The World Is So Good That Who Made It Doesn't Live Here

I finally had a chance to sit down and watch my copy of last year's Criterion Collection Gummo. Still one of the ugliest yet also most beautiful films I've seen, and the upgrade was just in time. I believe my previous viewing was somewhere circa 2019, at L.A.'s Egyptian Theatre, when Beyondfest brought Writer/Director Harmony Korine in to discuss the film afterward. I wrote about that experience HERE. My old DVD copy was just not going to cut it any longer.

One of Gummo's many joyful characteristics is its soundtrack, and while it led me to several fantastic artists in the early days of my infatuation with the film - I first saw it somewhere around 1999, I think - Mystifier is a band I'd previously not explored. 

Hailing from Brazil, these guys have a pretty interesting history. The song "Give the Human Devil His Due" comes from their 1996 album The World Is So Good That Who Made It Doesn't Live Here. How's that for a title, eh? The entire record is good, but so far this track is still the highlight (although that's very likely due to my identifying it with one of my favorite films).

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Watch:

A Butthole Surfers documentary???? Yes: The Hole Truth and Nothing Butt began select screenings in April!

Director Tom Stern has apparently been documenting the band since 1986, so this should be chock full O' historical moments that help cement this band's ironically insane tenure. I'm not sure where to see it at the moment, but I've subscribed to the film's YouTube channel, so hopefully, there will be some news soon. In the meantime, you can read more about the film on its official website HERE.

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Read:

Finally began tapping into the Weird Walk collection released last year:

This is a beautiful hardback book that compiles essays from the 'zine I've talked about here before. The authors cite everything from Jacques Derrida's writings on Hauntology to Julian Cope's The Modern Antiquarian as they set about discussing pre-history, deep time and their theory that to save the future, we must look back at the past. 

This won't be a 'straight-through' read for me. More likely, I will do an essay or two a week while I read other things on a daily basis.

You can check out more from Weird Walk on their website HERE.

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Playlist:

Pelican - Flickering Resonance

Rollins Band - The End of Silence

Rollins Band - Human (The End of Silence 1991 Demo)

TAD - Inhaler

White Lung - Paradise

Helmet - Meantime

The Ocean - Heliocentric

Young Widows - Old Wounds

Various - Learn to Relax: A Tribute to Jehu

Kamasi Washington - Lazarus OST

King Khan & The Shrines - What Is?!

Federale - No Justice

Idles - Joy As An Act of Rebellion

Anthrax - Among the Living

Mystifier - The World Is So Good That Who Made It Doesn't Live Here

David Bowie - Black Star

Perturbator - Lustful Sacraments

Jóhann Jóhannsson - Mandy OST

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Five of Pentacles

• Queen of Swords

• Page of Swords

Intellect over Earthly concerns, or perhaps this is better interpreted as Intellect to hone Earthly concerns.

2019: March 21st - New Zeal & Ardor Track!

This showed up in my youtube feed last night and frankly, listening to it was so exciting I had a bit of trouble falling asleep afterward. This band continues to amaze me; while this track obviously bears more than a little passing resemblance to the standard 'Zeal & Ardor Sound,' there's more than enough that's 'new' here to show that Manuel and crew are continuing to stretch that signature sound in new directions, without eschewing the core ideas that made them so awesome in the first place. Not an easy thing to do, but they're doing it. So coupled with Baphoment, the new track K and I saw them play at the Roxy back in August, that's two new tracks. Let's hope we get another new album sooner than later. That said, don't rush it guys. Just keep doing what you're doing.

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Tuesday night after work I drove up to Hollywood, and my friend Keller and I attended something of a dream event - Harmony Korine's 1997 film Gummo in 35mm at the Egyptian Theatre, with Korine present after the film, interviewed at the front of the room by a long-time friend.

It was magnificent.

Gummo has, since shortly after I first saw the film back in, oh, probably '99, occupied a spot in my top-five favorite films of all time. And while the movie disgusts many folks, this screening cemented my observation that it is both one of the most ugly and simultaneously one of the most beautiful films I have ever seen. There is such life here! After the movie, Korine talked about casting, and how he wanted to put people in the movie that you normally would never see in a movie. You can argue that there's an element of exploitation here, but to that I'd counter that Korine documents and puts himself in the film, which to me dissolves the barrier between filmmaker and subjects. He's one of them, not above them, and I think he makes this very clear. I feel real love in Gummo, and while there's definitely some terrible stuff contained within, it's documented objectively, not celebrated or diminished.

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Because I was out late Tuesday, I'd already secured yesterday off from work. The caveat to myself though, was if I stay home, I have to work. So, I spent the entire day, from about 10:00 AM to 6:00 PM working to finish Shadow Play, with only the distraction of the occasional break to read a comic and several loads of laundry between sessions. There was some major dialogue sculpting I had to do in some of the final chapters, and one serious flaw in a certain character's logic that caused a massive reassessment and overhaul of the last ten chapters. Nothing plot-wise, but all the tiny nuances that go into this disparate collection of characters' lives and machinations all coming to a head in a penultimate moment needed to be massaged something fierce. You know, you change something here, you have to follow the ripples through to the end and make sure they all gel. And although I was exhausted and in need of an ice cold Sierra Nevada by 6:15 PM, I am quite happy with the work. Four more chapters to record and I'm ready for that final go-through. Can't wait.

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I worked with such focus yesterday, that I was able to ignore two major trailers that dropped and had everyone talking. I'll post them here now as I watch them for the first time.



Wow. Kudos on the use of Baba O'Riley. Also, that's quite the monster near the end, right? And this one, well, I just can't wait for this one:



Playlists from the past few days:

3/20:

John Carpenter and Alan Howarth - Prince of Darkness OST

3/19:

Talking Heads - Remain in Light
The Mars Volta - Deloused in the Comatorium
Finn Andrews - One Piece at a Time
Kevin Ayers - Bananamour
Canadian Rifle - Peaceful Death
John Carpenter and Alan Howarth - Prince of Darkness OST

Card of the day:

I keep seeing this one. There's definitely something more below the surface here, something I don't have the time to research at the moment. Deep dive later on.

GUMMO

Since the first time I saw it, back in 1999, Harmony Korine's Gummo has been one of my all-time favorite films. You can say it's exploitative, disgusting, morose. Whatever. It is partly all those things. But it is also a deep and fragile beauty that I feel it is good to be reminded of, as in reminded how to find that beauty in the often ugly and disturbing world we live in.

If you've not seen it, I strongly suggest watching it. Here's a link to the entire film on youtube: