reading (followed by a fantastic interview with Hollywood Legacy Executive Peter Bart) - that Ellis even quantified that that's what he's doing - serializing his new novel. The story is a purported memoir, though at this stage I'm fairly certain it's about as much of a memoir as Lunar Park is. That's fine - Lunar is my second favorite novel of all time, right behind Gatsby, and I find Ellis' ability to sync real life with narrative both riveting and powerful.
The book has to do with something terrible that happened to a teenage Bret Ellis and his close friends 1981 in Los Angeles, and how those events line up with a serial killer dubbed "The Trawler" who stalked LA at the time. Ellis has said everyone's names have been changed, and even the killer's nome de plume is made-up, although was bandied about early on in this larger than life horror's earliest days of activities.
I'm fascinated, and can't wait for more. You can click over to Ellis' Patreon HERE to sign up and get the podcasts. Worth every dime (roughly $3 a month I believe for the silver tier, which is what I have).