Showing posts with label Bliss. Show all posts
Showing posts with label Bliss. Show all posts

Thursday, October 27, 2022

Antonio Sánchez feating Trent Reznor and Atticus Ross


New music from world-renowned drummer Antonio Sanchez. This is the first single off his upcoming Shift (Bad Hombre, Vol. 2) album, and it features Trent Reznor and Atticus Ross. You can order the new album  HERE.




31 Days of Halloween:

10/1 - Trick 'r Treat
10/2 - Barbarian
10/3 - Hellraiser ('84)
10/4 - Phenomena
10/5 - Hellraiser (2022)
10/6 - The Dark Backward
10/7 - Sick/The Beyond
10/8 - Werewolf By Night
10/9 - Something in the Dirt
10/10 - Let the Right One In Episode 1/Lux Aeterna
10/11 - My Best Friend's Exorcism/Grimcutty
10/12 - Smile
10/13 - Monstrous/VHS (Amateur Night segment)
10/14 - Halloween Kills
10/15 - Halloween Ends/Ed Wood/Plan 9 From Outer Space
10/16 - Spider Baby/101 Scariest Horror Movie Moments/Night's End/Behemoth
10/17 - Behind the Mask: The Rise of Leslie Vernon
10/18 - Random Acts of Violence/Two Witches/Let the Right One In Episode 2
10/19 - 976-EVIL
10/20 - Alison's Birthday/Tone Deaf
10/21 - Elviria's Haunted Hills/Popcorn
10/22 - Resolution
10/23 - The Endless
10/24 - VHS 99
10/25 - Tigers Are Not Afraid
10/26 - Bliss

No matter how many times I watch Joe Begos' Bliss, it just gets better and more inspiring. 


There are ideas in this film that I think rank among the greatest contributions to the modern Vampire myth, and the execution only helps seal that. My big regret from this year's Beyondfest was that I already had tickets to see Zeal and Ardor at the Echoplex when Begos' new film Christmas, Bloody Christmas screened. That's the first of his films I haven't seen on the big screen at Beyondfest since a bunch of friends and I saw Mind's Eye, which sealed my love of his aesthetic.




Watch:

I finally got to see Moonage Daydream on the big screen. This was one I almost missed, but with my good friend Grez in town, we headed into Nashville to the wonderful Belcourt Theatre and saw a late showing. 


So how is it? Fantastic. Not a documentary with a narrative so much as it is a constantly evolving series of clips - interviews, performances, personal journal stuff - a slightly linear trajectory through David Bowie's life as an artist, or perhaps rather, a series of artists, dappled with some intimate peaks behind the thin, white curtain at the man behind those personas. Built for the big screen.




Playlist:

King Woman - I Wanna Be Adored (single)
The Stone Roses - I Wanna Be Adored (single)
Cold Cave - Cherish the Light Years
Type O Negative - Dead Again
Lindsey Buckingham - Gift of Screws
David Bowie - The Next Day




Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


Pretty straightforward. 

Only five days left to get in on Grimm's Kickstarter for The Art of the Bound Tarot hardcover art book. I'm throwing down today, you should too if you dig the art on these glorious cards. Back the project HERE.

Tuesday, July 21, 2020

Isolation: Day 129



Kind of a slow news day, so to speak, so I landed on this via Brooklyn Vegan. Apparently, Metallica has been doing "Metallica Mondays" which sounds like some weird food theme at a Chili's restaurant, but is actually a kind of cool quarantine coping mechanism the band has been doing for their fans. As my interest in this band stops after about 1988, this video is of particular interest to me. 1983 at Chicago's Metro? As a young metalhead in the 90s who would go on to frequent shows at the Metro, this is the kind of show I often dreamed of having been able to go back in time and see. Now, thanks to Metallica, I can. You have to get through a rather annoying minute or so of Lars talking about... not really sure, but I have to admit it. As hard as I am on these guys, they often come off pretty cool to their fans.

**

NCBD tomorrow is another short lister this week. Action Lab's Sweet Heart #2 finally hits the stand - this was another one I'd mentioned a few weeks ago, only to realize I had my dates completely out of order.


Other than that, the first issue of a new Image book called Bliss caught my eye recently:


The cover art is obviously gorgeous, but what really has me curious is this book's solicitation description from Image that ends with, "Breaking Bad meets Neil Gaiman's Sandman."

Huh?

The first issue of a two-arc maxi-series, I might just pick this one up. (Yes, I'm still attempting to limit taking on new books. No, it's not always easy.)


**

Playlist:

Cypress Hill - III: Temples of Boom
Soundgarden - Super Unknown
The Smiths - The Queen is Dead
Sleep - The Sciences

**

Card:


The urge to do bad is often extremely strong. It's part of the flow of life to balance that out with positive stuff.

Saturday, November 23, 2019

Writing Chamber 11.23.19



Because I'm spending the day with my phone in airplane mode so I can finally finish another of these short stories that have been haunting me for months, I'm revisiting a lot of the stuff that's trapped on my old iPod. Which, as it turns out, is extremely inspiring. Telephone Tel Aviv's album Immolate Yourself was an album I came to unexpectedly: sometime in the mid-00s a friend had given me a bunch of albums in MP3 form, so many in fact that it took me quite some time to work my way around to all of them. One day after work at the bookstore, I came home and hit "Shuffle" on the desktop computer before lying down for a nap. I woke up at some point with this album on, but the wake-up was half-hearted, and as I lie there drifting in and out of sleep, this record slowly endeared itself to me. It has, since then, been a portal back to the weird, twilight mindset of that experience.

**

Along with the old iPod selections, I'm playing a couple movies on silent in the background while I write. Today's choices:






**

With Tasmyn Muir's Gideon the Ninth winding down (it's SO freakin' good), I purchased and loaded Autumn Christian's Girl Like A Bomb in my 'on-deck' reading circle. I don't know much about the book or the author, but I LOVED Shadowmachine, Christian's entry into Robert S. Wilson's Ashes and Entropy anthology earlier in the year, and am excited to read more of her work.



What a cover. The font alone sells it.

**

Playlist:

Blackstar - David Bowie
A Storm in Heaven - The Verve
David Bowie - Diamond Dogs
Oh Baby - The Art of Sleeping Alone
Deth Crux - Mutant Flesh
Ministry - Psalm 69
Bohren and der Club of Gore - Sunset Mission
Bohren and der Club of Gore - Gore Motel

Friday, November 15, 2019

New Grimes and Release Date!



We now have a release date for the long-awaited next Grimes album. Miss Anthropocene will be out February 21st, and you can pre-order it HERE.

Being that I'm relatively new to her music - having really only been converted about four or five years ago - this will be the first new record Grimes has released that I've waited for. And I feel as though it has been a long wait.

**

Joe Begos' new film Bliss came out on Blu Ray/DVD this past Tuesday and I highly recommend you go out and pick this one up. I saw this at Beyondfest back in September and loved it, and upon re-watching it last night on Blu Ray, I found I enjoyed it, even more, a second time. Easily in my top top if not top five of the year:



And here's the awesome Spotify Soundtrack Mr. Begos put up to coincide with the release of the film.




**

Lo and behold, NCBD this week turned out to be a pretty big deal for me. It's been a while, but I left the shop with a couple new titles that I'm excited about supporting. I'm not thinking of backpaddling on easing off monthlies, but there were a few that were small press, so I'm paying it forward, in a manner of speaking.



And I'd completely forgotten there was a new Terry Moore series on the stands!



I don't really know anything about Five Years, but I'm fairly certain there are a couple of familiar faces on the cover to Issue #1.

**

This week's playlist:

Flying Lotus - You're Dead
Deth Crux - Mutant Flesh
Amy Winehouse - Back to Black
Timber Timbre - Eponymous
Snatch OST (playlist)
James Browns's Funky People Vol. 1
The Edgar Winter Group - Shock Treatment
Return of the Mack - Mark Morrison (single)
Revocation - The Outer Ones
Revocation - Teratogenesis EP
Final - Solaris
Arthur Ahbez - Gold
Barry Adamson - Stranger on the Sofa
Me and That Man - Songs of Love and Death
Flipper - Album
Hall and Oats - Greatest Hits
The Knife - Silent Shout
Billy Idol - Greatest Hits
Megadeth - Rust in Peace
Tyler Childers - Purgatory
Oh Baby - The Art of Sleeping Alone
The Nukes - Why Things Burn
Fields of the Nephilim - The Nephilim
Barry Adamson - As Above So Below
Tamaryn - The Waves
The Sword - Age of Winters
Sunn O))) - Life Metal
Spotlights - Love and Decay
Kode9 - Nothing

**

Card of the day:


Hoping this is good news pertaining to the submission I sent out yesterday afternoon.

Thursday, October 10, 2019

Doomriders - The Chase



The Playlist for Joe Begos' new film Bliss has turned out to be the gift that keeps on giving! I've spent the last twenty-four alternating between Deth Crux's Mutant Flesh album and Doomriders' Black Thunder. Both these records are start-to-finish fantastic, and I haven't even had time to dig into some of the other bands with killer tracks on it. Here's the embedded full playlist - if you dig it, follow some of these folks on BandinTown, Spotify, Bandcamp or Apple Music.



**

31 Days of Horror:

10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)

Wow. When Masters of Horror aired back in the mid-'00s, I cursed not having cable. I looked forward to the inevitable DVD releases with a sort of frantic fan devotion. I mean, here was a series that assembled most of the greatest living horror auteurs, new and old, in one place. How could that be bad?

When all was said and done, I enjoyed the few I saw (Carpenter's Cigarette Burns, Coscarelli's Incident On and Off a Mountain Road, and Stuart Gordon's Lovecraft adaptation Dreams in the Witch House) but somehow never got around to the rest.

It's as if I knew.

Last year, I went back to the series for the first time in forever, primarily because at ~an hour each, MOH provides a great way to check a box for 31 Days of Horror on a work night. Yesterday, with a late start and an early wake-up time, I sought the series out again, opting to buy the first season digitally on Prime. Once acquired, K and I settled in for one of the episodes I had always anticipated but never got around to: Tobe Hooper's Dance of the Dead.

Dance is an adaptation of an old Richard Matheson short story of the same name that I first read in the early 90s; in fact, Matheson wrote the teleplay to adapt the story for Hooper, so everyone involved with this film is in my 'good book.' That makes it even stranger that I absolutely hated the finished product.

I didn't hate the way the story was adapted. No, what I disliked, and what I now wonder might hold true for more of the MOH series - and maybe even a lot of Mid-'00s, big-name Horror in general - is the aesthetic. I can't speak to that broader picture yet, but let's take a look at Dance of the Dead as a possible microcosm of the overall macrocosm of 2000s Horror.

Dance of the Dead suffers from an extremely dated adherence to mid-'00s culture: the guys in DOD all look like Bros, the attitude of everyone seems an extrapolation and acknowledgment of 'extreme' culture - something horror was DEFINITELY guilty of trafficking in; remember the Dimension: Extreme imprint? - and their messy hair, mountain dew attire, piercings, tattoos, etc. really just look embarrassing for the costume designer and producers. After a similar cultural rift, a lot of us look back on this same broad-stroke cluelessness on 80s youth culture as endearing (bandanas, shoulder-hoisted ghetto blasters, switchblades, etc), so maybe that will happen with the 2000s as well.

Though I doubt it. The schism is a little hard to explain, but if you were socially cognizant during the 00s, you'll know what I mean.

Along with the above, DoD sports an overly enthusiastic reliance on digital effects and awkward, heavily effected camera work that manifests as constant shaking-and-trailing of the picture frame, superimposed imagery, and a general frenetic editing pace that directly detracts from the film's visual exposition, in my opinion. During this period, I remember having a theory that everyone in Hollywood thought the entirety of youth culture suffered from ADD.

Finally, this befuddlement of youthful values and mores leads to a palpable and frankly ugly mean streak, especially when looking back from higher ground. Horror is horror, but in my experience, 'mean' generally doesn't hold up in the light of hindsight.

I fully intend to watch more of the first season of Masters of Horror, so I can only hope some of the other films contained therein prove me wrong.

**

Playlist from 10/09:

Tones of Tail - Everything
Various - Bliss Soundtrack Playlist
Bauhaus - In the Flat Field
Doomriders - Black Thunder
Deth Crux - Mutant Flesh
Twin Tribes - Shadows
Ritual Howls - Into the Water

**

No card today.




Wednesday, October 9, 2019

Playlist to Joe Begos' Bliss



From the soundtrack to Joe Begos' Bliss, a film that I absolutely had a blast with on the big screen at the Egyptian last Saturday night. Producer/Editor/Actor Josh Ethier posted a link to the Spotify playlist, and various tracks from that will probably be popping up here for the next few days because it is loaded with great stuff that really fleshed out the aesthetic of the film and helps re-live it.

**

31 Days of Horror:

10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC

Hell House, LLC was a very nice surprise. I really dug this one; while K liked it but feels most found footage movies feel like re-treads because the original Blair Witch did it already and did it better. I agree to a point, but there's something about the MO of a found footage flick that seems to lend itself to making genuinely scary moments - when handled correctly. Hell House, LLC has a couple of deep, sustained moments of, "What the fuck, ah!" horror, my favorite of which became hard to watch as one of the characters, when faced with inexplicable entities directly in front of their face, chose to pull the covers over their heads and, I guess, hope for it to go away.

I would post the trailer, but it really doesn't do it justice. My advice? If you're interested, turn off all the lights in your home and watch in the dark.

**

Playlist from 10/08:

Type  Negative - Life is Killing Me
Various - Twin Peaks: Fire Walk With Me OST
Perturbator - New Model
Dr. John - Gris Gris
How to Destroy Angels - Welcome to Oblivion
Deth Crux - Mutant Flesh
A Place to Bury Strangers - Exploding Head
John Carpenter - Lost Theme II
John Carpenter - Prince of Darkness OST

**

Card of the day:


Change is a'coming. Isn't that always the case? I'm reading this more as the thirteen and reference to Thanatos Energy, Death Energy, which is to say transformative energy.

Sunday, October 6, 2019

Joe Begos Double Feature at Beyondfest!



Let's start the day with something from Chris Connelly's pre-Ministry project Finitribe, from his Edinburgh days. I dug out an old single I have on vinyl yesterday and enjoyed the hell out of it, and was super pleased to see some of their stuff up on Apple Music.

**

Another wonderful evening at Beyondfest last night, where we saw a double feature of Joe Begos' two new films, Bliss and VFW. Both are FANTASTIC! Bliss is on VOD right now and I urge you to support it; VFW is slated to drop sometime around the end of the year; I'm sure I will post about it again then.



We were able to record a quick-take review of both of these, plus Joe Bob Briggs' How Rednecks Saved Hollywood and Stewart Raffill's Tammy and the T-Rex for The Horror Vision - check it out!

The Horror Vision on Apple

The Horror Vision on Spotify

The Horror Vision on Google Play

**

31 Days of Horror:

10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW

**

Playlist from 10/05:

Type O Negative - Bloody Kisses (Digipak)
Testament - Souls of Black
Steve Moore - The Mind's Eye OST


**

No card today - it's late, I've been up for closing in on twenty-four hours, and I have a Tom Atkins triple feature to be at in Hollywood at 11:00 AM tomorrow. And hey, Tom Atkins will be there in person! How's that for a thrill, eh?