New Music From Ritual Howls!!!

Ritual Howls announced a new record and dropped an awesome new track, so let's all rejoice! You can pre-order a super nifty neon green vinyl on their Bandcamp right HERE.

I realized I completely forgot about and never ordered the band's previous release, 2023's Virtue Falters, so I have to go back and take care of that at some point. But this is a very well-timed release; we're approaching Autumn, and just over the last two days, I've felt twitches of it. First, I pulled out the copy of The Damned's live Night of 1000 Vampires the other day, an album Mr. Brown gifted me and that I played continuously last autumn. Then yesterday I had a taste for Joy Division. So, having a new Howls' record for Halloween 2025 will be a welcome event.

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Another easy week, but everything here is something I can't wait to read! Let's go:

The penultimate issue of Daniel Warren Johnson's run, which ends next month with Transformers issue 24! The cover says it all - I really dig what they've been doing with ol' Ultra Magnus, and in general, the Autobots are in such dire straits, I can't wait to see how this all plays out.  

I LOVED issue one of the first Epitaphs from the Abyss spin-off mini series, Blood Type, and am looking forward to more. 

Hands down the best regularly produced Batman book I've read since Morrison's run almost twenty years ago now. I know this ends in a few issues, but I'll enjoy Dark Patterns while I can. Dan Watters and Hayden Sherman are really operating at peak performance on this one. 

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Watch:

I found this trailer for Matt Stuertz's new feature, Human, via Bloody Disgusting, which had a headline comparing it to Greg Araki meets Evil Dead 2. I see the Araki for sure, not 100% certain I see the Raimi. Regardless, for what looks like a super small budget, I am intrigued and won't hold a Howie Mandel cameo against the film.

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Playlist:

The Damned - Night of 1000 Vampires

Windhand - Eternal Return

John Carpenter and Alan Howarth - Prince of Darkness OST

Revocation - New Gods, New Masters (pre-release singles)

Blackbraid - Blackbraid III

Witchthroat Serpent - Trove of Oddities at the Devil's Driveway

Sleep - Dopesmoker

QOTSA - Rated R

Black Sabbath - Eponymous

Joy Division - Substance

Ritual Howls - Follow the Sun (single)

Ritual Howls - Virtue Falters

Ritual Howls - Into the Water

Ritual Howls - A Safe Haven From the Sun (single)

Cryo Chamber - Echoes of the Hollow Earth

Young Widows - Power Sucker

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Ace of Cups

• V: The Hierophant

• Seven of Wands

Emotional breakthrough leads beyond accepted dogma/practices to a victory of Will. 

First, let's take a moment to marvel at the artistic merit of these three particular cards. My god  - I'm blown away every time I stop to examine Grimm's art in this deck. Not just the actual art, but the concepts and pulling together of so many similar attributes - stoner rock, Weedian folklore, Occult influences, 70s Sci-Fi and Fantasy. Breathtaking, I tell you.

Okay, so what the hell is this pull saying? I've finally knuckled down and have been writing very nearly every day, and it's paying off. The book I'm working on - Shadow Play Two - is extremely difficult to write. I have a timeline that dates back to Elizabeathan England and draws in a lot of minor historical figures. I'm having trouble shaping the second act of the book - which I'm back to thinking will take place in both Elizabeathan and Victorian England, and a lot of my work is slow going. 

RIP Terry Reid!

I love this song. LOVE. I was initially introduced to it via Rob Zombie's The Devil's Rejects Soundtrack, and for most of the 00s, it appeared on my burned CD mix compilations. I spent some serious time zoned out on various substances, just feeling this song - so much to feel!

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An easy week on the wallet for once:

Ericka Slaughter's origin continues. I'm digging these flashback issues; however, it perpetually thwarts my desire for the current timeline story to move forward! 

I'm really enjoying Larry Hama's ARAH as a totally hyperbolic version of Joe. Funny that this book used to be so rooted in reality. As I've suggested here before, though, after 300+ issues, you'd have to take things into weird territory to keep it interesting. Yet, make no mistake. A lesser writer would have rendered this title obsolete with all the AI, cyborgs, genetic mutations and, well, Serpentors that fill its pages. Not Hama. Still solid after all these years. 

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Watch:

I'm not sure why, but until last Sunday, I had no interest in watching Season 2 of Netflix's The Sandman adaptation. My Drinking with Comics host Mike Shinabargar recently mentioned that the final episode was set to drop on 7/31 and that he'd like to cover the show. After a few hours of yard work in the particularly grueling heat, I came inside, collapsed onto the couch, and fired up the episode, Seasons of Mist. 

 

I think two things are going on here. One, I think I'm way more attached to the stories adapted in the first season than this one, so it was harder for me to accept any changes (same with "24 Hours" from the first volume). Two, Tom Sturridge has really come to embody the character of Morpheus. The dour expression, the ever-changing, always confounding hair, the glassy stare. He just nails it in every scene this season. I've just hit the point where the season and the show move into their final arc in adapting The Kindly Ones, and this particular storyline in the comics is another I'm super attached to. So far, no complaints. I've heard this is around the point where the series begins to feel rushed, but so far, I'm not getting that. This could very well be because, when I began reading The Sandman near the end of its monthly run, I jumped in on The Kindly Ones, and at the time, the only collections available in trade were the first three volumes, Preludes and Noctures, Doll's House and Dream Country. The latter three were adapted as Season One of the show, so it stands to reason that, for someone who didn't read volumes 4-8 until later and thus, know them less intimately, adapting the four seasons I know makes this show fit my experience with The Sandman like a glove. Season Two effectively starts with Seasons of Mist (Volume 4), moves into A Game of You (Volume 5), and I think, bypasses virtually everything from Volumes 6-8. 

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Playlist:

Ozzy Osbourne - Bark at the Moon

Ozzy Osbourne - Blizzard of Ozz

Ozzy Osbourne - Diary of a Madman

Ian Lynch - All You Need is Death OST

Isaac Hayes - Hot Buttered Soul

M83 - Hurry Up, We're Dreaming

Hangman's Chair - Saddiction

Deafheaven - Sunbather

King Woman - Celestial Blues

Moon Wizard - Sirens

Black Pyramid - The Paths of Time Are Vast

Benjamin Booker - LOWER

Type O Negative - Life Is Killing Me

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• IX: The Hermit

• Five of Pentacles

• XXI: The World

Anticipate setbacks by taking a strategic withdrawal and considering the bigger picture. This is a 'work' reading, and it's as timely as it is on the money.

7 Days of Sabbath! Day 1: Hole in the Sky Live 1975

The opening track from, in my opinion, the best album Black Sabbath ever recorded. Not only does all the music knock it out of the park, but Sabotage is easily the best collection of lyrics the band ever produced, highlights being "Meglomania," "Thrill Of It All" and "The Writ" (on an album where nearly every song has deep, introspective and philosophical lyrics, most of which were written by Geezer Butler).

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Cannot wait for this issue. You'll Do Bad Things is proving to be a bizarre, Slasher/Giallo tribute that has me questioning everything I've seen in its pages so far. Look at that cover! 

WTFPFH?'s current solicitations end with this issue, so I'm not sure where we are in the story. Also, because of the recent gap, I just feel lost again. I'll probably wait to start a re-read until I know when this is returning again. I did, however, sign up for Matthew Rosenberg's free Substack newsletter HERE just to see if I can get any updates. Looking at his page, it seems like all the focus is on a book I totally missed called, We're Taking Everyone Down With Us. I love Rosenberg's writing, but with how WTFPFH? has languished for so long, not sure I'm down with jumping on anything new from him yet.

Garth Ennis and Becky Cloonan? Goddamn right I'm picking this up. I'm so happy to see Boom! still doing so well. Not sure how many issues this is going to run, but I'm in just based on the creators alone. I can't remember the last title I read that Ms. Cloonan drew. 

Mike Shinabarger and I covered News From the Fallout issue one on Drinking with Comics a few weeks ago, and both of us quite liked it. Looking forward to issue 2. Jeffrey Alan Love's art really makes an impression and seems ideally suited to the story.

The more I hear about Mark Spears' Monsters, the more I realize this is a career-making book for Mr. Spears. I think that's awesome. I also think the book is slowly getting better, uncoiling into something I don't think any of us can anticipate. Spears is drawing from such a broad swathe of comic book character iconography - Universal Monsters, Spy Stories, Grindhouse, and now... Superheroes?

I'm still holding onto Lazarus Fallen issue #1 as I finish a rather large spate of current readings and prepare to deep-dive the original two series, Lazarus and Lazarus Risen, again. I can't believe this book is back and coming out monthly like clockwork! Not a knock on the creators; I've just gone without for so long. And talk about a timely return. A not-so-distant future where wealth is politics? Sound familiar?

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Watch:

Last night, K and I saw Michael Shanks' debut film Together, where real-life couple Dave Franco and Alison Brie play a married couple going through issues who encounter an alien substance that begins to fuse them into a single form.

This one is getting A LOT of traction, and it's well deserved. I love that Body Horror has become something of a household word post-The Substance, and Together will likely continue that. And while I'm not the biggest fan of the two leads, both do a fantastic job, as does Damon Harriman, who most will know as Dewey Crow from Justified. 

I can't wait to see what Michael Shanks does next!

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Playlist:

Faetooth - Hole (pre-release single)

Ozzy Osbourne - Blizzard of Ozz

Ghost - Meliora

Faetooth - Remnants of the Vessel

Shellac - At Action Park

Type O Negative - Life Is Killing Me

Windhand - Eternal Return

Liars - Drum's Not Dead

Black Pyramid - The Paths of Time are Vast

Ozzy Osbourne - The Ultimate Sin

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Page of Wands

• Eight of Pentacles

• XV: The Devil

Baggage. All the fiery energy of the Knight of Wands, but held back by over-analysis or indecision. Concentration can help. However, it's often difficult to know how to begin that, as concentration is itself a product of Will. 

All this seems to shore up this idea I have in my head that I need to take a reboot day and really dig in and clean up a bunch of the unfinished shit in my head to make room for a new concetration generator.

7 Days of Ozzy Day 2: Shot in the Dark

Probably my second favorite Ozzy track, "Shot in the Dark" is the final track on 1986's The Ultimate Sin. I knew this song from its inception as a single, and it wasn't until the early 90s that I heard the entire album from which it hails. At that time, I wasn't a fan of the album, just the song, which seemed like a moody anomaly on an otherwise, at-first-glance collection of so-so 80s hard rock (It didn't help that my high school girlfriend and her two older sisters played Ozzy non-stop for the three years we dated. Forced familiarity can indeed breed contempt, a lesson we could have applied to our relationship, as well).

Maybe ten years ago or so, I gave The Ultimate Spin another chance, and found that, not only did I remember a lot of the tracks, but I remembered them kindly. Excitedly, even. Since then, this has become a go-to Ozzy record for me. As much as I love and respect the man, I don't gel with a lot of his solo work. Riding high off No More Tears, I was ready to embrace Ozzmosis when it landed in 1995, but the lead single, "Perry Mason," just seemed like such a ridiculous song. Like Ozzy had somehow gone all the way around the bend into self-parody. The album didn't sit much better with me, and that was the last of his solo work I paid attention to until Mr. Brown got me into 2020's Ordinary Man circa 2021. Producer Andrew Watt ended up being the best thing to happen to the Ozzman in decades, as I'd rank Ordinary Man and Patient No. 9 as instant classics. Both records are of a caliber that, while the early stuff is still untouchable, hold their own. 

I've made it my mission to comb through his catalogue and see if I missed anything. 

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NCBD:

Great pull list this week. Let's go!

Void Rivals has been picking up steam as we move toward the Quintesson War's start in upcoming issue 25. We have an army of Skuxxoids, Hot Rod and Springer, the Quintessons, Zerta, and Cobra La. That's A LOT of tension points for a story, and somehow, Kirkman balances them all perfectly, letting out little bits of steam here and there so we know that in a couple of issues, things are going to go OFF!

Zander Cannon's Sleep is the, ah, sleeper hit of 2025. Seriously, this book is fantastic! When I first picked up issue one, I thought the art would be a tonal aberration I wouldn't be able to get over. Turns out, it's the exact opposite. Cannon's style belies a dark underbelly that froths with blood and bad things. 

Minor Arcana quickly proved itself as another burgeoning Jeff Lemire masterpiece, a la Fishflies. This time, however, there's a long run and a more involved plot. The sleepy seaside small town setting and exploration of a failed fortune teller are masks for something bigger and much more malevolent, and the reveals come slow and steady, once again showcasing the deep-seated influence of David Lynch in this man's storytelling. 

Almost as if the Universe sent this cover to pay homage to Ozzy's passing. I have no idea what this book is about, but when I saw the title/cover combo, I knew I'd have to track it down. 

James Tynion & Michael Walsh's Exquisite Corpses continues barreling along its destructive path and you're damn straight I'll once again have a front row seat! I have a feeling this book is going to really surprise us along the way. Not everything is as straightforward as it seems. 

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Watch:

For reasons I simply cannot fathom, about two years ago I walked away from HBOs Doom Patrol series and never came back. This wasn't intentional; I'm not really sure how I got like this, but I tend to leave shows - even shows I adore - hanging. Something kicked in again last week, and I rewatched the entire second season and am now perched atop the first episode of Season Three, which is unfamiliar ground for me.

I can't stress how much I love this show. It's absurd, moving, and outright bat shit. The look of it is among my favorite looks to any show or film - the lighting is soft, dark, but still colorful. The set design is symmetrical, cohesive and downright creepy A.F., when it needs to be. And the original, Dada-esque undertones Grant Morrison so lovingly wove through his run on the book in the 80s are always ever-present. These elements would be disparate and jarring in the hands of most, but this show blends them all perfectly. 

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Playlist:

Deee-Lite - Dewdrops in the Garden

Deee-Lite - World Clique

Primus - Antipop

Hot Stove Jimmy - It's a System...

Lard - The Last Temptation of Reid

Meat Puppets - Dusty Notes

Deadfly Buchowski - Russian Doll E.P.

Zombi - 2020

Zombi - Direct Inject

Pixies - The Night the Zombies Came

Ozzy Osbourne - No More Tears

Ozzy Osbourne - Perry Mason (single)

Ozzy Osbourne - Down to Earth

Ozzy Osbourne - No Rest for the Wicked

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Page of Wands

• Two of Cups

• Four of Wands

Creative emotional support is needed to reclaim a regular sense of balance, i.e. in this case, duty. I remain in a non-writing paradigm. I did begin re-reading Shadow Play Book One: Kim & Jessie, a much-needed and until now shirked necessity for, you know, working on the sequel. That's a major step for me, but I need to get back to a regular routine and it just seems to be drifting further and further away. A day stolen here or there just doesn't amount to much, and I think the cards are telling me that I need to ask K for help. 

New Music from Deftones!

From the LONG-AWAITED album Private Music, out August 22nd. Order HERE. Easily one of my most anticipated albums of the last five years, I'm absolutely stoked we're getting this next month. I cannot wait to put on headphones, smoke some pot (increasingly rare) and listen to this record from start to finish. 

 

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HUGE haul today. Let's dive in:

Oni's resurrection of EC comics continues to evolve. No sooner did Epitaphs From the Abyss end, than the the Grave Digger has passed the proverbial Horror mic to his cohort, The Tormentor, for the new series Catacomb of Torment. 

New Z News! I still have barely scratched the surface of the backlog of issues I picked up in Chicago last month, but good to no it's still going. 

Has this series had the best covers of 2025? Maybe. I'm still loving that this is bi-monthly and wondering how we lucked into that? Reminds me of the old 80s Turtles, when it would come out bi-monthly or... maybe later. Either way, it's been very cool to see Jason Aaron come on board with the brothers completely pulled apart and slowly... oh so slowly... put them back together. 

Oh man. Crisis time - Phantom Road's current arc, The Horror Men, ends next issue and the solicitations on League of Comic Book Geeks ends there, so that means, with Lemire having all the irons in the fire he does, this series is about to go back on hiatus. 

NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!

One of my most anticipated books when it's dropping, it's hard to imagine going another couple of months without Phantom Road. But I guess we do what we have to do.

 

I have been waiting for Imperial issue 2 for what feels like months! I loved the first issue, and cannot wait to jump back in, especially with Hulk's proclamation of "War" at the end of the first issue!

This whole "Baroness as a Joe" scenario continues despite the hope last issue's cover instilled in me. Oh well, I'll just shut my mouth because at this point, there's probably no way I'm not going to continue this series. The one silver lining is the burgeoning friendship between Clutch and Hound. LOVE that development A LOT! Hear Mike Shin and I talk about this on the new episode of Drinking with Comics, HERE.

\Speaking of the latest episode of Drinking with Comics, I convinced my cohost, Mike Shin, to read Ben Winters and Leomacs' Philip K. Dick amalgamation, Benjamin, and he loved it! What's not to love? PKD lived an absolutely fascinating life, and, in retrospect, it blows my mind that it took this long for someone to use that life as fodder for a fictional story! Issue two drops tomorrow, and I cannot wait!!!

I wasn't blown away by issue one of "Death of the Silver Surfer," probably because the whole "Death of" idea seems incredibly passé at this point. That said, there's no way in hell I'm not buying a book with this cover. Holy smokes!

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Watch:

Two episodes from the finale and I have to say, Ian Carpenter and Aaron Martin's Hell Motel (i.e. Slasher, season six) might just be the Horror Event of 2025! Every episode has been fantastic, but this week's? Chef's fucking kiss!

This show is so expertly plotted. A perfectly maddening Whodunit? combined with all the beautifully brutal flourishes Slasher is known for, the combination just works so goddamn well! Also, while I gave props to Martin and Carpenter up front as the creators, lest it not be forgotten that the inimitable Adam MacDonald directed all of these nasty little fuckers. 

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Playlist:

Ty Segall - Possession

Deftones - White Pony

Deftones - Saturday Night Wrist

Deftones - Eponymous

dan le sac Vs. Scroobius Pip - Angles

Drug Church - Prude

Hangman's Chair - Saddiction

YUNGBLUD - Idols

Horrendous - Ontological Mysterium

Ozzy Osbourne - Patient No. 9

Blind Willie McTell - Complete Recorded Works In Chronological Order (Vol. 1)

Willie Nelson - Oh What a Beautiful World Songs of Rodney Crowell

Reggie Watts - Fuck Shit Stack (single)

Jogger - Nephicide (single)

Mi Loco Tango - Rocco and His Brothers (single)

Abby Sage - Smoke Break (single)

Abby Sage - The Rot

Crystal Castles - II

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Nine of Swords

• IX: The Hermit

• Nine of Wands

Two nines? Not sure this has occurred for me before. Climax and accomplishment? That combined with the Hermit actually lead me to believe this is a direct acknowledgement by the cosmos (ie my inner self) that I've earned the break I've taken, through the accomplishment of finishing my book and the culmination of Sweetie's existence. But it's almost time to really tune back in,. 

New Music From Blackbraid!!!

 

Blackbraid III will be released independently on August 8th, and you can pre-order directly from the artist HERE. 

I'll tell you, I have no problem spending whatever an artist wants to sell their physical media for in 2025 because they need to recoup the cost of services like spotify raping them (while pouring their profits in to the AI arms race). This Blackbraid merchandise looks fantastic - I had to restrain the impulse to buy one of the bundles with the shirt and hoodie - and this is easily the best-looking vinyl release I've seen all year. 

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A pretty robust haul this week. Let's go!

This time, it's all about the "B" cover! LOVE this! Those shadowy Decepticon images amidst fire and ruin, with  Only two issues left with DWJ. I haven't seen who is taking over, but it looks like it's just in time for Quintesson War, which starts in Void Rivals 25 and, I'd imagine, will at the very least echo through this book.

My first issue of Savage Sword as a now monthly subscriber and I'm psyched! I owe a huge debt to my good friend Grimm for turning me onto this book. 

I have been looking forward to Planet Death number one since stumbling on issue 0 last month. If you want to know more, check out the Drinking with Comics Mike Shinabarger and I did on this one HERE.

Dark Regrets is turning out to be insanely fun and pretty damn funny to boot! As much as I love Black Metal and (most) of its aesthetic, you have to admit, there's a lot there to make fun of.

Look at that cover by Miguel Mercado! And inside, Andrea Sorrentino's art adds an extra punch to the first mini-series spin-off from the anthology Epitaphs From the Abyss. Not sure if there are any more coming after this wraps up with issue number 4, but hopefully. That's the awesome thing about running an anthology - you can always mine the stories therein for longer ones down the road.

The penultimate issue of Dark Pattern's Case 03: Pareidolia. Can't wait to see where this is going. I've sampled a handful of Batman books over the last year - the first book* to feature the dark detective that I've read in years - and this? This has been one of my favorites (but nothing beats Gargoyle of Gotham!)

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* Not entirely true; there was that Maxx/Batman book a few years ago. I didn't buy that for Batman, though.

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Watch:

A few days ago, I mentioned my Criterion Sale items, Repo Man and Kiyoshi Kurosawa's Cure. Since I spoke a bit about Repo Man the other day, I wanted to talk now about Cure. 

I've heard about this one for years, but somehow never got around to it until now. Wow. Talk about atmospheric! There is a beautiful pall that hangs over this film, and while it grinds the characters to dust, it creates a singular cinematic experience for the viewer. The tension is so quiet! That's gotta be hard to do, because no one does it. At least, not like Kurosawa does here. 

For years, one of the things I always saw referenced about this film was how it was the start of the Japanese Horror movement of the late 90s/early 00s. That was an immediate turn-off, because with few exceptions, I'm not really a fan of that era of Japanese Horror. I see now that both the inclusion of Cure in with films like Ringu and Juwon is a false relation, and my own preconceived notions about Japanese Horror from that era are wrong. I wouldn't call either a sweeping generalization, but it's close. It's also a great reminder to draw my own conclusions. Sometimes, certain cinematics feel akin to a quagmire, and I after a small sampling, I run for the hills. Best not to do that, and Cure is the, well, cure?

I loved this film and am happy to have it on my shelf. Further study is on the horizon.

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Playlist:

Stephen Sanchez - Angel Face

The Dillinger Escape Plan - Miss Machine

Metallica - Master of Puppets

Arcade Fire - Everything Now

Shellac - 1000 Hurts

The Reverend Horton Heat - Liquor in the Front

Sonic Youth - Dirty

Sonic Youth - Daydream Nation

bunsenburner - Reverie

Ozzy Osbourne - Blizzard of Ozz

Ike Reilly - Salesmen and Racists

Muggs - Dust

Blackbraid - The Dying Breath of the Stag (pre-release single)

Black Sabbath - Master of Reality*

Ozzy Osbourne - Patient No. 9

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* Read a fantastic article about a girl who owns 54 different vinyl pressings of Master of Reality HERE.

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Queen of Cups

• Eight of Pentacles

• Four of Wands

Queen of Cups again - as I write this on Tuesday afternoon, Sweetie has returned from surgery. A section of her intestines is enlarged, and - tests pending - it's likely lymphoma. We have been instructed to begin administering Prednisone today, which the Vet says should help hold it at bay and make her feel better. Once the lab results come back and we know for sure what we're dealing with, we can proceed. It's not the best result, but for now, I will take it and lavish her with Queen of Cups-sized emotion.

Eight of Pentacles - dedication. 

Four of Swords - two interpretations that I can see lining up from those in the Grimoire. The first is completion and balance. The second is, "recognize completion and channel it into the next phase." These would seem to be offering two separate wisps of advice, because, of course, I'm interpreting this all about Sweetie. It's not an easy thing to let a loved one suffer, and that is definitely not our intention. So the idea is we treat it best we can. If it's lymphoma, we'll do chemo, which for cats isn't the same as it is for people. We're talking about a pill. I don't know, I have to do a lot more research. First things first, though. We need those results.

New Music from Wake the Devil!!!

 

Another new song from Wake the Devil, featuring former members of The Thirsty Crows! Hell yeah!

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NCBD:

Small Pull this week. After the last few and my trip to Amazing Fantasy in Chicago last weekend, my wallet thanks me!

Crap! Didn't realize Plague House was only going four issues! This saddens me a bit, however, Oni Press's strength this year has been precision. Michael W. Conrad and Dave Chisholm's super violent spin on the haunted house/ghost hunter trope is another in what is becoming a sizable line of quality mini-series for the company in 2025, and I'm hoping that leads to another round of the same in 2026.

With my shop in the process of integrating a new, post-Diamond POS and Pull system, G.I. JOE ARAH is going down as a pull. I've been reading it since Skybound and Image brought Hama and crew back last year, but never put it down on my actual list simply because, after not reading it since issue 116 or something, I had missed A LOT. Also, not sure I'll ever feel compelled to fill in that gap. But when Skybound said, "Issue 300 is a great jumping-on point for new or returning readers," they were not kidding. There have been a lot of changes in the book I've watched from afar for years (Lady Snake Eyes?), but as I should have expected, Hama handles it all with deft plotting and fantastic character development, and I am really enjoying this run. 

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Watch:

I had a BLAST taking part in the June Dread Broadcast Horror Discussion Panel!

Tim and John are really curating something special, with an emphasis on community. So many great recommendations! Talk about overwhelming. If you're on IG, follow all these folks!

A couple things I added to my list thanks to the other panelists that I'm most excited about are:

Bark, a 2023 film from Director Marc Schölermann and writer Steve Fauquier:

Brian McAuley's 2022 Slasher-adjacent novel Curse of the Reaper:

And Criterion's release of the Criterion release of Carl Theodor Dreyer's 1932 atmospheric film Vampyr (currently $19.99 during Barnes and Noble's Criterion sale):

And really, this is only scratching the surface! I love the focus on media and community that The Dread Broadcast are applying to the show and cannot recommend this one enough!

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Playlist:

Willie Nelson - Oh What a Beautiful World Songs of Rodney Crowell

Pixies - The Night the Zombies Came

Deadguy - Near-Death Travel Services

The Jesus Lizard - Liar

Young Widows - Power Sucker

Melvins - Thunderball

Christopher Young - Sinister OST

Perturbator - Age of Aquarius (pre-release singles)

Hangman's Chair - Saddiction

Ty Segall - Possession

Wake the Devil - Snake Eyes (single)

Wake the Devil - Eternally Under Your Spell (single)

Dávila 666 - Eponymous EP

Melvins - Tarantula Heart

Chelsea Wolfe - She Reaches Out to She Reaches Out to She

Uncle Acid and the Deadbeats - Blood Lust

Botch - We Are the Romans

Greg Puciato - Fc5n EP

Ruin of Romantics - Velvet Dawn

Dreamkid - Daggers

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• XVII: The Star

• Knight of Swords

• King of Swords

Conflict leads to enlightenment. And isn't that the way conflict should work? I mean, as humans, there's always going to be conflict. Paths converge, and not always in a complementary fashion. But what should occur in the wake of that is conversation, growth, enlightenment, empathy and understanding.

That's not usually what happens in 2025 though, on either a macro or micro scale (because as we know from the Gnostics, the one reflects the other). A reminder then, to greet adversity with a smile and an open mind. Yeah, that sounds a bit unrealistic or woo woo, but it's true. 

Nite Owls

 

From JD McPherson's excellent 2024 album Nite Owls. I gave this one a spin a few times last year, but on the way back from Chicago over the weekend, Mr. Brown threw me a burned copy and I stepped into its sonic beauty early yesterday and just couldn't get out. Fabulous, and one of those that should have made my "Best of" list last year (there are always regrets).

You can snag a copy of Nite Owls from New West Records HERE and it's available on every streaming platform. Especially with the heat we're experiencing in the MidWest/South right now, the guitar on this track is like a cool drink of minty water. Love it!

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NCBD:

This week's Pull has a couple of new number ones I'm absolutely ecstatic about. Let's get into it:

The penultimate issue of Tyler Boss & Adriano Turtulici's You'll Do Bad Things. I LOVE this book. The Giallo description is spot on - there have been a few moments that remind of lesser-known Gialli - and Turtulici's art is perfect for that particular genre-tone. 

Man, after last month's issue 19 of Void Rivals, I am ready for more total expanded Transformers Universe action! This book continues to impress the hell out of me. And now we have Solilia and Darak in opposition again??? This year's Energon Special sets us up for The Quintesson War, starting in issue 25 - that's five issues to go! In the interim, a lot of pieces are moving around Kirkman's cosmic board, and it's nothing short of thrilling watching elements of Cobra-La, the Transformers, the Great Ring, and the Quints make moves on one another. 

I picked up the first issue of Zander Cannon's Sleep last week based on my constant impulse to find the next book that will blow me away. At first glance, I didn't think it was going to be for me, as the art style took a little getting used to. By the end of the issue, however, I recognized Cannon's art as a

A new book from That Texas Blood author Chris Condon, so I am in! I have not read the solicitation and I'm unfamiliar with artist Jeffrey Alan Love, so I'm going in totally blind. Best possible way to experience anything, especially a writer as cinematic as Condon!

Building up to a reread on this one. I love the worlds that Lemire creates and the textures he creates them with when he writes and draws. 

It has been SO Long since Lazarus graced comic shop shelves. Not a complaint, but in the intervening years, I've come to reference this book to anyone I talk politically/socially to, because it's undeniable - the future Rucka and Lark set out in this series is our future. Chilling. 

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Watch:

Monday night K and I saw Danny Boyle and Alex Garland's 28 Years Later, and today as I'm typing this, I'm not really sure how I feel about it. 

Let me say this up front - 28 Years Later is not a bad film. Anything I didn't like about it is, in my mind at this time, suspect, because it's all due to the unique approach to pretty much everything that Boyle took.

It's already become common knowledge that Boyle used iPhones for some of the filming. In fact, an article I read on Wire discussed how he used specially built rigs that held 20 iPhones, allowing them to film the action from slightly different angles and cut between them. I think the result of this "poor man's bullet time" as he called it created a different and jarring visual experience. It's not bad at all, but it really helped the film usurp pretty much all of my expectations. 

There are a lot of other off-putting textures here as well: old movie footage sewn in periodically as a kind of juxtaposition between the world as they know it and the world as it used to be. A heightened sense of motion that made me wonder if there was a different frame rate involved. All of this combined to make for such a startlingly different cinematic experience than I've ever had before. 

And then there were the track suits. But I'm leaving that out for now, as ultimately, I think 28 Years Later is going to remain slightly uncemented in my mind until I see the sequel, 28 Years Later: The Bone Temple (or whatever the second in the new trilogy's title ends up being).  

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Playlist:

Pixies - The Night the Zombies Came

Low Cut Connie - Art Dealer

YUNGBLUD - Idols

Dan Le Sac Scroobius Pip - Thou Shalt Always Kill (single)

Ren - Sick Boi

Drug Church - Prude

Deadguy - Near-Death Travel Services

Frank Black and the Catholics - One More Road For the Hit

Childish Gambino - Because the Internet

Cocksure - K.K.E.P.

Cocksure - Corporate_Sting

JD McPherson - Nite Owls

Amigo the Devil - Vol. 1

Willie Nelson - Oh What a Beautiful World Songs of Rodney Crowell

The Reverend Horton Heat - Space Heater

Meat Puppets - Dusty Notes

What's the Furthest Place From Here? 7" Series - Chapter 006

What's the Furthest Place From Here? 7" Series  - Chapter 004

Jello Biafra and the Guantanamo School of Medicine - White People and the Damage Done

Primus - Frizzle Fry

The Cult - Electric

Ween - Painting the Town Brown

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• XIX: The Sun

• Six of Cups

• Ace of Cups

Open your eyes!!! Six of Cups indicates speaking directly to the "Godhead," which I'll interpret here as the sub or superconscious. GNOSIS is the breakthrough the Ace of Cups suggests. 

Specifically vague? Yes and no. I, of course, interpret this as having something to do with writing, which I started on full-bore again yesterday. I think there's an inkling here that the story I'm trying to tell is inside my mind, it just keeps getting blocked up on its way out, so that a ton of extra ideas end up bogging it down, i.e. capricious ideas that catch my fancy like the jingle of keys in front of a cat. I've said this here before and never follow up, but I need to begin meditating. No cleaner way to start a conversation with the deeper well inside.

Dethroned Under a NCBD Haze

As the wait for the next Perturbator album announcement languishes on into June, I find myself drawing even more inspiration from his previous albums than previously. Which is really saying something because since discovering James Kent's music circa 2015, thanks to Bloody Disgusting, Perturbator and all of his side projects have become integral to my own creative process. 

In particular, 2019's Lustful Sacraments continue to fascinate and inspire me. There's such an amazing evolution here; not content to remain defined by a genre he helped popularize the modern version of, Kent has moved away from the sound of his earlier records and really begun incorporating new elements into his compositions. My two favorites of Kent's records so far remain this one and his 2022 collaboration with Cult of Luna's Johannes Persson (Final Light). Where I'd consider Dangerous Days and The Uncanny Valley to be the two best examples of modern "Synthwave," I'd say Kent's newer work is unlike anything I've heard prior. Oh the places these records take me!

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NCBD:

Here's this week's pull, with a side note that I'll be stopping at my shop in Chicago to grab some stuff as well.

The final issue of the gloriously resurrected EC's Horror Anthology series Epitaphs From the Abyss doesn't sting so much now that I've read Blood Type and realize Oni will be continuing this brand with full-issue mini-series anthologies, as well as the new anthology Catacombs of Torment, out July 16th.

Life is good for Horror fans. It's good for comic fans. And it's especially good for Horror comic fans!!!

The first issue of James Tynion IV and Michael Walsh's Exquisite Corpses was kind of a cross between Rob Zombie's 31 and 

Judging by this cover, one of the plot points of this book that has kind of irked me may finally be resolved with this issue. 

"The Horror Men" has proven a fantastic arc for the overall Phantom Road mythology. I love seeing some of this world's history, especially because it feels like learning about the start of this weird in-between place will carry over to big things when we move back to the current timeline with Dom and Bev.

I should finally be picking up my Z-News backlog this weekend when I'm in Chicago. Can't wait!

Another new book from Oni Press, this one sounds as though it's modeled after Phillip K. Dick's life, so I'm definitely giving it a try. Here's the solicitation from League of Comic Geeks:

"More than just a writer, more than just a science-fiction icon, Benjamin J. Carp was a cultural revolutionary. Across 44 novels and hundreds of short stories-including the counterculture classic The Man They Couldn't Erase-Carp pushed the boundaries of literary respectability for the sci-fi genre and his readers' perception of reality itself . . . until decades of amphetamine abuse and Southern California excess finally ended a mind-bending career that always just escaped mainstream success. He died in 1982. Until 2025 . . . when Benjamin J. Carp awakens, alive, in a burned-out motel on the fringes of Los Angeles. He remembers dying. He knows he shouldn't exist. Is he a dream? A robot? A ghost? A clone? A simulation? In his own time, Carp pondered all of these scenarios intensely through his fiction-and, now, as he treks from Studio City to Venice Beach and onward into the paranoid sprawl of 21st-century Los Angeles, he will be called to investigate his greatest mystery yet: himself. In the tradition of Philip K. Dick's A Scanner Darkly and Thomas Pynchon's Inherent Vice comes a uniquely fascinating and hilariously deranged excursion into the metatextual nexus where existence and oblivion, past and future, genius and madness, and glitter and grim reality all meet just beyond Hollywood Boulevard . . ."

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Watch:

Aaron Martin and Ian Carpenter's new series Hell Motel premiered on Shudder with two episodes yesterday and I have to say, so far, I love it! The setting, lighting and camera work are top-notch, as is the writing. There are some very intriguing plotting mechanisms at work here, and they made for a pretty thrilling two-episode premiere. We're going to be covering this weekly on The Horror Vision - first episode will drop next Monday, then every Wednesday thereafter (the show airs on Tuesdays). 

From what I've seen of the two creators' other series, the anthology Slasher, it appears to be a bit of a mixed bag. That said, I've only watched Flesh & Blood and two episodes of Ripper. I loved the former but did not care for the latter. I dig these guys' style overall, though; there's something of a Channel Zero-meets-AHS, with the influence of AHS being more dominant but little flourishes here and there that make me think of Zero. 

Top all this off with the fact that Adam MacDonald looks to be the series Director (he did the first two episodes but is listed as "Director" on the series' main IMDB page) and you've got a great schematic. And they deliver, big time. I watched episodes one and two TWICE today and found I liked it more the second time around. 

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Playlist:

Perturbator - The Uncanny Valley

Various - Learn to Relax: A Tribute to Jehu

Oranssi Pazuzu - Muuntautuja

Calderum - Mystical Fortress of Iberian Lands 

Perturbator - Lustful Sacraments

John Harrison - Day of the Dead OST

Tangerine Dream - Sorceror OST

Greg Puciato - Mirrorcell

Hangman's Chair - Saddiction

Young Widows - Power Sucker

NIN - Pretty Hate Machine

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Nine of Swords

• Ace of Pentacles

• Eight of Cups

The Nine of Cups can denote Cruelty, Bad Dreams and/or Violence. Ace of Pentacles is a breakthrough in Earthly concerns, nad Eight of Cups is poison. Sounds to me like the Earthly breakthrough - i.e. success - may be arrived at through violence or poison. That's a scary sentiment; I've long held people who use violence or hurtful machinations as a way to get what they want are the definition of evil. I realize while typing this that this Pull is a reminder to tread lightly with certain people at work, as I deal with a lot of "Corporate People" and those are often the people who operate in this capacity.