Human Impact - Genetic

 
Somehow, I either missed or forgot that Human Impact released a single in September of last year. "Genetic" is a terse little fist to the throat, wrapped up tight in Human Impact's trademark, snarling severity. Hopefully, this is a sign of more new music to come.

 

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READ:

I did a lot of catching up on current comics over my brief sabbatical from work earlier in the week. Here's what I read and my take:

I didn't realize The Boys: Dear Becky was ending with issue #8 until I read issue #7. Now that the whole thing is out, I re-read it all from the beginning and enjoyed it quite a bit. The Boys is a really uneven epic in my eyes, with moments of emotional brilliance surrounded by what I've come to think of as Garth Ennis just being Garth Ennis. It worked the best in Preacher, but as with the regular Boys series, Dear Becky tends to step back up into the sublime just as you start to feel jaded about the ridiculousness. Overall, if you only know the show, you probably don't need to go back to the source material - The Boys is possibly the best example of an adaptation-for-screen that has completely trumped its source material - however, if you know and dig the original comic series, Dear Becky will scratch the itch.

Having only just read Laura Marks and Kelley Jones's Daphne Byrne a few months ago, our Deep Dive into Hill House Comics on a recent episode of A Most Horrible Library made me want to revisit this stunning Gaslamp-era New York. It's soooo good. Kelley Jones really just brings the creep factor up to eleven here, and it makes for a really fun, pleasing story with all the fixings - widows betrothed to the Devil, ghastly visions, malevolent visitations, and surly, Hackney con artists using peoples' grief and the rise of spiritualism to take advantage of them. 

This one came out in October, but I just read it, then kept it hanging around in the stack so I could read the short story and other backmatter stuff that rounds out every enormous issue of Greg Rucka and Michael Lark's Lazarus, an economy based dystopian world that I have become more and more convinced maybe the closest thing to what the world is going to look like by the end of my lifetime. Equal parts thrilling and intriguing, there's espionage, military strategy, human drama, and action. 

I'm using the image for the upcoming HC collection of Hellblazer: Rise and Fall, but if you can find the single issues, that's the way to read this one. The Black Label, Magazine format is perfect for this story, possibly the first new Hellblazer story in years I've actually really liked. This is the 'softer' JC we've seen in recent years, without that trademark Vertigo edge, however, there's still edge to be had, there's homage to previous creators all over the place, and maybe I just really wanted to like A) a new JC story and B) really wanted to like one of these Black Label books, because I dug this one. Three issues, doesn't overstay its welcome, is pretty humorous at times, and still captures some of the Black Magick Heart of the character. 

 

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Playlist:

Genghis Tron - Cloak of Love

Human Impact - Genetic (single)

The Soft Moon - Criminal

Helmet - Meantime

P.M. Dawn - Set Adrift on Memory Bliss

Small Black - Duplex (single)

Genghis Tron - Dream Weapon (pre-release single)

Small Black - Best Blues

Black Sabbath - Paranoid

Black Sabbath - Eponymous

Arctic Monkeys - AM

16 - Dream Squasher

Calexico - The Black Light 

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Card:

Stop abruptly and switch gears. 

Run for the Shore

 

My cousin Charles is a huge Fleet Foxes fan, and although I've liked everything I have previously heard by the band, A) my most recent previous listen was quite some time ago, and B) they long ago fell off my radar. Until Charles messaged me about how much he loved the newest record, Shore. I gave this one a spin last week, liked it, and then did not return to it until yesterday, when Shore absolutely blew me away.
First, the way this record is recorded is gorgeous. There's some real craft here, especially with the vocals and the mixing. Robin Pecknold's voice is handled in a way that makes it feel enormous and intimate at the same time, no easy feat. The instrumentation and arranging is full but organic in a way that gives the depths of most songs a very layered, aquatic feel, so that the music washes over and submerges you. Given the title and cover art, this is most definitely intentional, and very much appreciated. I've always loved aquatic themes and 'flavors' in music, and that goes especially well with the songwriting on this record.

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Watch

Holy smokes. Run, which should have been in theaters this past Mother's Day weekend, is on HULU now. I knew nothing about this one other than Sarah Paulson is in it - always a good thing - until my friend Jonathan Grimm texted me about how much he liked it. An hour and a half and some change later, I couldn't agree more. Don't watch any trailers, don't read anything, just WATCH IT! Wow. Co-writer/Director Aneesh Chaganty is definitely someone who I will be watching like a hawk for whatever he does next.

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NCBD:

Isn't it nice when, every November, NCBD falls the day before a holiday made for eating too much and laying around reading? Yeah, it is. 

So far, I adore this series, so let's continue on. I'm loving all the Autumn-tinted Horror in comics this year, three of them with new installments today!

The Plot is back and I am HAPPY! More dark, Ancestral Horror is exactly what this holiday season needed.

The Best of Raphael book from a few months ago remains one of my favorite comics since I was a kid - something about this oversized format. So of course, I'll be buying them all...

This last one is The Unkindness of Ravens #3. I'm digging this Sabrina-esque story, and realizing today that there's only one more issue, I'm unsure how this is going to wrap in a satisfactory manner. 

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Playlist:

Emma Ruth Rundle and Thou - May Our Chamber Be Full

Fleet Foxes - Shore

Genesis - From Genesis to Revelation

Yob - Clearing the Path to Ascend

Sex Pistols - Never Mind the Bollocks...

Venue - Desiréena 

Venue - One Without a Second

Death Crux - Mutant Flesh

The Seatbelts - Cowboy Bebop OST

Zombi - Shape Shift

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Card:

Endings and transformation. 

Fields of the Nephilim - Moonchild

A little Carl McCoy and crew to usher us into the weekend. Here in LA, a brief flirtation with Autumn-like weather two weeks ago proved a total tease, and we've been back to 80+ degree days, with slightly chilly nights. The smell of the fires that raged over the last week has added a slight tinge of Halloween atmosphere to the air, as the brain can easily mistake the odor for that of burning leaves. For the most part, though, we are on our own to create and sustain a proper Autumnal environment for the season. Hence my leaning heavily on all the "October" music in my collection.

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31 Days of Horror:

10/01: House of 1000 Corpses/31

10/02: Lords of Chaos

10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1

10/04: IT Chapter 2, AHS 1984 Ep. 3

10/05: Bliss/VFW

10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog

10/07: Halloween 2018

10/08: Hell House, LLC

10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)

10/10: Creepshow Episode 3

10/11: Jenifer (Dario Argento; Masters of Horror Ssn 1 Ep 4)

10/12: Poltergeist/Phenomena

10/13: AHS 1984 Ep 4/In the Tall Grass
10/14: Invasion of the Body Snatchers ('78)
10/15: Rabid (2019)
10/16: Wounds
10/17: Behind the Mask: The Rise of Leslie Vernon

**
I received my copy of Death Waltz Records/Mondo's Vinyl Halloween III: Season of the Witch score. Fantastic packaging. I wish they'd put equal care into their Prince of Darkness vinyl from a few months ago, but I'll take what I can get.

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Playlist from 10/17:

Fields of the Nephilim - The Nephilim
John Carpenter and Alan Howarth - Halloween III: Season of the Witch OST
Ritual Howls - Their Body

Card of the day:

Time to change my routine a bit to promote fresh growth. I've felt a touch stagnant in the actual act of writing lately. Part of it is the scope of outlining the second and third Shadow Play books in depth is creating massive change in the story. This is a really good thing, as I feel these books are really coming alive. But the execution of concept is feeling a bit daunting at the moment, and the feeling is paralyzing me. I spent a good deal of time surrendering to an urge to clean and re-arrange the apartment yesterday in the middle of what was supposed to be a day off's writing session. I have no illusions here - I know this was an exercise of psychological displacement, i.e. I'm having trouble plotting one of the character groups' arcs, so I put writing aside and clean because it's something I can accomplish. This tomfoolery is dangerous if it gets out of control, so I need to figure out a way to sidestep this mania. I'm open to suggestions.

Playlist to Joe Begos' Bliss

From the soundtrack to Joe Begos' Bliss, a film that I absolutely had a blast with on the big screen at the Egyptian last Saturday night. Producer/Editor/Actor Josh Ethier posted a link to the Spotify playlist, and various tracks from that will probably be popping up here for the next few days because it is loaded with great stuff that really fleshed out the aesthetic of the film and helps re-live it.

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31 Days of Horror:

10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC

Hell House, LLC was a very nice surprise. I really dug this one; while K liked it but feels most found footage movies feel like re-treads because the original Blair Witch did it already and did it better. I agree to a point, but there's something about the MO of a found footage flick that seems to lend itself to making genuinely scary moments - when handled correctly. Hell House, LLC has a couple of deep, sustained moments of, "What the fuck, ah!" horror, my favorite of which became hard to watch as one of the characters, when faced with inexplicable entities directly in front of their face, chose to pull the covers over their heads and, I guess, hope for it to go away.

I would post the trailer, but it really doesn't do it justice. My advice? If you're interested, turn off all the lights in your home and watch in the dark.

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Playlist from 10/08:

Type  Negative - Life is Killing Me
Various - Twin Peaks: Fire Walk With Me OST
Perturbator - New Model
Dr. John - Gris Gris
How to Destroy Angels - Welcome to Oblivion
Deth Crux - Mutant Flesh
A Place to Bury Strangers - Exploding Head
John Carpenter - Lost Theme II
John Carpenter - Prince of Darkness OST

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Card of the day:

Change is a'coming. Isn't that always the case? I'm reading this more as the thirteen and reference to Thanatos Energy, Death Energy, which is to say transformative energy.

2018: August 20th

This looks great. Jim Hosking's first feature, The Greasy Strangler, ranks as probably the most interestingly off-putting movie experience I've had in the 7 or 8 years since I finally saw John Water's Pink Flamingoes. This is both a good and upsetting thing. As Mr. Brown pointed out, with this follow-up having Universal distribution, I'm sure some of the madness will be bleached away, and I'm okay with that.

Playlist from yesterday:

Etta James - Eponymous
Etta James - Second Time Around
Fugazi - 13 Songs
Deafheaven- Ordinary Corrupt Human Love

Card of the day:

The Streak is broken, but everything is indeed, still coming up Milhouse.