I'll be leaving L.A. later today, and I take that leave with a heavy heart. Not sure when or if I'll be back. My company is moving our department to Arizona, so I won't have a free ride out anymore. Because of this, I wanted to post an L.A. band that brings out the best of the city's vibes, and that band is definitely Deth Crux. I found these guys through Joe Begos, who used them first in Bliss, and then again for the soundtrack to Christmas Bloody Christmas. I tracked down a vinyl copy of their debut album Mutant Flesh and just love it from start to finish. Hoping we'll hear more new music from them at some point. In the meantime, it's in this band's grimy post-punk that I find the perfect balance for my love/Hate relationship with the City of Angeles.
31 Days of Halloween:
1) When Evil Lurks/VHS 85/Adam Chaplin
2) Tales From the Crypt Ssn 1, Ep 6 "Collection Complete"
3) VHS
4) All You Need is Death
5) Slashers (2001)
6) The Beyond/Phenomena
7) The Convent
8) Evil Dead 2
Watch:
Kids show or not, you tell me Boys in Trees director Nicholas Verso has a new show on HULU, and I'm watching it.
I'm not even going to bother watching the trailer or reading about Crazy Fun Park, as I want to go in blind and hope that, if this is a success, we might finally get a Bluray release of Boys in Trees, which I feel should be in most Horror fans annual October viewing schedule.
Playlist:
Sylvaine - Nova
Zeal and Ardor - Eponymous
Deth Crux - Mutant Flesh
Card:
I keep seeing this Defeat Five of Swords card. This coupled with the Queen and Three of Cups leads me to believe this is a picture-perfect snapshot of my emotional state at the moment - I am ready to be home and feel like the longer I'm here in L.A., I'm undoing or defeating all the progress I've made in the last year.
The first Christmas in our new house! Amidst predictions of a blizzard hitting Chicago this past Thursday, my parents left the South Side a day early to beat the snow. Imagine their consternation when Thursday night Tennessee received a good inch-and-a-half of White Christmas! I love this; this is a bonafide dream come true for Kirsten, and it fills me with joy to see her reaction to something I began taking for granted a long time ago (she's renewed it though...)
Anyway, Merry Christmas to all, and to all a good night. And hey, maybe after Home Alone, throw on that new Joe Begos Christmas flick, Christmas Bloody Christmas!
The Playlist for Joe Begos' new film Bliss has turned out to be the gift that keeps on giving! I've spent the last twenty-four alternating between Deth Crux's Mutant Flesh album and Doomriders' Black Thunder. Both these records are start-to-finish fantastic, and I haven't even had time to dig into some of the other bands with killer tracks on it. Here's the embedded full playlist - if you dig it, follow some of these folks on BandinTown, Spotify, Bandcamp or Apple Music.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)
Wow. When Masters of Horror aired back in the mid-'00s, I cursed not having cable. I looked forward to the inevitable DVD releases with a sort of frantic fan devotion. I mean, here was a series that assembled most of the greatest living horror auteurs, new and old, in one place. How could that be bad?
When all was said and done, I enjoyed the few I saw (Carpenter's Cigarette Burns, Coscarelli's Incident On and Off a Mountain Road, and Stuart Gordon's Lovecraft adaptation Dreams in the Witch House) but somehow never got around to the rest.
It's as if I knew.
Last year, I went back to the series for the first time in forever, primarily because at ~an hour each, MOH provides a great way to check a box for 31 Days of Horror on a work night. Yesterday, with a late start and an early wake-up time, I sought the series out again, opting to buy the first season digitally on Prime. Once acquired, K and I settled in for one of the episodes I had always anticipated but never got around to: Tobe Hooper's Dance of the Dead.
Dance is an adaptation of an old Richard Matheson short story of the same name that I first read in the early 90s; in fact, Matheson wrote the teleplay to adapt the story for Hooper, so everyone involved with this film is in my 'good book.' That makes it even stranger that I absolutely hated the finished product.
I didn't hate the way the story was adapted. No, what I disliked, and what I now wonder might hold true for more of the MOH series - and maybe even a lot of Mid-'00s, big-name Horror in general - is the aesthetic. I can't speak to that broader picture yet, but let's take a look at Dance of the Dead as a possible microcosm of the overall macrocosm of 2000s Horror.
Dance of the Dead suffers from an extremely dated adherence to mid-'00s culture: the guys in DOD all look like Bros, the attitude of everyone seems an extrapolation and acknowledgment of 'extreme' culture - something horror was DEFINITELY guilty of trafficking in; remember the Dimension: Extreme imprint? - and their messy hair, mountain dew attire, piercings, tattoos, etc. really just look embarrassing for the costume designer and producers. After a similar cultural rift, a lot of us look back on this same broad-stroke cluelessness on 80s youth culture as endearing (bandanas, shoulder-hoisted ghetto blasters, switchblades, etc), so maybe that will happen with the 2000s as well.
Though I doubt it. The schism is a little hard to explain, but if you were socially cognizant during the 00s, you'll know what I mean.
Along with the above, DoD sports an overly enthusiastic reliance on digital effects and awkward, heavily effected camera work that manifests as constant shaking-and-trailing of the picture frame, superimposed imagery, and a general frenetic editing pace that directly detracts from the film's visual exposition, in my opinion. During this period, I remember having a theory that everyone in Hollywood thought the entirety of youth culture suffered from ADD.
Finally, this befuddlement of youthful values and mores leads to a palpable and frankly ugly mean streak, especially when looking back from higher ground. Horror is horror, but in my experience, 'mean' generally doesn't hold up in the light of hindsight.
I fully intend to watch more of the first season of Masters of Horror, so I can only hope some of the other films contained therein prove me wrong.
**
Playlist from 10/09:
Tones of Tail - Everything
Various - Bliss Soundtrack Playlist
Bauhaus - In the Flat Field
Doomriders - Black Thunder
Deth Crux - Mutant Flesh
Twin Tribes - Shadows
Ritual Howls - Into the Water
From the soundtrack to Joe Begos' Bliss, a film that I absolutely had a blast with on the big screen at the Egyptian last Saturday night. Producer/Editor/Actor Josh Ethier posted a link to the Spotify playlist, and various tracks from that will probably be popping up here for the next few days because it is loaded with great stuff that really fleshed out the aesthetic of the film and helps re-live it.
**
31 Days of Horror:
10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
Hell House, LLC was a very nice surprise. I really dug this one; while K liked it but feels most found footage movies feel like re-treads because the original Blair Witch did it already and did it better. I agree to a point, but there's something about the MO of a found footage flick that seems to lend itself to making genuinely scary moments - when handled correctly. Hell House, LLC has a couple of deep, sustained moments of, "What the fuck, ah!" horror, my favorite of which became hard to watch as one of the characters, when faced with inexplicable entities directly in front of their face, chose to pull the covers over their heads and, I guess, hope for it to go away.
I would post the trailer, but it really doesn't do it justice. My advice? If you're interested, turn off all the lights in your home and watch in the dark.
**
Playlist from 10/08:
Type Negative - Life is Killing Me
Various - Twin Peaks: Fire Walk With Me OST
Perturbator - New Model
Dr. John - Gris Gris
How to Destroy Angels - Welcome to Oblivion
Deth Crux - Mutant Flesh
A Place to Bury Strangers - Exploding Head
John Carpenter - Lost Theme II
John Carpenter - Prince of Darkness OST
**
Card of the day:
Change is a'coming. Isn't that always the case? I'm reading this more as the thirteen and reference to Thanatos Energy, Death Energy, which is to say transformative energy.
