Showing posts with label Kier-La Janisse. Show all posts
Showing posts with label Kier-La Janisse. Show all posts

Monday, February 16, 2026

The Nausea of a Hungry House

 
I revisited both episodes of Kier-La Janisse's The Haunted Season on Shudder. A good friend was in for the long weekend, and after a lengthy discussion about Folk Horror, this seemed a perfect way to end the night. 

Rewatching episode two, Janisse's adaptation of Algernon Blackwood's "The Occupant of the Room," I was reminded how much I liked the score by The Nausea. Spending some time with their 2024 album Requiem, I pretty much fell in love. I'll be adding this one to my writing playlist this year. 




Watch:

I caught wind of this new Scottish Horror film, The House Was Not Hungry Then, over on Bloody Disgusting. Just the sonic profile of this trailer - which gives nothing away - put this on my list. As did, let's be honest, the fact that it's Scottish.


This is the feature debut for Writer/Director Harry Aspinwall, has a one-hour-and-thirty-two-minute runtime, and is currently available to rent on Prime Video for $5.99. I'm going to try to add this to my viewing this week, but I want to curate the experience. It's clear Aspinwall took great care with the sound design, so I'm thinking a little bit of smoke and some headphones in a dark room might work best. 




Plastic:

I caught wind that Trick or Treat Studios was doing a comic-book-based figure for The Crow last year, and I've kind of been waiting on the edge of my seat since. I checked around Halloween and nothing. I kept checking periodically, but this had recently slipped my mind, so I was especially grateful when Grimm sent me a link for the pre-order. Check this thing out:


If you read these pages or know me, you know how I feel about The Crow. The original comic book is the ONLY one for me, and to finally have a figure - and one that looks this bloody good - is something I've been waiting for most of my life.* 

I believe this is the first figure I've ordered from Trick or Treat Studios, and I was impressed to see this one comes fully loaded. 

Here's a list of accessories:
  • Standing crow 
  • Flying crow with clear display stand 
  • Two interchangeable heads: stoic and smiling 
  • Six interchangeable hands: 
  • Left & right gripping hands 
  • Left & right trigger hands 
  • Right pointing hand 
  • Right reaching hand 
  • Sword 
  • Shotgun 
  • Revolver 
  • Cat 
  • Removable coat 
  • Two interchangeable arm sets: with coat and without coat
This is a timed release, so you have just over 25 days left to pre-order it HERE.


*No exaggeration when you figure I first read James O'Barr's The Crow circa late 1993/early 1994, shortly before the movie came out. 




Playlist:

Grimes - Visions
Soundgarden - Super Unknown
Quicksand - Slip
Corrosion of Conformity - Gimme Some Moore
Corrosion of Conformity - No Cross No Crown
Mike Patton - The Solitude of Prime Numbers
Tomahawk - Eponymous
Mr. Bungle - California
Mr. Bungle - Merry Go Bye Bye (single)
The Plimsouls - Everywhere at Once
Orville Peck - Pony
The Neverly Boys - The Dark Side of Everything
The Nausea - Requiem
Slow Crush - Thirst
Darkswoon - Bloom Decay




Card:

The Thoth deck continues to hold my favor. Here's today's cards:


• V: The Hierophant
• Ace of Wands
• Princess of Disks

"Forgotten or obscured ideas/information may lead to inspiration and, ultimately, provide a solid foundation for moving the project forward."

Saturday, May 18, 2024

Man Man - Alibi

 

From Carrot on Strings, out on June 7th. Pre-order from Man Man's Bandcamp HERE

LOVE having these guys back.


Play:

When I first heard of Puppet Combo back somewhere around 2017 (I think), it was in reference to a game called The Glass Staircase that seemed to have major Suspiria vibes. I did not own a game console of any kind, and I hadn't played a video game since the original Nintendo system (other than some DDR at arcades and a DDR enthusiast friend's house). I dug Puppet Combo's aesthetic so much I bought the game from their website for the computer, and struggled through attempting to play it with the direction arrows on my Mac.

Needless to say, I didn't get far.


Thus, a few years ago when I saw PC's name pop up with the announcement that their games were going to begin porting over to consoles, I bought a Switch solely to play them. First up - Nun Massacre, a game that I've mentioned here before scares the living shit out of me when I play.

Since then, there have been a handful of releases, and I've loved them all. Now, finally, The Glass Staircase is coming to Switch. I know what I'll be doing on May 24th (actually, I'll be driving to Chicago, but I'll probably stay up late the night before to download the game). 


Also available for other consoles as well; read the full article that put me in such a good mood this morning over on Bloody Disgusting HERE.




Read:

Over on The Horror Vision, we recently resurrected Sticks n' Stones, our Folk Horror show that Ray and I started in 2022 with two episodes and then kind of let slip away. A lot happened in 2022, and I'd wanted to bring the show back for a while. Finally, our cohost Anthony (AKA Butcher) brought this up recently, and we recorded a new episode. In prepping for that, I began not only rewatching many of the films in Severin Film's BRILLIANT box set, All the Haunts Be Ours. I also began reading the anthology book that came with the set, All The Haunts Be Ours - edited by documentary filmmaker Kier-La Janisse. 


This turns out to be perfect reading for our first morning in Laurel, MS, as the Air BnB K and I are staying in is referred to as "The Hobbit House." While I haven't really been a fan of Tolkien's work since I was a child, the vibe fits with my reading and this current "Folk" state of mind. Also, I went back and pulled out an old issue of the Weird Walk Zine I've spoken about here previously.


This is a favorite for getting me into the "Folkloric" state of mind; the essay on John Constable's paintings by Justin Hopper, complete with Bauhaus song name chapter stops, really helps. 




Playlist:

The Raveonettes - Return of the Grievous Angel (pre-release single)
The Raveonettes - Lust Lust Lust
The Raveonettes - Pretty In Black
Amy Winehouse - Frank
Run the Jewels - RTJ4
The Damned - Night of the Living Damned
Jenny Lewis - Acid Tongue




Card:

Another single card today, this time from my travel Thoth deck that Missi gifted me years ago:


This feels about right, not only because our accommodations are so wonderful (Link to the Hobbit House HERE), but because Laurel has so many trees! The oxygen here is off the charts; what more could beings who live off the stuff ask for? Not much, because we feel wonderful because of it. Let the luxurious reinvigoration begin!

Tuesday, February 8, 2022

Long Snake Moan

 

PJ Harvey is one of my favorite artists. Has been since the 90s. Weirdly enough, I don't listen to her that often. In thinking about this, I realize that I hold her music in a sort of sacred regard that feels as though it might become deluded if I overdo it. Probably not the case, in reality, however, it is what it is. Here's one of my favorite songs from her seminal 1995 album To Bring You My Love.




Read:


I dug out my copy of Weird Walk issue #2 recently and began re-reading it as research for the new podcast off-shoot my Horror Vision co-host Ray Larragoitiy and I are doing. Stick & Stones is a sidebar deep-dive into Folk Horror, which is a sub-genre I've been enchanted with (pun intended) for the last few years, although until recently, I always referred to most of these flicks as "UK Occult Films." 

Weird Walk is an indie zine in every sense of the word, but it's a class act and chock full of fascinating ruminations on the haunted underpinnings of the British landscape and society. Highly recommended - you can order it HERE and follow their podcast HERE or wherever you get your podcasts! 

Oh yeah, and as of yesterday, there are two episodes of The Horror Vision Presents... Sticks & Stones: A Folk Horror Discussion up. The newest one deals with Stephen King's Children of the Corn - story and movie - and Chad Crawford Kinkle's Jug Face. The first episode sets up the series with a discussion of Kier-La Janisse's Woodlands Dark and Days Bewitched, then compares and contrasts Avery Crounse's Eyes of Fire and Robert Eggers' The Witch. Also available wherever you get your podcasts.




Playlist:

The Yellow House - Live at Southgate House
Darkness Brings the Cold (The Forest Children) - Human Me
Ween - Live In Chicago
PJ Harvey - To Bring You My Love
Zeal and Ardor - Stranger Fruit
Brand New - Daisy
Ministry - Filth Pig
Soul Coughing - El Oso
Cypress Hill - Black Sunday
Cypress Hill - Back in Black (pre-release singles)
Steve Morse - Mind's Eyes OST




Card:


Reaping the rewards of good decisions.