Assembly Line People Program - Glass Static

One of the best live bands I saw at Chicago's Fireside Bowl back in the late 90's. There's such a rift with a lot of groups from this time (my own from the time - Schlitz Family Robinson included) where they were very time/place and just missed the proliferation of digital/inter-tube age. A LOT of great bands from that era just haven't developed a posthumous presence online and it's a shame but totally understandable. One day maybe...

In the end I like to post this stuff to try and catch the artists' attention even if just for a second to say, "Hey, thank you. This was awesome and I still enjoy it to this day."

sys.exe - liquid sky

I know this guy. I really dig his stuff. He's doing some Christian Fisting remixes for us soon.

I'm excited.

Janice Whaley - Wow

I'm not even sure where to start with this one. It began with me reading one of my favorite blogs, Condemned to Rocknroll. Someone left a comment on one of the articles about an all-acapella Smiths cover project. I'm not very into covers, but I happened to have cracked The Queen is Dead and Meat is Murder back out today and of course, like an addict reintroduced to their favorite substance the second I get a nibble of The Smiths it's a very short distance to obsession. Pretty soon I'll be laying on the living room floor, reading Neil Gaiman's Sandman and listening to The Headmaster Ritual over and over and over again.

So after listening to that I did some snooping and found some more of her music. I'm really digging this as well.

Nick Cave - Fifteen Feet Of Pure White Snow

One of my favorite Nick Cave and the Bad Seeds songs from what is DEFINITELY my favorite album by the group - how have I never seen this video before???

Brilliant!!!

(note Jarvis Cocker in the smashing green suit)

Chelsea Wolfe - MER

Psychetect

Klint Finley is the mastermind that runs one of the best information-nexus sites on the internet, Technoccult.net. He also has a description-defying music project called Psychetect. It is fantastic. It takes me to strange inner spaces where reality melts and my thoughts turn into liquid fire. It is equally great to write to and great to zone uncontrollably; a much-appreciated Shamanic presence in the sometimes bleak and chaotic inner landscape that bubbles around beneath the furthest corridors of my consciousness.

Psychetect's E.P. Extremism is available for $2 here on bandcamp (you can also link to it through technoccult, which is probably an even better route to take because if you've never seen the site before you'll be able to get a feel for just how much information is there.

Battle Tapes

In my absence from keeping this blog there are SO MANY things that I have forgotten to put here. Take Battle Tapes for instance. In September 2011 my life had gone through a bit of a storm - I'd went through the slow death of Borders Books - a place I'd worked as a supervisor at for 5 years. And brother, it was a slow, painful death. Near to the end I was able to jump ship and begin a new career in the cryogenic field. That was August 2011, so like I said, September that year was a learning curve to say the least (I'd never had any experience in cryo-anything). Around this time my beautiful wife surprised me one Friday with tickets to see Helmet the following evening at, of all places, The Viper Room. Neither one of us like the Viper Room very much and this show was no exception. In fact, it pretty much made us HATE it. The place is soooo cool, if it was only run a little better. Case in point, the show had two bands on the bill and was supposed to start at, if I remember correctly, eight-thirty. Well, the club superimposed a local showcase in front of the Helmet gig and we ended up sitting through (by which of course I mean standing) two very, very bad "So Cal punk bands". Think of how much green day just absolutely sucks while trying oh so hard to convince every one - including me thinks, themselves - how 'punk rock' they are and then multiply that by about two thousand.

Yeah, that bad.

Anyway, by the time Helmet's opener came on neither my wife nor I were in a mood to tolerate even one more shitty band. Good thing Battle Tapes came out and BLEW THE FUCKING DOORS OFF THE CLUB. Really, I mean they were the highlight of the show, not really because they were better than Paige Hamilton and crew, but because when we had to leave only about seven songs into Helmet's set (Helmet! At a club as small as the Viper Room!!) it didn't hurt that bad because Battle Tapes was just that good.

I signed up for their mailing list and a few months later received word that they had released an EP for free on their site. Said EP is still available for free download here and I've posted their widget above so you can even hear it first.

It's sooooo good!!!

Corrections House - Hoax The System

The long-whispered about featuring Sanford Parker of Chicago Black Metal/Industrial band Nachtmystium along with Scott Kelly  of Neurosis, Mike IX Williams of Eyehategod and Bruce Lamont of Yakuza and Bloodiest has finally arrived. Above is their bandcamp, below the first video. Great throwback to the Industrial days of old. 

FIDLAR - Cheap Beer

The guys in FIDLAR bring the old school aesthetic without sounding like they're rehashing anything. Debut album came out today on Mom + Pop Music. What's more, you can buy the album directly from the band in what has to be the best Bundle pack I've seen in a while - either as CD or LP w/ t-shirt or (and this is my favorite) as CD or LP with a custom SKATE DECK! How freakin' cool is that? Mine cracked about a year ago so this might be the way to go if it doesn't sell out right away. I don't skate very often these days, but it's felt weird to not have a deck. I've had one on hand since about...1987.

2013 Sundance Film Festival Shorts: The Apocalypse

I've been routing around looking at a lot of the shorts at Sundance. I REALLY liked this one.

From Sundance

JELLO BIAFRA & the GUANTANAMO SCHOOL OF MEDICINE LIVE @ SO 36

Biafra's new(er) group doesn't get the props or traffic they deserve. This is every bit as awesome as the Kennedy's - further proof who really wrote all those DK songs.

Fuck dockers.

Oh, and yes, that's Andrew Weiss of early Ween and Rollins Band fame, on bass.

Sound City Official Trailer

I respect the hell out of Dave Grohl but his music does next to nothing for me. It's textbook radio rock - not bad, just not for me. Likewise for most of the modern bands touted herein (Queens of the Stone Age and NIN being the exceptions). But I LOVE Neve boards and a lot of recording history happened at this place. I heard an interview with Grohl and Corey Taylor from Slipknot/Stone Sour on Kevin and Bean late last week and although I didn't particularly go in for the track they premiered for their shared music project The Sound City Players (which also features Rick Nielson of Cheap Trick and Krist Novoselic I'll put the song up as well. Props to Grohl for doing all of this, again it's not my cup of tea but it's cool to see someone with so much stature in the mainstream rock community actually do cool, creative and respectful stuff like this. And props to the bands who participated in the doc, from Fleetwood Mac to Slipknot to Cheap Trick and everywhere in between.

Wrong (2013)

'

This looks amazing. And come on - William Fichtner is THE shit!!! Directed by Quentin Dupieux, the man who made Rubber (2010).

Decoding Tool's "Holy Gift"

I found this about two months ago. It's been some time since I've listened to Tool. They're a band I love but I have a very specific mindset that I have to be in in order to listen to. Part of this is because they are not a 'passive' listening band. Tool is very engaging with their music, I cannot just put them on in the background. I wrote a massive chunk of my first, unpublished novel to Lateralus and to this day it remains my favorite of their records. This was a time when I was also really falling into Magick and the album fit perfectly - the enigmatic way in which the band conducts itself lends to their mystique, as does a lot of the little 'hidden' things they do in their music and on their website. If you're interested in what I'm talking about go here. That's a link that was hidden on their site back around the time Lateralus dropped. How many famous rock bands spend time talking about/doing this kind of thing? To some it would be an act, the whole Magick thing, or a fashion, but to Tool and their inner circle there has always seemed to be the air of research into our world, and in keeping with this Tool's Holy Gift makes perfect sense.

There is a video here that explains the concept, but the basic gist is that the Fibonacci Sequence is integral to the record Lateralus - it contemplates or draws upon it in several places. Could there then be some hidden meaning/message in re-arranging the track listing of the record in accordance with Fibonacci's numbers?

Swans - The Seer

Okay, so I'm fairly late in the game on this one. I spent a large part of the year (7 months to be exact) holed up and working on a screenplay that may never see the light of day due to artistic disagreements. In that time a lot of music came and went under my radar as I was completely unplugged from any semblence my usual practice of scowering high and low for new stuff. I played MAJOR catch-up during the last two months of the year, the whole time harboring a feeling that one of the albums that "got away" - Swans newest record The Seer yet somehow never managing to transmute that feeling into acquisition. Then, about  a week after I posted my top ten albums of 2012 on Joup a friend of mine gave me a copy of The Seer and I loaded it into my ipod. About a week after that on a day off I put the album on and had trouble ever turning it off.

Frankly, until this record the Swans frightened me a bit. About five years ago I picked up the Cop/Young God - Greed/Holy Money reissue put out by Some Bizzare Records and although I LOVED the music I had a bit of an adverse reaction to the general tone of the record. Now, this in itself is a little out of character for me. I love a lot of dark, sometimes violent music. I'm not a prude and I don't scare easy. However, at the time I bought this record I had just finished reading George Petros' book Art That Kills and it had unnerved me, made me question some of the areas of art that I dabble in. Sometimes things we take at face value have deeper meanings that we don't stop to contemplate. Petros' book - while covering many artists whose work I truly love and consider historically important - also covers some that, well, fell more on the 'leave that the fuck alone' side of things. What's more around this time some strange happenings had resurfaced and to put it very succinctly a friend and I were seriously questioning whether A) a Magick ritual we had crafted in the form of a song for our band The Forest Children had caused a violent crime in our old recording space, or B) we were losing out minds for thinking this might be the case. My initial reaction to the Swans record was a combination of a psychic hangover from Mr. Petros' book, this hazy personal event and, specifically, the lyrics for track #2 on the Swans disc, a song titled Job.

I put the record away for a while.

I am a MASSIVE GodFlesh/Justin K. Broadrick fan and after buying one of the earlier Jesu albums and finding myself smitten with the vocals of Jarboe I made the connection and dug Swans back out. At first I isolated the Jarboe-sung tracks, soaking in the haunting, spectral atmosphere I'd not made it to before. Then I held my breath and gave the entire two discs another spin from beginning to end.

Wow.

The first thing I noticed when I went back to Cop/Young God - Greed/Holy Money was how Michael Gira was so obviously a huge influence on them. Many a band quote Broadrick and GodFlesh as influences but I'd never really delved into what bands influenced them. But the overall tone of the album was just still too dark for me. Actually, dark is not even the tone. While beginning this post a couple of days ago I dug the record out again (much to my wife's chagrin) and listened to the entirety of the first disc. It still takes me to a mental place that I just don't feel comfortable going. But here's the thing - that in and of itself is a feat for an artist. Just because the record causes this reaction in me doesn't mean I don't think it's an important or 'good' record. Au contraire - this makes me think it is something extremely special, to be reserved for special occasions when my inner psychonaut feels the call to places darker than I normally trek.

Anyway, The Seer has trumped much of my list for last year - maybe all of it. It is a magickal, complex and limitlessly rewarding piece of music the likes of which I've not heard assembled in one place before. It is now time then, for me to go back and begin buying all of the Swans records I've missed out on over the years.

Tonight Tonight Tonight! Henry Rollins Radio Show

Before I watch Instrument I'll be listening to Henry Rollins' weekly radio show on NPR station KCRW. You can follow the link below and stream it if you do not live in Los Angeles or any of the sister areas in Southern California that carry this station. Week after week it is the BEST radio show I've come across, not because I'm a huge Rollins' fan (which I've become BECAUSE of the show) but because he plays the most eclectic array of tracks and his absolute Love of music seeps through every moment of the two hours from eight to ten that he's on the air.

KCRW Broadcast 199 - Henry Rollins on KCRW

Fugazi - Instrument

Whoah. Never thought to look for this on the 'tubes. Somehow it has evaded me since it's release in (I think) '99.

Dig in.

New Alice in Chains

I'm posting this without even listening to it as I'm at work and the computer I'm on does not have speakers. After Black Gives Way to Blue though, Jerry Cantrell and crew have (yet again) earned the benefit of the doubt.

Whereas with a lot of folks my age (36) Nirvana was their important new band during high school in the nineties, mine was AIC. Not to say I didn't like Nirvana - I did and still do. To a point. But the first time I heard Dirt - specifically the track Junkhead - it was like Layne, Jerry and the boys were speaking directly to me, summating my experience (minus the heroin) and presenting me with music the likes of which I'd never heard before (and really still haven't since) while doing it. When Cantrell began touring again under the name Alice in Chains I was skeptical but hey - it's not his fault Layne died. I made peace with it. Then when I heard they were releasing an album I was a little taken aback.

But then I heard it.

Several old school bands have released new or 'comeback' albums in the last ten years that somehow seems to pick up EXACTLY where they left off. Bauhaus's Go Away White and now Soundgarden's King Animal spring immediately to mind. But how Cantrell did it w/out one half of the main songwriters is beyond belief.

In an interview I read recently he talked about how with this upcoming album he was in the unique experience of feeling sophomore jitters for the second time in his band's career. I don't know how well album sales and their tours are doing for the guys in Alice but I hope it's keeping them living a good life.

They deserve it for all of the wonderfully innovative rock they've made over the years and I for one will be buying this new album DAY IT COMES OUT just to help show support to a band from the past that STILL has not disappointed me to date.

Upstream Color Trailer #1

Chills.