As if I'm not completely overtaken by my love of Greg Puciato's debut solo album Child Soldier: Creator of God, the former lead singer of Dillinger Escape Plan has put out a new, multi-media package. Available from his own Federal Prisoner label HERE, Fuck Content is a video/audio release featuring a ten-song live set and five new studio tracks. I love Puciato's music, but I've also become quite a fan of his aesthetic. All the glitchy, seizuring graphics, the black and white digital abstractions that almost resemble some cyberpunk version of newsprint. It's all very fitting for the noisy/melodic mash-up that defines this first album's sound, so the idea that his follow-up release is an audio/visual thing really just makes sense. Also, not nearly enough musicians do this.
Read:
I finished my re-read of Jonathan Lethem's Motherless Brooklyn. It'd been over ten years since I read this the first time and inspired by the film, I decided to revisit, not remembering a lot of specifics, except that the movie is very different. Still, I really enjoyed both. After that, I picked up that new Brubaker/Phillips Hardcover Graphic Novel Reckless, expecting to read it in several sittings. Nope. I blew through Reckless non-stop, and even though I just got done telling everyone Pulp is their best, Reckless comes in ahead of that one by about 100 miles.
This book is the perfect iteration of these gentlemen's ongoing collaboration, and if this is the case, we have nowhere to go but up. Hot damn, go buy this and read it now; Reckless is FANTASTIC!
Watch:
The Mandalorian's second season ended last night and I am going to feel every day between now and season three. I am absolutely floored, not only at how fantastic this show is, but how John Favreau has completely undone my hatred of star wars - a hatred rooted in a betrayal, the complete undermining and convolution of something that should have been so simple, namely, making new star wars movies. This veritable disgust that I feel for the franchise began to sink deep into my blood three years ago, when I sat in a movie theatre in LaGrange, Illinois and watched the trainwreck that is The Last Jedi.Disney + has really been a gamechanger for the fan-driven content previously only associated at such a high level with movies released in megaplexes. If you watch The Mando show, you're missing something great if you skip the end credits (especially on this last episode. Whewww! and on that, I will say no more). When you watch all those names and roles scroll up your screen and realize that these television shows Disney is producing are every bit as accomplished as major motion pictures. That in itself just blows me away, the fact that Disney is so big they can change the game this much (also, I secretly hope all the Marvel/Star Wars stuff will go this route and we can go back to having non-blockbuster movies in theatres in a year or four).
Anyway, Favreau really should be crowned king Geek for what he did for starting the MCU with Iron Man and now reinventing and, frankly, saving Star Wars from itself by taking it back to its roots. This final episode brought me to tears. Not just because of the story, but because finally, after twenty years of new star wars material, SOMEBODY GOT IT FUCKING RIGHT.
Playlist:
Four Stroke Baron - Planet Silver Screen
Opeth - Deliverance
Allegaeon - Apoptosis
The Plimsouls - Everywhere At Once
Preoccupations - Eponymous
XTC - Drums and Wires
Kevin Morby - Singing Saw
Calexico - Seasonal Shift
Squeeze - Argybargy
Slayer - Live Undead
Mrs. Piss - Self-Surgery
Chelsea Wolfe - Hiss Spun
Devo - Going Down (single)
Fleet Foxes - Shore
Greg Puciato - Child Soldier: Creator of God
Various Artists - Joe Begos's Bliss Spotify Playlist
Emma Ruth Rundle and Thou - May Our Chambers Be Full
Loathe - I Let It In and It Took EverythingCode Orange - Beneath
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