When I say new, I should specify I am way behind on this one - looks like it dropped two weeks ago! Funny, as I just listened to Sound & Color for the first time in a while last week and had a moment of forlorn reflection that it's been ten years since that album was released. I don't know if this new track heralds an upcoming album, but I sure hope so.
Watch:
Where K and I would normally have seen The Long Walk on opening night this past Thursday, we had the opportunity to see John Carpenter's The Thing on the big screen (our second time) during Regal's Cine: A Month of Masterpieces. This series has me in awe: We're seeing Sunset Blvd tonight (also a second time on the big screen for us), I'm going to try like hell to see GDT's Pan's Labyrinth on Wednesday, then we have Psycho on Friday. And we're still in the second week of the month!!!
However, it's Francis Lawrence's The Long Walk I want to talk about right now. Adapted from a Richard Bachman - aka Stephen King - novella of the same name, with the adapted screenplay coming to us from JT Mollner, the Writer/Director of one of 2024's best films (Strange Darling), The Long Walk feels, in this moment, like the best adaptation of King's work to date. Ten years ago, that might have been a no-brainer until you stop to consider The Shawshank Redemption or Stand By Me (I've always heard The Green Mile is up there as well, but I haven't seen that one). But we've had a spate of pretty good adaptations over the last decade, top among them Mike Flanagan's Doctor Sleep and Gerald's Game. In the Tall Grass, and while I don't love the Andy Muschietti IT films, they're better than the original. Castle Rock - while not officially an adaptation of any one King story, is a super solid amalgam of his work. So we're light-years from the days of Langoliers and Needful Things. But The Long Walk feels like it has all of them beat.
I'm largely unfamiliar with Francis Lawrence's work as a Director. Yes, I've seen Constantine, and it puts me in a tough spot, as if they had not based that on John Constantine: Hellblazer, I would have loved it. Some fantastic images and ideas, but it just doesn't work with Reeves as JC and Chas being anyone but a hulking ex-Football hooligan. Other than that, though, looking at Lawrence's IMDB, I see he is mostly known for working with Suzanne Collins' The Hunger Games. I tried and couldn't get twenty pages into the first book, so I didn't even bother with the films, partially because the entire thing feels like a watered-down version of The Long Walk and Battle Royale. His history doesn't matter, though, because this film is excellent. A complete gut-punch in the best possible way, and King's knack for male camaraderie and how it can be a shortcut to major life epiphanies really shines through in this film. The characters are fantastic, and it hurts to see what happens to them. Cooper Hoffman confirms he is an excellent actor, following in his late father's footsteps, but David Jonsson - wow! In two movies (the other being Alien: Romulus, where he plays Andy, Rain's synthetic "brother"), he has demonstrated charisma and range that have me watching for his next film, genre or not.
I'd recommend catching this one in the theater. If you want to hear more, hit the widget at the upper right-hand side of this page for The Horror Vision's new episode, where we start with a spoiler-free review, then give ample warning before veering into a full-spoiler comparison between the book and the film. Also available on YouTube HERE.
Playlist:
Sleep - Sleep's Holy Mountain
Hellbender - Hellbender OST
HEALTH - Ordinary Loss (pre-release single)
HEALTH - Rat Wars
David Bowie - Outside
Double Life - Indifferent Stars
Entropy - Dharmakāya
Deftones - private music
Godflesh - Streetcleaner
Blut Aus Nord - Shadows Breathe First (pre-release single)
Blut Aus Nord - Disharmoniu - Nahab
Dreamkid - Daggers
Faetooth - Labyrinthe
Alabama Shakes - Another Life (single)
Netherlands - Vapor
Card:
From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.
• Queen of Swords
• Six of Wands
• Page of Wands
A major creative period is happening, but it will take clear judgment to navigate.
I love when these are so spot on. I've been working pretty diligently on Shadow Play Book Two, and there are SO many ideas at play right now. So many historical themes to tie into this century-spanning saga, so it's an immense creative rush, but I have to keep asking myself, "How much is too much?"
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