Showing posts with label H.P. Lovecraft. Show all posts
Showing posts with label H.P. Lovecraft. Show all posts

Monday, August 21, 2023

Relax - Creepshow's Back!!!


Rewatched Brian De Palma's Body Double last week in preparation for the deep-dive discussion we just did over on The Horror Vision Presents: Elements of Horror. Man, I love this film. Body Double has to be my favorite De Palma film, and one of the things I love about it is the use of Frankie Goes to Hollywood's Relax, a song I've dug since I first heard it as a child. Went looking for the video today, wondering if it might match up with the scene that features it in the film, but somehow it's actually a lot weirder than that! I must have seen this at some point in the 80s, but I definitely didn't remember what an odd spectacle Director Bernard Rose (yes, THAT Bernard Rose!!!) creates for the song. 

You can listen to that Body Double discussion on Apple Podcasts HERE, Spotify HERE, or pretty much anywhere else you stream podcasts.




Watch:

Shudder is bringing Creepshow back for a fourth season! Here's the new trailer:


I'll admit, I'm excited despite the fact that each of the seasons so far feel like exercises in diminishing returns. Season One is the strongest overall season, in my opinion, but three had the best episode (Public Television of the Dead and its wonderful, Bob Ross-meets-Evil-Dead feel). Regardless of perceived shortcomings, I very much root for Creepshow, and am glad to see it coming back after a nearly two-year hiatus.



Read:

Killing time Saturday afternoon in Chicago's south suburbs, I stopped in a Barnes and Noble for the first time in a long time. This particular store has been in Orland Park, Il, for years, and although my preferred big box bookstore environment was always the Borders that used to sit across the street, I've been in this B&N a handful of times. If you're familiar with the chain, you know that when you first walk inside most B&N stores, they have displays of their own publishing imprint, Fall River Press. These are normally public domain bargain books, but some of them are very nice. Case in point, this Hardcover H.P. Lovecraft edition that I picked up for $10:


This is by no means a 'complete' collection. What I've found with printed complete Lovecraft books is, they are so voluminous, the bindings are usually shite. This is a pretty smart-looking HC that collects six of HPL's more famous stories:

1) The Call of Cthulhu
2) The Colour Out of Space
3) The Haunter of the Dark
4) The Whisperer in Darkness
5) The Dunwich Horror
6) The Thing on the Doorstep

While I still consider the .99 "Everything" volume I have on Kindle (no bad bindings there, and it's really easy for cross-referencing between stories), it's nice to have six of the big ones on a slim, attractive bookshelf volume as well. 
 


Playlist:

The Replacements - Tim
Hollywood Babble-On Ep. 406
Real Ones w/ Jon Bernthal - Living A Double Life: Lou Valoze
Black Sabbath - Eponymous
bunsenburner - Rituals
Prince and the Revolution - Purple Rain
The Ronettes - Presenting the Fabulous Ronettes
Led Zeppelin - Presence
Ruby the Hatchet - Fear is a Cruel Master
Metallica - 72 Seasons
Baroness - Stone (pre-release singles)
Ministry - Goddamn White Trash (single)
GnR - Perhaps (single)
Steely Dan - Aja
Sigur Rós - Ágœtis Byrjun
The Blues Brothers - OST
Les Discarts - Prédateurs
Alice in Chains - Sap EP
Soundgarden - Badmotorfinger
Crime Weekly: D.B. Cooper A Man with a Grudge (part 1)
The Hives - Tyrannosaurus Hives
Crime Weekly: D.B. Cooper Mystery Money (part 2)
H6LLB6ND6R - Side A
            


Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


• 0: The Fool
• Three of Pentacles
• Ten of Pentacles

Lots of "Earthly" concerns, and that tracks; spent the weekend in Chicago for a wedding, however, a lot of the time was also spent thinking about moving my folks out of the house I grew up in and down by us. There's The Fool's new journey, Three's Growth and Ten's Endings/Closure all rolled into one!!!



Wednesday, September 7, 2022

Pixies - Dregs of Wine

 

This one had me with the opening spoken word segment, dipped a bit, then picked way back up at about 2:20. It's been really interesting watching the Pixies pick back up and add to their legacy. I'd still REALLY like another Frank Black, Black Francis, or Catholics album (that'd be my #1 want), but Pixies have continued to evolve. Most bands like this just swim in circles and relive their glory days. Not these guys (and gal). 

The new album Doggerel is out on September 30th; pre-order HERE.




NCBD:

Kind of a big week for NCBD. Here's my planned haul:


Not sure I'll be keeping up with this new Alien series; I dropped off the previous one after the first story arc, figured I'd grab the #1 and reassess. 


This new Ghost Rider title is really hot and cold with me. None of the issues have been bad, but a few were spectacular. Wolvie guest-starring so soon isn't really a good sign in my book, but both titles share Ben Percy as a writer, so maybe that's all it is. Either way, c'mon Ghost Rider - "Thrill Me."


I LOVED that last week, Gerry Duggan had the opportunity to write an X-Men issue that didn't solely deal with Judgement Day, which, as I suspected, is beginning to wear on me. I'm hoping the same for this lastest issue of Immortal X-Men. I'd really like the Sebastian Shaw issue to deal with Shaw's place in the bigger picture of Krakoan politics.




Still having lots of fun with this Moon Knight series. 




And talk about lots of fun. This one is just fantastic (pun intended).


This wins "Cover of the month" award, for sure. 


Tried and true, that's IDW's TMNT. 




Of the two books I began simultaneously earlier in the year that bear more than a little resemblance to one another - A Town Called Terror and West of Sundown - West of has ended. Or at least, the first arc has. I enjoyed that book, but I'm not 100% I'll be back if it returns. The same can be said of this one; it's not bad, I'm just not convinced. We'll see; this issue is most likely ending the first arc, so I'll do a re-read and make a decision then.




Read:

With a surprising number of "Gloryhole Horror" flicks hitting streaming lately (2, but still, that's quite a bit considering the subject matter, eh?), The Horror Vision held a very Special episode: our Glorious Gloryhole Death Match. One of the unexpected joys of doing that episode (there really were no others), was discovering the H.P. Lovecraft/Hazel Heald novella Out of the Aeons, which has never been in any Lovecraft collection I have previously owned. I took a brief respite from Sandy Macnair's Carspotting to read about the origins of Ghat (see Glorious, the winner by far of the aforementioned death match) in the Cthulhu Mythos. 


Out of the Aeons is available on Kindle for $0.99. First published in 1935 in Weird Tales, I'm really having trouble believing I'd never heard of this one before. 




Playlist:

Revolting Cocks - Linger Fickin' Good
The Cure - Carnage Visors
The Cure - Faith
The Verve - Eponymous EP
Type O Negative - October Rust
Type O Negative - World Coming Down
High On Fire - Blessed Black Wings
Godflesh - Post Self
Godflesh - Pure
Type O Negative - Origin of the Feces
The Afghan Whigs - In Spades
The Afghan Whigs - Gentlemen
The Afghan Whigs - 1965
The Twilight Singers - Blackberry Belle
Calexico - Garden Ruin
Blut Aus Nord - Memoria Vetusta III: Saturnian Poetry
The Afghan Whigs - Do the Beast
Idles - Joy As An Act of Resistance
Ginger Wildheart - The Year of the Fanclub
Miss Piss - Self-Surgery
Chelsea Wolfe - Hiss Spin
Chelsea Wolfe - Abyss




Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


Everything this morning is about approaching things with balance, adaptability, understanding and a keen eye. So something needs a closer look it would seem...

Monday, March 28, 2022

The Mysterines - The Bad Thing

 

Holy F$*k! My good friend Jacob sent me a link to the new album by The Mysterines yesterday and when I dug into it, I very quickly realized it's freaking fantastic! I hear a bit of Savages, some Polly Jean Harvey, and overall a band I immediately fell in love with. So much so, I just bought tickets to see the band on May 4th at the Peppermint Club, a LaLaLand venue I've yet to attend. This will be my first concert since, well, you know, and I guess it stands as a testament to how much I dig this group that I effortlessly decided to go. 

I remind myself constantly that I won't have access to this kind of show soon, so I need to enjoy the things about L.A. that I love now, while I'm still here.




Read:

After burning through all those Lovecraft stories a few weeks back, I became seriously shanghaied by his The Unknown City. This is one I'd definitely read before - and enjoyed quite a bit, might I add. For whatever reason though, this time, it's just not doing it for me.

So, prompted by a conversation with a friend who had just read it for the first time, I decided to re-read The Colour Out of Space.  For this, I'm switching back and forth between the Kindle version and the one I have in this old anthology I acquired somewhere long ago at what I'm assuming was a second-hand bookshop somewhere:


This nifty little volume was published by nyrb classics (that's New York Review of Books, not the name of a new Lovecraftian species) and contains stories by Bram Stoker, Ambrose Bierce and Arthur Machen, as well as several other iconic cosmic/folk/weird fictions writers. I've read most of what's in here - this is a shelf volume I pull here and there and read from, and it's a great example of the kind of anthology a publisher can pull together with a coherent theme and a little bit of backing when the contents are mostly - if not completely - in the realm of public domain. 




Playlist:

Ghost - Impera
Hyperia - Silhouettes of Horror
Electric Youth & Pilotpriest - Come True OST
Steve Moore - VFW OST
Blut Aus Nord - Hallucinogen
King Woman - Celestial Blues
Metallica - Kill 'Em All
The Mysterines - Reeling
Les Discrets - Prédateurs
Deftones - Gore




Card:


Standstill that requires a dose of either cash or luck or both to achieve a truly remarkable result. I'll keep this in mind throughout the week, as it seems to me there are several possible applications at the moment for this spread. 

Tuesday, March 15, 2022

Never Hike Alone 2!

 

New music from Drug Church. Mr. Brown recommended these guys to me a few weeks back but they quickly fell off my radar before I ever got the chance to listen to them. When I sat down earlier today to start this post, something just clicked. There's a distinct 90s indie rock underpinning here - I hear a lot of Bob Mould, especially Sugar-era, only with a huge drum sound that really changes the dynamic of that comparison. Turns out, exactly as Mr. Brown had promised, the entire record is Fantastic; you can order it from Pure Noise Records HERE.
 


Watch:

The new episode of The Horror Vision Horror Podcast went up yesterday. We gathered this past Saturday to watch Mickey Keating's new movie Offseason, and in my book, it did not disappoint. You can hear our spoiler-free review if you click the little widget at the top right hand of this page, or on your favorite podcast streaming service.




Also, the IndieGoGo campaign for Friday the 13th Fan Film Never Hike Alone 2 is now live! While I'm not a very big fan of the actual Friday flicks, I quite like Vincent DiSanti's films and will definitely be throwing down on this one that brings the Thom Matthews back as Tommy Jarvis for an ultimate showdown with Mr. Voorhees.


Can't wait to get this one in my hands and then watch all three of DiSanti's F13 films in one sitting! Back the campaign HERE




Dollar Bin:

Last Tuesday, I introduced a new weekly feature called Dollar Bin. This is a place where I can talk about all the cool, nostalgic, or just plain awesome items I find while flipping through the dollar bins in the comic shops I frequent. That said, while this week's featured score was indeed found in a dollar bin,  it is most definitely not a comic. 


I'd never heard of Nyctalops magazine until I brought this one home last week. Nyctalops was a literary Horror magazine dedicated to H.P. Lovecraft and his contemporaries published independently in the 70s and 80s. It featured reviews and editorial pieces of contemporary and historic Horror and Weird Fiction and often included short stories by contributors that included Ramsey Campbell, Robert Bloch, and Thomas Ligotti, and many, many more. 

This issue is #18, published in 1983, and it features two essays on themes found in the works of Robert Aickman, as well as an essay by famed Lovecraft scholar S.T. Joshi, to name but a few of its treasures. Also, I found it particularly thrilling to note that in the forward to this issue, Editor Howard O. Morris excitedly mentions that the Magazine's printer, Silver Scarab Press, has plans to publish, "... tentatively, a collection of horror stories by Thomas Ligotti, Songs of a Dead Dreamer."

Today, Horror literature fans know ..Dead Dreamer to be one of Ligotti's most influential works, and I found it super cool to stumble across a reference to it before the polarizing author made his mark.




Playlist:

Ghost - Impera
The Devil's Blood - The Thousandfold Epicentre
Mark Lanegan - Bubblegum
Tones on Tail - Everything!
Ghost - Opus Eponymous
Danzig - Thrall- Demonsweat Live
The Twilight Singers - Powder Burns
Orville Peck - Bronco (Chapter 1)
David Bowie - A Reality Tour
Motörhead - Ace of Spades
Pike Vs. The Automaton - Eponymous
Mad Season - Above
Mutterlein - Orphans of the Black Sun
Jim Williams - Possessor OST
Young Widows - Settle Down City
Revocation - The Outer Ones
Code Orange - Underneath
Deafheaven - Sunbather




Card:


Past = 7 of Cups: Debauch - taken here to mean I'm poisoning 
Present = 5 of Wands: Strife
Future = 0: The Fool

I'm not entirely certain how to read this one. I'm tempted to interpret the 7 of Cups as an inverted victory; a good thing that goes too long and turns sour, but I'm not entirely sure how that... wait. Maybe. I'll have to report back on this one. Sometimes it's best to follow flashes of inspiration without thinking about them too much.

Thursday, March 10, 2022

The Haunter in the Dark


I finally picked up The Devil's Blood's 2012 MASTERPIECE The Thousandfold Epicentre on vinyl. Ever since my friend Tori turned me on to this album later that same year, it has occupied a pretty prominent place in my inner jukebox. I can't go very long without cranking this album, so it's nice to be able to do so on vinyl now.
 



Watch:

With Mickey Keating's new film Offseason dropping this week and some of my cohorts from The Horror Vision and I planning to get together for a viewing/reaction episode, I figured it was time I finally watched the Keating flicks I'd had on my list for some time now. Two nights ago I began with 2016's Carnage Park.

 

Great flick. This feels like Keating doing his own take on Rob Zombie-like material, and it works. A lot of that is the casting - Ashely Bell is a fantastic final girl. Her wardrobe in the film plays up her petite size and creates a glorious misnomer for a character that ends up a staunch survivor without the film ever having to go over the top and take her full-on Ripley. This helps keep the film's realistic tone, and makes the final sequences of the movie breathtaking in the tension they create. Rarely does a film use lack of light this well. Also, Pat Healy is really just one of my favorite actors. The guy never disappoints in his performances.




Read:

I checked a few more Lovecraft stories off the list:

    • Celephais
    • The Unnamable
    • The Haunter in the Dark


I will tell you, there is a HUGE advantage to reading Lovecraft's works on Kindle. You won't get an awesome, old-school paperback cover like the one I've posted above, however, the Kindle's X-Ray feature allows you to axis all kinds of information you would not otherwise have at your disposal. For instance, reading The Haunter in the Dark was especially enjoyable due to the information I learned by highlighting elements of the text and either reading the X-Ray or built-in links to Wikipedia. I'm certain I'd read this one before, however, I never would have known that the story is essentially a sequel to a young Robert Bloch's story The Shambler from the Stars, or that the main character, Robert Blake (not that Robert Blake), was Bloch's creation. There are also elements in the story drawn from Clarke Ashton Smith, and it's this element of Lovecraft's work - that it has always essentially been an 'open source' material, that I find so fascinating.  




Playlist:

Deftones - Ohms
Deftones - Gore
Godflesh - Pure
Iress - Prey
My Bloody Valentine - MBV
Poni Hoax - Eponymous
Dillinger Escape Plan - One of Us is the Killer




Card:


Note: I generally don't recognize inverted cards.



Past = Knight of Discs. The Fire Element of Earth. Will applied to Malkuth, the Earthly concerns. This was my idea before yesterday that I was going to force my doctor to see things my way, to open me up and take the 1cmm 'shadow' my last CT scan showed out.

Present = 3 of Disks: Work. Staying in the Earthly realm. This is the reality of the situation.

Future = 7 of Swords: Futility. This is turning out to be a pretty poignant pull because as it turns out, the doctor 100% convinced me I was overreacting. 

It's pretty easy to have someone in the medical field you trust say to you, "It's probably nothing but we'd like to do a biopsy just to be sure" and then assume this is a half measure - especially when it doesn't work and your lung collapses - and that the actual the best possible way to proceed is to have them cut you open. I'm past that. I can't keep my life on hold for this. The new plan is a CT every four months (or so) to make sure the shadow isn't growing. I should state what my doc reminded me of yesterday: the fact that because of being stabbed in the lung when I was in High School, and because of the inflammation - which they originally mistook for lymphoma back in 2017 - my lungs are filled with shadows when it comes to CT scans. The tricky bit with my physiology as it is, lies in determining if new aberrations are just the inflammation growing/changing, or something more nefarious. For now, I'm content waiting this out because the odds are it is inflammation. And really, I want to move ASAP, not just because I'm sick of LA, but because I want to be far away in case we get in over our heads and Putin decides to turn LaLaLand into a smoking crater. 

Paranoia. It's what's for dinner in 2022. Deal with it.

Monday, February 28, 2022

Screaming Trees - Dollar Bill

 

Regardless of the fact that Lanegan himself was pretty vocal about a certain degree of embarrassment at some of the music he made as a part of Screaming Trees, I'll always love certain songs by the band. It's the project with Lanegan I care the least about, but they definitely have their moments. "Nearly Lost You" is a perfect rock single, and my original plan was to post that. However, the day he died I was at work, and at some point, a couple hours after hearing the news I walked out of the office and heard "Dollar Bill" on the 88.9 KXLU. I haven't heard this song since 2009, and it really just smacked me upside the head.   




Watch:

Sunday was a full-on relaxing, restorative day. I needed it. I slept in, dozed often, read quite a bit, and managed to watch several movies. First up, 1944's House of Frankenstein:

 

I'm pretty sure I had never heard of this one before, and boy did it deliver on the Universal Monster goodness. Such an awesome set-up. From the Wikipedia entry for the movie:

 "After escaping from prison, the evil Dr. Niemann (Boris Karloff) and his hunchbacked assistant, Daniel (J. Carrol Naish), plot their revenge against those who imprisoned them. For this, they recruit the powerful Wolf Man (Lon Chaney), Frankenstein's monster (Glenn Strange) and even Dracula himself (John Carradine). Niemann pursues those who wrong him, sending each monster out to do his dirty work. But his control on the monsters is weak at best and may prove to be his downfall." 

In particular, the scene where Karloff's Dr. Niemann revives Dracula is fantastic, as is the way their relationship progresses and finally ends. Saying anything more would be giving away a nice little surprise, of which, this movie has several. Also, really cool to see Karloff in a movie with the Frankenstein monster where he doesn't play the titular being. 

Next, 1939's Son of Frankenstein

 

Pretty standard, but cool to see Basil Rathbone in a flick with these Horror Icons.

Both of these were leaving Shudder, and after starting House of Frankenstein out of curiosity a few days ago, but ultimately falling asleep for most of it, my early childhood love of Frank came back with a vengeance. I enjoyed both of these quite a bit, but preferred House because of its truly unique set-up.
 


Read:

So I decided I'm going to re-read all of H.P. Lovecraft's work. I started reading Lovecraft in High School - maybe Junior year. I've been reading him ever since but with my exposure to his work being subdivided between various Dell Paperbacks, I never had a "Complete Works" set until fairly recently. Because of that, I'm not entirely certain which of his works I missed (see my post about Charles Dexter Ward from last week).

So far, here's what I've read:
    
    • The Festival
    • The Case of Charles Dexter Ward
    • The Statement of Randolph Carter
    • The Strange House High in the Mist
    • The Terrible Old Man
    • Azathoth
    • Beyond the Wall of Sleep
    • Facts Concerning the Late Arthur Jermyn & His Family

Of particularly great pleasure was reading The Strange House High in the Mist. It'd been a loooong time, and this is one of those stories I realize now that defines what I love about HPL.




Playlist:

Walking Papers - The Light Below
Federale - No Justice
QOTSA - Lullabies to Paralyze
The Cure - Carnage Visors
Christopher Young and Lustmord - the Empty Man OST
Myrkur - Folkesange




Card:


I don't collect Tarot decks. I've had my full-size Thoth since around 2003. My only other decks are the "pocket" Thoth Missi gave me a few years back, and her own Raven Tarot (Major Arcana only) which she made for me two years ago. However, as I performed my pull this evening I was thinking about the fact that my friend Jonathan Grimm is beginning to take pre-orders for his "Bound Tarot" deck and there's no way I'm not buying this. Pulling The Hierophant only serves to reinforce my thinking that this will now be a third deck I actually use for daily readings.

There's not an actual link to pre-order the Bound deck yet, but I'll definitely be posting that here when it's up. In the meantime, you can peruse the designs over on Grimm's Etsy HERE.


Wednesday, February 23, 2022

Earth Featuring Mark Lanegan - A Serpent is Coming

 

From Earth's 2014 masterpiece Primitive and Deadly, featuring the late Mark Lanegan on vocals.
 


NCBD:

A pretty smashing Wednesday at the shop, if I do say so myself:


Fucking LOVE this cover. 

Deadly Class! Only a few more issues. I'm getting both excited and sad.


I would say I'm annoyed at how long this one has taken to come out, but when you look at the work involved, I think it's totally understandable. I mean, the detail on the cover - let alone on the pages inside - is almost mindboggling. 

Prince Robot? Me thinks I smell a flashback.


This was accidental. I heard that Beta Ray Bill appears in Donny Cates' Thor #22 and picked it up late last week. When I did, I realized that issue is part four of a storyline called "The God of Hammers". I grabbed the first part - Thor #19, but quickly realized there were no copies of 20 or 21. Apparently, they sold fast, and reprints of 20 hit this week with 21 following next. All this has really just primed me with hype for a comic I normally don't care anything about. 


I still love Two Moons, but resolved to wait to read this arc until it finishes, I was just missing too much going month-to-month. 


As long as this continues to be primarily about Moira and Mystique, I'm in. 




Read:



I was just about fed up with H.P. Lovecraft's The Case of Charles Dexter Ward when I arrived at the Fifth section of the book, V. A Nightmare and a Cataclysm. Here's an excerpt: 

"The next few rooms he tried were all abandoned, or filled only with crumbling boxes and ominous-looking leaden coffins; but impressed him deeply with the magnitude of Joseph Curwen’s original operations. He thought of the slaves and seamen who had disappeared, of the graves which had been violated in every part of the world, and of what that final raiding party must have seen; and then he decided it was better not to think any more. Once a great stone staircase mounted at his right, and he deduced that this must have reached to one of the Curwen outbuildings—perhaps the famous stone edifice with the high slit-like windows—provided the steps he had descended had led from the steep-roofed farmhouse. Suddenly the walls seemed to fall away ahead, and the stench and the wailing grew stronger. Willett saw that he had come upon a vast open space, so great that his torchlight would not carry across it; and as he advanced he encountered occasional stout pillars supporting the arches of the roof. After a time he reached a circle of pillars grouped like the monoliths of Stonehenge, with a large carved altar on a base of three steps in the centre; and so curious were the carvings on that altar that he approached to study them with his electric light. But when he saw what they were he shrank away shuddering, and did not stop to investigate the dark stains which discoloured the upper surface and had spread down the sides in occasional thin lines. Instead, he found the distant wall and traced it as it swept round in a gigantic circle perforated by occasional black doorways and indented by a myriad of shallow cells with iron gratings and wrist and ankle bonds on chains fastened to the stone of the concave rear masonry. These cells were empty, but still the horrible odour and the dismal moaning continued, more insistent now than ever, and seemingly varied at times by a sort of slippery thumping."


Subterranean exploration and Stygian catacombs are among my very favorite things- they tickle my imagination in a way I cannot express in words. This story went from being a massive chore laced with veins of Lovecraft's meandering prose and racist tendencies to being everything about his writing that made me fall in love with him in the first place, and I am very happy I stuck with it.




Playlist:

Chrome Canyon - Director
Ministry - The Mind is a Terrible Thing to Taste
Metallica - Kill 'Em All 
Curtis Harding - If Words Were Flowers
Mr. Bungle - The Night They Came Home
Mark Lanegan - Bubblegum
The Gutter Twins - Saturnalia
Mark Lanegan - Straight Songs of Sorrow




Card:


This card is all about balance to me, and I pulled it right after texting with my friend Missi about finding balance. Her's is off today (this is Tuesday night), and so is mine. Between my lung issues and now an identity theft issue that came up last night, I definitely feel unmoored. But it's all about planting a solid foundation and using that to find a center of gravity. From there, things will unfold at a more controllable rate. 

Friday, February 11, 2022

Zeal and Ardor - Run

 

The new Zeal and Ardor album is out and after three listens this morning, it's already on my shortlist for album of the year. I am perpetually blown the f**k away by how this man's sound evolves. It would be so easy for a band with this DNA to tread water, but that is most definitely NOT the case.




Read:

This isn't the edition I have, but I love this cover


I realized recently that, for all the fiction by H.P. Lovecraft I've read over the last thirty-odd years, I don't think I'd ever read The Case of Charles Dexter Ward. I'm about halfway through the novella at this point, and two observations:

1) This one definitely sates the thirst for Lovecraft imagery and overall style/tone, however, it is not a very good story, and does not feel all that different than quite a few of his other stories.

2) This is easily the most racist of HPL's work that I've read.

The racism, coupled with the redundant prose, has made this one a bit of a chore. However, I intend on trudging on until completion. As I have gotten older and been exposed to more and more Weird Fiction and Horror, Lovecraft becomes more about the concepts and less about the writing. He just wasn't that good. 





Watch:

The season finale of The Book of Boba Fett was everything I could ever want from a Star Wars story. 


Now, we'll all just have to wait until the third season of The Mandalorian premieres.




Playlist:

Burial - Antidawn
Zombi - Digitalis
Abby Sage - Fears of Yours and Mine EP
Zeal and Ardor - Eponymous
Orville Peck - Pony



Saturday, March 28, 2020

Isolation: Day 16 - The Return of Joe Bob Briggs!



Man, this could not come at a better time! I cannot wait for weekly event viewing with Mr. Briggs.

**

I've been on a reading tear. I finished my re-read of Inferno, the mini series that ran through all the X-books in 1989. I even through in the What If...? Issue that contemplated what would have happened had the X-Folks lost to S'ym and Madelyne Pryor. Mr. Sinister remains my favorite X-Villain, however, it's unfortunate that Mr. Claremont never had the opportunity to fully explore his backstory. I know subsequent X-writers did, however, I don't know that I'd ever be interested in reading beyond Claremont's X-Men again. Louise Simonson works well writing X-Factor inside Claremont's domain, and I don't want to belittle what she did, but really, she began as Claremont's editor on the books, so it makes sense that when he had to hand the reins of one book over to someone, it would be her. And Ms. Simonson's contributions are fantastic. I even like a bit of what Fabian Nicezia added closer to the end of Claremont's tenure, but most of what other creators did at that time grew organically out of the seeds Claremont had laid. Who knows? Maybe I'll find the one of those Sinister-related trades on sale for Kindle at some point and take a chance. I know they took him back to the Victorian era - an immediate 'Pro' for me, however, the subsequent convolution of all things X after Claremont and the editorial insistence on 'Status Quo' just makes me want to pretend the characters were part of a finite series. (Although Morrison's stands on its own as a three-volume masterpiece, and I suspect that may be just about up for re-read as well).

Possibly my favorite splash in the entire series

Next up was the complete Alien/Predator/Prometheus Fire and Stone saga, which was pretty awesome. 


One of my favorite elements of this was when the construct Elden - similar model to Bishop or David from the films - is injected with the Engineer's Life Accelerant "Black Goo" and begins an evolutionary journey that sees him become something almost as monstrous and distressing as the Xenomorphs themselves. Check this out:


More wonderful Nightmare fuel from the Alien Universe!

Next, the first installment of Warren Ellis' 2016 serial novel Normal, which I've had since its release and which I've just realized, is now only available as the collected novel. So, apparently in order to continue, I'll just have to pick that up, which is no problem, as it's readily available on Kindle:


Although I won't be doing the rest of Normal just yet, as reading the first part awakened in me a rabid desire to re-read Charles Stross' Atrocity Archives, which I believe I first read back in... 2007 or 2008, and which has perpetually been on my mind since setting up a Feedly account a few months ago and following Stross' blog (HERE).


If you're unfamiliar with Stross, his Laundry Files books follow an employee in the IT department of a company that deals with Necromantic Arts and Lovecraftian Elder Gods the way Silicon Valley companies deal with Technology. It's fascinating, and I'd been meaning to re-enter Stross world for sometime. I'm only a few pages into this re-read, but I may do more of the series afterward.

**

Playlist:

The Birthday Party - Mutiny/The Bad Seed EP
Fenn - Epoch
Balthazar - Fever
Beach House - Thank Your Lucky Stars
Siouxsie and the Banshees - Tinderbox
Tennis System - Lovesick
Spotlights - Love and Decay
Various Artists - The Void OST
LCD Soundsystem - Sound of Silver
Me and That Man - New Man, New Songs, Same Shit, Vol. 1
NIN - Ghosts V: Together
Rammstein - Eponymous

**

No Card.

Wednesday, March 25, 2020

RIP Stuart Gordon



To quote Tod Ashley, they're droppin' like flies right now. This one hits hard. I love Stuart Gordon's movies. I loved that I was able to see him in person - briefly - at the Steve Allen Theatre back in 2011, when he directed the Re-Animator: The Musical there. I love Re-Animator and Bride of Re-Animator (the latter admittedly had Brian Yuzna at the helm, but it was still Gordon's movie). I love From Beyond. I love King of the Ants. I love Dagon. I love his Dreams in the Witch House. This sucks. Rest in Peace, Mr. Gordon. Hopefully Herbert won't be stealing your remains and attempting to bring you back to life as some ghoulish creature of the night. But then again, if he does, it'd make a good movie!

Monday, February 17, 2020

Me and That Man - By The River


I wanted to post this a few days ago, but with the continued irregularity of my schedule, I've got all kinds of cool stuff piling up. Anyway, By the River is yet another fantastic offering from forthcoming New Man, New Songs, Same Shit Vol. #1, which is out March 27th on Napalm Records. Pre-order HERE.

**

I recently purchased a Kindle compendium of H.P. Lovecraft's works. It's coming in handy on our short stint to Chicago, where we surprised the hell out of my folks for their 50th Anniversary. The book I'm currently reading back home in LaLaLand is still Chuck Wendig's Wanderers - it's awesome, it's just hefty and my time has been erratic - but as an over 700 page hardcover, there was NO way that was coming with me on the trip. Also, my time in my hometown is usually pretty full, so I didn't really expect to have a lot of reading time. So, I've been picking away at re-reads of a few quintessential Lovecraft stories.

First up was The Call of Cthulhu. I re-read this one every couple of years, and I still believe it is both Lovecraft's best writing and my favorite of his works. I've probably said it here before, but the opening paragraph always leaves me in awe:


The remainder of the story is always a joy to read, as it more or less bears out this first paragraph, bringing the reader into events that begin mundane but develop into terror of a truly cosmic proportion.

Next is The Dunwich Horror, which it'd been quite some time since I'd last read. I wanted to re-read this now that Richard Stanley has announced it as his next Lovecraft adaptation in what hopefully will end of a trilogy.

**

Playlist:

Slayer - Live Undead
Myrkur - M

Also my cousin, my friend Amy and my friend Joe all turned me on to a lot of random music that will no doubt be incorporated into my playlists over the next several days. The Babies, Porridge Radio, Gene, Cornershop, and Lloyd Cole, to name a few.

**

No card today.

Thursday, September 26, 2019

The Color Out of Space West Coast Premiere


There's not even a trailer yet, so all I can give you at the moment is this beautiful poster image, which is quite indicative of the film. I attended the West Coast Premiere of Richard Stanley's adaptation of H.P. Lovecraft's The Color Out of Space last night at Beyondfest. A great film! I stayed up late putting together a quick, under five minute review of the film for The Horror Vision, you can link to it below. In a nutshell, as with several other movies of late, I liked The Color Out of Space just fine for the first two acts, with only one or two small gripes, but when the third act rolled around, it cinched the entire film together for me and I ended up really liking it. Specifics at the links below:

The Horror Vision on Apple

The Horror Vision on Spotify

The Horror Vision on Google Play


**

New Foals! Like the first Part in this pair of albums, they sound as lush and haunting as ever.


New album, that second part of Everything Not Saved Will Be Lost drops October 18th, pre-order HERE.

**

Recent Playlist:

Sausage - Riddles Are Abound Tonight
Blut Aus Nord - Memoria Vetusta II
Blut Aus Nord - Memoria Vetusta III
Blut Aus Nord - Hallucinogen
Soundgarden - Badmotorfinger
Air - Talkie Walkie
Carpenter Brut - Leather Teeth

**

Card of the day:


Fire of Fire. Charge forward, pick your battles, and focus Will and Intellect. I'm taking this as confirmation I should finish something I've been hesitant to, a story that has languished in a state of perpetual 'almost finished' for some time. One last charge, then it hits the idea limbo for the foreseeable future.



Friday, April 24, 2015

The Lovecraft Alphabet



There's a plethora of Lovecraft-inspired Facebook pages I follow and somewhere on one of them last night in the throes of fever I found this. Woke up and saw it in a saved blogger draft, laughed my snot-ridden arse off.

Sunday, February 8, 2015

Grant Morrison & Chris Burnham's Nameless: Beneath the Panels #1



As I said in this week's edition of Thee Comic Column over on Joup, I've read Nameless #1 twice so far. Between reads I began digging around on the internet for some of the concepts Grant Morrison builds into the code that underlies the story begun in the book, and as such I've started to piece together some of what I think may be the initial ideas at work beneath the panels, so to speak.

Nameless #1 begins with a narrated series of atrocities taking place across the globe. The paneling on these first couple of pages is unique and, I'm betting, charged with some degree of subliminal meaning. After drawing them out and pondering them as distinct images by their own right I'm left with one observation and one theory.


The images, especially the first and third, bear strong resemblances to letters from the Hebrew alphabet, which is steeped in occult science and often used in the creation of 'spells'. However, despite the resemblance, after consulting a Hebrew dictionary I found myself unable to draw any direct comparisons. Stumped I thought about this some more and eventually came to a different conclusion about the shapes:

They are part of an elaborate sigil. If you are unfamiliar with sigil Magick - a concept Morrison has talked quite at length - go here and take the author's crash course.

Okay, moving out of the design aspect and into some of the direct references Morrison makes in Nameless #1, the first glaring one is during the aforementioned narrated atrocities on the very first page, we get another sigil-like image and four words:


The image is later defined by one of the characters as "the door to the anti-verse, the Gate of Az". If you google Gate of Az the search engine makes the assumption that you're abbreviating Arizona. However, if you do not search the phrase as you enter it, allowing instead the engine to use its intuitive functions you get three things, the aforementioned Arizona result, followed to more likely possibilities:

Gate of Azeroth
Gate of Hell, Azerbaijan

Here I began with the latter result, as it was something I was unfamiliar with. In a nutshell, there is a deposit of natural gas in the country of Turkmenistan known as the "Gate of Hell".



Once you reach the end of the issue you find there is definitely a parallel to be drawn in terms of what we find out this image represents in actual, physical terms to the story in Nameless. However, that's not it. Let's go back to the other search result and explore that a bit, shall we?

At first glance I misread Azeroth as Azathoth*. That is not the case; Azeroth is a setting in the World of Warcraft game. I don't think that has anything to do with what we're dealing with here. However, because Grant Morrison is as much a utilizer of pop culture in his Magick as he is occult code, this may be the point. It is not too much of a jump to consider that WoW's Azeroth derived its name from Azathoth, a character from H.P. Lovecraft's Cthulhu cycle. Morrison has utilized some of Lovecraft's lore before, and there is an entire area of Magickal practice that treats Lovecraft's mythos as something of an operating system for ritual. In his story The Dream-Quest of the Unknown Kadath, Lovecraft describes him as the following:

[O]utside the ordered universe [is] that amorphous blight of nethermost confusion which blasphemes and bubbles at the center of all infinity—the boundless daemon sultan Azathoth, whose name no lips dare speak aloud, and who gnaws hungrily in inconceivable, unlighted chambers beyond time and space amidst the muffled, maddening beating of vile drums and the thin monotonous whine of accursed flutes


I have always drawn an indirect comparison between Azathoth and Choronzon, a demon that traces its origins back to Elizabethian magician/scholars John Dee and Edward Kelley. Choronzon's entry in Watkin's Dictionary of Magic is as follows, and when juxtaposed with the definition for Azathoth above fully illustrates the reasons for my theory:

In Enochian magic, the demon of chaos and guardian of the Abyss. Aleister Crowley described Choronzon as "the first and deadliest of all the powers of evil". This point notwithstanding, Crowley invoked Choronzon while experimenting with the so-called 30 Aethyrs in a magical ritual on the top of an Algerian mountain in December 1909.

There is a great visual recreation of Crowley's ritual with Victor Neuburg in Alan Moore and JH Williams, III's Promethea, specifically issue #20, where the characters are on a multiple issue long trek through the spheres of the Kabbalhistic Tree of Life and fall through Daath, the abyss. Here they encounter Choronzon and are torn to pieces. Bringing this back around to Nameless #1, the Abyss - or Daath - could be the "anti-verse" discussed in the final pages, where we learn the harbinger of this Gate of Az is an asteroid on a collision course with Earth and thus inevitably going to destroy it, or rip it to pieces, the same way Choronzon or Azathoth obliterate those who encounter them in their respective mythological contexts.

Okay, I've barely even scratched the surface of this first issue but this is proving to be a much bigger project than I originally thought it would be. I'll continue with more decoding of Nameless #1 in a few days, in the meantime here are a few links for further study of the ideas I've discussed thus far:




...........
* Another possibility, although less likely, is Astaroth. A quick referral to The Goetia and you will find the following definition for Astaroth:

The twenty-ninth Spirit is Astaroth. He is a Mighty, Strong Duke, and appeareth in the Form of an hurtful Angel riding on an Infernal Beast like a Dragon, and carrying in his right hand a Viper. Thou must in no wise let him approach unto thee, lest he do thee damage by his Noisome Breath. Wherefore the Magician must hld the Magical Ring near his face, and that will defend him. He giveth true answers of things Past, Present and to Come, and can discover all Secrets. He will declare wittingly how the Spirits fell, if desired, and the reason of his own fall. He can make men wonderfully knowing in all Liberal Sciences. He ruleth 40 Legions of Spirits. His Seal is this, which wear thou as a Lamen before thee, or else he will not appear nor yet obey thee, etc.