Xiu Xiu Cover Blue Frank

 I'm really falling hard into my first rewatch of the original Twin Peaks since before The Return aired, and as usual, it feels good to have everything Peaks seep out of the screen and into every aspect of my life. First and foremost is always the music, which tends to never stray far from my mind. This time, Angelo Badalamenti's passing really hit home, and I'm getting even deeper into the sonic space of the show than usual. This, of course, sent me digging. 

I vaguely remember Xiu Xiu touring and then releasing their music of Twin Peaks project, but I'm not sure I'd heard any of it before. Full disclosure: I've never really gotten into this band. That said, I came across this recently and thought it was pretty cool.

---

---

---

Watch:

I finally sat down and watched Noah Baumbach's adaptation of Don Delillo's White Noise the other night. Turns out? It's my favorite non-genre film of 2022!

All the performances are fantastic, especially Adam Driver. Man, when I first saw this guy as Emo-Vadar, I never would have suspected what a great actor he has become. But between this and Jarmusch's Patterson from a few years ago, Driver just blows me away.

As far as adapting, it's been about a decade since I read White Noise, but a lot of it has stayed in my mind through the intervening years. Overall I loved it, especially how the cast delivers such obvious literary dialogue, which in lesser hands could have been obsequious and irritating. Robert Pattinson does a similar but not-quite-as-affective job with his Delillo dialogue in David Cronenberg's adaptation of Cosmopolis, and while that performance was instrumental in my accepting Patterson - at the time widely known as the 'sparkling vampire' -  as a serious actor, it left the cinematic version of that book something I have yet to revisit. 

I will revisit Baumbach's film often, and soon.

---

---

---

Read:

After succumbing to the Something is Killing the Children wave - worth it! - I've now caught up on the sister title, House of Slaughter.

Ostensibly an anthology series, the first five issues cover Erica Slaughter-adjacent Black Mask Aaron's past, while the subsequent six issues delve into one of the Scarlet masks, the young and precocious Edwin and his trials while afloat on a lake that he comes to suspect may house a Dragon.

This book is weird. I enjoyed the arc laid out in 1-5, but I'm going to have to reread 6-10. This story didn't come together for me. Whatever I was supposed to glean out of Edwin's insights and memories just didn't unravel into a satisfying conclusion, and I was left wondering if I'd missed something. Still, I enjoyed all ten so far, as well as last week's Book of Slaughter, which is kind of a clever way to get a lot of info text to us, cementing into factual lore a lot of what we've already pieced together about the politics of The Order of St. George. The new arc starts this month, and I'm looking forward to it despite any hangups I had on this most recent story.

---

---

---

Playlist:

Lustmord - Dark Matter

LCD Soundsystem - New Body Rhumba (single)

LCD Soundsystem - Sound of Silver

Talking Heads - More Songs About Buildings and Food

Black Sabbath - Vol. 4

---

---

---

Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Emotional stability disrupted by a seemingly unending conflict will work itself out if I extend a hand. Hmm.

Batman and the Dead Boys

 

From the Dead Boys 1978 album, We Have Come For Your Children. Classic album, classic song. Also, talk about close to the bone - this was released less than a year after Berkowitz was arrested in August of 1978, and the fact that by '77 the Dead Boys had moved from Ohio to New York, this is a New York punk band singing about Son of Sam pretty much while it was happening.

---

---

---

Watch:

Saturday night, K and I were invited to what will probably be our last screening with the crew from the Comic Bug. Owner Jun rents out a theatre for all the major comic book movies and invites a small cadre of family, friends and favorite customers. I have always felt deeply honored to be among the latter. What did we see? Why, Matt Reeves' The Batman, of course.

I would almost definitely not have seen this if not for this invite. I just feel so burned out on Batman in general. When I saw the trailer on the big screen a few months back, I had to admit the movie looked fantastic, but the thought of actually watching it held exactly zero joy for me, so I wrote it off. Was I wrong?

Well, there was more about The Batman that I liked than I disliked, so I'm glad I saw it. The film is visually arresting; it has a strong tone reinforced by a somewhat defining color palette that just works. Everything is dark AF, with lots of fluorescent red lighting thrown in to beautiful effect. There are also patches of neon throughout, and a certain embedded opulence that really serves to define the more upscale elements of Reeves' Gotham. Oh yeah, and I can honestly say this is the first Batmobile I didn't roll my eyes at (despite my adoration of Christopher Nolan's franchise, that one was pretty ridiculous).

Robert Pattison also turns in a fantastic performance. His is a perfected Batman and Bruce Wayne - despite the too-perfect bangs - that clearly had the benefit of observing and correcting what didn't work from Christian Bale's version, which I'm not knocking at all. But the newest version should learn from the previous, and Pattinson definitely owes at least a passing thanks to Bale. John Turturro was an absolutely inspired choice for Carmine Falcone, and it wasn't until after the movie when someone mentioned Colin Farrell had played the Penguin that I realized it. As tired as I find all of Batman's classic rogue's gallery, these reinventions are all great. Paul Dano went a bit overboard in some of his screen time as the Riddler - mostly in the declaration videos he baits the police with - but overall he's great, and I'm happy to report that there's not a "?" to be seen on his costume.

So what didn't I like? Well, it's just shy of three hours long, and absolutely shouldn't be. Oh, the story they ran with needs all of that time to work itself out (well, not ALL of it), but that's the thing. The story's not very good. Sure, parts of it are great, but it's written in a way that incorporated all kinds of elements it just didn't need. The script has some issues as well. There are three scenes with two people talking that go on way too long and border on irrelevant or not needed, as does some of the delivery of the lines in those scenes. Chewing the scenery, as they say.

My biggest problem? The third act. Well, felt more like the fucking tenth act by the time we got to it, and it takes the movie off the rails. What I LOVE about Reeves' The Batman is he gave us what he promised - a stripped-down, Detective story. Awesome, let's leave the semi-flips and city-wide destruction aside and see the detective side of Bats. Except - when you get to the final set-piece, it goes so big with its swathe of destruction that at times, it became laughable. 

Overall, if you brace yourself for a long three hours, this one is worth seeing on the big screen. And if you get the chance, do like I did and re-watch David Fincher's Se7en beforehand. There's a massive influence Fincher's seminal serial killer film had on Reeves' film, for the best.

---

---

---

Playlist:

Firebreather - Dwell in the Fog

sElf - Breakfast with Girls

The Afghan Whigs - I'll Make You See God (single)

Sade - Apple Music Essentials

Allegaeon - Apoptosis

Beliefs - Habitat

Drab Majesty - Careless

The Ronettes - Presenting the Fabulous Ronettes

The Jon Spencer Blues Explosion - Now I Got Worry

The Ocean - Anthropocentric

Mark Lanegan - Bubblegum

Ghost - Impera (pre-release singles)

The Ocean - Mesoarchaean (single)

The Ocean - Heliocentric

The Devil's Blood - The Thousandfold Epicentre

Blanck Mass - In Ferneaux

Dead Boys - We Have Come For Your Children

Deafheaven - Infinite Granite

---

---

---

Card:

Listening to inner dialogue, harmonizing renewal, which is funny consider "renewal" is a word used A LOT in The Batman. Anyway, I have felt pretty good of late, and my ideas are flowing again. 

Isolation: Day 157

I love EVERY song on Hangman's Noose, The Thirsty Crows' debut album on Batcave Records (order HERE). But after living with it almost two years now, I have to say, I think this is my favorite song on the album.

Although that may change again. The whole thing is just so damn great.

**

I've been meaning to post this trailer for Netflix's upcoming The Devil All the Time. I never made it around to reading Donald Ray Pollock's 2011 novel of the same name, but it's been on my radar for a while (so I have no excuse other than the to-read list is large enough to put that island of plastic refuse in the Pacific look like it's no bigger than a bottle cap).

The movie adaptation, directed by Antonio Campos and starring, well, pretty much everybody, looks riveting and moody. The trailer oozes Southern Gothic suspense, and Robert Pattinson looks downright foreboding in his role as what appears to be a charlatan preacher. Mr. Pattinson really has turned out to be quite an actor.

**

Playlist:

The Thirsty Crows - Hangman's Noose

Santogold - Eponymous

Portico - Living Fields

The Plimsouls - Everywhere at Once

Atrium Carceri - Kapnobatai

Le Butcherettes - A Raw Youth

The Cramps - RockinnReelinInAucklandNewZealandXXX

The Cure - Pornography

Converge - The Dusk in Us

Emma Ruth Rundle and Thou - Ancestral Recall (pre-release single)

Thou - Summit

**

Card:

to my original Thoth deck, where I find the Princess of Disks waiting for me. My day may be a dragging, uphill trek through mundane, everyday tasks.

One aspect of this card that always strikes me is the way the rock outcropping the Princess stands behind resembles both an altar - for tribute and focus - as well as a goat turning to look behind it. Also, the branches from the trees in the immediate background look not just they belong to the forest, but also to the the Princess and her altar-goat, too. This populates the card with nothing but Earth-bound textures, a key tip-off that this is one of the purest cards in the suite of Disks, from which not a lot of emotion, logic, or Will creeps through, suggesting labor. Which is exactly where I'm at in my process of re-entering the world of Kim and Jessie.