Showing posts with label XV The Devil. Show all posts
Showing posts with label XV The Devil. Show all posts

Wednesday, May 25, 2022

Bauhaus 2022

 

My friend Eddie over at The Comic Bug attended the Cruel World fest a few weeks ago and it was on a video he shot that I first saw Peter Murphy's new look. Oh my god! These guys were already one of my favorite bands, but seeing Murphy here, I'm blown away. I mean, for a second I was like, "Why is Rob Halford singing for Bauhaus." Then I realized, no, I just hadn't seen a photo of Murphy since... well, probably some time around 2006 when Go Away White was released (an album I still defend vehemently). Anyway, in looking around on youtube, I found alleyc8Cat's channel with this full set. So cool they posted, and in looking at the other videos on the channel, I subscribed immediately. If you dig, give them a like and a follow HERE.


NCBD:

I'd been wanting to see Jacob Gentry's Broadcast Signal Intrusion for some time now, so when it landed on Shudder recently, I moved it up the queue.     

 

The film takes place in Chicago in 1999, so major props for doing a great job taking me back to that particular time and place. Also, Gentry is very good at lovingly incorporating his cinematic loves in a way that is pleasurable to those who share the same feelings (Videodrome!), and overall, the story and concept are really cool. That said, this film has its share of problems, and despite liking it quite a bit, I have to admit that BSI feels like it ultimately falls flat on knocking down a lot of what it sets up. 

I’m not one who needs explanations - if you read these pages, you know that. However, there’s a certain pact a filmmaker enters with their audience when they introduce certain tropes/concepts into their film. By using certain known plot devices as red herrings, this film feels like it cheats a bit. Tone over substance, and while I’ll always err on the side of tone, elements of this film rub me a bit wrong. Ambiguity is fine unless it's substituted for story, and that's definitely the case here when it comes to anything other than the awesome setup:

"In the late 90s, a video archivist unearths a series of sinister pirate broadcasts and becomes obsessed with discovering the dark conspiracy behind them."

I will say, there are three points in this film where it makes like it’s going to do something so tropey it knows the audience will roll their eyes, then it intentionally doesn’t do that. Those three instances helped BSI gain a lot of ground in my good book, but also made me wonder if the film is that self-aware, couldn’t it have been refined a bit more?




NCBD:











Playlist:

Cyndi Lauper - She's So Unusual
Joe Doe - Fables in a Foreign Land
Blut Aus Nord - Disharmonium
Peter Gabriel - Melt
Mastodon - Hushed & Grim
Zombi and Friends - Vol. 1
Zombi -Shape Shift
Ozzy Osbourne - Diary of a Madman




Card:


Too tired to interpret this now, so just recording the Pull for posterity's sake.

Tuesday, October 13, 2020

18 Days 'til Halloween:


I know I post a lot from these folks, but their covers are always so damn awesome. This one really made me laugh this morning, not because it's funny or they're making fun, but because it just looks like they are having such a good time covering this classic Ozzy song which has kind of slipped into the seat cushions of my life. Thanks for the reminder guys - gonna fire up Diary of a Madman now.

You can support Two Minutes to Midnight HERE.



31 Days of Halloween:

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)
2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick
3) Mulholland Drive/Creepshow (1982): The Crate
4) Waxwork
5) Synchronic/Bad Hair
6) Dolls
7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost
8) 976-Evil
9) Repo! The Genetic Opera
10) Firestarter/George A. Romero's Bruiser
11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2
12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses

I'm really trying to mix up the 31 nights of viewing this year, however, there are a few films that are absolute must-watch entries every year. Rob Zombie's House of 1000 Corpses is one of those. Here's the opening scene, which next to the opening scene from Christopher McQuarrie's 2000 Way of the Gun, is my favorite intro to a movie ever:

 

See? The level of humor and unease mix so well in this scene, and that could not have been easy to do.



The Horror Vision:

Here's the newest episode of The Horror Vision - our 2 year anniversary episode no less. Also available on all streaming platforms.     
  




Playlist:

Greg Puciato - Child Soldier: Creator of God




Card:


Wild, carefree creative impulse. 

Saturday, August 1, 2020

Isolation: Day 138 The Royal Screw



I cannot get enough of this album! It is perfect, and this song is probably my favorite (I'm rotating through the track list day-by-day). The drum sound on this record is a total throw-back to old school Rhythm and Blues, while having the advantages of modern technology. The alto sax that peppers through the verses evokes Boots Randolph, while the chorus horns hit hard and serve as a good-natured reminder that former Dap-King Thomas Brenneck produced this collection of perfection. Finally, the vocals are perfect - striking a bit of an evocation of classic Van Morrison while still being completely Adam Weiner, snark and energy going full throttle.

**

Last night K and I watched the indie film Cosmos. Loved it! In fact, I kept thinking "I never knew astronomy could be so riveting! This reminded me of Darren Aronofsky's π, not in style or tone at all, but simply because the filmmakers made something most people see very little in and make it thrilling (in π it's math).



Cosmos was directed by brothers Elliot and Zander Weaver and stars a total of four freakin' people, and it's one of the best examples of 'more with less' I've seen in a while. True, the score is definitely heavy, and really helps to dramatize situations that might have had slightly less impact, but overall, this one get a four-and-a-half star from me.

The Weavers' production company is Elliander Pictures, website is HERE.

**

Playlist:

The Thirsty Crows - Hangan's Noose
Low Cut Connie - Hi Honey
Run the Jewels - RTJ4
JK Flesh - Posthuman
Dead Swords - Enders
Low Cut Connie - What Has Happened to Me (pre-release single)
JK Flesh - Depersonalization
Baroness - Gold and Grey
Led Zeppelin - How the West Was Won

**

Card:


Turning once again to the Raven Deck, I get a nod to follow my instincts. I think this card is a vexing counterpoint to the 4 of Wands' continuous advice.

Tuesday, July 21, 2020

Isolation: Day 129



Kind of a slow news day, so to speak, so I landed on this via Brooklyn Vegan. Apparently, Metallica has been doing "Metallica Mondays" which sounds like some weird food theme at a Chili's restaurant, but is actually a kind of cool quarantine coping mechanism the band has been doing for their fans. As my interest in this band stops after about 1988, this video is of particular interest to me. 1983 at Chicago's Metro? As a young metalhead in the 90s who would go on to frequent shows at the Metro, this is the kind of show I often dreamed of having been able to go back in time and see. Now, thanks to Metallica, I can. You have to get through a rather annoying minute or so of Lars talking about... not really sure, but I have to admit it. As hard as I am on these guys, they often come off pretty cool to their fans.

**

NCBD tomorrow is another short lister this week. Action Lab's Sweet Heart #2 finally hits the stand - this was another one I'd mentioned a few weeks ago, only to realize I had my dates completely out of order.


Other than that, the first issue of a new Image book called Bliss caught my eye recently:


The cover art is obviously gorgeous, but what really has me curious is this book's solicitation description from Image that ends with, "Breaking Bad meets Neil Gaiman's Sandman."

Huh?

The first issue of a two-arc maxi-series, I might just pick this one up. (Yes, I'm still attempting to limit taking on new books. No, it's not always easy.)


**

Playlist:

Cypress Hill - III: Temples of Boom
Soundgarden - Super Unknown
The Smiths - The Queen is Dead
Sleep - The Sciences

**

Card:


The urge to do bad is often extremely strong. It's part of the flow of life to balance that out with positive stuff.

Friday, April 24, 2020

Isolation: Day 43 - Perturbator Hard Wired



There's a bunch of new music I could post, but I've been re-infatuated with Dangerous Days as we - hopefully - edge closer to a new Perturbator record. One that, according to the man himself, will not sound like this. I'm cool with that. Can't wait.

**

I inadvertently began a Phantasm series rewatch yesterday. I've been working shortened hours, 6-12, so I get home and put a flick on the tube, something I've seen before so if I nod out during it won't be a big deal. I went with the 2018 Joe Bob Briggs Christmas presentation of Phantasm yesterday. This was a marathon of all the movies but Part Two, which JBB boycotts due to the destruction of a Hemi Cuda during the making of. I'm not a car guy, but fine. Anyway, I slept through some of Phantasm, which was actually pretty cool, as the film's creepy dream logic bored into my REM and made for an almost interactive napping experience. I woke for the end, immediately threw on my disc of Part Two, then made it most of the way through Three - which if I've ever seen I forgot most of - and intend on finishing the rest today. Before the return of Joe Bob tonight on Shudder! I'm not super psyched about the first movie or the co-host, but hopefully the second film he picks will be a winner, and hell, it's Joe Bob!

BTW - I absolutely ADORE Phantastm II and III.



**

Playlist:

Brand New - Daisy
Brand New - God and the Devil are Raging Inside Me
The Temptations - Cloud Nine
Various - Motown Deep Cuts (Apple Music Playlist)
Zombi - Shape Shift
Code Orange - Underneath
White Lung - Paradise
Steve Moore - VFW OST
Spotlights - We Are All Atomic EP
Doves - Lost Sides
Doves - Lost Souls
Lustmord - Things That Were 1980-1983
Pigface - Fook
My Morning Jacket - Z
Diana Ross and the Supremes - Love Child
Allegaeon - Apoptosis
Perturbator - Night Driving Avenger EP
Friendly Fires - Pala
Jawbox - For Your Own Special Sweetheart
Deftones - White Pony
Deth Crux - Mutant Flesh
Brand New - Science Fiction
John Zorn - Taboo and Exile
Perturbator - Dangerous Days

Card:

Last three days (because I pull every day, even if I don't post):

Wednesday:

Thursday:


Today:


I've had a lot of major influence over the last few weeks. A lot of Arcana and Court cards. Makes perfect sense, especially combined with the 7 of Swords Futility here, as being moved around by forces beyond our control can either make us feel manipulated and frustrated or empowered and ecstatic. And of late, we are all caught up in some pretty heavy, Macro shit that forces us to do or not do things based on variables we cannot control.

Mindful Habitation: Don't know what to believe anymore? The increasingly Orwellian nature of our Reality - where the State defines Reality - is the most frustrating and downright terrifying thing I have ever experienced. Don't know who or what to believe? Unplug the major News outlets and follow the impartial Science.

Friday, March 20, 2020

Isolation: Day 8 - More New Me and That Man!



At this point, I'm not listening to any more of Me and That Man's new record until I have the full album in my hands (pre-order HERE), but I'm posting it here so I can go back to it, and so you, dear reader, can strike out into the territory I'm eschewing simply because I am such a fan of full album immersion.

**

The best thing to come out of social media that I've seen since the Pandemic began? Right here:



Love these guys.

**

Finished Black Stars Above this morning. Five Issues of creepy, nuanced cosmic horror. Here's one of my favorite images, from issue four:


This very much reminds me of Alan Moore and JH Williams III's Promethea. Jenna Cha's art, Brad Simpson's colors, and Lonnie Nadler's story work in such perfect synthesis. They have to, it's the only way to tell such a macro/micro story that delves into infinite cosmic territory. This page illustrates the beautiful way the creative team delivers the ineffable.

**

Mindful Habitation:

As so many others are, Southern California is on Shelter-in-place. Weird, but really only in perception and big picture theory. Day-to-day won't be that different for many of us. I'm bummed to know this will halt a lot of businesses, the smaller ones especially. Many of those smaller ones are really using this to innovate and think outside the box. The Comic Bug remains purveyors of media via mail, delivery, or scheduled appointment (HERE for details). King Harbor Brewery is doing same-day local Growler delivery (HERE). These are examples local to me, however, I'm getting reports of this from friends all over the place, so if there's a business you love, reach out and see if they are working with similar innovations.

**

Event Viewing:

Episode Four of Alex Garland's Devs landed last night, and it was quite the ride. The opening floored me with it's image/sound juxtaposition. Geoff Barrow and The Insects' score is overall fantastic, but in this particular scene, it was unearthly, layered, textured sounds arranged in a way that made the images bloom from the screen.

And Nick Offerman? Killing it.


Playlist:

Exhalants - Eponymous
Anthrax - Spreading the Disease
Slayer - Live Undead/Haunting the Chapel
The Bronx - The Bronx (I)
Seefeel - Fracture/Tied (Single)
David Bowie - Aladdin Sane
Deth Crux - Mutant Flesh
Metatron Omega - Evangelikon
Myrkur - Folkesange

**

Card:


An agent of enlightenment. Reproductive force - not necessarily biologically speaking. I'm leaning more toward an interpretation that reinforces people are finally learning what needs to be done and doing it (even a certain douche celebrity decided to comply and close his shitty restaurant). Also, the gray skeins in the background speak to the illusory world losing its leverage as knowledge dawns. That's the Devil - the Morningstar, enlightener extraordinaire.

Tuesday, August 6, 2019

2019: New Track from Upcoming Uniform and The Body Collaboration



This new album from Uniform and The Body is shaping up to be on my year-end list again. Man, these guys really create a sonic space. This sounds like a cosmic Suicide to me, and it juxtaposes nicely with the first track released from the album a few months ago.

Everything That Dies Someday Comes Back drops next Friday on Sacred Bones. Pre-order HERE.

**

A few nights ago I received the Ronin Flicks Blu Ray copy of Richard Stanley's Hardware that I fought ordering for about two months and finally gave in to. This is a 4K transfer, and I've gotta tell you, looking at most of the scenes, I can't believe what an outstanding job this turned out to be. Also, the second disc is packed with extras that will probably take me forever to get around to. For $35, this turned out to be a steal.

I won't waste time posting a youtube rip of this beautiful scan here, so instead I'll post the theme song (again), from PIL:



**

Playlist from 8/05:

The Budos Band - Burnt Offering
Alice in Chains B-Sides Playlist
Opeth - Heart in Hand (Pre-release single for In Cauda Venemum)
Opeth - Deliverance
Opeth - Damnation
Opeth - Still Life
Alice Donut - The Untidy Suicides of Your Degenerate Children

**

Card of the day:

Another spread. I've doubled-down on my Tarot reading, so I'm trying to rebuild a more complex relationship with my deck. To do this, I pulled out Crowley's Book of Thoth and have been re-familiarizing myself with the cross-relationship between the Thoth Deck and the Kabbalistic Tree of Life.



This spread then, largely introduces the idea that after moving on from the Queen of Swords and her perceptive but possibly misguided analysis, there is a futility with new ideas being sluggish, and uncooperative (the Knight of Disks). From Crowley, "These three cards (speaking here not of the three that I drew, but Atu XIII Death, XIV Art, and The Devil) may therefore be summed up as a hieroglyph of the processes by which idea manifests as a form."

No lie, I have two almost-finished short stories that are rooted in, what I feel, are really cool ideas, and which start and unfold in a way I am very happy with, but which I cannot end, and which have become more and more sluggish (again the Knight) as I try to resolve the problem. This means, whenever I'm thinking, especially of writing, I have two huge open loops distracting me. I don't want to take the time off from Ciazarn, but I very much need to address this soon, or I'm just collecting psychic debris, falling more and more out of tune myself; becoming the Knight of Disks.

No Thanks.

Friday, November 2, 2018

2018: November 2nd - New Windhand Video for Red Cloud



Apparently this new Windhand video dropped on Halloween but I missed it. Here now, I present Red Cloud for your viewing pleasure. Great that they basically made a Hammer Horror short for it.

With all the spins I'm clocking on Eternal Return since it's release last month, I came to an interesting revelation. While definitely having their own sound, Windhand's sound could be elevator pitched as Carly Simon singing over early 90s Melvins. Not accurate, but I think it gets you there. As an interesting side note, I never really cared for Carly Simon before, but now I think I dig her.

If you live in Los Angeles, David Lucarelli's brilliant Dr. Zomba's Ghost Show, an old-time theatre experience is back for its final show this Saturday. I caught this a few months back during Fringe Fest - very much worth seeing. You can get tickets HERE and check out the trailer below:



And here's a clip of David talking about the origins and ideas behind Dr. Zomba's on Drinking with Comics:



Playlist from 11/01:

Weeknight - Post Everything
The Misfits - Static Age
The Final Cut - Consumed
Ennio Morricone - Black Belly of the Tarantula OST

Card of the day:


Well well well. Two days in a row, eh? I don't have time to dig deeper at the moment, however I pulled a clarification card and received this:

Swift action toward goal. This feels ambiguous at the moment, or maybe I'm just having trouble betting up my brain on the cusp of a three-day work weekend that starts eight days in a row. For now, I'll take it as a prompt to accelerate my work on making the book materialize, and leave it at that.

Thursday, November 1, 2018

2018: November 1st



A Real Indication, video directed by David Lynch.

For those of you who are long-time David Lynch fans like myself, this is track is an oldie. However, Thought Gang's A Real Indication - which is featured in the 1992 film Twin Peaks: Fire Walk With Me - is receiving a breath of new life, as Lynch, Badalamenti (that's him doing vocals on this track, by the way) and Sacred Bones Records are making available Thought Gang's Thought Gang album for the first time. This is actually older news - I pre-ordered a "Monkey Fur" vinyl copy about a month ago and just received word it has shipped! You can grab a copy HERE, if you're so inclined, although I believe the Monkey Fur edition has sold out.

31 Days of Horror concluded last night with a whimper instead of the BANG! I had planned. Previously, I had arranged for today off and planned to stay up late and pack in at least three movies.

That... was ambitious.

I came home from writing last night close to 7:00 PM, sat outside with my devil mask on while K handed out candy to trick r' treaters, and read some comics. In ~40 minutes we had more candy goblins than I had in the entire 12 years I lived in San Pedro. It was awesome. Our entire neighborhood was crawling with costumed families, and seeing it brought me great joy. After we ran out of candy, K and I went inside to begin the night's viewings. Instead of leading with Lucky McKee's May - one of my all-time favorites movies period, let alone Halloween-related films - we couldn't pass up the chance to follow Tuesday night's viewing of Tod Browning's Dracula from 1931 with Francis Ford Coppola's masterpiece, Bram Stoker's Dracula. As you can imagine, the two films pair quite nicely. After that, however, I was out. 4:00 AM wake-ups add up sometimes, and the sad fact is I can no longer fight through my tiredness like I used to when I was younger.

Ugh. Despite all the mental and emotional advantages that accompany ripening as a human being, sometimes age just plain sucks Charlie Brown.

Final 31 Days of Horror Totals:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween
10/19) Halloween
10/20) Mandy
10/21) Satan's Playground
10/22) Flatliners
10/23) Jacob's Ladder
10/24) Halloween III: Season of the Witch
10/25) Ghost Stories
10/26) John Carpenter's The Fog
10/27) Suspiria (2018)
10/28) Suspiria (1977)
10/29) Beetlejuice/Pyewacket
10/30) Trick r' Treat/Dracula (1931)
10/31) Bram Stoker's Dracula

Let's talk NCBD. I hadn't been to the shop in three weeks, so all the tantalizing stuff I've written about for the last few Wednesdays was waiting for me in my pull. I won't reiterate on those, however, let's talk about what Mike put aside for me that I was originally intending to pass on:


The original Lucifer series that spun out of Neil Gaiman's Sandman was written by Peter Carey and drawn by Peter Gross. It ran 75 issues and told one EPIC story. I can't recommend this one enough folks, and I myself am due for a re-read, as I haven't read it since its monthly run. I've had real reservations about going back for another story with this character, especially since the television show came up and basically re-did Castle, but with Lucifer helping the LAPD solve crimes instead of the writer. I've since heard and fully believe the show is good for what it is, however I'm protective of series as amazing as the original Lucifer is, so I'm not interested in the show. Buying this new comic was nothing short of a leap of faith for me. After reading it though, you better believe, I have faith.

This was one of those first issues that drops you in and doesn't concern itself with giving you the lay of the land. NOT a complaint, as I love that when done well. And I really think this book is going to be done well. After all the seemingly disparate story threads introduced in Lucifer #1, I am damned intrigued at where this book is going, so much so I can scarcely believe it.

Also, having Kelley Jones do the variant cover was an A++ for me.

Playlist from yesterday:

Type O Negative - Life is Killing Me
Type O Negative - Bloody Kisses
Ritual Howls - Into the Water
Various - Halloween Playlist
The Final Cut - Consumed
Specimen - Azoic
Jóhann Jóhannson - Mandy OST

Card of the day:


Perfect, considering I spent a large part of two days this past week dressed like him, and LOVED the new Lucifer series. Here's what it says in the Grimoire:

"Materialism over spiritualism."

Short and to the point, eh? Looks like I need to flesh that entry out. In the meantime, I'll regard this pull as a warning to not run up my cc this month the way I did last month. October is always an expensive time of the year for me because it is my favorite time of the year.