Showing posts with label Daphne Byrne. Show all posts
Showing posts with label Daphne Byrne. Show all posts

Friday, February 5, 2021

Human Impact - Genetic

 
Somehow, I either missed or forgot that Human Impact released a single in September of last year. "Genetic" is a terse little fist to the throat, wrapped up tight in Human Impact's trademark, snarling severity. Hopefully, this is a sign of more new music to come.
 


READ:

I did a lot of catching up on current comics over my brief sabbatical from work earlier in the week. Here's what I read and my take:


I didn't realize The Boys: Dear Becky was ending with issue #8 until I read issue #7. Now that the whole thing is out, I re-read it all from the beginning and enjoyed it quite a bit. The Boys is a really uneven epic in my eyes, with moments of emotional brilliance surrounded by what I've come to think of as Garth Ennis just being Garth Ennis. It worked the best in Preacher, but as with the regular Boys series, Dear Becky tends to step back up into the sublime just as you start to feel jaded about the ridiculousness. Overall, if you only know the show, you probably don't need to go back to the source material - The Boys is possibly the best example of an adaptation-for-screen that has completely trumped its source material - however, if you know and dig the original comic series, Dear Becky will scratch the itch.


Having only just read Laura Marks and Kelley Jones's Daphne Byrne a few months ago, our Deep Dive into Hill House Comics on a recent episode of A Most Horrible Library made me want to revisit this stunning Gaslamp-era New York. It's soooo good. Kelley Jones really just brings the creep factor up to eleven here, and it makes for a really fun, pleasing story with all the fixings - widows betrothed to the Devil, ghastly visions, malevolent visitations, and surly, Hackney con artists using peoples' grief and the rise of spiritualism to take advantage of them. 


This one came out in October, but I just read it, then kept it hanging around in the stack so I could read the short story and other backmatter stuff that rounds out every enormous issue of Greg Rucka and Michael Lark's Lazarus, an economy based dystopian world that I have become more and more convinced maybe the closest thing to what the world is going to look like by the end of my lifetime. Equal parts thrilling and intriguing, there's espionage, military strategy, human drama, and action. 


I'm using the image for the upcoming HC collection of Hellblazer: Rise and Fall, but if you can find the single issues, that's the way to read this one. The Black Label, Magazine format is perfect for this story, possibly the first new Hellblazer story in years I've actually really liked. This is the 'softer' JC we've seen in recent years, without that trademark Vertigo edge, however, there's still edge to be had, there's homage to previous creators all over the place, and maybe I just really wanted to like A) a new JC story and B) really wanted to like one of these Black Label books, because I dug this one. Three issues, doesn't overstay its welcome, is pretty humorous at times, and still captures some of the Black Magick Heart of the character. 
 


Playlist:

Genghis Tron - Cloak of Love
Human Impact - Genetic (single)
The Soft Moon - Criminal
Helmet - Meantime
P.M. Dawn - Set Adrift on Memory Bliss
Small Black - Duplex (single)
Genghis Tron - Dream Weapon (pre-release single)
Small Black - Best Blues
Black Sabbath - Paranoid
Black Sabbath - Eponymous
Arctic Monkeys - AM
16 - Dream Squasher
Calexico - The Black Light 




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Stop abruptly and switch gears. 

Thursday, March 12, 2020

JARV IS - House Music All Night Long



Apparently Jarvis Cocker is now JARV IS, and the new album Beyond the Pale is out May 1st on Rough Trade. Pre-Order HERE.

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NCBD was a huge one yesterday, simply because I picked up a handful of new titles I'd decided to add to my pull over at The Atomic Basement. The split that occurred between my Drinking w/ Comics co-host Mike and The Comic Bug co-owner Jun - both great guys - left me in a bit of a funk. The Bug is literally walking distance from my crib, and Jun is a friend of mine. So while I of course want to support Mike's new venture, I didn't want to do it at Jun's expense. Thus, I've added a handful of titles to my monthly pull and pretty much set an even balance at both stores. Here's what I grabbed at The Atomic Basement this week:


I'm reminded of Black Monday Murders, and hope that this undertaking isn't taking place instead of a continuation of that book. Regardless, insanely vast opening to what seems like it might be a small story in a massive world.

No idea where this is going, but it's as creepy as it is gorgeous.





I'm not sure how long these Joe Hill books are running, but so far, I'm really digging Daphne Byrne, so I figured I'd give Low Low Woods a chance as well.

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Two episodes into Alex Garland's new Hulu/FX series Devs and it's already established itself as a powerhouse; something that could totally change the Medium. AND - it's weekly, so it gives me some much-needed Event Viewing for the next few weeks, hopefully to get us right up to that next season of Joe Bob's Last Drive-In, although to my knowledge they haven't confirmed a date for that one's return.



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Devs put me in the mood for some more techy fiction, so I finally made it back around to Black Mirror and watched Black Museum. My favorite of the few episodes I've watched since Netflix brought this show back. Directed by Colm McCarthy, whose indie horror flick Outcast I wrote about here last year - and which I LOVED and is now on Prime so watch it! - Black Museum sets up something I would like to see return - Rolo Haynes' titular roadside attraction, the Black Museum. There are at least a couple dozen stories that could spin out of this, and Douglas Hodge's portrayal of Haynes was a sheer joy to watch, so hopefully this will recur at some point.




**

Playlist:

Man Man - Beached (Single)
Fen - Dustwalker
The Thirsty Crows - Hangman's Noose
Ghosts of Glaciers - The Greatest Burden
The Mars Volta - Deloused in the Comatorium
Myrkur - M
Beth Gibbons/Henry Gorecki - Symphony No. 3
Neon Kross - Darkness Falls

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The positive break-up of structures and limitations.