Was in the mood for some old school, mid-career Slayer, and this is what I landed on. From their 1990 album Seasons in the Abyss, the last good Slayer album, in my opinion. But what an album it is!

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NCBD:

Here are all the titles in my box this NCBD, 3/25/26:

I'll admit that, thus far, Quintesson War feels a little underwhelming; however, that may just be a product of a slow start and the 30-day spacers between issues. We've certainly had hordes of Sharkticons, Quintesson Baliffs (they should refer to these as "Bulls") and some pretty massive battles, so I'm not sure what I'm whining about. This is issue 4 of 6, so we'll see how I feel when this is all said and done and I can re-read in a burst. Regardless, it's still pretty awesome in general, even if it doesn't live up to my expectations.

Still the biggest surprise of the year - I'm actually reading and enjoying a Spawn book. That's 100% because it's a Liam Sharp project, and it's brutal and beautiful and crazy.

Prohibition-era, Outer Dark/Weird Fiction Gumshoe Detective serial? I'm here for it. Loved the first issue as a set-up, so let's see where Condon and Phillips take us!

Speaking of Weird Fiction, Jeff Lemire's Minor Arcana continues to build up a whole lot of strange infrastructure with excellent characters, a fantastic setting, and plenty of mystery! I love a good "slipping into another world hidden alongside our own" kind of story, and this is that through ang through. I think. That's another thing - I'm not sure I can pin down what exactly is happening in this book, and that only adds to the intrigue! Keep 'em coming, Mr. Lemire!!!

The facsimile edition of one of the 80s GIJOE: ARAH books I never caught in the wild! This bridges a series gap in my collection, without beating my wallet to death. Win-win!

The first issue of Death Fight Forever was fucking CRAZY! We talk about it on Drinking with Comics HERE. I'm pretty psyched for issue 2! Let's see more of that coke-snorting snake man!

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Watch:

For my 50th birthday yesterday, K and I went and saw Project Hail Mary. As I mentioned last week, I just finished reading the book, and as an introduction to Andy Weir's writing, this was a blast. How'd the movie hold up as an adaptation?

Well, this might be K's favorite movie of all time now, she says. A really solid adaptation script by Drew Goddard, who really distills things into a cinematic format from a book that really hinges on prose, so no easy feat this one. Something special for sure. Overall, the story works better as a novel, but the film is solid, and I'd encourage anyone interested to see it on the big screen. There's some "Wow" factor, and the heightened presentation really makes the emotions go big.

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Playlist:

James Brown - Hell

Low Cut Connie - Hi Honey

Jackie Wilson - Radio Station (Apple Music)

Low Cut Connie - Private Lives

Drug Church - Prude

Gwar - Scumdogs of the Universe

Mr. Bungle - Eponymous

The Raveonettes - Lust Lust Lust

Ozzy Osbourne - Diary of a Madman

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Card:

Sticking with one card from the Thoth for today's Pull:

• Knight of Wands - Bringing light and new vision into the world. Translation: Stop celebrating and get back to writing!

RIP Jeff Hanneman, Ten Years Gone

 

Today is the ten-year anniversary of Slayer Guitarist Jeff Hanneman's death. Hanneman's work inspired a generation of guitarists; almost every solo and riff the guy wrote is a classic, so choosing a favorite is tough. That said, "Spirit In Black," from 1990's Seasons in the Abyss, is one that always makes me stop and listen. The sinewy, circuitous path Hanneman shreds up and down the neck just blows me away every time.

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Watch:

I finally had a chance to see Ari Aster's new film, Beau is Afraid last night:

 

Okay, so I went into this film knowing nothing about it other than a few references I've seen to it being a "Nightmare Comedy." While we probably all know enough about Nightmares and comedies to be able to marry the two theoretically, I had some trouble picturing what this term would mean, let alone in the hands of Ari Aster. After seeing it, I will say this: Nightmare Comedy is the perfect summation of this film. Beau is Afraid is Anxious, breathtaking and sometimes horrifying. Also, it's very, very funny; I laughed out loud quite a bit, with one scene in particular evoking what was probably my longest laugh since either Barry season 2 episode 5 or the South Park: Pandemic Special. 

I just couldn't stop. 

Granted, the scene in question would likely horrify others, but by saying that, I don't want to mislead anyone. This isn't a "Horror" film and there's nothing as severe as the most memorable events from Hereditary or Midsommar. Or, perhaps it's better said there are some fairly severe moments - some that evoke Midsommar especially - but in Beau, these elements are not presented with the same severity. So, while visually, or in concept a few scenes create similar violence, in Beau that violence is, remarkably, played for laughs. 

And it works. 

This feels like Aster's "Gilliam" piece, but I also detect notes of Gondry, the Cohen Bros, and Peter Weir. I'm typing this portion of this post about two hours after leaving the theatre on Monday night, and I'm honestly considering going back tomorrow and seeing it again. There's a thrill to the discovery of what this movie is that I won't be able to recreate now that I know its arc, but would still be damn fun to try.

 

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Playlist:

Witchfinder - Hazy Rites

Ruby the Hatchet - Fear is a Cruel Master

Slayer - Seasons in the Abyss

Slayer - Show No Mercy

The Darts - Snake Oil

Screaming Females - Desire Pathway

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

I did something a bit different for today's Pull; I started with the Bound Tarot and then decided to see what a similar, three-card spread in Thoth would look like. Here's what I got:

Victory over unconscious motivations obscured by two elements fighting one another - Will and Money.

Approach emotional obstructions in an elegant fashion and Will should increase. 

Taken together, this is a hodge-podge of what I already know: I'm slipping on discipline in several areas and it's affecting my output. Victory (completion of a project) is obscured by a failure to place logic over emotion. In order to achieve the desired outcome, decisive action must be taken.