Showing posts with label Phantasm. Show all posts
Showing posts with label Phantasm. Show all posts

Friday, August 14, 2026

New Music from Godflesh!!!


From the forthcoming record Decay, out September 25 on Relapse Records. Pre-order HERE

Going back to that health update from Justin K. Broadrick back in early March, this is the penultimate Goflesh record. That gives me chills.




R.I.P.:

We had an erroneous sneak peek at this post on Wednesday when I pasted in the wrong code, but here's my tribute to Reggie Fucking Banister. R.I.P. 


Back in 2016, I got to briefly say hello to Reggie (from a distance - lots of people and I was extremely concerned with adding to the swarm) on the sidewalk outside L.A.'s Egyptian Theatre. Beyondfest premiered Phantasm: Ravager as part of a double feature with the then-newly restored original Phantasm. I remember reading shortly thereafter that he'd had some health concerns, so maybe ten years on, this was for the best. Either way, sucks to lose such a legend. I always wished we might get a Reggie/Ash crossover at some point when Don Coscarelli began talking about doubling down on Phantasm again in the early 00s. Nothing really came of that, but maybe someday we'll see a comic or something. Either way, I bring it up because Reggie is up there with Campbell for me, as far as 80s Horror Hero Icons.




Watch:

Last night K and I went to see the 20th-anniversary 4K restoration of Neil Marshall's 2005 film The Descent. Here's the trailer released in anticipation of this new theatrical run:


As a diehard Dog Soldiers fan from shortly after it hit video in 2002, I'd been waiting for a new Marshall film and was overjoyed that his sophomore film received the huge theatrical rollout his first film should have. I don't necessarily have to agree with the consensus that seems to consider this his best film - I dig it, especially after seeing it again on the big screen 20 years later - but it's no Dog Soldiers. It's always bothered me that I've pretty much never cared for any of Mr. Marshall's subsequent films, but he is a definite craftsman and I always (almost) give them a chance.

Watching this for the second time on the big screen, twenty years later, a couple of things occurred to me:

    A) I don't think I've seen this since its theatrical release in 2006, and considering the impact it had on me then via what I've carried with me since, I think I missed A LOT of subtext and nuance that first time around. 
    B) Much like Open Water, The Descent affects me. I have a thing about tight, underground spaces (never been in one, not wanted to be in one) the same way I have a thing about large bodies of water. The film exploits that - to great effect, and the result is a genuinely visceral experience. Everything from the point in the film where Holly takes point, all those claustrophobic shots of the girls wiggling into and through some of the most insanely tight holes - not gonna use the word passages for anything that small - is tantamount to any fear I reserve from a viewing of Friedkin's The Exorcist. But it's a different kind of fear, one that I feel less in my mind's eye and more in my body. This serves the film well, so that when bones start a'breakin' and blood lettin', I'm already there.

One final note - for a 4K restoration, the film looks fantastic, but the sound is abysmal. Maybe the worst sound I've ever heard in the theatre. The dialogue through the first act of the film - i.e., pre-cave - is buried so deep in the mix of the score I gave up trying. The mix gets a bit better once we're inside the cave, but even then, everything feels like it has a thin layer of sonic gauze over it. Shame, because this is otherwise a five-star film. Not sure if that's a problem with the source that couldn't be fixed or if my theatre somehow dropped the ball with their equipment. Either way, it definitely detracted from the overall experience.




Playlist:


Steve Moore - Jimmy and Stiggs OST
Carlos Rafael Rivera - They Will Kill You OST
Godflesh - Selfless
The Cramps - RockinnReelinInAucklandNewZealandXXX
The Cramps - A Date with Elvis
Godflesh - Purge
The Cramps - Flamejob
Man Or Astroman? - Intravenous Television Continuum
Godflesh - Living/Ending (single)
The Ocean - Fogdiver
Godflesh - Eponymous
Mastodon - Live at the Aragon
Justin Hamline - This Machine Kills Music
L7 - Hungry for Stink
Sewer Mutant Podcast - Sam Keith Tribute
Jarvis Cocker - Further Complications
Blackbraid - Arte Concert Summer Breeze Live Stream
 Spotlights - Seance E.P.




Card:


From Jonathan Grimm's Eldritch Lace Tarot, which you can buy HERE.


• Nine of Cups
• Seven of Swords
• Nine of Swords

Be careful what you wish for? The strategic victory you spent so much time finagling may make things worse.

Definitely a work pull. 

Friday, April 24, 2020

Isolation: Day 43 - Perturbator Hard Wired



There's a bunch of new music I could post, but I've been re-infatuated with Dangerous Days as we - hopefully - edge closer to a new Perturbator record. One that, according to the man himself, will not sound like this. I'm cool with that. Can't wait.

**

I inadvertently began a Phantasm series rewatch yesterday. I've been working shortened hours, 6-12, so I get home and put a flick on the tube, something I've seen before so if I nod out during it won't be a big deal. I went with the 2018 Joe Bob Briggs Christmas presentation of Phantasm yesterday. This was a marathon of all the movies but Part Two, which JBB boycotts due to the destruction of a Hemi Cuda during the making of. I'm not a car guy, but fine. Anyway, I slept through some of Phantasm, which was actually pretty cool, as the film's creepy dream logic bored into my REM and made for an almost interactive napping experience. I woke for the end, immediately threw on my disc of Part Two, then made it most of the way through Three - which if I've ever seen I forgot most of - and intend on finishing the rest today. Before the return of Joe Bob tonight on Shudder! I'm not super psyched about the first movie or the co-host, but hopefully the second film he picks will be a winner, and hell, it's Joe Bob!

BTW - I absolutely ADORE Phantastm II and III.



**

Playlist:

Brand New - Daisy
Brand New - God and the Devil are Raging Inside Me
The Temptations - Cloud Nine
Various - Motown Deep Cuts (Apple Music Playlist)
Zombi - Shape Shift
Code Orange - Underneath
White Lung - Paradise
Steve Moore - VFW OST
Spotlights - We Are All Atomic EP
Doves - Lost Sides
Doves - Lost Souls
Lustmord - Things That Were 1980-1983
Pigface - Fook
My Morning Jacket - Z
Diana Ross and the Supremes - Love Child
Allegaeon - Apoptosis
Perturbator - Night Driving Avenger EP
Friendly Fires - Pala
Jawbox - For Your Own Special Sweetheart
Deftones - White Pony
Deth Crux - Mutant Flesh
Brand New - Science Fiction
John Zorn - Taboo and Exile
Perturbator - Dangerous Days

Card:

Last three days (because I pull every day, even if I don't post):

Wednesday:

Thursday:


Today:


I've had a lot of major influence over the last few weeks. A lot of Arcana and Court cards. Makes perfect sense, especially combined with the 7 of Swords Futility here, as being moved around by forces beyond our control can either make us feel manipulated and frustrated or empowered and ecstatic. And of late, we are all caught up in some pretty heavy, Macro shit that forces us to do or not do things based on variables we cannot control.

Mindful Habitation: Don't know what to believe anymore? The increasingly Orwellian nature of our Reality - where the State defines Reality - is the most frustrating and downright terrifying thing I have ever experienced. Don't know who or what to believe? Unplug the major News outlets and follow the impartial Science.

Saturday, December 22, 2018

2018: December 22nd



It's hard for me to choose a favorite Prince song, and it's equally as hard for me to even choose a favorite Prince song off any given Prince album. Sign O' The Times Definitely ranks among my favorite of the man's work, partially because it is so of its time that when I listen to it the very cells in my body and brain move back to how they operated, circa 1987. I can see the ugly orange carpet we had in the living room, the weird 70s plaid sofa and loveseat; I can hear my dog Frisky barking over the sound of B96 low on the radio in my sister's bedroom. I can picture the chill of sneaking out of bed late on a cold Friday night in March to watch Friday Night Videos (we never had cable), and the strain of the title track from the album coming from the Magnavox tv. And for some reason, even though I didn't know or hear The Ballad of Dorothy Parker until later in life, listening to it now instantly evokes these sense-memories, in such a strong way that, if I close my eyes, I am right back there. Time Travel - I've sometimes wondered if it's just our sense of sight that prevents us from this feat, as though the things we build our world from specifically operate/exist within certain visual spectrum parameters, to prevent the layman from actually traveling into the past. Were this so, are there secret places where this is not the case? And who, if anyone, holds the keys to those places?

This weird psychonaut talk may be the result of watching most of the Joe Bob Briggs Christmas Phantasm Marathon last night on Shudder. The series gets pretty trippy as it goes on, so maybe it affected me in ways I did not anticipate...



The newest episode of The Horror Vision went up late last night. This past Thursday night Ray, Anthony, Chris, and myself were fortunate enough to have three of the main minds from Skeleton Crew on to discuss their new feature Secret Santa. Adam Marcus, Debra Sullivan, and Bryan Sexton steer the boat for a nice, meaty discussion on their movie, the horrors of holiday family dinners, independent filmmaking, the state of horror, plus, a lot of in-depth facets of the movie business as seen through a creator's eyes. Here's a trailer for Secret Santa, which I've seen twice now and which gets better every time. Links to our episode on all the usual platforms follow:



The Horror Vision: Secret Santa Interview Apple Podcasts
The Horror Vision: Secret Santa Interview Spotify
The Horror Vision: Secret Santa Interview Google Play
The Horror Vision: Secret Santa Interview 

Playlist from 12/21:

Ministry - The Last Sucker
Amy Winehouse - Back to Black

Card of the day:


Calm exterior, tempest inside. This is me at the moment. Nothing bad happening, just unable to find the time to work on everything I want to work on, let alone finish the goddamn book!

However, patience is virtue, and I sometimes feel as though I might have inexhaustible reserves of this precious commodity.

Thursday, October 6, 2016

Phantasm 4K and Part V at Beyond Fest


Last Saturday, October 1st I attended a double bill comprised of the Bad Robot 4k, 5.1 surround re-mastered version of the original Phantasm and the premiere of the looooong awaited Phantasm V: Ravager, thanks to the good folks that hold Beyond Fest every year at the Egyptian Theatre.

Dining beforehand right next door to the Egyptian at the Pig and Whistle, my better half, best friend and I almost missed the fact that fans began to line up about two hours before the admittance time. We made it inside in time to find seats and shortly thereafter the guys from Beyond Fest took the stage in Angus Scrimm wigs and full-fan fervor. They pumped the crowd up for what was to many their umpteenth dozen time watching Don Coscarelli's 1977 classic. And you know, I'm one of them repeat viewers (not as many as some but perhaps more than most) and I have to tell you, no hyperbole here, seeing the restoration on a big screen as awesome as the one in the Egyptian, with their massive sound system cranked, it was almost like I had never seen it before. There is so much more color, texture and detail, so many more layers to the sound mix that many of those profound 'WTF?' moments in Phantasm struck me again, as if for the first time. It was magical.

Afterward Coscarelli himself, along with Reggie Bannister, Kathy Lester, Michael Baldwin, Bill Thornbury and a whole host of other folks involved in the franchise took the stage or stood for acknowledgement and we were treated to an awesome interview that touched on the early ideas, process and legacy of the Tall Man and his jawa-dwarves.

It was awesome.

Afterward we were treated to the Los Angeles premiere of Phantasm V: Ravager and although I didn't really care for it - Phantasm kinda ends with number two for me - it was still cool to see it on the big screen, surrounded by a huge room of other fans.

Beyond Fest, how I love you...

And this Saturday we're returning to Beyond Fest to see another classic - George A. Romero's Dawn of the Dead, in 3D no less! Honestly, the 3D will be cool but it's unnecessary to me; I've just always wanted to see what I consider probably the best Zombie movie ever on the big screen.

If you want to see what else is playing/played at Beyond Fest this year here's the link to their schedule. I wish I could make more screenings than I have, but you know, bloody work and all.

Viva La Beyond Fest!