Hangman's Chair Live at Hellfest!!!

 

Another fantastic live performance as posted by the fantastic ARTE Concert YouTube page.

I'm super new to Hangman's Chair - I discovered them by way of singer Cédric Toufouti's work on Perturbator's Lustful Sacraments - so I had no idea they were big enough for a crowd like this. Always nice to see a band you're sweet on getting an ocean of love at a live performance. 

I've posted recently about the band's new album, Saddiction, which you can pick up from Nuclear Blast HERE.
 

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Watch:

I really think I need to spend a little more time talking about Severance than I did the other day. This is, for me, the most important show I know of at the moment.

This show is an allegory for the ramifications of the Corporate paradigm we live in and its effect on human beings, and it's a damn good one, at that. It's really made me reflect on my life and my job, which is becoming so all-consuming that it's affecting my writing, my sanity, and maybe my overall person. I have dreams that express the fear I'm being slowly brainwashed into one of these fucking corporate pod-people, and it's terrifying. 

One of the major plotlines of Severance is how the "Outties" - i.e., the person when not at work- basically sell their "Innies" into slavery. Of course, the Outtie does not go unscathed. I've only seen far enough (season 2, episode 2) into the show to get a feel for one character's home life, but it's clear they are not happy. Because, of course, to draw a really strong comparison from Severance to a film I love:

You cannot treat one aspect of yourself poorly and not expect it to affect the overall organism. 

This is an exaggerated pretense of how I feel about my work-life balance, a term that in and of itself makes me crazy. I spend far too much of my time working, thinking about work, solving my Innie's problems, and in this way, I feel like, just as The Substance is a remarkable allegory for beauty and self-worth, Severance is an allegory for the trade-off we make for money, status and all the other trappings of 'success.' To many people who know me, I might appear successful. In my own mind, however, I realize the damage the trade-off is doing. 

Word.

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Playlist:

Ministry - The Squirrely Years

Tim Hecker - Infinity Pool OST

Flying Lotus - ASH OST

The Veils - Asphodels

Deafheaven - Lonely People With Power

Ozzy Osbourne - No More Tears

Motley Crue - Shout at the Devil

Heilung - Lifa

David Bowie - Outside

Metallica - Kill 'Em All

Slow Crush - Aurora

Low - Trust

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Queen of Cups

• XVI: The Tower

• Seven of Wands

Look to your dreams for what comes after the Fall. Of special note may be causes previously thought irrelevant.

Ministry - The Squirrely Years

 

I had heard Uncle Al was bringing the band out on the road to play the material from the 12" Singles/With Sympathy era, but I didn't realize that meant we were going to get a fully reworked release of the most iconic tracks. That's right - Ministry: The Squirrely Years Revisited is out and it's pretty damn good. 

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Watch:

I could tell you about the movie with Jenny Ortega and Paul Rudd that I went to see last night, or I can keep it clean and talk about how, despite my lifelong disdain for Ben "The Black Hole of Comedy" Stiller, my sister recently talked me into watching Severence on Apple TV and I absolutely love it.

Now, Stiller didn't create this, but he directed the first three episodes, and they were stellar! I mean, credit where it's due, folks. 

Created by Dan Erickson, IMDB sums the show up thusly:

"Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs."

This show is DARK. The lives of each character are divided as their "Innie" and "Outie." The Innie's lives exist solely at the office, and while most of them cope by convincing themselves they are doing something great, one character is desperate to get out and cannot. She makes several resignation requests to her Outtie, but each falls on deaf ears, leading to an increasingly malevolent response.

Can't recommend this one enough. 

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Read:

Late last week, I finished John Dies At the End, and I'm happy to report it was absolutely fantastic. Such a fun read that has a pretty unique tone. Dave, the Narrator, has a particularly snarky approach to the world, and the titular John splits the difference between stupidity and heroism perfectly.

Next up: Adam Cesare's Clown in a Cornfield.

I was on the fence about this one, but my good friend Jesus sent me a copy a year or two ago, and with the movie coming out, I knew we'd cover it on The Horror Vision, so I figured a comparison between the film and source material would be in order. ~80 pages in, and I can say this is a very readable book. Not much has happened yet, but I'm enjoying it for sure. 

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Playlist:

Shellac - Excellent Italian Greyhound

Pink Floyd - Piper At the Gates of Dawn

Tool - Ænima

Ike Reilly - Poison the Hit Parade

Ozzy Osbourne - No More Tears

Skid Row - Eponymous

Skid Row - Slave to the Grind

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• King of Wands

• Two of Swords

• Ace of Swords

Mastering Will to stand or severe unproductive partnerships. Hmmm... I hate when I receive 'work advice' from the cards, but it's on point.