Rainbow Eyes!!!

I was sick as fuck with COVID all weekend, so when I wasn't attempting to finish setting up my office, I mostly spent laid out on the couch. Saturday night Ray, Anthony and I did a new episode of The Horror Vision - that's it in the corner on the handy little Spotify widget - a review/reaction to Prey, which I have watched twice now and loved. Being that it'd been so long since we did an episode, we had planned to cover a lot more than Prey, but as the night wore on, I felt increasingly like shit, and eventually had to call it, immediately passing out on the couch (not sleeping in our bed so as to try and prevent spreading Captain Tripps to K, who so far has been lucky enough to not show any symptoms). I woke up around 1:15 AM and, restless from the body aches - easily the worst part of this - I opened a beer and dialed up Shudder TV. The Slashics channel was showing Rocktober Blood, a movie I'd heard of but never actually saw. I caught the film right at the final act, which is essentially one enormous concert, where the fictional band plays four songs. 

All of those songs are awesome.

This is total 80s Hard Rock, but I don't care, this hit the fucking spot! Now, do I go back and watch the rest of the flick from the beginning? Not sure yet. But I definitely want to track down the soundtrack.

In looking online for the vinyl, I saw that Lunaris Records put out a new edition back in 2016, and it fetches a pretty penny on Discogs. Damn. What are the chances this gets a repress? Until then, I guess it's youtube.

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Watch:

Rocktober Blood left me in the mood for 80s Trash Cinema, so I followed it up with my first-ever viewing of Joseph Zito's 1981 Slasher flick The Prowler*:

 

Seeing that this one had recently returned to Shudder, I chose to watch it on the 2018 Joe Bob Briggs' Original Marathon. A somewhat perplexing film in that it spends A LOT of time roaming around looking for the killer in a pretty ineffectual and, frankly, time-wasting manner, I still enjoyed it overall. Plus, Thom Bray is in it, and I've long been a fan of him. Also, Tom Savini's effects are fantastic. And I suppose now I'm set in a tone for a while, because last night, I continued the 80s bender with... The OCTAGON!!!

 

I first saw this way back in the mid-80s. I was obsessed with Ninjas due to Larry Hama's G.I.Joe comic, so when I stumbled across the final act of The Octagon on WGN Channel 9's movie of the day, I was blown away! A Chuck Norris movie that looked like it had actually taken some of the Snake Eyes/Storm Shadow storyline from Hama's opus and filmed it! 

Rewatching The Octagon last night, it didn't disappoint. This is by no means a "good" movie, but it's fun as hell. It's interesting how watching it now, I can see how Norris or Director Eric Karson - likely both - had ambitions for the film beyond the standard Martial Arts action movie fair. The film spends the first 2/3rds of its runtime slowly laying out and drawing us (via Chuck) into what is supposed to be an intricate story of international espionage. It doesn't completely work, however, I found it quite endearing that in order to give the audience intermittent doses of what they came for, it sets up a B-story early on that focuses on a bunch of nameless recruits at a Ninja Training Camp. So as the Norris-Mystery story meanders its often perplexing path, we continually cut away to the camp for low doses of Martial Arts fighting. 

Pretty slick.

The ending did not disappoint, and overall, although I'm not a huge fan of the Martial Arts Action Genre, this one really hit the spot. Also, the weird echoing voiceovers Norris does that serve as us hearing his character's inner monologue sound SO MUCH like the Central Scrutinizer from Frank Zappa's Joe's Garage album, that I found myself smiling every time I heard it.

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* Seeing that William Lustig's Blue Underground did a 4K Blu Ray of The Prowler a few years back, I was hoping to find a trailer for that. No dice. 

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Playlist:

Johnny Hates Jazz - Shattered Dreams (single)

U.S. Girls - Half Free

Corrosion of Conformity - No Cross No Crown

The Contours and Dennis Edwards - Motown Rarities 1965-1968

Alice in Chains - Jar of Flies EP

Amigo The Devil - Born Against

Man or Astro-Man? - 1000X

Man or Astro-Man? - Your Weight on the Moon

Man or Astro-Man? - Defcon 5...4...3...2...1

Man or Astro-Man? - Experiment Zero

Deth Crux - Mutant Flesh

Soundgarden - Superunknown

Ozzy Osbourne - No More Tears

Various - Joe Begos' Bliss Soundtrack Playlist

Various - Roctober Blood OST

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Sometimes the solutions we come up with for our problems are short-sighted and end up causing a bigger pain in the end. It may be good to listen to someone else for a change. 

Leviathan the Fleeing Serpent

I think I previously recorded this one in the "Playlist" section of this page as Corpse Eater: Satanic Misery yadayadayada. Apparently, the actual band name is Leviathan the Fleeing Serpent and the album is Crushing the Ritual Live. None of that really matters because this isn't a real band - it's Rob Zombie and his musical cohorts playing the fictional Black Metal band Heidi LaRock and her stoolies interview in Lords of Salem. Whatever the hell the name of it is, I LOVE it and kinda wish RZ would focus on making more of this for a while. Here's a video I didn't know existed until just now.

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Watch:

Another day at home yesterday, feeling like crap, waiting for the PCR test results to tell me what I'm now certain of: I do not have COVID. As I write this, I feel MUCH better. The AC/DC is cranked, my fingers are moving over the keys, and I'm starting my third pot of coffee. I'm almost 60% of the way through Stephen Graham Jones' new novel My Heart is a Chainsaw and I LOVE it so much. Spent a lot of time with that yesterday, as well as watching the following three flicks:

 

I bought this one sight unseen back when it was released on DVD circa 2008, watched it once or twice and, although really liking it, never made it back for another viewing until now. How was it? Vinyan is a Five Star film. Contrary to all the shit that studios like dimension were pumping into the Horror-sphere in the 00s, people like Fabrice du Welz were making excellent films such as this (his other Horror film I know, Calviare, is pretty badass too if memory serves).

 

Vinyan gave me the taste for more foreign Horror, so I decided to A and B an original and a remake, for which I chose the Indonesian film The Queen of Black Magic. The original was released in 1981, is pretty cool for that time and place, but doesn't sit terribly well now. It's by no means bad, just dated, so you really have to try and put yourself in the headspace of someone seeing this film in Indonesian in '81, which was admittedly probably insane. Overall I dug this one as a fun, kind of Hammer Horror-esque getaway. 

So how's the remake?

 

I f*&king loved this one. It's slow off the start, which I don't mind but feel deserves a warning. However, once this one gets going, holy hell, there's some squirm-worthy scenes the likes of which I don't think I've felt since Fede Alvarez's 2013 Evil Dead (which I adore). Really cool, simple story and execution, and lots of gnarly Horror.

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Playlist:

(NOTE: I didn't listen to any music yesterday, so this is what's on the stereo so far today)

Leviathan the Fleeing Serpent - Crushing the Ritual

Various - Lords of Salem OST

Zombi - 2020

Various - The Devil's Rejects OST

AC/DC - Highway to Hell

King Woman - Celestial Blues

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Card:

The past four days have definitely added up to a sort of renewal for me. I was pretty burnt out from work. If you look at the dark colors of Wednesday's pull (7 of Disks) and now the light, gentle colors of The Empress, that is sort of a visual expression of where I was two days ago compared to where I am now.

Abby Sage - Residing in the Sky

 

This Abby Sage is something else. I can't say I'm as crazy about "Residing in the Sky" as I am "Smoke Break," but then of late, I'm not crazy about any song the way I am about "Smoke Break." Still, Ms. Sage makes some very cool, interesting music. I don't know that I'd define it as Pop, but I don't know that I wouldn't, either. Whatever her sound, it's unique, that's for sure.

 

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NCBD:

Because of my situation at the moment (see "Watch" below), I won't be making it into the shop today. Luckily, my shop delivers to nearby Pull Customers, so this is what I'm asking them to drop off later this afternoon:

The final issue of this mostly pointless series that I still wouldn't have missed due to its part in the countdown to Nick Spencer's final issue. I've decided in the interest of saving space and $$$, I will not be going forward with the next regular, essentially weekly AMS title. When I get the craving, I can always re-read the Spencer run (I started with issue 48, I think) or any of the 80s Spidey comics I've added to my collection from back-issue bins of late.

I read the first trade of Jeremy Haun's Beauty when it first hit shelves, however, I fell off. The trade later got damaged when I moved and is long gone. Since meeting Jeremy, I've become rather fond of the bloke - he is a true Horror fan, a gentleman and most definitely a scholar. That has bumped up re-starting Beauty on the list. I think I'll start by buying the one-shot series finale this week, just to have it in the collection, then finally read it when I can grab the series in trade and catch up.

I'm not 100% I'm going to buy this title, but I'm intrigued to say the least.

I just caught up with the last two issues of Geiger a week or two ago and I'm already hungry for more. This is shaping up to be one of my favorite books of the year.

This book is F*&king INSANE. Like a modern version of early 80s exploitation cinema, but gorier!

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Watch:

Well, after a year-and-a-half of caution and close calls, I'm sick at home since Tuesday morning, waiting on the results of a COVID test. It's funny how, even if you don't let your guard down, the world can get you. One of my employees has an eleven-and-a-half-year-old sister who started school two weeks ago, was tested and found to have COVID, and thus, the virus may have made its way to me by way of the office we share. We observe all the proper protocols, and both the employee in question and myself are vaxxed, so the symptoms are mild at best, but still. While my employee is a confirmed positive - luckily with next to no symptoms - and two rapid tests in the last few days came back negative for me, we're playing it extra safe and I'm waiting on the PCR results at home. I'd just finished 9 days in a row and have been feeling like crap anyway, so I ordered a bottle of Breez Royal Mint Spray (the ease of the cannabis delivery world is one thing I will miss when I move from LaLaLand), and spent yesterday doing a full recharge. Besides beginning Stephen Graham Jones's new novel My Heart is a Chainsaw - which, a quarter of the way through I f*&king LOVE, and which totally put me in the headspace for 80s Horror - here's what I watched as recharge comfort food:

 

 

And how can you watch the original and not follow it with one of the all-time greatest movies in history? The answer, you can't.

 

So, that was the comfort food portion of my sabbatical. Next up, a film I had not seen, but my friend/colleague Heaven is an Incubator logged on his Letterbxd a few months back and looked interesting, 1989's The Dead Pit:

Turns out I LOVE this flick! It's not good by any stretch of the imagination, but its heavy-handed Nightmare on Elm Street influence immediately endeared it to me, as well as the fact that the weird, dream-like tone and often half-completed set design makes it the perfect pairing for a double feature with another schlock flick I adore, 976-EVIL, which I may watch today.

Next, one I had not seen in ages, and thus did not readily remember very well.  Stan Winston's 1988 directorial debut, Pumpkinhead:

There is not a shot in this film that I don't adore. The lighting and set design are heavenly... well, hellenly? You know what I mean. The Blackwood Cemetery sequence and Pumpkinhead's grave especially stay with me, as does the fact that, when Ed Harley first digs up Pumpkinhead and Haggis sets about resurrecting it, the young version looks almost exactly like Sam from Trick r' Treat without his mask on!

Pretty cool, huh? So, when Sam grows up, will he be a demon of vengeance? 

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Playlist:

St. Vincent - Daddy's Home

Jerry Cantrell - Atone (single)

Ultra Bann - Big Trouble in Little Haiti

The Rolling Stones - Sticky Fingers

The Smiths - The Queen is Dead

Abby Sage - Smoke Break

The Bangels - All Over the Place

Adam Egypt Mortimer - The Obelisk

Deafheaven - Infinite Granite

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Card:

I'm assuming this is a nod that I will 'fail' my COVID test, ie be negative. This means I'm just suffering from a cold - something that didn't use to garner nearly this much anxiety.

Looking at the image for this card makes me want to go a bit deeper, though. I'm seeing it for the Abyss it represents visually. I may choose to use this as a starting point for something I may attempt to write today (can't spend every day recharging).

Sunday Bandcamp - Andy Fosberry's Death Ship 2047

I wanted to do something new to break up the regular posts, which will continue under the 'isolation' banner for the foreseeable future because, yeah, COVID is back on the rise. No kidding, huh? I guess all those fucking idiots who thought they could just say, "This has gone on long enough," are realizing that you can't use god or cuntry to boss around a microorganism. I've started to think that maybe, just maybe, this is all going to be a good thing, and that the virus will wipe out all the stupid people. No disrespect to those who have died or gone through the trauma. Hell, I fully realize we're all at risk, but when I see footage of these Orange County and Florida town halls with people demanding their civic leaders relax the mask ordinances, so full of narcissistic and oft-times religious fervor, I understand that these are - hopefully - the people we will lose the most of.

We're probably not going to be that lucky, though.

Anyway, so here's the first installment of Sunday Bandcamp. Andy Fosberry has composed something of an 'extended universe' soundtrack to Paul W. S. Anderson's 1997 classic Event Horizon. I love this album, even if repeated viewings of the film have never quite lived up to the experience I had the first time I watched it, way back when. Event Horizon is still a classic and I love it, despite its flaws, and this OST slots in nicely with the tone and texture of space crazy Anderson achieves with his film.

You can buy Mr. Fosberry's album, titled Death Ship 2047 from the Spun Out of Control label's bandcamp HERE.

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Playlist:

Andy Fosberry - Death Ship 2047
David Bowie - Low
David Bowie - Aladdin Sane
The Paper Chase - God Bless Your Black Heart
Pale Dian - Narrow Birth
October Language - Belong
Run the Jewels - RTJ4
Gang of Four - Return the Gift (Disc 1)
Team Sleep - Eponymous

Isolation: Day 6 - Beach Slang's Tommy in the 80s

Holy cow am I in love with this song. From Beach Slang's 2020 record The Deadbeat Bang of Heartbreak City, released this past January on Bridge9 Records. Buy HERE. Many thanks to my friend Jeffrey for kicking this one my way, as the entire record is awesome.

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Black Stars Above #5 comes out today. Or does it? At this point, I'm not sure if either the Comic Bug or Atomic Basement are open, or whether Diamond is distributing at all. So many things are locked down; what do you do? Well, if you're a fucking asshole, you go to Texas or Florida for Spring Break. If you're an even bigger, more famous asshole, you refuse to close your shitty hillbilly restaurant. And if you're the biggest asshole? You blame everyone else for the mess you might not have created, but that you sure as fuck helped spread. I am happy to announce I am now 100% A-political, and consider Capitalism as much a failed experiment as Communism. What's left? Well, if you're Mother Earth, you start trimming the virus choking the life out of you with a pandemic. Sad but true folks; nothing could be better for the planet as a whole than to have a couple billion people removed.

Anyway, here's to hoping no one you or I love gets removed, and come this afternoon, we can all go get some new comics. Unlikely, but I'll take it.

This book is so damn good!

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Playlist:

Porridge Radio - Every Bad
Antemasque - Eponymous
The Black Angels - Eponymous EP
The Black Angels - Passover
Deafheaven - Roads to Judah
Various Artists - The Void OST
Beach Slang - The Deadbeat Bang of Heartbreak City
Metatron Omega - Evangelikon
Zonal - Instrumental Playlist

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Here's today's card:

Yesterday's:

Monday's:

We're looking at a clear progression from Monday to today. Oppression kinda speaks for itself at this point, especially with Shelter-in-Place orders being handed out left and right. There's the Strength this is requiring/going to require to get through, and then there's the Queen, who indicates compassion for others, a mothering nature. We need that right now, and I'm happy that, for as many examples of complete human bullshit, there is an almost equal number of stories of compassion, civic-mindedness, and generosity. However, the Queen of Cups also opens the door for that gentle, compassionate nature to collapse in on itself, turning weakness and resentment. I'm not sure I've seen a three-day spread mirror the three days better.

Take care of people, and what's more - and I can't believe I'm saying this - if the order is to stay put and minimize your contact with others, fucking do it. These orders are not from the president - remember, he doesn't think the WHO's numbers are accurate - it's from the organizations and departments in the government that, despite Captain Hairdo's crippling of them over the last three years, are trying to deal with the strain this is going to put on Hospitals. Also, and fuck the human race for me even having to say this, regarding the fine folks working in groceries, hardware stores, wherever you're going for supplies, don't treat them poorly. They're heroes in this moment, and trust me, you would not want to be doing their job.