The Black Angels - Don't Play With Guns

Melvins Do Black Betty from Forthcoming Covers Record

The first song we've heard off of April 30th Melvins (and friends) cover album Everybody Loves Sausages. Thanks be to Mr. Brown for the heads up.

What is not addressed in the article is why JSBX - or what is commonly an abbreviation for Jon Spencer Blues Explosion, is on the graphic. Are they somehow involved in with the track? There was no mention anywhere that I looked.

I Feel an Ethyl Meatplow Binge Coming On...

My Conundrum with the New MBV

image courtesy of walrusmusicblog.com

So I just ordered the vinyl package for the new My Bloody Valentine album. Said package came with the 180 gram vinyl, CD and the digital DL. So the tracks are in my possession, and I'm dying to listen to them, HOWEVER, here's my conundrum.

From the MBV website:

"This vinyl album has been recorded as an analogue album. It was recorded on 2 inch 24 track analogue tape and mixed onto half inch analogue tape and mastered with no digital processing involved. The vinyl is a true analogue cut, i.e. it hasn't been put through a digital process during the cutting process unlike over 90% of all vinyl available today."

Okay, so do I go ahead and listen to the tracks as digital entities, or do I wait (the vinyl/CD's aren't being shipped until the 22nd due to manufacturing) and let such a beautiful and meticulous record find my ears the first time the way it was meant to? It's been fairly easy avoiding the tracks thus far on youtube and pitchfork and whatnot (which is why I've nto posted any here), but now that they're on my computer?

I'm going to attempt to wait, but brothers and sisters, as they say in hell, it ain't gonna be easy!

Mr. Bungle Full Show 1992

For the other side of the coin from that 2000 show I posted earlier. Of special note would be their cover of Billy Squire's The Stroke at about 41:00 minutes and the truly disturbing set-closer, a ten minute+ version of Everyone I Went to High School with is Dead. On that one, the sometimes-shoddy video work and intermittent all-black screen help combine with the improv/noise element of the song to produce one of the closest things to a nightmare captured on film I've ever seen. This wasn't the exact show I was looking for, the one where Patton gets pulled into the crowd by a fan then hits the guy in the head with the microphone, finally toweling off the blood as he sings... I don't remember. I'll have to find that...

Mr. Bungle Full Live Show ~2000

Wow. A professionally shot Mr. Bungle concert from the 2000 California tour. I saw them three times for this album and I'd forgotten just how much of a workout each one was for the band. Props for BrainPhreak to posting this.

Barry Adamson - If You Love Her

If you're not familiar with Barry Adamson, former bass player for Nick Cave and the Bad Seeds, Nick Cave and the Cave Men, Magazine and for a short time the Buzzcockss, and you dig any measure of the stuff I toss out on this page, go get 1996's Oedipus Schmoedipus. An anthological record that features Adamson's jazz/noir musicality and style plus a number of great guests (Carla Bozulich, Nick Cave, Jarvis Cocker to name a few). If you're a David Lynch fan you'll recognize track number two on the record, it had a pretty memorable moment in Lost Highway. Mr. Adamson's soundtrack to Carol Morley's 'Dreams of a Life" which will be aired in the UK tonight, Feb 7th. Said ST can be purchased here on iTunes.



All of the man's albums are fantastic, especially my favorite, 1998's As Above So Below. Atticus Ross assisted with some of the programming and produced it and Flood's on hand for a couple of tracks as well. It's fantastic; a dark, jazzy descent into a noisy, ionic hell where the kiss of an angel waits mockingly just out of reach. Overdoing it? I don't think so. You don't know Barry.



Adamson's earliest records (Moss Side Tory, Soul Murder) are fascinating because they are soundtracks - complete with dialogue snippets - to movies that never existed outside Mr. Adamson's mind. The genius displayed therein put him on Trent Reznor's map back in the early 90's. Reznor used a few of Adamson's tracks and the influence of his MO to put together the Natural Born Killer's ST and then a few years later of course the aforementioned Lost Highway. Two years ago Adamson - a "Cinematic Soul" by his own admission, wrote, directed and released his first film - a 'novella' entitled The Therapist. The film is a heavily-influenced first film but it is good, strong in tone, and it points to even better things to come from this man whose work I love so much. A friend and I saw him live last year in an intimate show at LA's Hotel Bar. Just Barry, minimal accompaniment. It was awesome.