You Absolutely Know More Than I Know

From John Cale's 1974 masterpiece Fear. Cale's delivery in this song is haunting - it's both sarcastic and filled with a tired sense of surrender. Feels appropriate when looking at world leadership from a private citizen's perspective.

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Read:

Somewhere around 2008 I read Stephen King and Peter Straub's The Talisman. I loved about half of that book and didn't care for the other half. No way of knowing if it was the King half I loved, but I'm guessing that, although you probably can't separate a collaboration like this into two completely self-contained 'halves,' that's probably close. Because of this, I never got around to cracking open the copy of 2011's sequel, Black House, and I just kind of forgot about these books. I love King, but I'm nowhere near what I'd call a completist with the man's work. Not because I wouldn't like to be, just because I don't have that much time in my life for his insanely prolific output!

Fast forward to last year, when I picked up a hardcover copy of The Talisman at a thrift store with the intention of sitting down for a re-read. It's not the original cover, but the 2001 edition:

Fast forward to earlier this year, and an article went around the internet where King talked about how the current book he was working on - a third and final book in the Talisman series - might be his last. Then, a few days ago, the press announcement hit for Other Worlds Than These - that third and final Talisman novel. You can read more about that over on the delightful Stephen King fan site Lilja's Library HERE. One thing King talks about here, is how this also ties up the Dark Tower's Mid-World, which King says, "...was always the Territories by another name."

Holy f*ck am I excited!!!

Apparently, although Straub passed away in 2022, the core idea of this one comes from him, and it's certainly nice to see his name on the third and final chapter. That's Stephen King, though. All around great human being. 

Also, the title for the new book comes directly from the very first Dark Tower novel, when Jake Chambers falls to his death and tells Roland, "Go then, there are other worlds than these." 

In some ways, this is one of the most influential and magical literary quotes that I've ever encountered in my life. I read The Gunslinger for the first time way back in early High School, when I found the trade paperback edition with Michael Whelan's gorgeous art in it at the school library. This was early enough in the series that I was able to go to my local public library and find Book Two: The Drawing of the Three (also with Whelan's art) and then wait with bated breath for the third book to come out about a year later. I've toyed with the idea of rereading the Dark Tower books for some time, as while I reread 1 and 2 when 3 came out and then reread 1, 2 and 3 when 4 came out, that cycle of rereading stopped when 5 came out, and I did 1, 2, 3 and 4 in preparation. Of course, due to the years-long hiatus King needfully took on the series after being struck by a car (those were dark years where many of us feared we would never get an end to the series), so 5, 6, and 7 I've only read once, as they came out. Will I have time to do that before I read Other Worlds Than These? Well... maybe. Scheduled for release on October 6, it's not out of the question. First, I'll start with The Talisman and Black House. 

This pushes a bunch of planned reading for the year back, but that's fine. This feels BIG, and I want to be in on it for the full ride, even if just to properly celebrate King and Straub's legacy.

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NCBD Addendum:

I'm sure anyone who keeps up with this page could have guessed this would happen, but I finally broke down and picked up Absolute Batman. In a true old-school maneuver, I grabbed the just-released Absolute Batman Volume 2: Abomination, choosing to jump in without the first arc's setup, much like buying comics off the stand in the 80s, before the proliferation of the write-for-the-trade paradigm. After reading this, I can say is, okay. Now I get it.

It's all about the BIG picture with this book, which is a plus for a Batman book. Nothing against the story of the week feel of the current Fraction and Jimenez run at all - that feels refreshing, too. But in my eyes, Snyder's Absolute Batman's strength seems to be building toward one big story and it has a lot of interesting elements to the setup that make me rabidly curious. 

- Pennyworth's constant references to "The War."

- Ark M as a blacksite just off the coast of Gotham, the surface-level construction hiding something dark and massive underneath. Also, the fact that this Ark M is literally "Ark: M," which I take to mean number thirteen in a proliferation of similar sites around the globe. 

- Genetically engineered snow dropped on the population to ready them for something nefarious

- Doctor Arkham turning men into monsters for purposes as yet unknown.

And of course, all that ties directly into that 16th issue that introduced this Universe's version of Joker - an ageless Billionaire with a butler, a cave beneath his mansion, and a stranglehold on the globe via economic, military and political posturing achieved over his inhumanly long life.

So yeah, reminder to self that sometimes the hype is earned. So that's two Absolute books I've converted to following in trade over the last month. Absolute WW is still the better book, but this one's intriguing as all get out, and combined they have me wondering if, despite my longstanding loathing of Superman as a character, I should check that one out as well. 

... And that 100% dovetails with something that happened to me/occurred to me shortly after typing the above paragraphs. Something I'll talk more about in Wednesday's post.

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Playlist:

Mountain Realm - Stoneharrow

Mountain Realm - Tribal Alliance

Darkswoon - Thread (single)

The Chameleons - Strange Times

Plague Bringer - As the Ghosts Collect, the Corpses Rest

(Lone) Wolf & Cub - May You Only See Sky

Canadia Rifle - Peaceful Death

Drain - ... Is Your Friend

Exhalants - Eponymous

Slow Crush - Thirst

Various - 85 Seconds Playlist

sunn O))) - Metta, Benelvolence BBC6 LIVE: At the Invitation of Mary Anne Hobbs

David Lynch & Marek Zebrowski - Polish Night Music

Mastodon - Once More 'Round the Sun

Tamaryn - The Waves

Boy Harsher - Careful

Revolting Cocks - Big Sexy Land

Tool - Ænima 

Mastodon - Blood Mountain

Swann Danger - Deep North

Au Pairs - Sense and Sensuality

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• XVII: The Star

• XX: The Aeon

• XXI The Universe

All Major Arcana - rare for me - means BIG ideas, BIG picture, BIG everything. There are a few interesting connections I can make here, but I'm actually going to wait until Wednesday. Aaaaannnnd... I'll retake and light this picture better.

New Music From Alabama Shakes!

When I say new, I should specify I am way behind on this one - looks like it dropped two weeks ago! Funny, as I just listened to Sound & Color for the first time in a while last week and had a moment of forlorn reflection that it's been ten years since that album was released. I don't know if this new track heralds an upcoming album, but I sure hope so. 

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Watch:

Where K and I would normally have seen The Long Walk on opening night this past Thursday, we had the opportunity to see John Carpenter's The Thing on the big screen (our second time) during Regal's Cine: A Month of Masterpieces. This series has me in awe: We're seeing Sunset Blvd tonight (also a second time on the big screen for us), I'm going to try like hell to see GDT's Pan's Labyrinth on Wednesday, then we have Psycho on Friday. And we're still in the second week of the month!!!

However, it's Francis Lawrence's The Long Walk I want to talk about right now. Adapted from a Richard Bachman - aka Stephen King - novella of the same name, with the adapted screenplay coming to us from JT Mollner, the Writer/Director of one of 2024's best films (Strange Darling), The Long Walk feels, in this moment, like the best adaptation of King's work to date. Ten years ago, that might have been a no-brainer until you stop to consider The Shawshank Redemption or Stand By Me (I've always heard The Green Mile is up there as well, but I haven't seen that one). But we've had a spate of pretty good adaptations over the last decade, top among them Mike Flanagan's Doctor Sleep and Gerald's Game. In the Tall Grass, and while I don't love the Andy Muschietti IT films, they're better than the original. Castle Rock - while not officially an adaptation of any one King story, is a super solid amalgam of his work. So we're light-years from the days of Langoliers and Needful Things. But The Long Walk feels like it has all of them beat.

I'm largely unfamiliar with Francis Lawrence's work as a Director. Yes, I've seen Constantine, and it puts me in a tough spot, as if they had not based that on John Constantine: Hellblazer, I would have loved it. Some fantastic images and ideas, but it just doesn't work with Reeves as JC and Chas being anyone but a hulking ex-Football hooligan. Other than that, though, looking at Lawrence's IMDB, I see he is mostly known for working with Suzanne Collins' The Hunger Games. I tried and couldn't get twenty pages into the first book, so I didn't even bother with the films, partially because the entire thing feels like a watered-down version of The Long Walk and Battle Royale. His history doesn't matter, though, because this film is excellent. A complete gut-punch in the best possible way, and King's knack for male camaraderie and how it can be a shortcut to major life epiphanies really shines through in this film. The characters are fantastic, and it hurts to see what happens to them. Cooper Hoffman confirms he is an excellent actor, following in his late father's footsteps, but David Jonsson - wow! In two movies (the other being Alien: Romulus, where he plays Andy, Rain's synthetic "brother"), he has demonstrated charisma and range that have me watching for his next film, genre or not.  

I'd recommend catching this one in the theater. If you want to hear more, hit the widget at the upper right-hand side of this page for The Horror Vision's new episode, where we start with a spoiler-free review, then give ample warning before veering into a full-spoiler comparison between the book and the film. Also available on YouTube HERE. 

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Playlist:

Sleep - Sleep's Holy Mountain

Hellbender - Hellbender OST

HEALTH - Ordinary Loss (pre-release single)

HEALTH - Rat Wars

David Bowie - Outside

Double Life - Indifferent Stars

Entropy - Dharmakāya

Deftones - private music

Godflesh - Streetcleaner

Blut Aus Nord - Shadows Breathe First (pre-release single)

Blut Aus Nord - Disharmoniu - Nahab

Dreamkid - Daggers

Faetooth - Labyrinthe

Alabama Shakes - Another Life (single)

Netherlands - Vapor

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

Also, if you head over to Grimm's Kickstarter HERE you'll see his upcoming The Eldritch Lace Tarot Deck you can hit the "notify upon launch" button and then you can get on this seriously unbelievably awesome deck. 

• Queen of Swords

• Six of Wands

• Page of Wands

A major creative period is happening, but it will take clear judgment to navigate. 

I love when these are so spot on. I've been working pretty diligently on Shadow Play Book Two, and there are SO many ideas at play right now. So many historical themes to tie into this century-spanning saga, so it's an immense creative rush, but I have to keep asking myself, "How much is too much?"

Stand Back, Derry!

I heard this at some point last weekend, and it struck me that I've never posted it here. I have loved this song as far back as I can remember. A lot of 80s 'hits' became essentially ubiquitous decades ago, however, this one never fails to grab my attention for its duration.

From Stevie Nick's second solo album, The Wild Heart, released in 1983. That would have been when I first heard this, too. I didn't have MTV, but a friend did, and this one was all over 80s radio. 

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NCB:

Short week this week. Wheww! After last week, I'm definitely up for a short pull:

A new Image book I thought I'd give a try. Sounds cool. Here's the solicitation blurb, straight from League of Comic Geeks:

"When Jonathan Reason falls asleep, he becomes... something else. Every night, it stalks his quiet town, killing (seemingly) indiscriminately. When he wakes, covered in blood, our story begins. This new horror mystery from ZANDER CANNON (Heck, Top 10, Kaijumax) shows us the horrifying waking hours of an unwilling part-time killer."

I'm unfamiliar with Cannon's work, however, I really dig books where the creator writes and draws, and sleep has always fascinated me, so I'm looking forward to where this may take me.

The second volume of Zac Thompson's Body Fantasy/Horror Into the Unbeing comes to a close. Will there be a third? Can't wait to find out!

One more after this one. I have loved this book, loved every cover, but none more than this one. Majestic, 

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Watch:

While I am not the biggest fan of Andy Muschietti's IT movies - they're good, for sure, but also definitely have their issues - I am very excited to get out from under the time constraints of a theatrical release run-time and revisit Derry in a premium television format.

If HBO's Welcome to Derry can even be half what Castle Rock was, I will be happy. There's a full article over on Bloody Disgusting for more information. No release date yet.

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Playlist:

Swans - Glowing Man

Godflesh - Decline and Fall E.P.

Windhand - Eponymous

Hot Ones w/ Henry Rollins

The Coffineshakers - Eponymous

Horse the Band - A Natural Death

Saigon Blue Rain - Oko

Year of No Light - Consolamentum

Telekinetic Yeti - Primordial

John Carpenter - Lost Themes IV: Noir

Godspeed You! Black Emperor - East Hastings

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Two of Swords

• VIII: Strength (Adjustment)

• XVII: The Star

Peace is won through routine and commitment. These form the path to Enlightenment.

More about ritual, which I have been sorely lacking the last week or so. Time to hunker down and reestablish my routines/rituals.

A Drink Before the War

From 1987's The Lion and the Cobra. Outstanding song from an outstanding album. Makes 1987 feel so close I can almost touch it.

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Watch:

It's been a while since I'd enjoyed John Carpenter's In the Mouth Of Madness. I'm guesting on John Trafton and Mile Fortune's This Movie Saved My Life podcast next week for the second part of their 1994 retrospective (part 1 is HERE), and Madness was one of the four films we're covering. 

Maybe it's because I just rewatched Nightmare on Elm Street 4: The Dream Master, too, but I'd never realized the influence that both the NOES and Hellraiser series had on this flick until now. I'm not sure if that influence comes more from writer Michael De Luca (who also wrote Freddy's Dead: The Final Nightmare) or JC himself, but it's definitely there. Also, and I know everyone who loves this movie knows this, but the brilliance of combining Stephen King's popularity with H.P. Lovecraft's ethos in Sutter Cane is one of the great triumphs of homage to either author, in a world where 75% of Horror is homage to one or the other (or both). I'd add that making Jürgen Porchnow look like Neil Gaiman - who would have been rounding the corner on finishing the original Sandman series for DC's Vertigo at the time, adds just the right amount of prescience about Gaiman's inevitable place in the pantheon King and Lovecraft reside over.

 

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Playlist:

Blut Aus Nord - Memoria Vetusta III: Saturnian Poetry

Blut Aus Nord - Hallucinogen

The Reverend Horton Heat - Whole New Life

The Raveonettes - Sing

Sinéad O'Connor - The Lion and the Cobra

Joy Division - Substance 1977-1980

Black Pyramid - The Paths of Time are Vast

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Six of Cups - Emotional fulfillment.

• IX: The Hermit - I need a period to regroup. Badly.

• Three of Pentacles - Growth in Earthly terms. Not sure if this is responsibility maturation or windfall. Windfall would be nice.

The Boogeyman

A few weeks ago, Mr. Brown asked me if I'd ever heard the Chicago band Ganser. I had not. I added a few records in Apple Music but didn't actually hit play on one until last week.

Instant adoration.

The album I'm currently obsessed with is 2018's Odd Talk, and the song on that album that gets the most play is also the first song on this live Audiotree session the band did in 2020, "Satsuma." Watching them play live is literally thrilling, especially guitarist Charlie Landsman. I love everything about this band, but I love Charlie's guitar the most, as it conjures White Lung, US Maple, Assembly Line People Program, and Erase Errata, to name a few bands I've carried on love affairs with in the past. 

Ganser is on the always fantastic Felte Records, and you can check them out on the label's site HERE or the band's Bandcamp HERE.

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Watch:

Last night K and I caught the first screening of Rob Savage's new film The Boogeyman. This is based on an adaptation of Stephen King's short story, "The Boogeyman," from his Night Shift collection. I've read the story, although I had no memory of it at the time of the screening, so I was free to judge the film simply as the film. In that context, and ultimately in any other, The Boogeyman is a damn solid monster movie. Here's the trailer:

          

What goes right with this flick? Pretty much everything. In many respects, this is a by-the-numbers Horror flick, but Savage - whose breakthrough was 2020's Host (the Zoom movie, which I love) - is showing himself to be an auteur at heart, so there are enough personal touches and 'aberrations' from the formula that while The Boogeyman feels familiar, it also feels different enough that you won't be bored. The third act really sealed the deal - it's fantastic.

Also, and this is the smallest of spoilers, if at all, but I found it very cool that actress Seylan Baxter, who played the Medium in Host appears in this film in a youtube video on Seances one of the characters watches. It's little touches like that I always appreciate in a filmmaker's work.

  

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Read:

After seeing the film The Boogeyman, I woke up this morning and re-read the story in Stephen King's Night Shift.

The story strictly follows Billings's visit to Dr. Harper's office, where he avails himself of his guilt. That's it. So the film is an adaptation and expansion of the story, and in that, it's pretty fantastic in what it accomplishes, using King's story as the seed for a larger world that's really only hinted at between the lines of the story.

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Playlist:

Radiohead - The Bends

Ganser - Odd Talk

Lustmord - Berlin

Boy Harsher - Burn it Down (single)

Boy Harsher - Careful

Code Orange - Grooming My Replacement/The Game (single)

Code Orange - Underneath

            

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Card:

From Aleister Crowley and Lady Frieda Harris's Thoth deck:

• Prince of Swords - The "Air" of Air, or doubling down on conflict

• 2 Change - The Ebb and Flow.

• Princess of Wands - Physical act or manifestation of Will

Cut and dry, once again. Of course, that's because it's all in the interpretation, and the interpretation is steeped in what's on your mind. I know exactly what's on my mind, and it's writing. Hence, why all of this week's Pulls have concerned my Art. 

I've had two decent days getting back in the saddle; nothing stellar, but that's the ebb and flow mentioned above - I have to take the good with the bad, especially when overcoming the inertia of having not written in a bit. It's easy to get discouraged, but you just have to apply your Will and fight that part of yourself that wants to be lazy, or is looking to be discouraged. Frustrations be damned, a breakthrough will come!!!

 

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European Doom

 

While looking around online for a vinyl copy of Mars Red Sky's 2011 eponymous masterpiece, I stumbled on yet another absolutely outstanding French Doom/Stoner band I'd not heard of - Witchfinder. Taken from their 2019 album Hazy Rites, you can order a super sweet bundle of gorgeous vinyl from these guys via Mars Red Sky Big Cartel Shop HERE. You can also order the anniversary edition of that aforementioned MRS record. I've got a very nice mail day coming up in a few weeks.

I have to say, so far France is my favorite exporter of Metal. Between Blut Aus Nord, and now these two bands, I feel an epic, otherworldliness in the music made there the likes of which, I've not heard elsewhere. All three bands are among the most unique and creative in their particular 'genres,' and I love the idea of old-world European creepiness informing their approach, sound and aesthetic. Just looking at the album artwork for Witchfinder, and hearing the band's incorporation of pipe organ into the music definitely lends their sound a darker sound than a lot of other Stoner/Doom bands. 

 

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Read:

I finally re-started Alan Campbell's God of Clocks, the third and final entry into his Deepgate Codex series. 

I really wish I'd been able to roll right from the first two books into this one, but that trip to LaLaLand interrupted that - I didn't want to carry a Hardcover with me on the plane, or around in my backpack as I walked all over L.A. The joke was on me, of course, as my friend Chris ended up gifting me several books while I was there, one of which was that Hardcover edition of Stephen King's Fairy Tale I just talked about reading a few weeks ago.

I'll not lie - I love Campbell's writing, but it's proving difficult to switch back from King. There's just something so pragmatic about Stephen King's prose. Talk about 'every man.' Campbell reminds me A LOT of Mervyn Peake, and as such, it takes a bit more time to visualize his descriptions. Not a bad thing, and definitely a good exercise for the ol' attention span, which took a bit of a hit of late. Not a big deal; I'll knuckle down and use God of Clocks to readjust my concentration, and that will help with several more of the books I have coming up in the next few months, probably most notably, Nathan Ballingrud's The Strange, which I'm absolutely frothing at the mouth to read.

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Playlist:

Druids - Spirit Compass (EP)

Dorthia Cottrell - Death Folk Country

Ghost Bath - Moonlover

Fen - Epoch

Nabihah Iqbal - Dreamer

Bret Easton Ellis Podcast S7E10: Mr. Misery 

Cartoonist Kayfabe - X-Men 273

Cartoonist Kayfabe - Hellboy: Crooked Man

Projexploitation 3615 code Pére Noël (1989)/ Ep 14

Mars Red Sky & Queen of the Meadow - Eponymous (single)

Witchfinder - Hazy Rites

Witchfinder - Forgotten Mansion

Mars Red Sky - Eponymous

Ritual Caster - Gravity Cosmonaut

            

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

 

• Seven of Swords - Sephirothic Association is Netzach, which instantly conjures the word "Victory" for me.

• Eight of Swords - Sephirothic Association, Hod. Splendor. 

• King of Cups - or in Thoth-speak, Prince of Cups, the Intellectual aspects of Emotion, a conundrum if there ever was one. 

What's this all add up to? Well, I'd say having the two consecutive numbers in the same suit fall one right after the other implies Process, i.e. there's a formula. My creative juice runs best in an Ad Hoc, stream-of-consciousness that I've had to learn to wrangle, especially when it comes to Shadow Play Books 2 & 3, which I've outlined and am (trying) to write concurrently. Or rather, I was. That approach kind of became subsumed by those flaring, creative energies again, and things have become somewhat murky. I'm assuming this Pull is telling me to buckle it up tight, once again.

Pulling two consecutive cards like this, I think it's important to note that when you look at the Qabalistic Tree of Life, the path between these Netzach and Hod is the 27th Path, also known as The Tower Path, or in Crowley's words, "The Blasted Tower or House of God." This is a path where if you are ascending from the lower, Earthly realms, you must sacrifice, or learn to part with your ideas of the world, your "ego scaffolding" and begin to give yourself up to something higher. If you're descending, you must take the thrill and emotion of "Victory" and transmute it into something useful. In other words, the idea you think is great can only actually be experienced as great if you can wrestle it into a tangible form.

That's writing, to a "T."

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13 Evil Fairy Tales Dead Under 30

 

Greg Puciato has become one of the most interesting artists working in music today. Setting aside Dillinger Escape Plan as the legends since their retirement, Puciato has done dark electronic music with Telefon Tel Aviv's Josh Eustis in The Black Queen, Hardcore/Thrash with Killer Be Killed, toured as part of Jerry Cantrell's band, and all that and everything in between with his two solo records, both of which I adore. Now, he teams with more like-minded souls (from Every Time I Die and Fit For An Autopsy) in Better Lovers. What's it sound like?

It sounds awesome.

The first single dropped the other day and big props to Mr. Brown who sent it my way, as I totally missed it. No word on an album proper, but after seeing tour announcements yesterday, the smart money's on something coming down the pipes in the next few months, so there's one more thing to look forward to.

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Watch:

Last night at 7:00 PM K and I caught Clarksville's first screening of Lee Cronin's Evil Dead Rise. I had exceedingly high hopes - never a good thing going into a movie, let alone a new installment in a series I have loved for a very long time. But Fede Alvarez's entry in 2013 blew me away (still blows me away, in fact), and all I wanted from this was that same feeling of Deep Horror Intoxication 2013 gave me. Did Evil Dead Rise succeed?

Yes and no. First, I really enjoyed the film, and I think Lee Cronin did a helluva job. However, those pesky expectations tapped on my shoulder for the entire runtime. 

MY problem, not the film's. 

Evil Dead Rise is not as intense as 2013; don't get me wrong - this film is f**king intense, but Rise spreads its assault thin and only really explodes in the last act. Common for a Horror film, of course, and not something to traditionally detract points for. That said, I did feel the set-up of the characters - all of whom I loved - affected the film's pacing, so that Rise felt stretched a bit thin when compared to 2013, which sets its tone and story up so quickly and efficiently and jumps into the carnage so eloquently that it's just not fair to compare. 

Everyone in the cast did an excellent job and the FX are fantastic - like REALLY fantastic. The violence and gore felt a skosh subdued compared to Fede's, but I realize all these comparisons between these two films are unfair. I've always retained a staunch "Don't compare 2013 to the original films" stance, so surrendering to this prejudice here is hypocritical. Also, Tapert produced Rise and Campell and Raimi executive produced, so their fingerprints are all over this new entry. Bearing all this in mind, I think once I'm over the initial viewing, I'll see it again (next week), and have a deeper experience.

All in all, SEE IT IN A THEATRE!!!

            

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Read:

Yesterday, I finished Stephen King's latest novel, Fairy Tale. My good friend and A Most Horrible Library Cohost Chris gifted me a copy while we were hanging out in LaLaLand last month, and I tore into it on the plane home. This is the first new King I've read since 2010's Doctor Sleep; I say this not as a point of dismissal or obstinance, but to illustrate that, although I've loved every book by Stephen King I've ever read, I just haven't read enough of his work. I've always thought that eventually would like to read everything, but I rarely actually work on that. There are so many other authors I love as well, most considerably more "independent" than King, and I tend to fall sway to their work one right after the other. "First world problems" disclaimer aside, what a wonderful problem to have: how do I read everything I want to before I die?

Anyway,  all this talk is really just to set up the fact that I had no idea what I was in for with Fairy Tale. I should have guessed, because it's quite fantastic. 

The story remains rooted in its very human, very relatable characters and their lives dealing with grief and aging for nearly the first two hundred pages, and if that sounds like it might be too much set up, it's not. I could have read about Charlie, his father, Radar and Mr. Bowditch for the entire 600 pages. That story sets up the bigger picture, and once it gets going, there are quite a few white-knuckle moments in this one, and that's the kind of reading I really enjoy. The book is Epic, and as I've come to expect with Mr. King, his epics are among the most readable I've ever encountered. 

Add into the mix the fact that the chapters are illustrated by Nicolas Delort and Locke and Key's Gabriel Rodriguez. King mentions in the afterward - which was just as enjoyable to read as the damn book, if considerably shorter - that the illustrations were key in giving the book the feeling of, well, old Fairytale collections, and I tip my hat to him at the wonderful attention to detail here; it just makes the book that much more enjoyable.

In 2010 I read Doctor Sleep and loved it, and now, thirteen years have passed without my even realizing and Fairy Tale blows me away. I've got a pretty intense list of reading planned for the next few months, but when the decks clear, I'm penciling in more King. I always forget just how much I love his writing.

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Playlist:

Cartoonist Kayfabe - TMNT 7 with Eastman and Laird        

Ruby the Hatchet - Fear is a Cruel Master

Better Lovers - 13 Under 30

AAWKS - The Electric Traveller (single)

AAWKS - (Heavy on the Cosmic)

Clutch - Blast Tyrant

Ruby the Hatchet - Planetary Space Chile

Led Zeppelin - Presence

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Card:

Switching it up back to my original Thoth deck for today's Pull:

Creative breakthroughs can arrive at a destructive cost and often must be tempered by keeping one foot in the 'Real World.'

This feels like a nice little indictment of the creative process, or I guess more accurately, an acknowledgment that my work ethic is sound. I learned a long time ago not to mix heightened emotional or perceptive states with writing. Yes, both can be useful for ideas, but actual writing while intoxicated by either substances or emotions never produces sound work. Not sure why I'm being reminded of this now, other than maybe I just needed a nice Jungian pat on the back.

 

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The Boogeyman's Milk Leg

 

Man, this track takes me places. Some of those places are imaginary, and some are memory-laden ephemera from the early 2000s. Despite being released in 2013 - the year Mr. Brown sent me this record that's taken ten years to fully gestate an appreciation for - something here really reminds me of the particular era of my life circa 2000-2004. I think it's because my first real exposure to jazz-tinted metal came during that time when my friend Hammerstock turned me onto Cynic's brilliant 1993 album Focus. Whatever the case, I played Habitual Levitations a lot in the year or two surrounding my exposure to it, but haven't really visited since. Turns out, it fits like a warm glove.

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Watch:

I didn't watch the first trailer for Rob Savage's upcoming Stephen King adaptation The Boogeyman, and I'm not watching this one, but as usual, I'm posting it here for posterity's sake:

 

Nothing but good feedback surrounding this one, so I'll definitely be catching it in the theatre. I'm still searching for a new film to really scare the hell out of me; I know Evil Dead Rise is going to be an ordeal, or at least I hope it's going to be, but if this can accompany follow that as a genuine bone-shaking scary movie, then 2023 will be looking pretty good at the halfway point when The Boogeyman arrives on June 2nd!

 

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Read:

Although I won't be watching the trailer for The Boogeyman, I'm digging out the first edition copy of Stephen King's Night Shift I found at a Las Vegas thrift store ten years ago or so and re-read the story it's based on - also called The Boogeyman - for the first time in quite a few years. 

This was a FIND for sure, and the first time I'd read really early King. Although I discovered him in High School with The Gunslinger, then read a handful of his other novels, I never dug into his early short stories until I found this. I'm less than 100 pages from the end of King's newest novel, Fairy Tale, but I should be able to slip this quick re-read in just to prime my excitement for Savage's new adaptation.

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Playlist:

Black Sabbath - Eponymous

Black Sabbath - Master of Reality

Led Zeppelin - Houses of the Holy

The Sword - Warp Riders

Kyuss - ... And the Circus Leaves Town

Huey Lewis and the News - Sports

Intronaut - Habitual Levitations (Instilling Words with Tones)

Godflesh - Nero EP

Mars Red Sky - Eponymous

            

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

To arrive at the best decision, and truly be fair and uncompromised by emotion, you have to be honest about your emotions toward the situation. I have no idea what this is in reference to at the moment, so I will do what I always do in situations like these - leave the spread on my desk today, so it's always in front of me. Sometimes that's the best way to unlock something you're stumped on.

 

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Spotlight on Stephen King's Fairy Tale

 

Really digging this new EP from Spotlights. Order from Ipecac Records HERE.

 

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NCBD:

As of Monday, I'm finally back from my two weeks in LaLaLand. Trapped up in West L.A./Santa Monica at the Sonder hotel at Found, I didn't get a chance to hit up my beloved Comic Bug until my final day in town, but I saw some old friends and got to pick up a few books that weren't on my list. Also, will be returning to Rick's Comic City today to grab my Pull-List books from the last two weeks, so here's everything I will have acquired starting back on NCBD 3/08/23:

This Week's Pull 3/22/23:

Last week's Pull, 3/15/23:

This, the penultimate issue of Hulk, is one I actually missed out on; I never added to my Pull, and The Bug was sold out, so I'll have to find it online somewhere.

The only one I've read at the point of reading this, I started out feeling pretty non-plussed, but ending up really liking where this second issue of Immoral X-Men went. I don't love Sins of Sinister, however, I'm reading through it simply to see the pretty big-swing ideas the X-writing stable are taking with it.

LOVE LOVE LOVE this cover!

Two Weeks Ago, 3/08/23:

Based on the Master of Reality and now Back in Black homage covers, I am SO hoping they do one for Mercyful Fate, Don't Break the Oath on a future issue of this series!

I'm glad this regular X-Men book isn't adhering or pausing for Sins of Sinister. With issue 19's start of a Brood-based story, I thought I was going to roll my eyes, however, the entire set-up was fantastic (the Nowhere thread is amazing!). I'm really looking forward to this one!

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Read:

While in LaLaLand, I had a couple of occasions to catch up and hang out with my good friend Chris Saunders, formerly of The Thirsty Crows, and my co-host on the hiatus-ending-soon podcast A Most Horrible Library. Chris gifted me a beautiful Hardcover copy of Stephen King's newest novel Fairy Tale, and at ~120 pages into its ~600 pages, I'm hooked!

I haven't read a new King novel since 2010's Doctor Sleep (thanks to Mr. Brown!) and reading Fairy Tale makes me remember how much I adore the man's prose. I'm realizing now that one of the everlasting endearments of King's mind and how it translates to the page is he writes about a world that, while modern and incorporating modern elements (the internet, online shopping, current cultural establishments), King's world still feels very much like the world I grew up in, the one-two weeks in LaLaLand convinced me did not exist at all anymore. That's a very welcome refresher at the moment, as it gives me hope humanity isn't as far gone as it often feels when in a high-population center or tooling around online.

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Playlist:

Le Butcherettes - A Raw Youth

Screaming Females - Desire Pathways

Bohren & Der Club of Gore - Sunset Mission

Led Zeppelin - Houses of the Holy

SQÜRL - Silver Haze

The Police - Regatta de Blanc

Burial - Untrue

Boards of Canada - Music Has the Right To Children

Boards of Canada - Geogaddi

Wayne Shorter - The All Seeing Eye

Spotlights - Seance EP

Spotlights - Love & Decay

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Emotional security leads to an Emotional breakthrough that ultimately could turn into a profitable partnership. 

Lord of this World

 

From 1973's Master of Reality, a perfect record. I leaned heavily into this one last weekend while in Chicago, so when I walked into Rick's Comics City yesterday and saw that variant cover of Dan Panosian's new book Black Tape, I kind of felt as though I manifested it.

Tulpas have been on my mind again because, you know, Department of Truth.

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Watch:

Rob Savage's Host impressed me to no end, and I've been waiting to see what he does next. Somehow, I missed that he followed Host with a film called Dashcam, however, I think I'll leave that off the list until after I see what he does with a non-found-footage film. And Savage has a big one coming out in June:

This adaptation of Stephen King's short story The Boogeyman is receiving a lot of hype - word is it's terrifying, so I am excited at the prospect of seeing a film in theatres that might actually induce some fear in me. 

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Read:

Here's a book I did not mention as one of my picks for yesterday's NCBD simply because I was on the fence and trying very hard not to start new series. How do you say no to this cover, though: 

Black Tape #1 is all set up, but that's fine. Even if I don't continue with the series - which I'm betting I will - I'm happy as hell to own this cover. Here's the press description of the book:

"Jack King was a rock'n'roll god who projected a stage persona on par with the devil. After Jack dies on stage, his widow, Cindy, grapples with grief and struggles to protect his legacy, unaware that she is being surrounded by dark forces that covet the master tapes to Jack's final, unreleased album - a heavy metal masterpiece that just might open a doorway to hell."

Great premise, so let's see where it goes.

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Playlist:

Thought Gang - Eponymous

Anoni Wit & Warsaw National Philharmonic Orchestra - Pendereck's Polymorphia

Krzysztof Penderecki - Metamorphosen

Krzysztof Penderecki - A Polish Requiem

Miranda Sex Garden - Suspiria

Allegaeon - Apoptosis

Somnium Nox - Apocrypha EP

Karl Casey - White Bat XVIII EP

Karl Casey - XX EP

King Woman - Doubt EP

Godflesh - A World Lit Only By Fire

Metallica - ...And Justice for All

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Tens in Tarot are interesting. On one hand, there's a sense of closure, of completion and accomplishment. On the other, you realize when juxtaposing the Tarot with the Sephiroths on the Tree of Life, Ten is where we enter Malkuth, and thus, the most materialized in the regular, physical world. This tells us that, what we consider a success or accomplishment in our physical lives, can conversely be seen as the farthest movement away from anything spiritually compelling. Which makes sense in a lot of ways. Today's pull builds on yesterday's Emotional question, suggesting that to transform from yesterday's Eight of Cups to today's Ten, a transformation of Will in order. What's more, there is a decision or leap of faith that will be involved.  

So today's Pull gives me the insight into yesterday's that I never arrived at. This is a direct nod to the fact that I'm attempting to change my daily writing routine - which has never been in better shape - by moving from driving to a coffee shop and paying $4.22 a day to sit and write to staying at home and saving that money but getting the same level of removal and concentration. I know this can be done because I did it during the pandemic when I wrote/re-wrote a novel sitting at the kitchen table in our Redondo Beach apartment. I just have to do it here now. 

Quick reminder: if you dig those cards above from Jonathan Grimm's Bound Tarot, he has an insanely awesome Kickstarter going on at the moment:

Long Snake Moan

 

PJ Harvey is one of my favorite artists. Has been since the 90s. Weirdly enough, I don't listen to her that often. In thinking about this, I realize that I hold her music in a sort of sacred regard that feels as though it might become deluded if I overdo it. Probably not the case, in reality, however, it is what it is. Here's one of my favorite songs from her seminal 1995 album To Bring You My Love.

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Read:

I dug out my copy of Weird Walk issue #2 recently and began re-reading it as research for the new podcast off-shoot my Horror Vision co-host Ray Larragoitiy and I are doing. Stick & Stones is a sidebar deep-dive into Folk Horror, which is a sub-genre I've been enchanted with (pun intended) for the last few years, although until recently, I always referred to most of these flicks as "UK Occult Films." 

Weird Walk is an indie zine in every sense of the word, but it's a class act and chock full of fascinating ruminations on the haunted underpinnings of the British landscape and society. Highly recommended - you can order it HERE and follow their podcast HERE or wherever you get your podcasts! 

Oh yeah, and as of yesterday, there are two episodes of The Horror Vision Presents... Sticks & Stones: A Folk Horror Discussion up. The newest one deals with Stephen King's Children of the Corn - story and movie - and Chad Crawford Kinkle's Jug Face. The first episode sets up the series with a discussion of Kier-La Janisse's Woodlands Dark and Days Bewitched, then compares and contrasts Avery Crounse's Eyes of Fire and Robert Eggers' The Witch. Also available wherever you get your podcasts.

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Playlist:

The Yellow House - Live at Southgate House

Darkness Brings the Cold (The Forest Children) - Human Me

Ween - Live In Chicago

PJ Harvey - To Bring You My Love

Zeal and Ardor - Stranger Fruit

Brand New - Daisy

Ministry - Filth Pig

Soul Coughing - El Oso

Cypress Hill - Black Sunday

Cypress Hill - Back in Black (pre-release singles)

Steve Morse - Mind's Eyes OST

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Card:

Reaping the rewards of good decisions.

Zetra - From Within

 

Heaven is an Incubator recently posted about the upcoming From Without EP that drops in January (pre-order HERE). I'd never heard of the band, and when I clicked over and heard the 1-2 of Life Melts Away that opens From Within, well, I was totally sold. 

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Watch:

So I made it through Mike Flanagan's Midnight Mass. Not an easy task until the last three episodes, which ended up really coming through and making the rest of the show worthwhile. Not that it's terrible, but a lot of the 'aging' make-up used is pretty bad, and the lead character is just pointless and annoying. I mean, really. He ultimately serves no purpose that could not have been collapsed into another character. Ah well, in the end, I really dug the juxtaposition of religion and the supernatural, so it's a recommendation, although I can pretty safely say I'll never watch this one again.

Next? Castle Rock! I've been meaning to watch this for, well, years now, and I'm finally doing it. Three episodes into Season One and I'm digging it. Fantastic cast. Here's the trailer:

I've read a pretty fair amount of Stephen King, but not enough to deftly spot every reference in this one, so I'm gingerly taking mental notes and will look up all the references afterward. The obvious one here is Shawshank Prison, which I didn't realize played such a big part in this first season's story. Very cool. 

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Playlist:

Anthrax - Among the Living

Perturbator - Lustful Sacraments

Bnny - Everything

Hotel Decor - Could It Take Me Any Longer EP

The Fixx - Reach the Beach

Slayer - Decade of Aggression

Boz Scaggs - Silk Degrees

Zetra - From Within

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Card:

A reminder that methodical approaches to projects and problems are the way to go. Timely, as I have one big, open-loop issue in my life right now - the eventual move - and on any given day, it feels over-fucking-whelming.

New New Order

 

New Order dropped an EP last Friday. Here's the first 'single.' Awesome tune, not at all where my head is at right now, but I have a feeling this will come in handy in a few days or so.

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Watch:

 

My Co-Host on The Horror Vision Chris Saunders and I have decided to try and do a week-by-week podcast exploration of CBS' The Stand series starting on December 17th. I'm a King fan for sure, but I've never been a rabid one, and I've never undertaken the commitment to read The Stand. Usually, in undertaking a project like this, I'd set aside what I'm reading and try and 'bang it out' before the launch of the show, however, there's just no way. The original cut of the novel is 823 pages, but the expanded is lost 1500. Add to that the fact that I started 2020 reading a very long novel about a pandemic (Chuck Wendig's Wanderers, which despite it's eerie parallels to our reality while I read it - or perhaps because of it - still occupies my mind on an almost daily basis and lingers with a strong A+ rating in my book) and, well, for obvious reasons don't want to finish it out doing the same. So I'm doing the audiobook. Which, at ten chapters in, frankly isn't great.

Still, having read the Dark Tower books since shortly after The Drawing of the Three, I've wanted to read The Stand since early High School. In the Dark Tower books, Roland and his compatriots travel across worlds and, at one point, end up in the world of The Stand, a world decimated by a flu-like virus called Captain Tripps. Weird timing for the show to be coming out, but I'm excited to cover it, as it's been a while since I've done something like this, and it's not so often I get to work with Chris these days. So win win.

 

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The Horror Vision:

The New episode of The Horror Vision Horror Podcast went up yesterday. We talk about the Barbara Crampton-produced Castle Freak remake, which I LOVED, along with Freaky, Max Brooks's Devolution, and a bunch of the Mario Bava that just landed on Shudder recently. And as usual, that's really only the tip of the iceberg. Also, I'm doing anything with the video side of this show yet, but I've started posting the episodes on youtube as of late.

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Playlist:

Behemoth - The Satanist

Blut Aus Nord - Hallucinogen

Selim Lemouchi and His Enemies - Earth Air Spirit Water Fire

James Last - Christmas Dancing

Bing Crosby - Merry Christmas

Orville Peck - Pony

The Seatbelts - Cowboy Bebop OST

Daniel Pemberton - Motherless Brooklyn OST

Jehnny Beth - To Love is to Live

Opeth - Deliverance

Mr. Bungle - The Raging Wrath of the Easter Bunny

New Order - Be a Rebel

Barry Adamson - As Above So Below

David Bowie - Black Star

 

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Card:

Ah, the wonderful Knight of Disks, the Fire in the Element of Earth.

Interpreted here as a pragmatic focus on and progression with ongoing projects. Industrious perseverance. Bread winner and objective provider. 

Sunday Bandcamp: Rupert Lally's Stephen King Aural Interpretations

I think calling Rupert Lally's Where the Dark Speaks a 'Stephen King' tribute is both accurate and an understatement. In the notes for this record (which you can read in full HERE), Lally beautifully states, "Stephen King's books took me to places so vivid it seemed like I'd actually been there," and when you listen to the tracks on this record, the depths of Lally's travels into the Kingverse show. However, the record also completely stands on its own as a beautiful little slice of atmosphericic Heaven, perfect for October and the Halloween run-up. 

But back to the King...

All the songs on Where the Dark Speaks are named after places from King novels - whether it's the Marsten House from Salem's Lot, the Overlook Hotel from The Shining, or, from a more recent novel, The Institute, from King's 2019 novel of the same name, these tracks submerge you in Lally's imagination's interpretation of King's work, and it's glorious!

Finally, look at that cover art, by Eric Adrian Lee - wow! Check out his website, too, for more glorious retro and wholly original visual landscapes.

IsIolaton: Day 48 Cracked Actor

Woke up with this one in my head yesterday morning. Originally appearing on 1973's Aladdin Sane, the version I'm specifically referring to here is the live version from Ziggy Stardust and the Spiders from Mars - The Motion Picture Soundtrack. I picked the double album up in a cool CD package at a Fop store in London, circa 2004. To date, this is my favorite version of this song.

**

Blew through Breaking Bad Seasons 1-3 and K asked to take a breather. It definitely has that effect, and while I'm loving revisiting this world, dark as it is, I also like the idea of spacing it out a bit, to further the effect I had watching it as it aired, broadcast gaps and all. We're not going to come anywhere close to building that kind of expectation-tension for K's first viewing, but a week off might help. With that in mind then, over the last few days we watched James Franco/JJ Abrams' 11.22.63. This adaptation of a novel by Stephen King is an 8-part mini-series on HULU, and although I had some small issues, overall it's great. 11.22.63 is also a rare bird, in that many times, I'll be enthralled by a show and then let down by its ending. In this case, my minor issues were along the way, and the finale was outstanding. Very much worth your time if you're in the mood for something finite.



**

I finished both William Gibson's The Peripheral and Juan F. Thompson's Stories I Tell Myself. Both incredible books for totally different reasons (obviously). Gibson's terse prose and refusal to set an initial lay-of-the-land are both facets one must acclimate to, however, that happens fairly quickly because he really pulls you in with the story. And Thompson's autobiography on growing up with Hunter S. Thompson as a father can get a bit hard to read at certain points - most definitely not due to his writing, which is simple but profound - due rather to the veil his stories lift on an icon who many of us hold dear. The end of this one brought me to tears, and the involvement of Johnny Depp in memorializing HST should prove once and for all how awesome that man is, even if his filmography has pretty much fallen by the wayside.

As of writing this, I am ~75 page into Preston Fassel's Our Lady of the Inferno, which I have been wanting to read since I first heard of it, circa a year-and-a-half ago. I was hooked as of page one, and now I'm thinking this has the potential to really soar into a ranking in my favorite books of all time list.

If you're unfamiliar with Mr. Fassel, he writes the Corrupt Signals for Fangoria, easily my favorite column in the revamped mag (which is saying something, because each issue is a veritable treasure). So far, his debut novel is no less spectacular.

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Speaking of reading, as a sort of 'Quarantine Special', I've made the Kindle editions of my first two books $0.99 for the foreseeable future. If you've not read them, please consider giving one or both a chance. One is literary horror, the other the first book in a YA Horror/Suburban Fantasy series. I'm quite proud of both - I'm the first to know when something I write is shite. Also, I've been told both are good and, perhaps more importantly, fun:

 Link to buy A Collection of Desires

Link to buy Shadow Play Book One: Kim and Jessie

If you do take this chance to read them, please take a moment to give a star rating or review on Amazon, or really, anywhere books are sold or discussed. Thank you in advance!

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Playlist:

Revocation - Great is Our Sin
Revocation - Teratogenesis EP
Old Tower - The Last Eidolon
Alastor - Black Magic
The National - High Violet
The National - The Boxer
Various - The History of Northwest Rock Vol. 2 (The Garage Years)
Perturbator - Dangerous Days
Allegaeon - Apoptosis
Burzum - Filosofem
Burzum - Thulêan Mysteries
Perturbator - I Am the Night
Pascal Rogé - Satie: 3 Gymnopédies
White Ward - Love Exchange Failure
Perturbator - The Uncanny Valley
Code Orange - Underneath
Perturbator - Excess (Pre-release single)
Balthazar - Fever
Beach House - Thank Your Lucky Stars
My Morning Jacket - Z
Perturbator - Night Driving Avenger EP
Me and That Man - New Man, New Songs, Same Shit, Vol. 1
Alio Die and Lorenzo Montaná - The Threshold of Beauty
Misfits - Collection Two

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Card:

From the Grimoire: The Spark of Essence. I'm aligning this with the mammoth writing session I am about to embark on as soon as I post this. I took the day off to finish the second pass on this year's book, which is currently on track to be released in late Summer/early Autumn.