New Music From Sleep!

 

Big Sleep news. Matt Pike is out, replaced by Bubba Dupree of Void. Also, Dale Crover from Melvins on drums? This new track is interesting, but there's a lethargy here that feels a bit ominous. I'll have to wait for the full album. In the meantime, this is being released as a flexi disc along with a Sleep comic book, put out by Third Man Records. You can pre-order the comic HERE. The link to the bundle that includes the music comes up 404, so it's probably sold out.

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Watch:

From Writer Robert Bolesto and Director Agnieszka Smoczyńska, the team that gave us the delightfully messed up film The Lure (which The Horror Vision and Projexploitation crossed over to cover in great depth HERE):

I can only hope this hits theatres by me, even if it means driving to The Nuart in Nashville. I love that this feels a bit like The Lure, but also strikes me as having similar DNA to Ryan Kruger's Street Trash! There's so much energy on screen, and again, we have someone at work making a trailer who knows how to show us enough to whip us into a frenzy of expectation, but give nothing away.

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Read:

I finished the third book in Stephen King's Dark Tower series, The Wastelands. Still one of my favorites of the series, but it took me longer to read than I anticipated. Next up: Wizard and Glass, the last of the books in the series that I've previously read more than once. 

Once we get past this one, it's all first-time re-reads and not since Wolves of Calla, Song of Susannah and The Dark Tower each released. This endeavor has been a long time coming, and I've still got a pretty good head of steam. 

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Playlist:

Boards of Canada - Tomorrow's Harvest

Brian Eno - Ambient 1: Music for Airports

John Carpenter - Lost Themes IV: Noir

Perturbator - The Uncanny Valley

Tomahawk - Oddfellows

Melvins/Helms Alee

The Atlas Moth - Coma Noir

Boards of Canada - Inferno 

Perturbator - Age of Aquarius

Final Light - Eponymous

Greg Puciato - Mirrorcell

Lard - The Last Temptation of Reid

All Them Witches - House of Mirrors

Converge - Hum of Hurt

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

* Seven of Wands

• Page of Cups

* Eight of Wands

Positive results are the result of good communication. That said, it can be difficult to say what needs to be said to achieve those positive results.

As is often the case, I'm not picking up what the cards are putting down at the moment, so this one will sit on my desk until morning, just as a reminder.

Seven Days of The Reverend Horton Heat - Day 2: It's Martini Time

Well, thought I forgot about the whole "Seven Days of The Reverend Horton Heat," eh? That's because I 100% DID forget. 

The one that started it all for me. True, Mr. Brown and I had seen the Rev years before opening for White Zombie on the Astrocreep tour (along with Melvins!), but it wasn't until 88.3 WXAV St. Xavier University played "It's Martini Time" that I fell in love with the Rev's guitar sound and overall aesthetic and bought an album.

I still think this track's guitar is among my favorites ever. 
 

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NCBD:

Great list today. 

Continuing on as my favorite of the Energon Universe books, this cover to Transformers 33 sends shivers of great joy through my body. I still can't get over all the massive changes Kirkman has added to the book - Optimus giving over Prime leadership to Elita One, Thundercracker ditching the 'cons and becoming a 'bot, and hey, let's not forget, what the hell is going on with Megatron? Hopefully, we'll see this issue. 

The finale of this fantastic adaptation of H.P. Lovecraft's The Thing on the Doorstep. This story has gotten maybe more traction than any other HPL story in a while, so it's been interesting to see the different takes. Pretty sure Birks/Roberts is my favorite (though I can't help my forlorn wonder at what Richard Stanley's would have been like).

I have zero idea what is going on with this family reunion from the afterlife storyline in TMNT. I mean, I'm following the story just fine; I'm just not sure what this means for the series going forward. I guess one thing to keep in mind is, I don't think this was ever done before. For now, I'll hold my reservations close to my chest and trust in the creative team, as we're almost 170 issues into the relaunch continuity that began back in 2012, and the book has been fantastic for most of that run.

Once again, totally forgot this book was even out there. Going to need a full re-read before getting into this, and I'm wondering if I should just wait until this second chapter runs its course. 

Will this actually come out today? This final chapter of Rafael Grampá's Gargoyle of Gotham has been pushed back so many times, I lost count. Still, these are unbelievably gorgeous books that must take a lot of Grampá's heart and soul to produce, so I'm not complaining. 

The Energon Universe tightens its stranglehold on my wallet with another book! I never had any of the toys as a kid, but I was always intrigued then and am still now. I've loved the introduction of these characters in the other books, so this feels like a natural evolution.

Looking forward to more of this weird Snake Eyes conundrum. I love that they went all the way back to the first two years of ARAH to show us something Dr. Venom did that we never saw until now. That kind of callback really shows that Hama continues to function at the top of his game, even after 329 issues. 

The first issue was solid, and I'm curious what this title will mean for the evolution of SIKTC. 

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Read:

I'm still working through Stephen King's third novel in The Dark Tower series, The Wastelands. This is my favorite book, so it's a bit amazing to me how long it's taking me to read. I sailed through up to the Doorkeeper in the house on Dutch Hill, where he crosses over into Roland's world. Amazing scene that sort of serves as an act break. After, it's been a bit slower going. Part of that is various other things grasping at my attention - lots of comics to read for DwC, etc. Part of it is also something I only just realized this morning, as I blew through the chapter where Gasher absconds with Jake, leading him into the detritus tunnels of east Lud. This entire post-Jake's section is where the evidence of Roland's world having moved on grows to include people.

Sure, in book one, The Gunslinger, we had the town of Tull, but this is early on in the saga, and Tull feels like a town in a Western, which is what that first book purports to be for it's early chapters, only slowly peeling back the curtain and revealing Roland's world is actually very similar to our own, only a thousand or so years down a timeline where we destroy ourselves with, what I've always assumed, was warfare.

"The ancient, rusty hulks of what had once surely been automobiles stood at intervals along both curbs... There were no tires on any of these eerie hulks; they either had been stolen or had rotted away to dust long since. And all the glass had been broken, as if the remaining denizens of this city abhorred anything which might show them their own reflections... beneath and between the abandoned cars, the gutters were filled with drifts of unidentifiable metal junk and bright glints of glass. Trees had been planted at intervals along the sidewalks in some long-gone, happier time, but they were now so emphatically dead that they looked like stark metal sculptures against the cloudy sky. Some of the warehouses had either been bombed or had collapsed on their own, and beyond the jumbled heaps of bricks..."

The passage above switched on a fairly bright lightbulb when I read it yesterday morning. This is our world. We're not quite there yet, but the fact that, over the intervening roughly two decades since I last read The Wastelands, our world has become an eerily identifiable 're-echo' of Roland's. The key 'tell' here is the fact that the deeper Gasher, Jake, Roland and Oy descend into East Lud and the Tick Tock Man's domain, the more we get a sense that the people who inhabit this land enjoy living amongst the ruins of the old world. That's the thing I always get hung up on when contemplating, "could we actually take things too far?" in our own world, the operative idea being that, at a certain point, all of our in-fighting and disassembling of the mores, conventions and general social reform is going to leave our world covered in detritus and despair and that no one wants that. Only, maybe some people do want that. Maybe some people, to quote Michael Caine's Alfred in Christopher Nolan's film The Dark Knight, "want to see the world burn." We know those people have always existed; however, maybe they're not fringe, ineffectual nothings who can only damage small portions of our society. Maybe they are the people in charge. The same way late-stage Capitalism has seen the advent of destruction economics, maybe there's a big-picture advantage for those in power in destroying everything we've built.

"He thought he was at last beginning to fully understand what that innocuous phrase - the world has moved on - really meant. What a breadth of ignorance and evil it covered."

Jesus Christ. No wonder King hates trump so much - literally the Ticktock man of our world, and he predicted him over thirty years ago.

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Playlist:

Boards of Canada - Inferno

Blut Aus Nord - Ethereal Horizons

Ennio Morricone - The Thing OST

sunn O))) - Loser

Pilot Priest & Electric Youth - Come True OST

Gnarls Barkley - Atlanta

Boy Harsher - Careful

Blackbraid - Celestial Womb EP

Revocation - New Gods, New Masters

Sinoa Caves - Beyond the Black Rainbow OST

Melvins & Lustmord - Pigs of the Roman Empire

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Six of Cups

• Queen of Pentacles 

• Four of Pentacles

Emotional Balance takes a steady hand on Earthly concerns, something I'm struggling with at the moment, which makes feel isolated. 

Mascara - Going Postal

I think I first discovered Mascara via The Cinematic Void podcast, where, if I remember correctly, Nick Vance - whose band Double Life I adore - mentioned them in a year-end episode a few years back (maybe more than a few at this point). Anyway, I ended up with their 2025 album Going Postal on my phone, but couldn't remember how it got there. I gave a perfunctory listen a week or three back, but yesterday, holy shit. These guys HIT me. I blew through the album and a handful more of their releases (see below). All of them are fantastic. 

Mascara's Bandcamp is HERE, so head on over and give 'em a listen. Great independent band that deserves as much support as we can rally.

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Watch:

Tim Plester and Rob Curry's new documentary, The Archivist. I'm not entirely sure what this has to do with Weird Walk zine, but I came to the trailer via their YouTube channel, and I generally pay attention to everything they do. This is no exception.

Here's the solicitation blurb from the YouTube post:

"Following in a noble lineage of Great British nonconformists, David ‘Doc’ Rowe has spent the last 60 years tirelessly documenting the rich tapestry of mysterious folk customs that continue to thrive in forgotten corners of this Island Nation. THE ARCHIVIST follows this indefatigable man through the wheel of a year like no other; capturing not only his efforts to get back on the road despite health issues and Covid lockdowns, but also his crusade to find a permanent home for his one-of-a-kind collection."

This is making its world premiere at a film fest in Sheffield at the end of June, so not sure when we'll see it stateside, but I'll be watching for it from here out.

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Read:

Back into my Stephen King reread this weekend with my favorite of the Dark Tower novels, Book Three: The Wastelands.

I'm not very far yet, but I'm both shocked and not shocked at how well I remember this one. Not shocked, because I carry quite a bit of it in the daily ether that comprises my 'surface' mind. You know, those books, songs, movies, comics, whatever that are so much a part of you, that made such an indelible impression upon first contact that bits float up apropos of nothing at any given time on any given day. That's this book. Shocked, because even though I've read this three times prior (Once when it came out, once during a reread before Book IV came out, and once before embarking on the full series reread I did when the final three books began to release), I still always blanket assume my memory is not as good as I think it is (for many things, it is not). But no, I fell right in the opening scene with Mir, the 18-story guardian of the woods, like I was rereading yesterday's material.

This very much excites me, because with this proof of memory, I'm eager for certain other key scenes in the book, especially Jake in the 'haunted' house. 

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Playlist:

Anthrax - Worship Music

Anthrax - For All Kings

Anthrax - We've Come for You All

Rock Burwell - Obsession OST

Abby Sage - Smoke Break (single)

Napalm Death - Resentment Is Always Seismic (A Final Throw of Throes)

Mascara - Hla-11Tf 

Mascara - Cameo Blue Estate EP

Napalm Death - Apex Predator - Easy Meat

Joy Division - Unknown Pleasures

Abby Sage - The Rot

AC/DC - For Those About to Rock (We Salute You)

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Card:

From Jonathan Grimm's Eldritch Lace Tarot, which you can buy HERE.

• Ten of Wands

• Five of Cups

• Seven of Swords

Wasting time mulling over disappointing results is of no use. Take the negative and turn it into a positive. Or, to quote Alfred, "Why do we fall down Master Bruce? To pick ourselves back up."

Tom Waits & Massive Attack! 'Nuff Said!!

Tom Waits and Massive Attack??? Holy Christos - this is... wow. Just wow. 

No idea if this is harbinger to a full collaborative album. Most likely, Waits is on one track from the previously hinted at new Massive Attack album. Either way, listening to this on headphones while I type, this feels like balm for my soul.

You can read more about this single HERE.

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Watch:

I finally had the chance to sit down and watch Steven Kostanski's reimagining of Roger Corman's Deathstalker. Not to dismiss a Corman flick from the 80s, but Kostanski's film renders the original irrelevant - especially with how goddamn hung up it is on SA.

The FX here are, as one would expect, top-notch. There are images in this film that unearthed shit from my imagination that must go back to early childhood. In particular, the red "licorice" armor guys. Coppola's Dracula in his wolf armor tickled this same nerve, too, but the feeling I get from Kostanski's work is vestigial. Add to this the surreal touches and odd humor he instills in everything, and we have us a winner.

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Read:

About a third of the way through Stephen King's The Drawing of the Three, and it's even better than I remember it being.

"...but it was too late - they were tumbling backward thorugh that doorway, and the droning hum of New York City at night, so familiar and constant you never even heard it unless it wasn;t there anymore, was replaced by the grinding sound of the waves and the grating, questioning voices of dimly seen horrors crawling to and fro on the beach."

In my original discovery of these books, I think the "real world" of the titular three's world (our world) felt like a left turn when I read this, and of course, the year I read this, Wastelands came out, and that book has remained my favorite of the DT books since. Reading book two again now, I'm floored by how this hits the ground running. The whole beach/lobstrosity sequence ("Dad-a-chack? Did-a-chick? Drum-a-chum?") has stayed with me since that first read, and it's every bit as effective now, but the Eddie Dean on the airplane stuff is pure page-turning goodness. I can't wait to get deeper into this one, and the series in general. This is the reread I've been planning for years, and I'm jazzed about doing it now. 

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Playlist:

Zombi - Shape Shift

Steve Moore - VFW OST

Liars - Drum's Not Dead

Atticus Derrickson - Black Phone 2 OST

Plague Bringer - As the Ghosts Collect, the Corpses Rest

Corrosion of Conformity - Good God/Baad Man

Steeve Moore - Jimmy & Stiggs OST

Tangerine Dream - Sorcerer OST

Genghis Tron - Dream Weapon

sunn O))) - Loser

Blackbraid - Celestial Womb EP

Massive Attack & Tom Waits - Boots on the Ground (single)

Nine Inch Noize

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Nine of Swords

• XI: Justice (Lust in Thoth)

• Eight of Wands

Nine of Swords = deception. Eleven here is Justice, a primordial urge we lust for in 2026, fighting against the tyrannical mega corporations that define our increasingly suffocating existence. But wait - there's a way out. But it's a formidable act of Will, and not easily achieved from within the belly of this giant, dying machine called society that's bleeding out and drowning us in its blood. 

Beyond Chicago!!!

I am LOVING this new sunn O))) record! Something about the big, thick sonic slabs that these guys' music on vinyl produces as it leaks like scorched engine oil from my speakers and spreads out over everything around it! I had to leave my record player behind for a few days to drive up to Chicago, but that's not killing the absolute joy this release has left me with.

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Watch:

What a F*cking Weekend!

Beyondfest's Beyond Chicago turned out to be a blast from start to finish! Here's what I saw and what I thought:

Friday, 4/03:

I knew nothing about Writer Derek Kolstad's Normal going in other than Bob Odenkirk was in it. I can vouch for the trailer above - it does not ruin any of the surprises. Still better to avoid trailers, but I post them here for posterity anyway, so if you need a little bit of a whetting, this should do it. Especially when I confirm that this flick is every bit as action-packed, clever and funny as it looks. I'm a moderate fan of both Kolstad's John Wick flicks and his other Odenkirk-collaborations Nobody, but this? This I fucking LOVE! 

Saturday, 4/04:  

Not sure I am qualified to make this statement, because I'm definitely not the most versed person in the history of Martial Arts flicks, but still, I feel okay speculating that Kenji Tanigaki's The Furious might have the most ambitious fight choreography ever filmed. This flick is a FIREBALL; The Furious sets up quick and then takes off and never gives the audience a breath. No exhales, just a straight line of amazingly choreographed (and oddly mostly non-lethal) violence for most of the movie's runtime. 

Absolutely GLORIOUS!!!

Sunday, 4/05: 

A double feature of David Kittredge's new documentary, Boorman and the Devil, and the film it discusses, the oft-maligned Exorcist II: The Heretic. 

I'd never seen The Heretic before. I'd always heard it was "awful," but honestly, that wouldn't stop me. Really, this one has always kind of been in short supply, and also, as one of the few films that actually scares me, I just never thought The Exorcist needed a sequel. Combine that with my vitriol for part 3, and I've spent my life avoiding this one. But how, oh how dear reader, could I pass up seeing this on Easter Sunday? 

Seeing Kittredge's documentary gave me so much context for finally seeing The Exorcist II; not just how Sir John Boorman ended up directing it, or why the studio went in such a unique direction with the sequel to one of the most successful films ever up to that point, but also, Boorman's often ignored place in "New Hollywood" and how this film fit into that era. 

Excellent documentary that I would recommend to everyone, regardless of how you feel about the sequel. And I can say that because I did not love The Heretic. Again, Kittredge's film gave me the context to appreciate a lot about Boorman's film, but my major hang-up was Richard Burton, and he was a major hang-up. I won't be disrespectful, but I can tell you that, as much as I loathe George C. Scott's performance in part 3, I dislike Burton's more. 

Didn't think that would be possible.

As a whole, however, I'll take The Heretic any day over Legion. Any day. With The Exorcist II, John Boorman created a truly unique film, and I respect the hell out of his vision, even if the end result doesn't turn out to be super palatable. 

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Read:

I finished Stephen King's original The Gunslinger in just three days. An unbelievably wonderful experience, re-reading this for the first time in over twenty years, opening the exact copy I acquired circa 1990, the large grain of the paper it's printed on in and of itself a beautiful, evocative memory.

Before moving on to The Drawing of the Three, I realized that I have had Bev Vincent's The Road to the Dark Tower: Exploring Stephen King's Magnum Opus on my shelf since it was published in the early 00s, and I've never read it!

So, after finishing The Gunslinger, I opened Vincent's book for the first time with the idea that after every one of King's installments in the Dark Tower series, I would read the corresponding chapter in Vincent's book.

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Playlist:

Bakermat - The Ringmaster

Mascara - Going Postal

Blut Aus Nord - 777 Cosmosophy

Jozef Van Wissem - Praise Shall Sound From Shore to Sea

Justin Hamline - The House With Dead Leaves

Nabihah Iqbal - Weighing of the Heart

Idles - Crawler

Dire Straits - Money For Nothing

Boston - Eponymous

Dead Maus - Random Album Title

Firewater - Gett Off the Cross... We Need The Wood For The Fire

Talking Heads - Remain in Light

Cop Shoot Cop - Release

Corrosion of Conformity - Good God/Baad Man

Flying Lotus - Yasuke

Flying Lotus - Los Angeles

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• 8 of Discs - Prudence

• XVIII: The Moon

• 2 of Disks - Change

Lots of Earthly concerns and the neurosis they conceal. Diligence, balance and a keen eye so as not to be caught unaware by my own shortcomings. Already sussed this out a few days back, so I'll take this spread as confirmation.

Cleopatra's Comet

I was unfamiliar with Nova Twins until I saw Kirill Sokolov's They Will Kill You last Thursday and then again yesterday afternoon. This song is in that movie, and just like Sokolov's film, the track makes an impression. 

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Watch:

Rewatched Night of the Comet the other night. Here's one of the original tv spots from 1984:

 

I didn't see this film until somewhere around 2009 or 2010. In fact, I didn't remember ever even hearing of it before then. It's not my favorite of these kind of flicks from the 80s, but it's nostalgic and pretty fun, so while it's not a film I will revisit often, I did add it to the collection just to have it in the library.

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Read:

It has begun! Yesterday I read the first section in the 1990 edition of Stephen King's The Gunslinger, which I've had since '91. I LOVE this series, this book and this edition. The paintings by Michael Whelon are, like most of his paintings, phenomenal.

I don't think I've read this particular King novel since before the fifth Dark Tower book, The Wolves of Calla, came out in 2003. Twenty-three years!!! Up until this point, I made it a habit to reread every book in the series as new ones came out, and after 1997's Wizard and the Glass, there was the interminable gap during which time King convalesced after being hit by a van in 1999. I remember those days - scary times, fearing for both King's life and the idea that we might never get more Dark Tower books. After his recovery and eventual return to the series, the final three came fairly quickly, with Wolves in 2003, Song of Susannah hitting shelves in June 2004, and The Dark Tower following hot on its heels in September 2004. So this reread is a big deal for me, something I've wanted to do for years.  

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Playlist:

Windhand - Epoymous

Witchfinder - Hazy Rites

MadLove - White With Foam

High on Fire - Electric Messiah

sunn O))) - Pyroclasts

Big Business - Here Come the Waterworks

Daydream Twins - Solstice For Embodiment

The Dream Syndicate - The Days of Wine and Roses

Mountain Realm - Stoneharrow

Crystal Castles - II

Jozef Can Wissem & Jim Jarmusch - An Attempt to Draw Aside the Veil

Dead Man's Bones - Eponymous

sunn O))) - Metta, Benevolence BBC6 Live: On the Invitatin of Mary Anne Hobbs

Slow Crush - Thirst

Nova Twins - Supernova

Iron Maiden - The Number of the Beast

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Card:

I'm tired, so I'm setting aside Grimm's Hand of Doom Tarot (which you can buy HERE) and pulling a single card from the Thoth deck.

Turning the intangible into a consumable form. I guess that's pretty much what I do as a writer, and I've had four good days of writing in a row. Also though, I've been on a mission to write down my dreams for the last two weeks, so there's another example. 

You Absolutely Know More Than I Know

From John Cale's 1974 masterpiece Fear. Cale's delivery in this song is haunting - it's both sarcastic and filled with a tired sense of surrender. Feels appropriate when looking at world leadership from a private citizen's perspective.

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Read:

Somewhere around 2008 I read Stephen King and Peter Straub's The Talisman. I loved about half of that book and didn't care for the other half. No way of knowing if it was the King half I loved, but I'm guessing that, although you probably can't separate a collaboration like this into two completely self-contained 'halves,' that's probably close. Because of this, I never got around to cracking open the copy of 2011's sequel, Black House, and I just kind of forgot about these books. I love King, but I'm nowhere near what I'd call a completist with the man's work. Not because I wouldn't like to be, just because I don't have that much time in my life for his insanely prolific output!

Fast forward to last year, when I picked up a hardcover copy of The Talisman at a thrift store with the intention of sitting down for a re-read. It's not the original cover, but the 2001 edition:

Fast forward to earlier this year, and an article went around the internet where King talked about how the current book he was working on - a third and final book in the Talisman series - might be his last. Then, a few days ago, the press announcement hit for Other Worlds Than These - that third and final Talisman novel. You can read more about that over on the delightful Stephen King fan site Lilja's Library HERE. One thing King talks about here, is how this also ties up the Dark Tower's Mid-World, which King says, "...was always the Territories by another name."

Holy f*ck am I excited!!!

Apparently, although Straub passed away in 2022, the core idea of this one comes from him, and it's certainly nice to see his name on the third and final chapter. That's Stephen King, though. All around great human being. 

Also, the title for the new book comes directly from the very first Dark Tower novel, when Jake Chambers falls to his death and tells Roland, "Go then, there are other worlds than these." 

In some ways, this is one of the most influential and magical literary quotes that I've ever encountered in my life. I read The Gunslinger for the first time way back in early High School, when I found the trade paperback edition with Michael Whelan's gorgeous art in it at the school library. This was early enough in the series that I was able to go to my local public library and find Book Two: The Drawing of the Three (also with Whelan's art) and then wait with bated breath for the third book to come out about a year later. I've toyed with the idea of rereading the Dark Tower books for some time, as while I reread 1 and 2 when 3 came out and then reread 1, 2 and 3 when 4 came out, that cycle of rereading stopped when 5 came out, and I did 1, 2, 3 and 4 in preparation. Of course, due to the years-long hiatus King needfully took on the series after being struck by a car (those were dark years where many of us feared we would never get an end to the series), so 5, 6, and 7 I've only read once, as they came out. Will I have time to do that before I read Other Worlds Than These? Well... maybe. Scheduled for release on October 6, it's not out of the question. First, I'll start with The Talisman and Black House. 

This pushes a bunch of planned reading for the year back, but that's fine. This feels BIG, and I want to be in on it for the full ride, even if just to properly celebrate King and Straub's legacy.

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NCBD Addendum:

I'm sure anyone who keeps up with this page could have guessed this would happen, but I finally broke down and picked up Absolute Batman. In a true old-school maneuver, I grabbed the just-released Absolute Batman Volume 2: Abomination, choosing to jump in without the first arc's setup, much like buying comics off the stand in the 80s, before the proliferation of the write-for-the-trade paradigm. After reading this, I can say is, okay. Now I get it.

It's all about the BIG picture with this book, which is a plus for a Batman book. Nothing against the story of the week feel of the current Fraction and Jimenez run at all - that feels refreshing, too. But in my eyes, Snyder's Absolute Batman's strength seems to be building toward one big story and it has a lot of interesting elements to the setup that make me rabidly curious. 

- Pennyworth's constant references to "The War."

- Ark M as a blacksite just off the coast of Gotham, the surface-level construction hiding something dark and massive underneath. Also, the fact that this Ark M is literally "Ark: M," which I take to mean number thirteen in a proliferation of similar sites around the globe. 

- Genetically engineered snow dropped on the population to ready them for something nefarious

- Doctor Arkham turning men into monsters for purposes as yet unknown.

And of course, all that ties directly into that 16th issue that introduced this Universe's version of Joker - an ageless Billionaire with a butler, a cave beneath his mansion, and a stranglehold on the globe via economic, military and political posturing achieved over his inhumanly long life.

So yeah, reminder to self that sometimes the hype is earned. So that's two Absolute books I've converted to following in trade over the last month. Absolute WW is still the better book, but this one's intriguing as all get out, and combined they have me wondering if, despite my longstanding loathing of Superman as a character, I should check that one out as well. 

... And that 100% dovetails with something that happened to me/occurred to me shortly after typing the above paragraphs. Something I'll talk more about in Wednesday's post.

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Playlist:

Mountain Realm - Stoneharrow

Mountain Realm - Tribal Alliance

Darkswoon - Thread (single)

The Chameleons - Strange Times

Plague Bringer - As the Ghosts Collect, the Corpses Rest

(Lone) Wolf & Cub - May You Only See Sky

Canadia Rifle - Peaceful Death

Drain - ... Is Your Friend

Exhalants - Eponymous

Slow Crush - Thirst

Various - 85 Seconds Playlist

sunn O))) - Metta, Benelvolence BBC6 LIVE: At the Invitation of Mary Anne Hobbs

David Lynch & Marek Zebrowski - Polish Night Music

Mastodon - Once More 'Round the Sun

Tamaryn - The Waves

Boy Harsher - Careful

Revolting Cocks - Big Sexy Land

Tool - Ænima 

Mastodon - Blood Mountain

Swann Danger - Deep North

Au Pairs - Sense and Sensuality

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• XVII: The Star

• XX: The Aeon

• XXI The Universe

All Major Arcana - rare for me - means BIG ideas, BIG picture, BIG everything. There are a few interesting connections I can make here, but I'm actually going to wait until Wednesday. Aaaaannnnd... I'll retake and light this picture better.

New Music From Alabama Shakes!

When I say new, I should specify I am way behind on this one - looks like it dropped two weeks ago! Funny, as I just listened to Sound & Color for the first time in a while last week and had a moment of forlorn reflection that it's been ten years since that album was released. I don't know if this new track heralds an upcoming album, but I sure hope so. 

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Watch:

Where K and I would normally have seen The Long Walk on opening night this past Thursday, we had the opportunity to see John Carpenter's The Thing on the big screen (our second time) during Regal's Cine: A Month of Masterpieces. This series has me in awe: We're seeing Sunset Blvd tonight (also a second time on the big screen for us), I'm going to try like hell to see GDT's Pan's Labyrinth on Wednesday, then we have Psycho on Friday. And we're still in the second week of the month!!!

However, it's Francis Lawrence's The Long Walk I want to talk about right now. Adapted from a Richard Bachman - aka Stephen King - novella of the same name, with the adapted screenplay coming to us from JT Mollner, the Writer/Director of one of 2024's best films (Strange Darling), The Long Walk feels, in this moment, like the best adaptation of King's work to date. Ten years ago, that might have been a no-brainer until you stop to consider The Shawshank Redemption or Stand By Me (I've always heard The Green Mile is up there as well, but I haven't seen that one). But we've had a spate of pretty good adaptations over the last decade, top among them Mike Flanagan's Doctor Sleep and Gerald's Game. In the Tall Grass, and while I don't love the Andy Muschietti IT films, they're better than the original. Castle Rock - while not officially an adaptation of any one King story, is a super solid amalgam of his work. So we're light-years from the days of Langoliers and Needful Things. But The Long Walk feels like it has all of them beat.

I'm largely unfamiliar with Francis Lawrence's work as a Director. Yes, I've seen Constantine, and it puts me in a tough spot, as if they had not based that on John Constantine: Hellblazer, I would have loved it. Some fantastic images and ideas, but it just doesn't work with Reeves as JC and Chas being anyone but a hulking ex-Football hooligan. Other than that, though, looking at Lawrence's IMDB, I see he is mostly known for working with Suzanne Collins' The Hunger Games. I tried and couldn't get twenty pages into the first book, so I didn't even bother with the films, partially because the entire thing feels like a watered-down version of The Long Walk and Battle Royale. His history doesn't matter, though, because this film is excellent. A complete gut-punch in the best possible way, and King's knack for male camaraderie and how it can be a shortcut to major life epiphanies really shines through in this film. The characters are fantastic, and it hurts to see what happens to them. Cooper Hoffman confirms he is an excellent actor, following in his late father's footsteps, but David Jonsson - wow! In two movies (the other being Alien: Romulus, where he plays Andy, Rain's synthetic "brother"), he has demonstrated charisma and range that have me watching for his next film, genre or not.  

I'd recommend catching this one in the theater. If you want to hear more, hit the widget at the upper right-hand side of this page for The Horror Vision's new episode, where we start with a spoiler-free review, then give ample warning before veering into a full-spoiler comparison between the book and the film. Also available on YouTube HERE. 

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Playlist:

Sleep - Sleep's Holy Mountain

Hellbender - Hellbender OST

HEALTH - Ordinary Loss (pre-release single)

HEALTH - Rat Wars

David Bowie - Outside

Double Life - Indifferent Stars

Entropy - Dharmakāya

Deftones - private music

Godflesh - Streetcleaner

Blut Aus Nord - Shadows Breathe First (pre-release single)

Blut Aus Nord - Disharmoniu - Nahab

Dreamkid - Daggers

Faetooth - Labyrinthe

Alabama Shakes - Another Life (single)

Netherlands - Vapor

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

Also, if you head over to Grimm's Kickstarter HERE you'll see his upcoming The Eldritch Lace Tarot Deck you can hit the "notify upon launch" button and then you can get on this seriously unbelievably awesome deck. 

• Queen of Swords

• Six of Wands

• Page of Wands

A major creative period is happening, but it will take clear judgment to navigate. 

I love when these are so spot on. I've been working pretty diligently on Shadow Play Book Two, and there are SO many ideas at play right now. So many historical themes to tie into this century-spanning saga, so it's an immense creative rush, but I have to keep asking myself, "How much is too much?"

Stand Back, Derry!

I heard this at some point last weekend, and it struck me that I've never posted it here. I have loved this song as far back as I can remember. A lot of 80s 'hits' became essentially ubiquitous decades ago, however, this one never fails to grab my attention for its duration.

From Stevie Nick's second solo album, The Wild Heart, released in 1983. That would have been when I first heard this, too. I didn't have MTV, but a friend did, and this one was all over 80s radio. 

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NCB:

Short week this week. Wheww! After last week, I'm definitely up for a short pull:

A new Image book I thought I'd give a try. Sounds cool. Here's the solicitation blurb, straight from League of Comic Geeks:

"When Jonathan Reason falls asleep, he becomes... something else. Every night, it stalks his quiet town, killing (seemingly) indiscriminately. When he wakes, covered in blood, our story begins. This new horror mystery from ZANDER CANNON (Heck, Top 10, Kaijumax) shows us the horrifying waking hours of an unwilling part-time killer."

I'm unfamiliar with Cannon's work, however, I really dig books where the creator writes and draws, and sleep has always fascinated me, so I'm looking forward to where this may take me.

The second volume of Zac Thompson's Body Fantasy/Horror Into the Unbeing comes to a close. Will there be a third? Can't wait to find out!

One more after this one. I have loved this book, loved every cover, but none more than this one. Majestic, 

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Watch:

While I am not the biggest fan of Andy Muschietti's IT movies - they're good, for sure, but also definitely have their issues - I am very excited to get out from under the time constraints of a theatrical release run-time and revisit Derry in a premium television format.

If HBO's Welcome to Derry can even be half what Castle Rock was, I will be happy. There's a full article over on Bloody Disgusting for more information. No release date yet.

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Playlist:

Swans - Glowing Man

Godflesh - Decline and Fall E.P.

Windhand - Eponymous

Hot Ones w/ Henry Rollins

The Coffineshakers - Eponymous

Horse the Band - A Natural Death

Saigon Blue Rain - Oko

Year of No Light - Consolamentum

Telekinetic Yeti - Primordial

John Carpenter - Lost Themes IV: Noir

Godspeed You! Black Emperor - East Hastings

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Two of Swords

• VIII: Strength (Adjustment)

• XVII: The Star

Peace is won through routine and commitment. These form the path to Enlightenment.

More about ritual, which I have been sorely lacking the last week or so. Time to hunker down and reestablish my routines/rituals.

A Drink Before the War

From 1987's The Lion and the Cobra. Outstanding song from an outstanding album. Makes 1987 feel so close I can almost touch it.

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Watch:

It's been a while since I'd enjoyed John Carpenter's In the Mouth Of Madness. I'm guesting on John Trafton and Mile Fortune's This Movie Saved My Life podcast next week for the second part of their 1994 retrospective (part 1 is HERE), and Madness was one of the four films we're covering. 

Maybe it's because I just rewatched Nightmare on Elm Street 4: The Dream Master, too, but I'd never realized the influence that both the NOES and Hellraiser series had on this flick until now. I'm not sure if that influence comes more from writer Michael De Luca (who also wrote Freddy's Dead: The Final Nightmare) or JC himself, but it's definitely there. Also, and I know everyone who loves this movie knows this, but the brilliance of combining Stephen King's popularity with H.P. Lovecraft's ethos in Sutter Cane is one of the great triumphs of homage to either author, in a world where 75% of Horror is homage to one or the other (or both). I'd add that making Jürgen Porchnow look like Neil Gaiman - who would have been rounding the corner on finishing the original Sandman series for DC's Vertigo at the time, adds just the right amount of prescience about Gaiman's inevitable place in the pantheon King and Lovecraft reside over.

 

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Playlist:

Blut Aus Nord - Memoria Vetusta III: Saturnian Poetry

Blut Aus Nord - Hallucinogen

The Reverend Horton Heat - Whole New Life

The Raveonettes - Sing

Sinéad O'Connor - The Lion and the Cobra

Joy Division - Substance 1977-1980

Black Pyramid - The Paths of Time are Vast

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Six of Cups - Emotional fulfillment.

• IX: The Hermit - I need a period to regroup. Badly.

• Three of Pentacles - Growth in Earthly terms. Not sure if this is responsibility maturation or windfall. Windfall would be nice.

The Boogeyman

A few weeks ago, Mr. Brown asked me if I'd ever heard the Chicago band Ganser. I had not. I added a few records in Apple Music but didn't actually hit play on one until last week.

Instant adoration.

The album I'm currently obsessed with is 2018's Odd Talk, and the song on that album that gets the most play is also the first song on this live Audiotree session the band did in 2020, "Satsuma." Watching them play live is literally thrilling, especially guitarist Charlie Landsman. I love everything about this band, but I love Charlie's guitar the most, as it conjures White Lung, US Maple, Assembly Line People Program, and Erase Errata, to name a few bands I've carried on love affairs with in the past. 

Ganser is on the always fantastic Felte Records, and you can check them out on the label's site HERE or the band's Bandcamp HERE.

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Watch:

Last night K and I caught the first screening of Rob Savage's new film The Boogeyman. This is based on an adaptation of Stephen King's short story, "The Boogeyman," from his Night Shift collection. I've read the story, although I had no memory of it at the time of the screening, so I was free to judge the film simply as the film. In that context, and ultimately in any other, The Boogeyman is a damn solid monster movie. Here's the trailer:

          

What goes right with this flick? Pretty much everything. In many respects, this is a by-the-numbers Horror flick, but Savage - whose breakthrough was 2020's Host (the Zoom movie, which I love) - is showing himself to be an auteur at heart, so there are enough personal touches and 'aberrations' from the formula that while The Boogeyman feels familiar, it also feels different enough that you won't be bored. The third act really sealed the deal - it's fantastic.

Also, and this is the smallest of spoilers, if at all, but I found it very cool that actress Seylan Baxter, who played the Medium in Host appears in this film in a youtube video on Seances one of the characters watches. It's little touches like that I always appreciate in a filmmaker's work.

  

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Read:

After seeing the film The Boogeyman, I woke up this morning and re-read the story in Stephen King's Night Shift.

The story strictly follows Billings's visit to Dr. Harper's office, where he avails himself of his guilt. That's it. So the film is an adaptation and expansion of the story, and in that, it's pretty fantastic in what it accomplishes, using King's story as the seed for a larger world that's really only hinted at between the lines of the story.

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Playlist:

Radiohead - The Bends

Ganser - Odd Talk

Lustmord - Berlin

Boy Harsher - Burn it Down (single)

Boy Harsher - Careful

Code Orange - Grooming My Replacement/The Game (single)

Code Orange - Underneath

            

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Card:

From Aleister Crowley and Lady Frieda Harris's Thoth deck:

• Prince of Swords - The "Air" of Air, or doubling down on conflict

• 2 Change - The Ebb and Flow.

• Princess of Wands - Physical act or manifestation of Will

Cut and dry, once again. Of course, that's because it's all in the interpretation, and the interpretation is steeped in what's on your mind. I know exactly what's on my mind, and it's writing. Hence, why all of this week's Pulls have concerned my Art. 

I've had two decent days getting back in the saddle; nothing stellar, but that's the ebb and flow mentioned above - I have to take the good with the bad, especially when overcoming the inertia of having not written in a bit. It's easy to get discouraged, but you just have to apply your Will and fight that part of yourself that wants to be lazy, or is looking to be discouraged. Frustrations be damned, a breakthrough will come!!!

 

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European Doom

 

While looking around online for a vinyl copy of Mars Red Sky's 2011 eponymous masterpiece, I stumbled on yet another absolutely outstanding French Doom/Stoner band I'd not heard of - Witchfinder. Taken from their 2019 album Hazy Rites, you can order a super sweet bundle of gorgeous vinyl from these guys via Mars Red Sky Big Cartel Shop HERE. You can also order the anniversary edition of that aforementioned MRS record. I've got a very nice mail day coming up in a few weeks.

I have to say, so far France is my favorite exporter of Metal. Between Blut Aus Nord, and now these two bands, I feel an epic, otherworldliness in the music made there the likes of which, I've not heard elsewhere. All three bands are among the most unique and creative in their particular 'genres,' and I love the idea of old-world European creepiness informing their approach, sound and aesthetic. Just looking at the album artwork for Witchfinder, and hearing the band's incorporation of pipe organ into the music definitely lends their sound a darker sound than a lot of other Stoner/Doom bands. 

 

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Read:

I finally re-started Alan Campbell's God of Clocks, the third and final entry into his Deepgate Codex series. 

I really wish I'd been able to roll right from the first two books into this one, but that trip to LaLaLand interrupted that - I didn't want to carry a Hardcover with me on the plane, or around in my backpack as I walked all over L.A. The joke was on me, of course, as my friend Chris ended up gifting me several books while I was there, one of which was that Hardcover edition of Stephen King's Fairy Tale I just talked about reading a few weeks ago.

I'll not lie - I love Campbell's writing, but it's proving difficult to switch back from King. There's just something so pragmatic about Stephen King's prose. Talk about 'every man.' Campbell reminds me A LOT of Mervyn Peake, and as such, it takes a bit more time to visualize his descriptions. Not a bad thing, and definitely a good exercise for the ol' attention span, which took a bit of a hit of late. Not a big deal; I'll knuckle down and use God of Clocks to readjust my concentration, and that will help with several more of the books I have coming up in the next few months, probably most notably, Nathan Ballingrud's The Strange, which I'm absolutely frothing at the mouth to read.

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Playlist:

Druids - Spirit Compass (EP)

Dorthia Cottrell - Death Folk Country

Ghost Bath - Moonlover

Fen - Epoch

Nabihah Iqbal - Dreamer

Bret Easton Ellis Podcast S7E10: Mr. Misery 

Cartoonist Kayfabe - X-Men 273

Cartoonist Kayfabe - Hellboy: Crooked Man

Projexploitation 3615 code Pére Noël (1989)/ Ep 14

Mars Red Sky & Queen of the Meadow - Eponymous (single)

Witchfinder - Hazy Rites

Witchfinder - Forgotten Mansion

Mars Red Sky - Eponymous

Ritual Caster - Gravity Cosmonaut

            

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

 

• Seven of Swords - Sephirothic Association is Netzach, which instantly conjures the word "Victory" for me.

• Eight of Swords - Sephirothic Association, Hod. Splendor. 

• King of Cups - or in Thoth-speak, Prince of Cups, the Intellectual aspects of Emotion, a conundrum if there ever was one. 

What's this all add up to? Well, I'd say having the two consecutive numbers in the same suit fall one right after the other implies Process, i.e. there's a formula. My creative juice runs best in an Ad Hoc, stream-of-consciousness that I've had to learn to wrangle, especially when it comes to Shadow Play Books 2 & 3, which I've outlined and am (trying) to write concurrently. Or rather, I was. That approach kind of became subsumed by those flaring, creative energies again, and things have become somewhat murky. I'm assuming this Pull is telling me to buckle it up tight, once again.

Pulling two consecutive cards like this, I think it's important to note that when you look at the Qabalistic Tree of Life, the path between these Netzach and Hod is the 27th Path, also known as The Tower Path, or in Crowley's words, "The Blasted Tower or House of God." This is a path where if you are ascending from the lower, Earthly realms, you must sacrifice, or learn to part with your ideas of the world, your "ego scaffolding" and begin to give yourself up to something higher. If you're descending, you must take the thrill and emotion of "Victory" and transmute it into something useful. In other words, the idea you think is great can only actually be experienced as great if you can wrestle it into a tangible form.

That's writing, to a "T."

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